Mixed Race Studies

I Am a Blacktina: Reflections on Being an Afro-Cuban in the U.S.

For Harriet
2014-12-28

Felice León

I am a Blacktina. Get it: Black [La]tina?

A friend gave me this nickname years ago, and it has stuck. My father is Afro-Cuban, and my mother Afro-American. I identify with both cultures and have tried to balance both, but I’ve found that I associate more so with my blackness, particularly while living in the United States.

Last week, President Obama announced the restoration of diplomatic ties with Cuba. There is said to be a U.S. Embassy opening in Havana. This is a big deal. It has been decades since the U.S. has had relations with Cuba, and Obama’s announcement marks a pivotal point in American history. Politically, there is both optimism and skepticism. Amongst my peers, the announcement seemed to have gone over well. Facebook was flooded with posts about Cuba: plans to travel to Cuba, requests for Cuban cigars, and other foolish insights that people tend to share on social media. I was also delighted to hear of the news. I’ve visited Cuba once, but it wasn’t enough. Still, during my trip I had a deep connection with my Black and Brown relatives. I was accepted as being Cuban, and for those few weeks there was no question about my identity…

I have found that being a Black woman of Cuban descent comes as a surprise to many in this country. In a class discussion last year I spoke of why I choose to refer to myself as Black (I didn’t mention the Blacktina nickname in this conversation): “The ship made many stops before it arrived on these shores. I feel like the term ‘Black’ more so encompasses the African Diaspora.” African slaves made significant contributions in Latin America. There is a complex racial history. African blood runs deep in the veins of many Latinos, which is why I choose to identify as Black. But for others, there is a level of denial when it comes to their African roots…

Read the entire article here.

Museum Offers Interactive Oral History of Mixed Race Brooklynites

NY1 News
New York, New York
2014-12-29

Jeanine Ramirez, Brooklyn Reporter

A new interactive website offers an interracial, multi-ethnic view of Brookynites. NY1’s Jeanine Ramirez filed the following report.

Deborah Schwartz clicks on the latest resource at the Brooklyn Historical Society, an oral history project about self-identity, showcasing those who are of mixed race and heritage.

“We’re not just telling a sweetness and light story. This is not just that America is kind of the perfect melting pot. But rather that this is something that’s had very powerful impact on people both positive and negative, said Schwartz.

The project, “Crossing Borders, Bridging Generations,” offers a view into the lives of Brooklynites who have to balance different cultural worlds. The more than 100 oral histories collected can be listened to online. There’s Park Slope resident Alexander David who started the Half Asian Club at his school…

Read the entire article and watch the video here.

Pretty Mother Of 2 Is Pasadena Queen

Jet
1958-09-18
page 62

Association president Jack Barnes presents Mrs. Williams’ trophy.

In conservative, dignified Pasadena, Calif.,—a city whose traditional reserve is normally broken only once annually by the famed New Year’s Day “Tournament Of Roses“—a tawny-complexioned mother of two broke the tranquility ahead of schedule.

Mrs. Joan Roberta Williams, the first Negro chosen “Miss Crown City” in the 12-year history of the contest, will be the reigning beauty at official city ceremonies and will perform her first duty in November when she opens the Pasadena branch of Sears. Come New Year’s Day, she’ll grace the city’s float in the “Tournament of Roses” parade.

Bolstered by the faith of her sales representative husband, Bob, and armed with the double weapons of good looks and an engaging personality, Mrs. Williams overcame what she considered great odds—15 other pretty nominees—to capture the title.

“My husband was confident all the time, and because of him, I really wanted to win. He was so elated, he bought me a new wardrobe,” she smiled. A city-employed accountant-clerk, college-trained Mrs. Williams is one of a handful of Negro white collar workers employed by the city. Nominated by fellow employes, she was crowned at the annual Pasadena municipal picnic.

“Love Letter to My Ancestors:” Representing Traumatic Memory in Jackie Kay’s The Lamplighter

Atlantis: Journal of the Spanish Association for Anglo-American Studies
Volume 36, Number 2 (December 2014)
pages 161-182

Petra Tournay-Theodotou, Associate Professor of English
European University Cyprus, Engomi, Nicosia-Cyprus

Jackie Kay’s The Lamplighter, published in 2008, was first broadcast on BBC radio in 2007 to coincide with the commemoration of the bicentenary of the abolition of the African slave trade in Britain. Kay’s dramatised poem or play, as it has alternately been defi ned, focuses on the female experience of enslavement and the particular forms of dehumanization the female slave had to endure. Kay’s project can in fact be described in terms of Marianne Hirsch’s concept of “postmemory,” or more specifically of “feminist postmemory.” As such, literary devices are employed to emulate the traumatic events at the level of form such as intertextuality, repetition and a fragmented narrative voice. While commemorating the evils of the past, Kay simultaneously wishes to draw attention to contemporary forms of racism and exploitation in the pursuit of profit. Through re-telling the story of slavery, The Lamplighter can ultimately be regarded as Kay’s tribute to her African roots and the suffering endured by her African forebears and contemporaries.

Read the entire article here.

Intermarried Couples and “Multiculturalism” in Japan

CLCWeb: Comparative Literature and Culture
ISSN 1481-4374
Volume 15, Issue 2 (2013)
DOI: 10.7771/1481-4374.2216

Kaori Mori Want
Shibaura Institute of Technology

In her article “Intermarried Couples and ‘Multiculturalism’ in Japan” Kaori Mori Want discusses why hyphenated names for the children of intermarried children are important for the achievement of multiculturalism in Japan in an era of globalization. In Japan the number of people who marry interracially or inter-ethnically is increasing, but changes to naming practices must occur for Japan to become a multicultural society. Intermarriage is not a reliable indicator of the maturity of multiculturalism. Foreign residents who have intermarried in Japan do not have the rights of Japanese, such as those of voting, social welfare, education, and so on. This fact alone makes Japan far from multicultural. One of the aspects missing in the critiques of multiculturalism in Japan has to do with naming practices. Children of intermarried couples have at least two cultural heritages but under the present Japanese family law, it is almost impossible to give children a hyphenated last name that would reflect their multicultural heritage.

Read the entire article here.

‘Everything I Never Told You’ by Celeste Ng: Unspoken Thoughts About Being Mixed-Race

Hapa Mama: Asian Fusion Family and Food
2014-12-28

Grace Hwang Lynch

Celeste Ng’s debut novel Everything I Never Told You: A Novel has been at the top of many best books of 2014 lists — and for good reason. It’s a quick read, without feeling cheap. It’s a mystery, without falling into genre. It’s a critique of race in the United States, without sounding shrill or academic.

The small Ohio college town in 1977 in which the Lee family lives will feel familiar to any Asian child who grew up in the Midwest. The story opens with the stark sentence “Lydia is dead. But they don’t know this yet.” Starting from a description of a very ordinary family breakfast, Ng gives us glimpses into the world created by the marriage of Marilyn and James Lee.

The couple meets at Harvard, where Chinese American James is a Ph.D. student and Marilyn, who is white, is his student. Their whirlwind romance leads to a shotgun wedding in 1958, in a sly nod to Loving v. Virginia. When Marilyn’s mother, a Southern white single-mother, meets James on the wedding day, she pulls her daughter aside.

It would have been easier if her mother had used a slur. It would have been easier if she had insulted James outright, if she had said he was too short or too poor or not accomplished enough. But all her mother said, over and over, was, “It’s not right, Marilyn. It’s not right.” Leaving it unnamed, hanging in the air between them.

These doubts about the suitability of an interracial marriage and the inability of society to grasp mixed-race identity pop up over and over throughout the novel. In the 1970s Midwestern town Ng conjures up, there are only white and not white. There are so many aspects of this novel I can’t stop thinking about, from the threads of Betty Crocker homemaker versus 1970s feminism to the deft way Ng has crafted the details to unfold in sort of a spiral fashion. But I am most interested in the undercurrent of interracial marriage, assimilation and mixed-race identity…

Read the entire review here.

A Mestiza in the Borderlands: Margarita Cota-Cárdenas Puppet

Atlantis: Journal of the Spanish Association for Anglo-American Studies
Volume 34, Number 1 (June 2012)
pages 47-62

Ana María Manzanas Calvo
Department of American Literature and Culture
Universidad de Salamanca, Spain

The article explores the formal and conceptual complexities of a novella that has so far escaped wide critical attention even though it tackles similar issues to Anzaldúa’s Borderlands. Like Anzaldúa’s mestiza, Cota-Cárdenas’ narrator finds herself floundering in uncertain territory, for she has also discovered that she cannot hold concepts or ideas within rigid boundaries. That state of dissolution of traditional formations is what Cota-Cárdenas situates at the center of the narrative. Mestizaje in Puppet does not appear as a comfortable and privileged locus, but as a painful ideological repositioning, a third space or element that works against totalizing narratives. The article illustrates how Cota-Cárdenas foregrounds the powerful identitary revision Anzaldúa would carry out in Borderlands, and contributes to the understanding of the self, of culture and the nation from the point of view of borderland subjectivities.

Read the entire article here.

Why mixed-race comic was ‘born a crime’

Cable News Network (CNN)
2014-12-04

Jessica Ellis

Teo Kermeliotis

London (CNN) — When it comes to getting ready for a show, fast-rising South African comedian Trevor Noah has it all figured out.

“My ideal setting is I walk from the streets, backstage and straight onto the stage,” says Noah, who last year became the first African comedian to perform on Jay Leno’s The Tonight Show in the United States.

“Two minutes and I am on the stage. That way in my head I have gone from my world and then into a social setting with my friends. I want my audience to be my friends — that is when they will get the best comedy. If they see me as a performer, they won’t get the best show.”

At just 28 years old, Noah is already a big name in his country’s fledgling standup scene, as well as a cover star for Rolling Stone South Africa. But despite treating the audience as friends, he’s not afraid of provocative subject matter, with his latest show called “The Racist.”

he son of a black South African woman and a white Swiss man who met when interracial relationships were illegal in South Africa, Noah jokes that he was “born a crime.” On stage, he draws upon his particular life experiences to tackle thorny issues with his funny, and sometimes trenchant, punchlines…

Read the entire article here.

Woman turned away from 1958 Rose Parade because of race to ride in 2015 parade

Eyewitness News, KABC 7
Los Angeles, California
2014-12-27

Leanne Suter, Reporter

PASADENA, Calif. (KABC) — A woman who was denied the honor of riding in the Rose Parade in 1958 because of her race will finally get her chance in 2015.

Joan Williams, 83, was named Miss Crown City in 1958, representing Pasadena. It was an honor she received after being nominated by her coworkers at city hall.

However, she was denied the honor after city officials discovered she is African American. She said it was devastating to be told she wasn’t worthy because of her race…

A woman who was denied the honor of riding in the Rose Parade in 1958 because of her race will finally get her chance in 2015.

Read the entire article here.

Ophelia DeVore-Mitchell (Born 1921): Teaching America that black was beautiful.

The Lives They Lived
The New York Times Magazine
2014-12-25

Touré

DeVore-Mitchell during her modeling days. Photograph by Rupert Callender from the DeVore family archive

One day in 1946, a black woman showed up at the Vogue School of Modeling in New York, seeking to learn the trade. Her arrival caused a stir. The nascent modeling industry was as deeply segregated as America was then, and she was turned away. At the time, the Vogue School of Modeling did not accept black women. Or so it thought.

Unknown to the school, one was already enrolled: Ophelia DeVore-Mitchell. And she had no idea that Vogue was unaware. “I thought they knew what I was,” DeVore-Mitchell would tell Ebony magazine years later. She had not lied to get in; she was so light-skinned that no one thought to ask. She passed inadvertently…

Read the entire article here.