Mixed Race Studies

Uptown Girls

Sunday Book Review
The New York Times
2013-09-22

Martha A. Sandweiss, Professor of History
Princeton University

Miss Anne in Harlem: The White Women of the Black Renaissance, by Carla Kaplan Illustrated. 505 pp. Harper.

Time hasn’t been kind to the white women who participated in the Harlem Renaissance. As philanthropists and activists, authors and patrons, they sought a place for themselves in that remarkable outpouring of African-American art during the 1920s and ’30s. Some, constrained by social expectations, effaced the records of their work. Others made it difficult for historians to treat them with much seriousness. What, after all, can we do with someone like Nancy Cunard, a British steamship heiress raised on a remote English estate, who felt no shame in proclaiming “I speak as if I were a Negro myself”?

“Miss Anne” — the dismissive collective name given to white women — makes bit appearances in the literature of the era as a dilettante or imperious patron; later, she’s depicted as a thrill-seeking “slummer.” Always, she lurks in the shadows of her male counterparts in scholarly studies of the movement. But she was there, encouraging writers, underwriting cultural institutions, supporting progressive political causes. And many leading Harlem Renaissance figures — including Langston Hughes, Alain Locke and Nella Larsen — had reason to be grateful to her. At least for a while. Like everything else about Miss Anne, those relationships got complicated…

…The book is full of fresh discoveries. ­Kaplan learns that Lillian Wood, author of the radical 1920s anti-lynching novel “Let My People Go,” was actually white, not black, as other scholars have imagined…

…But the focus of the book remains squarely on the larger issues of racial identity raised by Miss Anne’s deep personal identification with African-American life. Miss Anne wanted to suggest that race was a constructed ideal, yet she stumbled over the internal contradictions of her impulses. She fought against racial essentialism and the perverse logic of America’s one-drop rule, which proclaimed that even a trace of African heritage made one black, but she also celebrated the seeming vitality and distinctiveness of black culture. Josephine Cogdell Schuyler wrote in her diary the night before her wedding: “To my mind, the white race, the Anglo-Saxon especially, is spiritually depleted. America must mate with the Negro to save herself.” In a similar expression of romantic racialism, the philanthropist Charlotte Osgood Mason lauded “the creative impulse throbbing in the African race.” As Kaplan suggests, white men could sometimes get away with ideas like this; a dose of black culture offered a useful inoculation against the debilitating sterility of the industrial world. But white women who sought an intimate connection with African-­American life were seen as traitors to the race, even sexual deviants.

What was race anyway? That’s the big question Miss Anne’s actions raised. If race was simply a myth or fiction, could one reimagine racial identity as something based on affiliation rather than blood? Some of the writers of the Harlem Renaissance asked much the same thing. In Nella Larsen’s “Passing” and James Weldon Johnson’s “Autobiography of an Ex-Colored Man,” for example, light-skinned protagonists of African-American heritage successfully pass as white, demonstrating that racial identity could hinge on voluntary association and careful self-presentation. Their radical acts blur the color line and expose the absurdity of the one-drop rule. Approaching the color line from the other side, Miss Anne reframed the issues. If race wasn’t determined by biology, why couldn’t a white woman feel black? Why couldn’t she repudiate her own culture to embrace another?…

Read the entire article here.

Miss Anne in Harlem: The White Women of the Black Renaissance

HarperCollins Publishers
2013-09-10
544 pages
Trimsize: 6 x 9
Hardcover ISBN: 9780060882389; ISBN10: 0060882387
eBook ISBN: 9780062199126; ISBN10: 0062199129

Carla Kaplan, Stanton W. and Elisabeth K. Davis Distinguished Professor of American Literature
Northeastern University, Boston, Massachusetts

New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: the story of a group of women collectively dubbed “Miss Anne.”

Sexualized and sensationalized in the mainstream press—portrayed as monstrous or insane—Miss Anne was sometimes derided within her chosen community of Harlem as well. While it was socially acceptable for white men to head uptown for “exotic” dancers and “hot” jazz, white women who were enthralled by life on West 125th Street took chances. Miss Anne in Harlem introduces these women—many from New York’s wealthiest social echelons—who became patrons of, and romantic participants in, the Harlem Renaissance. They include Barnard College founder Annie Nathan Meyer, Texas heiress Josephine Cogdell Schuyler, British activist Nancy Cunard, philanthropist Charlotte Osgood Mason, educator Lillian E. Wood, and novelist Fannie Hurst—all women of accomplishment and renown in their day. Yet their contributions as hostesses, editors, activists, patrons, writers, friends, and lovers often went unacknowledged and have been lost to history until now.

In a vibrant blend of social history and biography, award-winning writer Carla Kaplan offers a joint portrait of six iconoclastic women who risked ostracism to follow their inclinations—and raised hot-button issues of race, gender, class, and sexuality in the bargain. Returning Miss Anne to her rightful place in the interracial history of the Harlem Renaissance, Kaplan’s formidable work remaps the landscape of the 1920s, alters our perception of this historical moment, and brings Miss Anne to vivid life.

“The United States of the United Races” w/ Dr. Greg Carter

Mixed Race Radio
Blog Talk Radio
2013-09-25, 16:00Z (12:00 EDT)

Tiffany Rae Reid, Host

Greg Carter, Associate Professor of History
University of Wisconsin, Milwaukee

On Today’s episode of Mixed Race Radio we will meet Professor Greg Carter, author of The United States of the United Races: A Utopian History of Racial Mixing. Professor Carter currently serves as the Associate Professor, Department of History at the University of Wisconsin at Milwaukee. He studied at the University of Texas at Austin where he received his Ph.D. in 2007.

Besides receiving several prestigious awards including, the Graduate School Research Council Award (University of Wisconsin-Milwaukee 2009) and the Campus Reading Seminar Award (University of Wisconsin System Institute for Race and Ethnicity 2008), Professor Carter is teaching some of the coolest courses in a college setting. He continues to present some very intriguing discussions that explore the mixed race experience in media and he does this while remaining involved in the History Caucus, Minority Scholars Committee and several other committees which he actually chairs.

“Each of the seven chapters in The United States of the United Races explores how tensions in our history have revised themselves in every period since the early republic. This book presents the career of an idea through time more so than the biographies of particular writers, orators, or activists. This unified approach shows that in every period, an optimistic stance has been as central to the American conversation on race as the pessimist. Because antipathy towards mixture is so established, and because they have no formal connection to predecessors, each critic of the dominant position must re-create the position in new ways.”

Today, we will discuss Professor’s Carter’s book,  The United States of the United Races: A Utopian History of Racial Mixing and engage our listeners in a discussion centered on the history of positive ideas about racial mixing in the U.S. as well as Critical Mixed Race Studies as a field.

Tangled Roots: Stories and events to celebrate multi-racial families and mixed-race people in Yorkshire

Tangled Roots Exhibition: Portraits of Writers from Yorkshire taken by Anthony Farrimond
Seven Arts, Harrogate Road
Leeds, England
2013-09-18 through 2013-10-13

Tangled Roots is an Arts Council funded project which records and celebrates the experiences of multi-racial families in Yorkshire.

Tangled Roots first event is an Exhibition of portraits of multi-racial writers from Yorkshire. Photographed by Anthony Farrimond. On display at Seven Arts, Harrogate Road, Chapel Allerton, Leeds. 18 September – 13 October.

For more information, click here.

Germany elects its first two black MPs in breakthrough hailed as ‘historic’

The Telegraph
2013-09-23

Damien McElroy, Foreign Affairs Correspondent

Berlin—Karamba Diaby and Charles Huber were elected for rival Left and Right political factions in Sunday’s general election to Germany’s parliament, the Bundestag. Both have Senegalese backgrounds but followed very different paths into politics…

…Mr Huber, 56, is a well-known television actor, having featured for years in a popular peak-time detective series, Der Alte (The Old Man). A nephew of a former president of Senegal, Mr Huber, whose mother is German, played the character of a police superintendent Henry Johnson between 1986 and 1997. …

Read the entire article here.

Rising Road: A True Tale of Love, Race, and Religion in America

Oxford University Press
2010-02-16
352 Pages
15 b/w photos
6 1/8 x 9 1/4 inches
Hardcover ISBN: 9780195379792
Paperback ISBN: 9780199794454

Sharon Davies, Professor of Law; Gregory H. Williams Chair in Civil Rights and Civil Liberties; Director of the Kirwan Institute for the Study of Race and Ethnicity
Ohio State University, Moritz College of Law

It was among the most notorious criminal cases of its day. On August 11, 1921, in Birmingham, Alabama, a Methodist minister named Edwin Stephenson shot and killed a Catholic priest, James Coyle, in broad daylight and in front of numerous witnesses. The killer’s motive? The priest had married Stephenson’s eighteen-year-old daughter Ruth to Pedro Gussman, a Puerto Rican migrant and practicing Catholic.

Sharon Davies’s Rising Road resurrects the murder of Father Coyle and the trial of his killer. As Davies reveals with novelistic richness, Stephenson’s crime laid bare the most potent bigotries of the age: a hatred not only of blacks, but of Catholics and “foreigners” as well. In one of the case’s most unexpected turns, the minister hired future U.S. Supreme Court Justice Hugo Black to lead his defense. Though regarded later in life as a civil rights champion, in 1921 Black was just months away from donning the robes of the Ku Klux Klan, the secret order that financed Stephenson’s defense. Entering a plea of temporary insanity, Black defended the minister on claims that the Catholics had robbed Ruth away from her true Protestant faith, and that her Puerto Rican husband was actually black.

Placing the story in social and historical context, Davies brings this heinous crime and its aftermath back to life, in a brilliant and engrossing examination of the wages of prejudice and a trial that shook the nation at the height of Jim Crow.

Table of Contents

• Introduction
• 1. The Best Laid Plans
• 2. A Parish to Run
• 3. Until Death Do Us Part
• 4. A City Reacts
• 5. A Killer Speaks
• 6. The Building of a Defense
• 7. The Engines of Justice Turn
• 8. Black Robes, White Robes
• 9. Trials and Tribulations
• 10. A Jury’s Verdict
• Epilogue

The Construction of Racial Identity in Children of Mixed Parentage: Mixed Metaphors

Jessica Kingsley Publishers
1996
224 pages
234mm x 156mm / 9.25in x 6in
Paperback ISBN: 978-1-85302-376-7

Ilan Katz, Professor
Social Policy Research Center
University of New South Wales, Australia

For several decades the issues of race, identity and child development have been of major concern to policy makers and practitioners in social services. This book is a major contribution to this literature, and offers a radically new way of looking at some of these issues. Based on intensive research on interracial families with young children, the book reviews the previous literature relating to racial identity development, especially relating to biracial children, and shows it to be based on flawed assumptions.

Using intensive observations and in-depth interviews with parents of biracial children the author shows the many ways in which inter-racial families deal with issues of identity and difference. He concludes with a discussion of alternative conceptions of identity, race and development which will provide both practitioners and policy makers with new ways to think about these issues.

Contents

• Chapter 1: Introduction
• Chapter 2: The Interracial Debate
• Chapter 3: Racial Attitudes and Marginality
• Chapter 4: Theories of Identity Development
• Chapter 5: Methodology
• Chapter 6: The A Family
• Chapter 7: The B Family
• Chapter 8: The First Set of Interviews
• Chapter 9: Second Set of Interviews
• Chapter 10: Conclusions
• Chapter 11: Revisiting the Theory
• Appendix One: Mother’s Interviews
• Appendix Two: Interview Transcript

Creole Culture: Identity and Race in the Bayou Country

Kreol Magazine
October-December 2013, Issue 7
pages 42-45

Christophe Landry

Louisiana is what many have come to refer to as the northern-most point of Latin America, where créolité, a Latin-based people, culture and consciousness, emerged early in the 1700s. From its earliest stages, the international melting pot of cultures that came to simmer along Louisiana’s bayous linked Louisiana Creoles with three continents in a global market economy including the Indian Ocean.

When the French crown ceded Louisiana to the Company of the Indies in 1717, Nantes (France), Goree (Senegal), Port-Louis (Mauritius), Saint-Denis (La Reunion) and New Orleans, became intimately related. For instance, between 1721 and 1745, 3,818 slaves were transported from Senegambia to Louisiana with roughly equal numbers destined for the Mascareigne Islands. In addition, Bretons, Picards and Normands came to represent the largest Francophone elements in early French Louisiana and in the French Indian Ocean islands. Not surprisingly, in Louisiana and in the Mascareignes, virtually the same Creole language developed, the first lengthy written examples of which date back to 1745 in Mauritius and 1748 in Louisiana.

As early as 1710, native-born Louisianians of Latin culture self-identified as Créole. Slave and free, tan, brown, yellow and fair have used Creole to differentiate themselves from Anglophones in North America. Where Spanish, Creole, and French languages were spoken and Catholicism practiced in Colonial Louisiana, people were sure to define themselves as Creole. This distinction between Américain and Créole became more pronounced after 1812 when Louisiana officially became an American state, and continued after the Civil War when Anglophone America’s binary racial system came to play a more immediate role in the socioeconomic destiny of Louisianians…

Read the entire article here or here.

‘Making a Non-White America’

inside: CSUF News
California State University, Fullerton
2009-08-18

Mimi Ko Cruz

Allison Varzally’s Book About California’s Ethnic History Wins National Award

Interracial marriages and other ties in diverse communities throughout California during the formative years of the 20th century are explored in Allison Varzally’s book, “Making a Non-White America: Californians Coloring outside Ethnic Lines, 1925-1955.”

Published by University of California Press, Varzally’s book has won the Immigration and Ethnic History Society’s 2009 Theodore Saloutos Memorial Award in American Immigration History.

The award, which comes with $1,000, is presented for the book judged best on any aspect of the immigration history of the United States.

Varzally, assistant professor of history, said the honor “is exciting recognition from an organization that I admire.

“Some of my favorite books in the field have won this award,” she said.

Varzally, of Los Angeles, uses the voices from oral histories she conducted to weave a scholarly interpretation on the state’s history. She touches on World War II, the Zoot suit riots, discriminatory laws, segregation, class, politics, religion, work and education.

The book’s cover features a picture of Sugar Pie De Santo, a Filipina-black woman who grew up in San Francisco’s Fillmore District in the 1940s.

De Santo, Varzally said, “creatively and selectively borrowed from her parents’ cultures, enjoyed her blended family background and became a famous musician.”…

Read the entire article here.

“I always joked with my friends that I was ‘light’ not ‘white.’ Half Latino and half white. Just what does that mean? When the name Bengochea precedes me, I am always asked to explain. You don’t necessarily guess my Cuban roots by looking at me, but maybe you should look harder. As a person of mixed race/ethnicity, I have always wrestled with my identity. In certain contexts I feel that I am not Hispanic enough, and in others I feel like I am not expressing myself completely unless I reference my mixed ethnicity. As I get older, I become more comfortable in these situations and learn to embrace the fullness of who I am. In a black-and-white society, I am the grey; I am other; I am what cannot be clearly defined.” —Matt Bengochea, Project Coordinator, President’s Office

“RISDiversity: Community Narratives Project: 2013 Participants,” Rhode Island School of Design, (Providence, Rhode Island, 2013). http://diversity.risd.edu/participants2013.php.