Blood Work: Imagining Race in American Literature, 1890-1940Posted in Books, Literary/Artistic Criticism, Media Archive, Monographs, United States on 2015-03-29 20:12Z by Steven |
Blood Work: Imagining Race in American Literature, 1890-1940
Louisiana State University Press
January 2015
240 pages
5.50 x 8.50 inches
Hardcover ISBN: 9780807157848
Shawn Salvant, Assistant Professor of English and African American
University of Connecticut
The invocation of blood—as both an image and a concept—has long been critical in the formation of American racism. In Blood Work, Shawn Salvant mines works from the American literary canon to explore the multitude of associations that race and blood held in the consciousness of late nineteenth- and early twentieth-century Americans.
Drawing upon race and metaphor theory, Salvant provides readings of four classic novels featuring themes of racial identity: Mark Twain’s Pudd’nhead Wilson (1894); Pauline Hopkins’s Of One Blood (1902); Frances Harper’s Iola Leroy (1892); and William Faulkner’s Light in August (1932). His expansive analysis of blood imagery uncovers far more than the merely biological connotations that dominate many studies of blood rhetoric: the racial discourses of blood in these novels encompass the anthropological and the legal, the violent and the religious. Penetrating and insightful, Blood Work illuminates the broad-ranging power of the blood metaphor to script distinctly American plots—real and literary—of racial identity.