Mixed Race Studies

The Shaun King controversy, explained

Vox
2015-08-20

German Lopez, Staff writer

Shaun King (Source: Twitter)

Black Lives Matter activist Shaun King is currently at the center of a controversy that has nothing to do with a police shooting or brutality — it’s, instead, about his personal life and racial identity.

Over the past several weeks, conservative media outlets have published multiple pieces disputing different claims King has made about his life over the years. And the latest accusations — which caused the story to trend on Twitter — have called into question whether King is biracial, as he claims.

There’s a bit of history to this conflict. But the fact that a self-identified biracial man is being chastised by conservative media outlets as part of an attempt to discredit him shows just how fluid the entire concept of race can be, and that makes it difficult to know who’s right and wrong when questions about race come up…

Read the entire article here.

Author Celeste Ng On How We Can Change Conversations About Race In America

ThriveWire
2015-08-19

Lacy Cooke

Celeste Ng didn’t think she would have a career as a writer until she published her first book, Everything I Never Told You. It was a New York Times Notable Book, and was Amazon’s #1 Best Book of 2014. The book was inspired by one startling image.

“My husband told me a story about when he was 8 or so. He was at a friend’s house, and his friend pushed his own little sister into a pond. The parents were nearby and they pulled her out and the friend was in big trouble. I kept thinking about what had led this boy to push his sister into a pond and what their relationship would be like after that,” says Celeste. “The story evolved from there; it changed as I started to write it, as my stories always do, but the image of the girl falling into the water was the first little spark of the story.”

Everything I Never Told You begins with an ending: “Lydia is dead.” Lydia, daughter of a white mother and Asian American father, acts as a catalyst to expose her family’s secrets and struggles. Set in the 1970’s, the novel confronts issues of race and interracial marriage. Several aspects of the novel are based on Celeste’s own experiences growing up, as she noticed that the issue of race is more complex than black and white.

“There’s a lot of different groups, and a lot of different experiences. In the past year, a lot more people have spoken about their backgrounds and cultures and viewpoints, and I think having those voices out there and getting them heard is the first step in getting people to recognize that they exist,” she says.

As we hear more experiences, how can we alter our conversations about race? Celeste believes the answer rests not in what we say, but in how we listen…

Read the entire article here.

Celeste Ng’s debut novel focuses on racial isolation

The Herald & Review
Decatur, Illinois

Marylynne Pitz, Tribune News Service Writer

Celeste Ng (pronounced “ing”) spent the first nine years of her life in the Pittsburgh suburb of South Park and recalls frequent visits to Century III Mall where her parents, who were academics, shopped enthusiastically at B. Dalton’s and Waldenbooks.

“Our house was just crammed full of books,” said the writer, whose debut novel, “Everything I Never Told You,” made The New York Times list of 100 Notable Books of 2014 and was the Amazon book of 2014. Ng, 34, lives in Cambridge, Mass.

Her debut novel, set in 1977, focuses on the Lee family. There’s Marilyn, an American woman who ignored her mother’s advice and married James, who is Chinese; the couple’s two daughters, Lydia and Hannah; and a son, Nath. Members of the mixed-race family try hard to blend into the vanilla atmosphere of a college town in Ohio. But the Lees remain outsiders, and their sense of isolation is palpable.

As the story opens, Lydia Lee drowns in a lake and so does her mother’s fervent hope that her daughter will become a doctor. Among surviving family members, the death of this promising high school student dredges up intense resentment, bitter truths and harsh anger. Who knew the word kowtow was so loaded?…

Read the entire article here.

Is It Possible to Balance Two Cultures Perfectly?

Mixed Roots Stories
2015-08-06

Brittany Muddamalle, Guest Blogger

I met my husband in California during a program with our church. We were just two young kids falling in love. We were lost in our own world. The scope of our differences didn’t really come out until we were engaged. We decided to have a half Indian and half American wedding. We had this grand idea of a perfectly blended wedding, which would lead to a perfectly blended life.

We did pretty well bringing both cultures in, but the more we strived for perfection, the further away it got. I finally got to the point during all of my wedding planning where I decided to just let the pieces fall where they may. It ended up being just what we needed.

Our wedding was beautiful. I married my best friend. Afterwards, I sat there, during the reception, holding my husband’s hand. We were watching two cultures collide beautifully. Americans and Indians were dancing together to Bollywood and American music, wedding traditions from both sides were coming together smoothly, and everyone was having a great time celebrating.

Then I realized that perfection didn’t matter. All that mattered was my husband and I were bringing two cultures together into one family…

Read the entire article here.

Tony Gleaton, 67, Dies, Leaving Legacy in Pictures of Africans in the Americas

The New York Times
2015-08-18

Bruce Weber

Tony Gleaton, a photographer who turned his back on a career in New York fashion and embarked on an itinerant artistic quest, documenting the lives of black cowboys and creating images of the African diaspora in Latin America, died on Friday in Palo Alto, Calif. He was 67.

The cause was oral cancer, his wife, Lisa, said.

Mr. Gleaton made his photographs in the American West and Southwest, and then, most prominently, in Mexico, where he lived among little-acknowledged communities of blacks — descendants of African slaves brought to the New World centuries earlier by the Spanish — in villages on the coastal plains of Oaxaca, south of Acapulco.

An exhibition of those photos, “Africa’s Legacy in Mexico,” which appeared in galleries around the country for more than a decade beginning in the 1990s, was sponsored by the Smithsonian Institution.

Mr. Gleaton specialized in black-and-white portraits, their subjects — children and adults, alone or in groups — almost always in direct engagement with the camera and usually in tight frames that suggest but do not explore a specific setting, like a workplace or a barroom. In an interview with The Los Angeles Times in 2007, he called his pictures “abstractions from daily life,” saying “they may look natural but they are extremely crafted, very calculated.”…

Read the entire obituary here.

Showtime Adapting Mat Johnson’s Novel ‘Loving Day’ As Comedy About Racial Identity

Deadline Hollywood
2015-08-17

Nellie Andreeva, TV Editor

In a competitive situation, Showtime has acquired the rights to Mat Johnson’s recently published semi-autobiographical novel Loving Day as a potential comedy series. Talks are underway with high-end writers to collaborate with the author on penning the adaptation.

Loving Day offers a satirical look at a biracial man’s experiences with race, identity and fatherhood. It tells the story of Warren Duffy, an Irish/African-American living in Wales who returns to America after his comic book store closes, his marriage falls apart and his father dies. Now in possession of his late father’s deteriorated Philadelphia mansion – which might be haunted – a new surprise emerges: Duffy learns he has a teenage daughter who thinks she’s white. Spinning from these upheavals and revelations, Duffy sets off to remake his life with a reluctant daughter in tow and a litany of absurdly funny moments together as they bond over their newfound relationship and discoveries of their individual cultural identities…

Read the entire article here.

Beauty pageants, blackface, and bigotry: Japan’s problems with racism

The Wilson Quarterly
Washington, D.C.
2015-07-23

Maya Wesby

Photograph via Twitter

Bearing a false belief of racial singularity and superiority, can Japanese culture ever embrace diversity in an ever-intertwining world?

In most developed nations, issues of race occupy headlines and are components, unstated or overt, of nearly every conversation about policymaking — whether the topic is public housing in France, crime in Brazil, or the inheritance tax in the United States. Mostly, its relevance to the issue is framed in matters of promoting harmony and expanding opportunity.

There are, however, notable exceptions. Japan, a pillar of technological development and progress, has yet to address race as a pressing national issue. The racial discrimination that exists in Japan is reminiscent of the segregation-based atmosphere of 1950s America, posing a hostile environment for those of non-Japanese origin.

One of the more prominent victims of Japan’s ingrained discrimination is Ariana Miyamoto, who represents Japan in the 2015 Miss Universe competition. Miyamoto, the daughter of a Japanese mother and an African-American father, is categorized as hafu, a Japanese term and bastardization of the English word “half,” indicating someone who is mixed race.

Growing up in Japan, Miyamoto’s skin tone and curly hair caused others to shun her; classmates and their parents referred to her as kurombo, the Japanese equivalent of the N-word. Rather than identifying solely as black or Japanese, Miyamoto instead chooses to present herself as a representative of all ethnically and racially mixed Japanese. Her participation in the Miss Universe pageant opens the door for hafus to be accepted as part of Japanese society, and changes what it means to act and appear “Japanese.”

Reactions from the Japanese public have been less than kind. Posts on social media read, “Is it okay to select a hafu to represent Japan?”, “Miss Universe Japan is… What? What kind of person is she? She’s not Japanese, right?”, and “Even though she’s Miss Universe Japan, her face is foreign no matter how you look at it.”…

Read the entire article here.

Exploring Racial Bias Among Biracial and Single-Race Adults: The IAT

Pew Research Center
2015-08-19

Rich Morin, Senior Editor

This report summarizes the results of an online experiment that utilized an Implicit Association Test (IAT) to measure racial bias in single-race whites, blacks, Asians and biracial adults with a white and black or a white and Asian racial background. The study sought to measure subconscious racial bias in the five racial groups and to see if biracial adults unconsciously view one of their racial backgrounds more favorably than the other. Pew Research Center worked with professors Shanto Iyengar of Stanford University and Sean Westwood of Dartmouth College to design and implement the IAT used in this experiment.

The report is a collaborative effort based on the input and analysis of the following individuals. Rich Morin, senior editor, analyzed the data and wrote the report. Kim Parker, director of social trends research; Scott Keeter, director of research; and Claudia Deane, vice president of research, provided editorial guidance. Survey Methodologist Andrew Mercer provided statistical and editorial guidance. Juliana Menasce Horowitz, associate director of research, edited the report. Number-checking was done by Research Assistant Renee Stepler. The report was copy edited by Molly Rohal. Michael Suh provided web support. Find related reports online at pewresearch.org/socialtrends.

Read the entire report here.

DNA Shows Warren Harding Wasn’t America’s First Black President

The New York Times
2015-08-18

Peter Baker, Chief White House Correspondent

WASHINGTON — Bill Clinton was called the first black president because he crossed racial lines so easily, a distinction he lost when Barack Obama became the first actual black president. But for decades, some Americans claimed that the nation’s first black president was really Warren G. Harding.

It turns out that he wasn’t, really. At least that is the result of new DNA testing that according to scientists showed for the first time that Harding almost certainly had no recent ancestors with African blood, despite assertions that were spread far and wide a century ago in efforts to sabotage everything from his marriage to his political career.

The finding was overshadowed last week by the determination through the same testing that Harding did father a child with a mistress, Nan Britton. But the conclusion about Harding’s racial ancestry likewise addresses a mystery that had puzzled historians for many years and provides a seemingly definitive resolution of a subplot that played out during his lifetime…

Read the entire article here.

Othello’s Daughter

The New Yorker
2013-07-29

Alex Ross, Music Critic

Aldridge, circa 1865, and his daughter Luranah, a singer, in an undated image. Credit Photographs by Billy Rose Theatre Division / The New York Public Library for the Performing Arts; Mccormick Library of Special Collections / Northwestern University Library

The rich legacy of Ira Aldridge, the pioneering black Shakespearean.

In 1896, a thirty-six-year-old opera singer named Luranah Aldridge travelled to Germany to prepare for performances of Wagner’s “Ring of the Nibelung,” at the Bayreuth Festival. Dozens of young singers had made such a journey before her: thirteen years after Wagner’s death, Bayreuth had become a summit of the operatic world. Aldridge, though, was of mixed race: an English native, she was the daughter of an African-American and a Swede. The casting of a nonwhite performer in Wagner’s Nordic-Teutonic saga might have been expected to arouse opposition, given the notorious racism of the composer and many of his followers, yet an advance guide to the 1896 festival treats Aldridge simply as a promising novelty:

A name that may well ring strangely in the ears of even the most observant art lovers is that of Luranah Aldridge, who will sing one of the eight Valkyries. Of Luranah Aldridge one cannot say that she did not come from far off, as she hails—from Africa. She is the daughter of the African tragedian Ira Aldridge and studied singing in Germany, England and France, and has appeared with great success in operas and concerts outside of Germany. She is praised as the possessor of a true contralto voice with a wide range. In the course of the festival there will be an opportunity to put these statements to the test.

The singer fell sick during rehearsals and did not perform that summer. Despite encouragement from Cosima Wagner, the composer’s widow, Aldridge faded from view. A few reference works mention her; otherwise, she has vanished from the historical record…

Read the entire article here.