Mixed Race Studies

Research Project on “Mixed Race” Identity: Call for Participants

University of Alberta
2013-08-23

Jillian Paragg, Ph.D. Student
Department of Sociology

Are you of mixed racial background? Do you/have you identified as “mixed race”, “multiracial”, or with other “mixed” self-identifications (i.e. biracial, mulatto, eurasian, happa, creole etc.)? Do other people identify you as “mixed”?

I am looking for residents in the GTA (Greater Toronto Area) to participate in life story interviews who:

• are 40-60 years of age
• are of mixed racial parentage
• have been in Canada since the 1970s

I am conducting a project on mixed race identity for my doctoral dissertation in the Department of Sociology at the University of Alberta. The purpose of the project is to explore respondents’ experiences growing up and living as “mixed race” during the multicultural era in Canada.

Interviews will involve a minimum of two sittings, each taking at least 1 to 1.5 hours – for a total time commitment of 2 to 4 hours.

If you would like to be part of this study or have questions, please contact Jillian Paragg (paragg@ualberta.ca) by early November 2013 (will be in the GTA until end of November). This project is supervised by Dr. Sara Dorow, who can be contacted at sara.dorow@ualberta.ca.

The Black Irish Onscreen: Representing Black and Mixed-Race Identities on Irish Film and Television

Peter Lang Publishing
Reimagining Ireland. Volume 16
2013
203 pages
5 black and white illustrations
Paperback ISBN: 978-3-0343-0839-7
DOI: 10.3726/978-3-0353-0507-4

Zélie Asava, Lecturer and Programme Director of Video and Film
Dundalk Institute of Technology, Louth, Ireland

This book examines the position of black and mixed-race characters in Irish film culture. By exploring key film and television productions from the 1990s to the present day, the author uncovers and interrogates concepts of Irish identity, history and nation.

In 2009, Ireland had the highest birth rate in Europe, with almost 24 per cent of births attributed to the ‘new Irish’. By 2013, 17 per cent of the nation was foreign-born. Ireland has always been a culturally diverse space and has produced a series of high-profile mixed-race stars, including Phil Lynott, Ruth Negga, and Simon Zebo, among others. Through an analysis of screen visualizations of the black Irish, this study uncovers forgotten histories, challenges the perceived homogeneity of the nation, evaluates integration, and considers the future of the new Ireland. It makes a creative and significant theoretical contribution to scholarly work on the relationship between representation and identity in Irish cinema.

This book was the winner of the 2011 Peter Lang Young Scholars Competition in Irish Studies.

Contents

• Acknowledgements
• Introduction: Positioning the Black Irish: Theoretical, Historical and Visual Contexts
• Chapter One: ‘No Blacks, No Dogs, No Irish’: Being Black and Irish in Neil Jordan’s The Crying Game (1992) and Breakfast on Pluto (2005)
• Chapter Two: Gendering the Other: Raced Women in Irish Television (Prosperity (RTE, 2007), Love is The Drug (RTE, 2004) and Fair City (RTE, 1989–present))
• Chapter Three: New Identities in the Irish Horror Film: Isolation (O’Brien, 2005) and Boy Eats Girl (Bradley, 2005)
• Chapter Four: Black and Mixed Masculinities in Irish Cinema: The Nephew (Brady, 1998), Irish Jam (Eyres, 2006) and The Front Line (Gleeson, 2006)
• Chapter Five: Thrill Me, Kiss Me, Kill Me: Trafficked (O’Connor, 2010) and the Multicultural Irish Thriller
• Chapter Six: The Raced Stranger in Contemporary Cinema: Between the Canals (O’Connor, 2011), Sensation (Hall, 2010), The Good Man (Harrison, 2012) and The Guard (McDonagh, 2011)
• Conclusion
• Framing the Future of the Black Irish Onscreen
• Bibliography
• Index

Researching the Experiences of Multiracial People Having their Racial Group Membership Denied by Others

University of Maryland, College Park
Department of Psychology
2013-08-22

Marisa Franco, Doctoral Student
Counseling Psychology

Greetings!

My name is Marisa Franco and I am a doctoral student in counseling psychology at the University of Maryland. I am conducting a survey examining Multiracial people’s experiences of having their racial group membership denied by others.

I would appreciate if you could participate and/or forward this study to potential participants. We are looking for participants that identify as Multiracial and are over the age of 18.

All participants will have the option of being entered into a raffle to receive one of three $25 gift cards.

To participate in the study, please click here: https://umd.qualtrics.com/SE/?SID=SV_8ChXJARNTErFm0l

Prospective participants can click on the link provided above and will be directed to the informed consent document, which includes additional information on study participation. Participation in the study is expected to take approximately 30 minutes.

Participation is confidential and participants may withdraw from the study at any time. If participants have any questions, they may contact me at mgf269@umd.edu.

Thank you.

What the ‘Mixed Kids Are Always So Beautiful’ Meme Really Means

The Huffington Post
2013-08-22

Marcia Dawkins, Clinical Assistant Professor of Communications
University of Southern California, Annenberg

The New York Times’ Motherlode blog recently posted a thought-provoking article called, “Mixed Kids Are Always So Beautiful.” The author’s experiences as a parent to a racially-ambiguous mixed child are proof that beauty and race are concepts societies create that may not actually exist in nature. As a result, beauty and race are associated with and impacted by our experiences and perceptions related to class, immigration, gender, sexuality and marketing. Case in point: Since the Time magazine “New Eve” cover in the 1990s, multiracial individuals are more and more said to be the face of 21st century America and its evolved standard of beauty. But what’s less known is that even this image was altered to look less “Hispanic/Latino” (read: brown) and more “European” (read: white) after focus group testing.

The “mixed race faces are prettier” meme is related directly to hybrid vigor, the biological phenomenon that predicts that crossbreeding leads to offspring that are genetically fitter than their parents. Hybrid vigor makes mixed race people somehow biologically different and prettier than non-mixed (non-white) people by nature. Equally dangerous is the added effect that focusing on mixed-race offspring continues to make interracial relationships about sex and heterosexuality and to marginalize those who do not identify as heterosexuals and/or come from same-sex interracial families…

…My parents reminded us that real beauty is measured more accurately by intelligence, interests and healthy relationships rather than by a racially ambiguous appearance and others’ reactions to it. They also taught me not to “believe the (racist) hype” that mixed kids are more beautiful than anyone else…

Read the entire article here.