Mixed Race Studies

Holocaust Art By A Jew Who Was Black Josef Nassy’s Vision Of Nazi Camps Has Its First U.s. Show Here.

The Philadelphia Inquirer
1989-04-04

Leonard W. Boasberg, Inquirer Staff Writer

There are strength and pathos in the drawings. There are loneliness and community, a sense of the desperation of the individual – the prisoner, the victim – who, in the grasp of malevolent brutality, nevertheless maintains his will to survive.

There are watchtowers and barbed wire and closed gates and prison bars and armed guards, and there are portraits of pensive men who might be anywhere but are, in fact, confined for no crime but their existence.

The works are by Josef Nassy, a black artist of Jewish ancestry, who survived three years of Nazi prison camps during World War II and, in his art, left a lasting record of what he saw and felt.

A collection of Nassy’s works – about 115 paintings, drawings and ink washes – is now on exhibit at the Philadelphia Museum of Judaica, located in the synagogue of Congregation Rodeph Shalom, 615 N. Broad St. The exhibit, titled In the Shadow of the Tower, is the first U.S. public showing of Nassy’s works, which are on a three-year international tour that will take them to Jerusalem; Hamburg, West Germany; Brussels, Belgium; Chicago, and New York…

Read the entire article here.

I’m More Than An ‘Other’

Elle UK
2015-08-17

Meghan Markle

Meghan Markle (Source: ELLE UK)

Meghan Markle, star of the hit show Suits, opens up about creating her identity and finding her voice as a mixed race woman

What are you?’ A question I get asked every week of my life, often every day. ‘Well,’ I say, as I begin the verbal dance I know all too well. ‘I’m an actress, a writer, the Editor-in-Chief of my lifestyle brand The Tig, a pretty good cook and a firm believer in handwritten notes.’ A mouthful, yes, but one that I feel paints a pretty solid picture of who I am. But here’s what happens: they smile and nod politely, maybe even chuckle, before getting to their point, ‘Right, but what are you? Where are your parents from?’ I knew it was coming, I always do. While I could say Pennsylvania and Ohio, and continue this proverbial two-step, I instead give them what they’re after: ‘My dad is Caucasian and my mom is African American. I’m half black and half white.’

To describe something as being black and white means it is clearly defined. Yet when your ethnicity is black and white, the dichotomy is not that clear. In fact, it creates a grey area. Being biracial paints a blurred line that is equal parts staggering and illuminating. When I was asked by ELLE to share my story, I’ll be honest, I was scared. It’s easy to talk about which make-up I prefer, my favourite scene I’ve filmed, the rigmarole of ‘a day in the life’ and how much green juice I consume before a requisite Pilates class. And while I have dipped my toes into this on thetig.com, sharing small vignettes of my experiences as a biracial woman, today I am choosing to be braver, to go a bit deeper, and to share a much larger picture of that with you…

Read the entire article here.

The Japanese women who married the enemy

BBC News Magazine
2015-08-16

Vanessa Barford

Seventy years ago many Japanese people in occupied Tokyo after World War Two saw US troops as the enemy. But tens of thousands of young Japanese women married GIs nonetheless – and then faced a big struggle to find their place in the US.

For 21-year-old Hiroko Tolbert, meeting her husband’s parents for the first time after she had travelled to America in 1951 was a chance to make a good impression.

She picked her favourite kimono for the train journey to upstate New York, where she had heard everyone had beautiful clothes and beautiful homes.

But rather than being impressed, the family was horrified.

“My in-laws wanted me to change. They wanted me in Western clothes. So did my husband. So I went upstairs and put on something else, and the kimono was put away for many years,” she says.

It was the first of many lessons that American life was not what she had imagined it to be…

…”The war had been a war without mercy, with incredible hatred and fear on both sides. The discourse was also heavily racialised – and America was a pretty racist place at that time, with a lot of prejudice against inter-race relationships,” says Prof Paul Spickard, an expert in history and Asian-American studies at the University of California…

…The War Brides Act of 1945 allowed American servicemen who married abroad to bring their wives home, but it took the Immigration Act of 1952 to enable Asians to come to America in large numbers.

When the women did move to the US, some attended Japanese bride schools at military bases to learn how to do things like bake cakes the American way, or walk in heels rather than the flat shoes to which they were accustomed.

But many were totally unprepared.

Generally speaking, the Japanese women that married black Americans settled more easily, Spickard says…

Read the entire article here.

Julian Bond, Former N.A.A.C.P. Chairman and Civil Rights Leader, Dies at 75

The New York Times
2015-08-16

Roy Reed

Julian Bond, a charismatic figure of the 1960s civil rights movement, a lightning rod of the anti-Vietnam War campaign and a lifelong champion of equal rights for minorities, notably as chairman of the N.A.A.C.P., died on Saturday night in Fort Walton Beach, Fla. He was 75.

He died after a brief illness, the Southern Poverty Law Center said in a statement Sunday morning.

Mr. Bond was one of the original leaders of the Student Nonviolent Coordinating Committee while he was a student at Morehouse College in Atlanta. He was the committee’s communications director for five years and deftly guided the national news media toward stories of violence and discrimination as the committee challenged legal segregation in the South’s public facilities.

He gradually moved from the militancy of the student group to the top leadership of the establishmentarian N.A.A.C.P. Along the way, Mr. Bond was a writer, poet, television commentator, lecturer and college teacher, and a persistent opponent of the stubborn remnants of white supremacy…

…Horace Julian Bond was born Jan. 14, 1940, in Nashville, to Horace Mann Bond and the former Julia Washington. The family moved to Pennsylvania five years later, when Mr. Bond’s father became the first African-American president of his alma mater, Lincoln University.

Julian Bond’s great-grandmother Jane Bond was the slave mistress of a Kentucky farmer. Julian’s grandfather James Bond, one of Jane Bond’s sons, was educated at Berea and Oberlin Colleges and became a clergyman. His son Horace Mann Bond expected his own son Julian to follow in his footsteps as an educator, but the young man was attracted instead to journalism and political activism…

Read the entire obituary here.

Half-white, half-Asian, but no less Irish

The Irish Examiner
Dublin, Ireland
2015-08-15

Dean Van Nguyen

Half white, half Asian Dubliner Dean Van Nguyen speaks to other mixed-race Irish people in their twenties and thirties about growing up in a primarily white culture, being subjected to racist taunts, and coming to terms with their own sense of self.

Who am I? It’s a simple question, but one we as human beings frequently ask ourselves – it defines our sense of self identity, from childhood right throughout our lives, and can play a major role in shaping the people we become.

When it comes to self-concept, there are some obvious factors that we know from an early age just by examining our circumstances.

For generations of people born in Ireland, many of the key questions seemed pre-answered: You were Irish. You were white. You were Christian.

As African-American comedian Reginald D. Hunter joked at a Vicar Street gig in 2011, Ireland is “where they make white people”.

While the country is becoming ever more pluralist as we get deeper into the 21st century, for those of mixed-race now in their twenties and thirties, the answers to these questions of self-identity have been less simple…

Read the entire article here.

I’m a Mizrahi Jew. Do I Count as a Person of Color?

Forward
2015-08-10

Sigal Samuel, Deputy Digital Media Editor

Eye of the Beholder: Sigal Samuel has been considered white and non-white, depending on who’s looking. (Image: Martyna Starosta)

Am I a person of color?

You’d think there would be a straightforward answer to a question like that. And for a while, I thought there was. I thought the answer was yes.

When I look at my grandparents — four Mizrahim, or Jews from Arab lands — I see people who were born in India and Iraq and Morocco, who grew up speaking Hindi and Arabic. When I stand in Sephora buying makeup, the shade I choose is closer to “ebony” than to “petal.” When I walk down the street, perfect strangers routinely stop me to ask: “Where are you from? Are you Persian? Indian? Arab? Latina?” When I go through airport security, I always — always — get “randomly selected” for additional screening.

I was pretty sure all this made me a person of color.

And then an acquaintance, who is Jewish and African-American, told me in the course of a casual conversation that no, actually, I don’t count…

Read the entire article here.

Tony Robinson’s mother files civil rights lawsuit over fatal police shooting of son

The Guardian
2015-08-13

Zoe Sullivan

Andrea Irwin alleges officer Matt Kenny violated 14th amendment equal protection rights and fourth amendment right against unreasonable searches

The mother of a biracial man killed by a white police officer in Madison, Wisconsin, has filed a federal civil rights lawsuit over her son’s death in March.

The lawsuit, filed Wednesday by Tony Robinson’s mother, Andrea Irwin, alleges that officer Matt Kenny violated the equal protection rights guaranteed by the 14th amendment as well as Robinson’s fourth amendment right against unreasonable searches.

At a rally Wednesday afternoon outside the state capitol, Robinson’s mother told the small crowd gathered that the lawsuit was part of an effort to end needless deaths of black men at the hands of police. “This will stop. If this is the only way that we can start to do this, then by God, this is how we will do this.”

Robinson was shot on 6 March during an altercation with Kenny, who told investigators that he thought he heard a disturbance in an apartment recently entered by Robinson…

Read the entire article here.

Amid sweeping changes in US relations, Cuba’s race problem persists

Al Jazeera America
2015-08-13

Julia Cooke

In 1959, Fidel Castro said he would work to erase racial discrimination, but inequality is still widespread

Official Cuban census figures say black and mixed-heritage people are about 35 percent of the island’s population, but a quick stroll around any Cuban town will provide visual confirmation of just how many Cubans of color deem themselves “white” when the government is asking. That may not be surprising, given that race is not an objective scientific category, but rather an organizing principle of political power — both before and after the revolution that brought Fidel Castro to power.

The black and mixed-heritage share of Cuba’s population is closer to a two-thirds majority, according to other sources, including the U.S. State Department (which puts the figure at 62 percent), the University of Miami’s Institute for Cuban and Cuban-American Studies (also 62 percent) and Cuban economist and political scientist Esteban Morales Domínguez (who says it may be as high 72 percent). Most of these assessments break down the population into roughly equal blocs of white, black and mixed.

Even the dominant Cuban terminology signals the issue’s knotty intricacy: the decidedly un-PC term mulatto is used tenderly in conversation, defiantly on official documents, and derisively by the concerned neighbor who asks what color skin a robber had.

Now, as the country enters a new era of fast and sweeping change, a long-taboo political conversation about race is on the table as never before in art, music, film, and writing; in both official and dissident narratives; and in diverse circles across the socio-economic strata…

Read the entire article here.

‘Key & Peele’ Ends While Nation Could Still Use a Laugh

The New York Times
2015-08-15

Dave Itzkoff, Culture Reporter

Jordan Peele, left, and Keegan-Michael Key in a scene from the final season of “Key & Peele.” Credit Comedy Central

The scene is a hauntingly familiar one: A white police officer stalks an unarmed black man in a dark alley and slams the man’s head into the open door of his patrol car.

But then, rather than being taken into police custody, the man is led through a magical door to the sunlit, upbeat streets of a utopia called Negrotown, whose black populace serenades the visitor about its city, where “you can walk the street without getting stopped, harassed or beat” and “you can wear your hoodie and not get shot.”

This comic sketch is one of many that have made “Key & Peele,” the Comedy Central series created by and starring Keegan-Michael Key and Jordan Peele, a television program that is uniquely calibrated to the current American moment, when real-life examples of racial polarization and conflict are ubiquitous, but opportunities in pop culture to process these divisions are rare.

It will be a bittersweet moment when this sketch comedy series concludes its final season on Sept. 9, after three years of fixing its satirical lens on stereotypes and social injustices. In its absence, there may be no alternative that so frankly addresses these enduring prejudices and disparities, especially at a moment when America’s racial divide has taken center stage in the national discourse…

…Mr. Key, 44, and Mr. Peele, 36, who are biracial, say they are ending the show by mutual agreement for the least complicated of reasons: They want to pursue other projects…

…“When Obama was elected, there was this mythology that, O.K., we’re over the racist thing — this is a postracial world,” Mr. Peele said. “And now, obviously, we’ve uncovered why that’s not true.”…

Read the entire article here.

How Embracing Your Background Can Empower Your Life: May J. Talks About Her Mixed Race Heritage, Music, and Pursuing Her Dreams.

The Huffington Post United Kingdom
2015-07-17

Emma Leverton

Achieving a dream career requires determination and drive, and when we look towards success it’s easy to forget that our histories are much more than just old distractions and challenges. Mixed race singing superstar May J. however has certainly not forgotten her roots. Her musical upbringing and multi-cultural heritage proudly serve as key influences in her career today; inspiring her unique direction, musical style and positive outlook on life.

May J.’s music style is as unique and as it is eclectic. Her repertoire includes classic ballads, many of which are Japanese translations of English language classics, and fresh tunes with flairs of modern J-pop, classic J-pop, and RnB. “I don’t really have one genre. I don’t like to categorise my music”…

…Growing up in homogenous Japan, May J. says she had no problem fitting in. “I was never bullied, and I enjoyed being mixed race. My friends wanted to learn languages from me! I grew up in a multi lingual household and would speak Japanese, English and a little bit of Farsi“. For those who experience prejudice for their race, May J. said, “Being mixed [race] is special. That’s who you are. Don’t feel like you’re different, [but] remember that you don’t have to be like everyone else. Believe in yourself.”…

Read the entire article here.