Mixed Race Studies

Amid sweeping changes in US relations, Cuba’s race problem persists

Al Jazeera America
2015-08-13

Julia Cooke

In 1959, Fidel Castro said he would work to erase racial discrimination, but inequality is still widespread

Official Cuban census figures say black and mixed-heritage people are about 35 percent of the island’s population, but a quick stroll around any Cuban town will provide visual confirmation of just how many Cubans of color deem themselves “white” when the government is asking. That may not be surprising, given that race is not an objective scientific category, but rather an organizing principle of political power — both before and after the revolution that brought Fidel Castro to power.

The black and mixed-heritage share of Cuba’s population is closer to a two-thirds majority, according to other sources, including the U.S. State Department (which puts the figure at 62 percent), the University of Miami’s Institute for Cuban and Cuban-American Studies (also 62 percent) and Cuban economist and political scientist Esteban Morales Domínguez (who says it may be as high 72 percent). Most of these assessments break down the population into roughly equal blocs of white, black and mixed.

Even the dominant Cuban terminology signals the issue’s knotty intricacy: the decidedly un-PC term mulatto is used tenderly in conversation, defiantly on official documents, and derisively by the concerned neighbor who asks what color skin a robber had.

Now, as the country enters a new era of fast and sweeping change, a long-taboo political conversation about race is on the table as never before in art, music, film, and writing; in both official and dissident narratives; and in diverse circles across the socio-economic strata…

Read the entire article here.

‘Key & Peele’ Ends While Nation Could Still Use a Laugh

The New York Times
2015-08-15

Dave Itzkoff, Culture Reporter

Jordan Peele, left, and Keegan-Michael Key in a scene from the final season of “Key & Peele.” Credit Comedy Central

The scene is a hauntingly familiar one: A white police officer stalks an unarmed black man in a dark alley and slams the man’s head into the open door of his patrol car.

But then, rather than being taken into police custody, the man is led through a magical door to the sunlit, upbeat streets of a utopia called Negrotown, whose black populace serenades the visitor about its city, where “you can walk the street without getting stopped, harassed or beat” and “you can wear your hoodie and not get shot.”

This comic sketch is one of many that have made “Key & Peele,” the Comedy Central series created by and starring Keegan-Michael Key and Jordan Peele, a television program that is uniquely calibrated to the current American moment, when real-life examples of racial polarization and conflict are ubiquitous, but opportunities in pop culture to process these divisions are rare.

It will be a bittersweet moment when this sketch comedy series concludes its final season on Sept. 9, after three years of fixing its satirical lens on stereotypes and social injustices. In its absence, there may be no alternative that so frankly addresses these enduring prejudices and disparities, especially at a moment when America’s racial divide has taken center stage in the national discourse…

…Mr. Key, 44, and Mr. Peele, 36, who are biracial, say they are ending the show by mutual agreement for the least complicated of reasons: They want to pursue other projects…

…“When Obama was elected, there was this mythology that, O.K., we’re over the racist thing — this is a postracial world,” Mr. Peele said. “And now, obviously, we’ve uncovered why that’s not true.”…

Read the entire article here.

How Embracing Your Background Can Empower Your Life: May J. Talks About Her Mixed Race Heritage, Music, and Pursuing Her Dreams.

The Huffington Post United Kingdom
2015-07-17

Emma Leverton

Achieving a dream career requires determination and drive, and when we look towards success it’s easy to forget that our histories are much more than just old distractions and challenges. Mixed race singing superstar May J. however has certainly not forgotten her roots. Her musical upbringing and multi-cultural heritage proudly serve as key influences in her career today; inspiring her unique direction, musical style and positive outlook on life.

May J.’s music style is as unique and as it is eclectic. Her repertoire includes classic ballads, many of which are Japanese translations of English language classics, and fresh tunes with flairs of modern J-pop, classic J-pop, and RnB. “I don’t really have one genre. I don’t like to categorise my music”…

…Growing up in homogenous Japan, May J. says she had no problem fitting in. “I was never bullied, and I enjoyed being mixed race. My friends wanted to learn languages from me! I grew up in a multi lingual household and would speak Japanese, English and a little bit of Farsi“. For those who experience prejudice for their race, May J. said, “Being mixed [race] is special. That’s who you are. Don’t feel like you’re different, [but] remember that you don’t have to be like everyone else. Believe in yourself.”…

Read the entire article here.

Amandla Stenberg Is Ready to Be Your Role Model

Elle
2015-08-12

Chaedria LaBouvier

The actress and activist talks exclusively to ELLE.com about everything from box braids to Black Lives Matter to her ambitions in front of and behind the camera.

As one of Hollywood’s most exciting young faces and voices, Amandla Stenberg—whose first name means “power” in Zulu and was used as a rally cry against apartheid in South Africa—more than lives up to the name in her presence, commentary, and poise. I know because I got to talk to the 16-year-old last week, and our conversation, which ranged fluidly from box braids to Black Lives Matter, did not disappoint. (And let’s be honest, some of us can’t even have this range of conversation with twenty- and thirty-somethings.)…

Though she wasn’t born when some of her boho, curly-haired predecessors were gracing the big and small screen in the early ’90s—actresses like Lisa Bonet and Cree Summer, who I grew up adoring—I get the feeling that Amandla is definitely a worthy heir to the crown. Of curls, of course.

First things first: Let’s talk about your style and particularly your hair. I noticed on Instagram that you experiment with different styles. Is hair a form of expression for you?

When I was younger, I struggled with my hair a lot because it was too hard to deal with—it was too poofy, it was too big, and I just wanted it to go down, flat against my head. I put treatments in my hair to try to make it look straight, and in the past year, I realized that that’s so not necessary. I really love my natural hair texture and my curls and so I went totally natural and had to do the big chop…and the curls sprung back to life.

And all of the sudden, it gave me so much more confidence. I’m so much more comfortable with my hair, my body, and everything. So hair is super central to how I express myself because it’s just kind of part of the Black experience: Doing your hair is always an event. I really love my hair, I really embrace it, and I’m so glad that I made the decision to wear it natural…

Read the entire interview here.

Identity Is At The Heart Of Brash, Essential ‘Mulattos’

National Public Radio
2015-08-07

Michael Schaub, Book Critic

Williams, Tom, Among The Wild Mulattos and Other Tales (Huntsville, Texas: Texas Review Press, 2015)

“Odder than two-headed calves, stranger than, Uri Geller who could bend spoons with his mind.” That’s how the narrator of “Who Among Us Knows the Route to Heaven?” — one of the stories in Tom Williams’ collection Among the Wild Mulattos and Other Tales — describes himself and his brother, growing up in the suburbs of Ohio in the early 1970s.

What sets them apart is their heritage. Their father is black and their mother is white, and they’re not allowed to forget it. The narrator’s white schoolmates admire his athleticism, but, he recalls, “when I brought to lunch fried chicken or napped in history, they chuckled quietly and nodded at each other in affirmation that their parents and the TV were right about black folk.” As for his black friends: “[I]f I professed an admiration, say, for the music of Supertramp … they aimed at me the barbs their parents had taught them: ‘Tom’ and ‘Traitor.’ ”

For many Americans, the experience of being multiracial in a society obsessed with neat, arbitrary categories is a no-win situation. That’s not just because of the prejudice they face, whether it comes in the form of unvarnished racism or willful ignorance. It also has a lot to do with a society that urges them to integrate, but slaps them down any time they dare express their identity in a way that seems right to them…

Read the entire book review here.

Most of the time I see myself as mixed, but when I see black men and women brutalized or killed for breathing while black, I’m black, and proudly, viscerally so.

Shannon Luders-Manuel, “What it Means to be Mixed Race During the Fight for Black Lives,” For Harriet, August 12, 2015.
http://www.forharriet.com/2015/08/what-it-means-to-be-mixed-race-during.html.