Mixed Race Studies

Museum Offers Interactive Oral History of Mixed Race Brooklynites

NY1 News
New York, New York
2014-12-29

Jeanine Ramirez, Brooklyn Reporter

A new interactive website offers an interracial, multi-ethnic view of Brookynites. NY1’s Jeanine Ramirez filed the following report.

Deborah Schwartz clicks on the latest resource at the Brooklyn Historical Society, an oral history project about self-identity, showcasing those who are of mixed race and heritage.

“We’re not just telling a sweetness and light story. This is not just that America is kind of the perfect melting pot. But rather that this is something that’s had very powerful impact on people both positive and negative, said Schwartz.

The project, “Crossing Borders, Bridging Generations,” offers a view into the lives of Brooklynites who have to balance different cultural worlds. The more than 100 oral histories collected can be listened to online. There’s Park Slope resident Alexander David who started the Half Asian Club at his school…

Read the entire article and watch the video here.

Pretty Mother Of 2 Is Pasadena Queen

Jet
1958-09-18
page 62

Association president Jack Barnes presents Mrs. Williams’ trophy.

In conservative, dignified Pasadena, Calif.,—a city whose traditional reserve is normally broken only once annually by the famed New Year’s Day “Tournament Of Roses“—a tawny-complexioned mother of two broke the tranquility ahead of schedule.

Mrs. Joan Roberta Williams, the first Negro chosen “Miss Crown City” in the 12-year history of the contest, will be the reigning beauty at official city ceremonies and will perform her first duty in November when she opens the Pasadena branch of Sears. Come New Year’s Day, she’ll grace the city’s float in the “Tournament of Roses” parade.

Bolstered by the faith of her sales representative husband, Bob, and armed with the double weapons of good looks and an engaging personality, Mrs. Williams overcame what she considered great odds—15 other pretty nominees—to capture the title.

“My husband was confident all the time, and because of him, I really wanted to win. He was so elated, he bought me a new wardrobe,” she smiled. A city-employed accountant-clerk, college-trained Mrs. Williams is one of a handful of Negro white collar workers employed by the city. Nominated by fellow employes, she was crowned at the annual Pasadena municipal picnic.

“Love Letter to My Ancestors:” Representing Traumatic Memory in Jackie Kay’s The Lamplighter

Atlantis: Journal of the Spanish Association for Anglo-American Studies
Volume 36, Number 2 (December 2014)
pages 161-182

Petra Tournay-Theodotou, Associate Professor of English
European University Cyprus, Engomi, Nicosia-Cyprus

Jackie Kay’s The Lamplighter, published in 2008, was first broadcast on BBC radio in 2007 to coincide with the commemoration of the bicentenary of the abolition of the African slave trade in Britain. Kay’s dramatised poem or play, as it has alternately been defi ned, focuses on the female experience of enslavement and the particular forms of dehumanization the female slave had to endure. Kay’s project can in fact be described in terms of Marianne Hirsch’s concept of “postmemory,” or more specifically of “feminist postmemory.” As such, literary devices are employed to emulate the traumatic events at the level of form such as intertextuality, repetition and a fragmented narrative voice. While commemorating the evils of the past, Kay simultaneously wishes to draw attention to contemporary forms of racism and exploitation in the pursuit of profit. Through re-telling the story of slavery, The Lamplighter can ultimately be regarded as Kay’s tribute to her African roots and the suffering endured by her African forebears and contemporaries.

Read the entire article here.

Intermarried Couples and “Multiculturalism” in Japan

CLCWeb: Comparative Literature and Culture
ISSN 1481-4374
Volume 15, Issue 2 (2013)
DOI: 10.7771/1481-4374.2216

Kaori Mori Want
Shibaura Institute of Technology

In her article “Intermarried Couples and ‘Multiculturalism’ in Japan” Kaori Mori Want discusses why hyphenated names for the children of intermarried children are important for the achievement of multiculturalism in Japan in an era of globalization. In Japan the number of people who marry interracially or inter-ethnically is increasing, but changes to naming practices must occur for Japan to become a multicultural society. Intermarriage is not a reliable indicator of the maturity of multiculturalism. Foreign residents who have intermarried in Japan do not have the rights of Japanese, such as those of voting, social welfare, education, and so on. This fact alone makes Japan far from multicultural. One of the aspects missing in the critiques of multiculturalism in Japan has to do with naming practices. Children of intermarried couples have at least two cultural heritages but under the present Japanese family law, it is almost impossible to give children a hyphenated last name that would reflect their multicultural heritage.

Read the entire article here.

‘Everything I Never Told You’ by Celeste Ng: Unspoken Thoughts About Being Mixed-Race

Hapa Mama: Asian Fusion Family and Food
2014-12-28

Grace Hwang Lynch

Celeste Ng’s debut novel Everything I Never Told You: A Novel has been at the top of many best books of 2014 lists — and for good reason. It’s a quick read, without feeling cheap. It’s a mystery, without falling into genre. It’s a critique of race in the United States, without sounding shrill or academic.

The small Ohio college town in 1977 in which the Lee family lives will feel familiar to any Asian child who grew up in the Midwest. The story opens with the stark sentence “Lydia is dead. But they don’t know this yet.” Starting from a description of a very ordinary family breakfast, Ng gives us glimpses into the world created by the marriage of Marilyn and James Lee.

The couple meets at Harvard, where Chinese American James is a Ph.D. student and Marilyn, who is white, is his student. Their whirlwind romance leads to a shotgun wedding in 1958, in a sly nod to Loving v. Virginia. When Marilyn’s mother, a Southern white single-mother, meets James on the wedding day, she pulls her daughter aside.

It would have been easier if her mother had used a slur. It would have been easier if she had insulted James outright, if she had said he was too short or too poor or not accomplished enough. But all her mother said, over and over, was, “It’s not right, Marilyn. It’s not right.” Leaving it unnamed, hanging in the air between them.

These doubts about the suitability of an interracial marriage and the inability of society to grasp mixed-race identity pop up over and over throughout the novel. In the 1970s Midwestern town Ng conjures up, there are only white and not white. There are so many aspects of this novel I can’t stop thinking about, from the threads of Betty Crocker homemaker versus 1970s feminism to the deft way Ng has crafted the details to unfold in sort of a spiral fashion. But I am most interested in the undercurrent of interracial marriage, assimilation and mixed-race identity…

Read the entire review here.