Mixed Race Studies

The Surprising Story of Walter White and the NAACP

Time
2015-07-01

Jennifer Latson

July 1, 1893: Walter Francis White, head of the NAACP for more than 20 years, is born

In the last few weeks, Rachel Dolezal—the Spokane, Wash., NAACP leader who recently left her post after being outed as white though saying that she identified as black—led many to examine the relationship between skin color and racial-justice activism. Writing for TIME, Kareem Abdul-Jabbar noted that, despite her ethnic background, Dolezal “has proven herself a fierce and unrelenting champion for African-Americans politically and culturally.”

Regardless of what one thinks of Dolezal, whose story only grew increasingly complicated, there’s plenty of historical evidence that looks aren’t the most important thing when it comes to championing equality. For proof, look no further than Walter Francis White, who was born on this day, July 1, in 1893. White ushered the NAACP into the Civil Rights era, serving as its leader more than 20 years, from 1931 until his death in 1955…

Read the entire article here.

Geographies Of Cubanidad: Place, Race, and Musical Performance in Contemporary Cuba

University Press of Mississippi
2005-07-10
328 pages
6 x 9 inches, 14 b&w illustrations, 1 map, 3 tables, glossary, bibliography, index
Hardback ISBN: 9781628462395

Rebecca M. Bodenheimer

A study of how notions of place and race inform the identities and performances of musicians in contemporary Cuba

Derived from the nationalist writings of José Martí, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities.

This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book—including rumba, timba, eastern Cuban folklore, and son—are examples of the intersections between regional identity formation, racialized notions of place, and music-making.