Mixed Race Studies

Sunday Stew: Unsolicited Advice For A Black Girl Too Light To Be Heavy But Too Heavy To Be White

South Seattle Emerald
2015-04-12

Nikkita Oliver

Painting by Tarra Louis-Charles

In the Style of Jeanann Verlee

Unsolicited Advice for a Black Mixed Girl

Too Light to be Heavy, but too Heavy to be White:

When the girl in your class fixes her lips

to call your mother a “nigger lover”

Fix her face

So next time she thinks twice

Before fixin’ her lips around anyone’s mama

When the kids on the playground start to sing

“Jungle Fever”

Join them

You must live

to fight another day…

Read the entire poem here.

White Puerto Rican Migration and the Effacement of Blackness

UPLIFTT: United People for Latinos in Film, TV and Theater
2015-02-13

William Garcia

t was August 2009 when I was admitted to the University of Puerto Rico in Rio Piedras and that what was when I first saw the amalgamation of a new breed of Puerto Rican I had never encountered before in my life, the guaynabit@s/blanquit@s. Most impoverished and working-class people in Puerto Rico call them guaynabit@s, guaynabich@s and/or blanquit@s; derivatives from the word blanquito, meaning white Puerto Ricans with money. I remembered that I heard those terms when I had been in the barrio of Sabana Seca in Toa Baja and somebody started saying “En poco le rompo la cara al guaynabito pendejo ese…” and also heard, “Ese es un blanquito de la YUPI…” I wondered what could a guyanabit@ or a blanquit@ be? Most of the guaynabit@s or blanquit@s were dressed in different styles: some were dressed like hipsters, others dressed like yuppies, followed by west coast-looking surfers while others dressed in European fashions. Most of them were the whitest Puerto Ricans I had ever seen in all my life and had no problem in taking pride in their whiteness.

Many of them spoke English very well but unlike New York Puerto Ricans they spoke like white Americans with the ‘bro’, ‘totally’ and ‘dude’ colloquialisms. They uttered the words, ‘like’ and ‘loca’, in the same sentence every time they spoke. I was impressed by the way they were speaking in Spanglish with an Anglo-American twist because it was these people who were supposed to hate Nuyorican Spanglish and be patriotic ‘Spanish Only’ Puerto Ricans. They behaved very similarly to U.S hipsters who talked about hipsters but never admitted they were the very hipsters they criticized. These blanquit@s were the same way, always criticizing upper-class people without looking in the mirror.

There I was with an old New York Yankees fitted baseball cap, a long white t-shirt, and my crusty Nike sneakers. My black skin covered in tattoos wanted to disappear in thin-air like Chevy Chase in the movie Invisible Man. It was obvious that they enjoyed a good chunk of white supremacy and privilege and didn’t mix with Puerto Ricans of darker hues even if Puerto Rican nationalism stressed that we were all mixed. One could tell that most of the professors at UPR-Rio Piedras came from the same blanquit@/guyanabit@ stock, which probably did not think much of me either, even though they never gave me an unfair grade and even to this day I am grateful for that. It might have been because they had the privilege of being color-blind. Most of those professors also refrained from talking about blackness, stateside Puerto Ricans or anything that questioned their privileged gatekeeping, prophetic intellectual identity and above all; archetypical Puerto Rican identity. I would spend five more years defending the Puerto Rican diaspora and contemporary blackness in those classrooms which was usually rebutted by a simple silent treatment by the professor and the students.

It was surprising for me to see white privileged Puerto Ricans play plena, bomba, and salsa music considering that those are Afro-diasporic derived musical inheritances of black resistance. This usurpation of black culture caused me frustration because I knew that black Puerto Rican culture was more than listening to salsa while getting drunk off of Medalla Lights on the Juan Ponce de Leon Blvd. I noticed that what acclaimed Afro-Puerto Rican scholar, writer and researcher, Isar Godreau argued was right: that there is a selective celebration of blackness in Puerto Rico. A selective blackness that was folklorized and distanced that does not require critically assessing inner-workings that contribute racial inequity and injustice. In these academic spaces most black Puerto Ricans seemed more interested in being accepted as Puerto Rican first before being black and never spoke about racism and white supremacy, always reinforcing racial harmony…

Read the entire article here.

One Drop Of Love Solo Show April 15, 2015

Amherst Togther Presents: One Drop of Love by Fanshen Cox DiGiovanni

Amherst Regional Middle School Auditorium
170 Chestnut Street
Amherst, Massachusetts 01002
Phone: (413) 362-1820
Wednesday, 2015-04-15, 19:00 EDT (Local Time)

Admission is free and open to the public

Produced by Ben Affleck and Matt Damon, this extraordinary one-woman show by Fanshen Cox DiGiovanni incorporates filmed images, photographs and animation to tell the story of how the notion of race came to be in the United States and how it affected her relationship with her father. To tell her story, DiGiovanni travels back in time to the first US census in 1790, to cities across the United States, and to West and East Africa, where both father and daughter spent time in search of their racial roots.

An award-winning actor, producer and educator, Cox DiGiovanni has been featured in the New York Times and on NPR as a spokesperson on using the arts to explore racial identity. She served as a Peace Corps Volunteer in Cape Verde, West Africa, and has designed curricula for and taught English as a Second Language to students from all over the world. She has been honored with the Peace Corps’ Franklin H. Williams Award and with Peace Corps Fellows and Hollywood Foreign Press Association scholarships. She holds a bachelor of arts in Spanish and education, a master of arts in TESOL (Teaching English to Speakers of Other Languages) and a master of fine arts in television, film and theater. DiGiovanni developed “One Drop of Love” as the thesis project for her Master of Fine Arts degree in film, television, and theater from California State University Los Angeles. DiGiovanni, who appeared in the Academy Award-winning film “Argo,” is also the co-creator, co-producer, and co-host of the award-winning weekly podcast Mixed Chicks Chat, and co-founder and co-producer of the Mixed Roots Film & Literary Festival.

“There are many different kinds of conversations occurring in our community regarding identity,” says Carol Ross. “Not everything is black or white, literally and figuratively. What Fanshen Cox DiGiovanni brings to the table is a moving and insightful microscope to our belief that there is such a thing as race and how the assignment of identity plays out in destructive ways that impact each and every one of us. This is a critical component that often gets missed in our attempts to dismantle this social construct.”