‘A Dreadful Deceit’ argues against a ‘racial’ past

Posted in Articles, Book/Video Reviews, History, Media Archive, United States on 2013-12-23 18:44Z by Steven

‘A Dreadful Deceit’ argues against a ‘racial’ past

The Los Angeles Times
2013-12-20

Robin D.G. Kelley, Distinguished Professor of History
University of California, Los Angeles

Jacqueline Jones in ‘A Dreadful Deceit’ aims to debunk the ‘myth of race’ and the ‘American creation story’ but for the most part is unconvincing in her argument.

Jacqueline Jones, A Dreadful Deceit: The Myth of Race from the Colonial Era to Obama’s America (New York: Basic Books, 2013).

Four years ago, Atty. Gen. Eric Holder called us a “nation of cowards” for refusing to confront our racial past. Jacqueline Jones’A Dreadful Deceit” dismisses the very idea that our past is “racial.”

What Holder identifies as our national burden, Jones calls the “American creation story”: the narrative that slavery was born of racial prejudice and that the election of a black president marked a triumph over the long shadow of race. Her objective is to debunk the “myth of race,” to relieve Americans of the specious belief that “race is real and that race matters.”

Jones is not the first. Franz Boas, W.E.B. DuBois and Ashley Montagu are among a veritable sea of scholars who have shown that “race” has no scientific basis. It is a socially created means of classifying and ranking humans based on any number of criteria. It is about power, not biology…

…”A Dreadful Deceit’s” insistence that race is not a factor leads Jones to ignore racism’s role in creating economic inequality. Today’s workforce, she asserts, is “defined less by skin color and history than by shared powerlessness within a global economy.” But if truly “shared,” how do we explain the widening wealth gap between whites and blacks or that the world’s cheap apparel is made in the global South by a non-white, super-exploited labor force?

Jones generally treats “race” (a means of classifying difference) as a proxy for “racism” (a hierarchical system of subjugation based on race). The point is not that race explains everything but that racism is built into the very structure of the economy. Race may be a myth, but racism survives

Read the entire review here.

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Miscegenetic Melville: Race and Reconstruction in Clarel

Posted in Articles, Literary/Artistic Criticism, Media Archive, United States on 2013-12-23 18:30Z by Steven

Miscegenetic Melville: Race and Reconstruction in Clarel

Zach Hutchins, Assistant Professor of English
Colorado State University

ELH
Volume 80, Number 4, Winter 2013
pages 1173-1203
DOI: 10.1353/elh.2013.0039

This essay investigates Herman Melville’s views on Reconstruction and racism in Clarel, the national epic published in the centennial year of 1876. In Clarel, Melville points toward miscegenation as the solution to problems of ethnic conflict festering since the Civil War, the key to rebuilding a nation torn apart by the economic exploitation and lingering racism of Reconstruction. Miscegenation is an ideal Melville pointed to somewhat naïvely in his earlier prose, but Clarel is Melville’s most sustained narrative commentary on race published after Benito Cereno and reflects a more sober assessment of racial realities and possibilities in the United States.

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From Aesthetics to Allegory: Raphaël Confiant, the Creole Novel, and Interdisciplinary Translation

Posted in Articles, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2013-12-23 17:47Z by Steven
From Aesthetics to Allegory: Raphaël Confiant, the Creole Novel, and Interdisciplinary Translation

Small Axe
Volume 17, Number 3, November 2013 (No. 42)
pages 89-99

Justin Izzo, Assistant Professor of French Studies
Brown University

This essay examines the roles played by ethnographic writing and translation in Raphaël Confiant’s 1994 L’allée des soupirs. This novel fictionalizes the 1959 riots in Martinique while simultaneously creating characters who debate the relative merits of modes of expression capable of capturing the linguistic, cultural, and racial hybridity of créolité in literature. Confiant translates into fictional terms important precepts on Caribbean literary production set out in Eloge de la créolité, which Confiant wrote with Patrick Chamoiseau and Jean Bernabé. By transforming the aesthetic problems taken up in Eloge into a thoroughly creolized novel that deals with the hybridized messiness of everyday life, Confiant presents a text that ethnographically allegorizes its own conditions of production. This allegorization mobilizes a process the essay calls “interdisciplinary translation,” which relies on an ongoing process of conversion between ethnographic and literary modes of representation.

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Race in a Bottle: The Story of BiDil and Racialized Medicine in a Post-Genomic Age by Jonathan Kahn (review)

Posted in Articles, Book/Video Reviews, Health/Medicine/Genetics, Media Archive, United States on 2013-12-23 17:34Z by Steven

Race in a Bottle: The Story of BiDil and Racialized Medicine in a Post-Genomic Age by Jonathan Kahn (review)

Bulletin of the History of Medicine
Volume 87, Number 4, Winter 2013
pages 708-709
DOI: 10.1353/bhm.2013.0067

Anne Pollock, Assistant Professor of Science, Technology and Culture
Georgia Institute of Technology, Atlanta, Georgia

Jonatha Kahn, Race in a Bottle: The Story of BiDil and Racialized Medicine in a Post-Genomic Age. New York: Columbia University Press, 2013. xi + 311 pp. Ill. (978-0-231-16298-2).

When BiDil was approved by the U.S. Food and Drug Administration in 2005 for heart failure in black patients, it became the first ever drug to receive a racial indication. Race in a Bottle is likely to be the most in-depth book that will ever be written about BiDil’s controversial regulatory approval. Its author, Jonathan Kahn, has followed the case of BiDil’s approval at least as closely as anyone else, probably including those most directly involved (the clinicians, the pharmaceutical company, the FDA). Ever since he first heard about BiDil in 2002 (p. 4), Kahn has pursued the story doggedly. He became part of BiDil’s story through the articles he wrote about it, starting with a 2003 piece in Perspectives in Biology and Medicine, which debunked the statistic that blacks were twice as likely as whites to die of heart failure. These articles were read by regulators, among others, and in 2005 Kahn testified against BiDil’s race-specific indication at the FDA hearings on the drug (p. 94). Kahn notes that material in this book has previously been published in sixteen different journal articles and book chapters (pp. ix–x); Race in a Bottle is the definitive compilation of that body of work.

Regulatory processes are at the center of Kahn’s account. According to Kahn, “Race enters biomedicine through many pathways. Foremost among these are federal initiatives that shape the production and use of racial categories in biomedical research” (p. 25). Kahn carefully traces the ways in which the terrain of BiDil was laid by mandates at the FDA and NIH to use OMB categories and, especially, by patent law. This regulatory focus is not inevitable as a way to approach how race enters biomedicine: we might start with lived experience in a structurally racist society, or with clinical encounters, or with social movements mobilized against health disparities, or elsewhere. But Kahn’s passion is for regulation, and this is where his expertise is on display.

Race in a Bottle is at its most effective in debunking two things: BiDil’s racialized indication and racialized medicine as a path toward pharmacogenomics. As Kahn fastidiously shows, the vasodilating drug combination that would become BiDil (isosorbide dinitrate and hydralazine) was originally conceived of as a treatment for anyone with heart failure, not just blacks, and it was commercial imperatives—specifically circumventing the fact that the patent on the drug without the racial indication was about to expire—rather than persuasive scientific evidence that led the pharmaceutical company to seek approval for it as a drug for blacks. Kahn also persuasively debunks the notion that racialized medicine is a step toward pharmacogenomics. Although many BiDil proponents argued that race was a “crude surrogate” but nevertheless useful “in the meantime” until more was known about the genetics of drug response (p. 157), Kahn shows that even when there are genetic tests available to indicate drug response (as in warfarin, the “poster child for pharmacogenomics” [p. 165]), “far from withering away, race is persisting and even proliferating as genetic information increases” (p. 168).

Race in a Bottle is less convincing as a window into “racialized medicine in a post-genomic age.” Situating BiDil in a “post-genomic age” is misleading. In Kahn’s own account, BiDil emerged from statistical signals in clinical trial data, not from genetic research. Related claims of racial differences in heart failure foregrounded pathophysiology, not genetics. BiDil’s FDA indication is for “self-identified black patients,” an explicitly social category rather than a genetic one. Yet the book opens by describing the White House ceremony on the occasion of the completion of the Human Genome Project (p. 1). This narrative choice is emblematic of a preoccupation with genetics in the account as a whole, and shows the intractable appeal of analyzing race in terms of genetics, even for those explicitly critiquing genetic understandings of race. Even if some (but not all) BiDil proponents simply slide the drug into a genetic frame, why should critique of BiDil do so?

Finally, because of the explicitness of its racialization, BiDil has become an obvious icon of racialized medicine, but it is actually not clear that BiDil is…

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Is Race a Fiction?

Posted in Anthropology, Canada, Identity Development/Psychology, Interviews, Media Archive, Videos on 2013-12-23 11:59Z by Steven

Is Race a Fiction?

Ideas with Paul Kennedy
CBC Radio-Canada
2013-12-04

Paul Kennedy, Host

Blood ties you to family, country and race. Should it? Watch a live panel discussion with Lawrence Hill, Priscila Uppal, Hayden King and Karina Vernon moderated by Ideas host Paul Kennedy.

What happens to personal identity when race is removed as a marker of who you are? What happens when we use the term “culture” to replace the idea of race?” The panelists explore these questions and more.

Panelists:

  • Lawrence Hill: Blood: The Stuff of Life is Lawrence Hill’s ninth book. His earlier works include the novels Some Great Thing and, and the memoir Black Berry, Sweet Juice: On Being Black and White in Canada.
  • Hayden King is an Anishinaabe writer, student, teacher, researcher at Ryerson University, McMaster University and Beausoleil First Nation.
  • Priscila Uppal is a poet, novelist, playwright and York University Professor in the Department of English.
  • Karina Vernon is an Assistant Professor at the University of Toronto and co-founder and editor of Commodore Books, the first black literary press in western Canada.

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