Mixed Race Studies

Being Maori-Chinese: Mixed Identities

Auckland University Press
January 2008
238 pages
Illustrations
210 x 148 mm
Paperback ISBN: 9781869403997

Manying Ip, Professor of Asian Studies
University of Auckland, Auckland, New Zealand

Being Maori-Chinese uses extensive interviews with seven different families to explore historical and contemporary relations between Māori and Chinese, a subject which has never been given serious study before. A full chapter is given to each family which is explored in depth often in the voices of the protagonists themselves.

This detailed and personal approach shows how in the nineteenth and early twentieth centuries Māori and Chinese, both relegated to the fringes of society, often had warm and congenial bonds, with intermarriage and large Māori-Chinese families. However in recent times the relationship between these two rapidly growing groups has shown tension as Māori have gained confidence in their identity and as increased Asian immigration has become a political issue. Being Maori-Chinese provides a unique and fascinating insight into cross-cultural alliances between Asian and indigenous peoples, revealing a resilience which has endured persecution, ridicule and neglect and offering a picture of New Zealand society which challenges the usual Pākehā-dominated perspective.

Today’s Māori-Chinese, especially younger members, are increasingly reaffirming their multiple roots and, with a growing confidence in the cultural advantages they possess, are playing important roles in New Zealand society.

My body is not an apology: Race, Representation & Beauty by Emma Dabiri

Thandie Kay
2015-04-19

Emma Dabiri, Teaching Fellow
Africa Department, School of African and Oriental Studies, London
Visual Sociology Ph.D. Researcher, Goldsmiths University of London

Emma Dabiri

Emma Dabiri is an Irish-Nigerian PhD researcher in Goldsmiths, and teaching fellow in the Africa Department at The School of Oriental African Studies. She also works as a commercial model. Thandie encountered her when she read an article Emma wrote for The New Statesman earlier this year. They struck up a Twitter chat, and the rest is history – as written by @TheDiasporaDiva. Welcome to her 21st century world.

I recently got caught up in an online debate about a black celebrity who has completely transformed her face, arguably to make it look more European. While the jury was out as to whether or not she should have had plastic surgery, the conversation was largely framed around whether or not the surgery was successful. Ultimately this was judged by whether or not she had achieved that elusive, subjective, and most coveted of assets, “beauty”.

I was struck by the sensation that something was very wrong with the whole picture. Why do we continue to allow our options to be constrained within such a tyrannical framework, whereby a woman’s worth is calculated by the way she looks? Why don’t we push for a redefinition of what is important?

Regardless of the outcome of the surgery, I think it is unlikely this celeb will be satisfied. Insecurities are rarely vanquished by indulging the processes responsible for creating them; If anything they are multiplied…

…In my early teens I was very much the awkward black girl. I was always overlooked for my white, skinny, mousey brown-haired friends. Nobody asked me to dance at discos. When playing spin the bottle I willed the bottle never to land on me. I couldn’t bear the shame I felt for the poor misfortunate who might be dared to kiss a creature as monstrous as me.

In addition to the usual pressures on a teenage girl, mine were compounded by race. My hair – goodness my hair…

…So it was complex. I wanted to be seen as pretty, I craved the validation (an empty and shallow place to barter for your humanity, but how many of us succumb to it?) yet at the same time I was incredibly uncomfortable with the attention I got. I was always made to feel conspicuous; under scrutiny, an object to be examined. In his famous train passage, Fanon explores the psychological effects of subjection to the white gaze, upon the black subject-

“Look, a Negro…Look at the nigger!…Mama, a Negro!”(1986:112).

I remember, vividly, a flood of grateful relief upon first encountering these words. As an isolated, ‘mixed-race’ or black individual, in a predominantly white environment, you become a cipher, a representation of a coming anarchy. The barbarians have breached the gates, and you are the manifestation of all the images, fantasies, fears and desires that have been absorbed by a population fed a steady diet of racist discourse. You are constantly under surveillance. You become achingly aware of your every gesture; your movements, your very posture, are at all times under analysis. Mundane details, the minutiae of your daily routine, are a performance for public consumption. While, I could not articulate this at the time, I experienced the suffocating weight of such an existence deeply…

Read the entire article here.

Don’t portray this state I love as a hotbed of racial discontent

The Bangor Daily News
Bangor, Maine
2015-04-20

Trish Callahan, Special to the BDN

When I played high school basketball, we travelled up to The County to play a couple times. Because of the distance we would stay with host families, and we attended social events. Even though I had to be one of the only dark-skinned people to cross the threshold of some of those doors in the mid-1980s, I was treated like all the other players.

I did foul out of every game I played up there. My father and I would bet on whether I’d foul out in the end of the third or beginning of the fourth quarter. In the referee’s defense, we did play a more physical game than was the norm for girl’s ball, myself especially, so there’s no evidence that fouling out was race-related.

And that about sums up my experience as a mixed-race person in Maine since 1973: At the worst I might sense some slight surprise at the sight of someone different, but most Mainers treat me just fine.

Mainers are so polite; I can tell the ones who show that slight surprise are uncomfortable with their own reaction. I usually throw down a gentle good-natured poke at the whole race thing, and the discomfort becomes laughter. I like that about Mainers, and I don’t want that to change in light of the current and necessary discussion about race in our state and across the nation.

I also don’t want Mainers portrayed as racist because that just hasn’t been the majority of my experience. While I appreciate the sentiments of the protesters in Portland, I kind of resent the fervor reaching such a pitch that people outside our state might perceive Maine as some racial hotbed…

Read the entire article here.

Fast Talking PI

Arc Publications
July 2012
80 pages
216 x 138 mm (paperback), 223 x 145 mm (hardback)
Paperback ISBN: 978-1904614-35-7
Hardback ISBN: 978-1904614-77-7

Selina Tusitala Marsh, Senior Lecturer of English Drama and Writing Studies
University of Auckland, Auckland, New Zealand

Fast Talking PI (pronounced pee-eye) reflects the poet’s focus on issues affecting Pacific communities in New Zealand, and indigenous peoples around the world including the challenges and triumphs of being afakasi [mixed race]. The book is structured in three sections, Tusitala (personal), Talkback (political and historical) and Fast Talking PIs (dialogue). She writes as a calabash breaker, smashing stereotypes and challenging historic injustices; also exploring the idea of the calabash as the honoured vessel for identity and story. Her aesthetics and indigenous politics meld marvellously together.

List of Contents

• TUSITALA
  • Googling Tusitala
  • Not Another Nafanua Poem
  • Afakasi
  • Calabash Breakers
  • Hone Said
  • Things on Thursdays
  • Song for Terry
  • Langston’s Mother
  • Cardboard Crowns
  • The Sum of Mum
  • Wild Horses
  • Three to Four
  • Le Amataga
  • The Beginning
  • Spare the Rod
  • A Samoan Star-chant for Matariki
  • Circle of Stones
• TALKBACK
  • Guys like Gauguin
  • Nails for Sex
  • Mutiny on Pitcairn
  • Two Nudes on a Tahitian Beach, 1894
  • Venus in Transit
  • Realpolitik
  • Contact 101
  • Has the whole tribe come out from England?
  • What’s Sarong With This?
  • The Curator
  • Hawai’i: Prelude to a Journey
  • Touring Hawaii and Its People
  • Alice’s Billboard
• FAST TALKING PIS
  • Fast Talkin’ PI
  • Acronym
  • Outcast
• Acknowledgements
• Notes
• Biographical Note

Fast Talking PI: A Reading by Selina Tusitala Marsh

Asian/Pacific/American Institute at NYU
8 Washington Mews
New York, New York 10003
Monday, 2015-04-27, 16:00-18:00 EDT (Local Time)

Auckland-based poet and scholar Selina Tusitala Marsh reads from her award-winning collection, Fast Talking PI. NYU Performance Studies Graduate student and Indigeneous artist, facilitator, and organizer si dåko’ta alcantara-camacho introduces Dr. Marsh and guides the post-reading conversation.

Fast Talking PI and Dark Sparring: Poems, both by Selina Tusitala Marsh, will be available for purchase at a special 20% off discount following the program, courtesy of the NYU Bookstore.

For more information and to RSVP, click here.