Mixed Race Studies

Afternoon Talk: Dr. Zélie Asava (Free Event)

Irish Film Institute
6 Eustace Street
Temple Bar
Dublin, Ireland

2013-10-11, 16:30 IST (Local Time)

Zélie Asava, Lecturer and Programme Director of Video and Film
Dundalk Institute of Technology, Louth, Ireland

In our Afternoon Talk on October 11th (16.30), Dr. Zélie Asava, Programme Director of Video and Film at Dundalk Institute of Technology will discuss aspects of the research in her recently published book The Black Irish Onscreen: Representing Black and Mixed-Race Irish Identities on Film and TV (Peter Lang, 2013) which is available at the IFI Film Shop.

For more information, click here.

The Rise and Demise of the Gens De Couleur Libre Artists in Antebellum New Orleans

University of Florida
2012
173 pages

Karen Burt Coker

A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS

The gens de couleur libres of New Orleans occupied a unique position as worldly practitioners of the arts. This situation was created by social, legal and cultural circumstances. Louisiana, as a French colony, implemented the “Code Noir,” to control the large population of free people of color. These laws, although designed to control, granted opportunities for free people of color. This led to a three-caste social system with the gens de couleur libres occupying the central position, between whites and enslaved peoples.

Restrictions forbidding the marriage of free people of color to whites, or enslaved blacks, combined with the fact that free women of color outnumbered free men of color, led to the system of plaçage, an extralegal system of common-law marriage between white men and women of color. When children resulted from plaçage unions, additional laws sought to hinder those children from obtaining an education. This was remedied by the custom of wealthy white fathers sending their sons to Paris for schooling. This education frequently concentrated on the fine arts.

New Orleans was a rapidly growing city, eager to prove its sophistication and dispel any reputation as a backwater colony. The newly French-educated artists were eagerly received by Francophile New Orleans patrons keen for the newest demonstration of the superior culture of their motherland.

This thesis explores the work of these artists, while focusing upon the rise and fall of the tri-caste system that created a positive environment for artists of color when most free blacks faced open hostility elsewhere.

Read the entire thesis here.

Description topographique, physique, civile, politique et historique de la partie française de l’isle Saint-Domingue: avec des observations générales sur la population, sur le caractère & les moeurs de ses divers habitans, sur son climat, sa culture, ses productions, son administration  (Topographic description, physical, civil, and political history of the French part of the island Santo Domingo: with general observations on the population, on the character and manners of its various inhabitants, its climate, its culture, production, administration.)

Chez l’auteu
1797-1798
2 volumes : 2 ill., maps (engravings) ; 26 cm. (4to)
856 pages

M. L. E. Moreau de Saint-Méry (Médéric Louis Élie Moreau de Saint-Méry) (1750-1819)

From The John Carter Brown Library: The mixing of races in Saint Domingue occasioned a plethora of commentaries, mostly venomous and polemical, on the causes and consequences of the colony’s multiracial order. The most famous of these commentaries, though not the most polemical, was by Moreau de Saint-Méry, the colonial jurist and historian whose writings on Saint-Domingue are still a major resource for contemporary scholars. In volume one of his Description, Moreau counted and categorized 11 racial combinations in the colony. He argued that ancestry should be traced back seven generations and hence ultimately comprised 128 combinations. The “science” of skin color received one of its earliest formulations in this work, completed in 1789. Moreau was himself the father of a mixed-race child by his mulatto mistress.

Read the entire book here.