Mixed Race Studies

Identity and Acceptance in Danzy Senna’s Caucasia

Uncovered Classics
2015-09-16

Melanie McFarland

“Race is a complete illusion, make-believe,” observes a central character in Danzy Senna’s debut novel Caucasia. “It’s a costume. We all wear one.”

Or, many. Over the course of our lives, those costumes change as we add and subtract details in reaction to other people’s gaze. To see the idea of race through sugar-coated Coke bottle glasses, racial and cultural differences are to be explored and celebrated. But one can just as accurately say that illusion of race creates unnecessary absurdity in our lives. It challenges our sense of acceptance.

Senna’s Caucasia doesn’t quite blast apart the fallacy of race, but it does use our culture’s obsession with it to highlight the ways in which a person creates and morphs her identity…

Read the entire review here.

Racism as a Determinant of Health: A Systematic Review and Meta-Analysis

PLOS ONE
2015-09-23
48 pages
DOI: 10.1371/journal.pone.0138511

Yin Paradies, Professor
Alfred Deakin Institute for Citizenship and Globalization, Faculty of Arts and Education
Deakin University, Melbourne, Victoria, Australia

Jehonathan Ben
Alfred Deakin Institute for Citizenship and Globalization, Faculty of Arts and Education
Deakin University, Melbourne, Victoria, Australia

Amanuel Elias
Alfred Deakin Institute for Citizenship and Globalization, Faculty of Arts and Education
Deakin University, Melbourne, Victoria, Australia

Nida Denson
School of Social Sciences and Psychology
University of Western Sydney, Sydney, New South Wales, Australia

Naomi Priest, Senior Research Fellow in child public health and health inequalities
Australian Centre for Applied Social Research Methods
Australian National University, Canberra, Australian Capital Territory, Australia

Alex Pieterse
Division of Counseling Psychology
University at Albany, State University of New York

Arpana Gupta
Oppenheimer Center for Neurobiology of Stress, David Geffen School of Medicine
University of California, Los Angeles

Margaret Kelaher
Centre for Health Policy Programs and Economics, Melbourne School of Population and Global Health
University of Melbourne, Melbourne, Victoria, Australia

Gilbert Gee
Department of Community Health Sciences
University of California, Los Angeles, Fielding School of Public Health, Los Angeles, California

Despite a growing body of epidemiological evidence in recent years documenting the health impacts of racism, the cumulative evidence base has yet to be synthesized in a comprehensive meta-analysis focused specifically on racism as a determinant of health. This meta-analysis reviewed the literature focusing on the relationship between reported racism and mental and physical health outcomes. Data from 293 studies reported in 333 articles published between 1983 and 2013, and conducted predominately in the U.S., were analysed using random effects models and mean weighted effect sizes. Racism was associated with poorer mental health (negative mental health: r = -.23, 95% CI [-.24,-.21], k = 227; positive mental health: r = -.13, 95% CI [-.16,-.10], k = 113), including depression, anxiety, psychological stress and various other outcomes. Racism was also associated with poorer general health (r = -.13 (95% CI [-.18,-.09], k = 30), and poorer physical health (r = -.09, 95% CI [-.12,-.06], k = 50). Moderation effects were found for some outcomes with regard to study and exposure characteristics. Effect sizes of racism on mental health were stronger in cross-sectional compared with longitudinal data and in non-representative samples compared with representative samples. Age, sex, birthplace and education level did not moderate the effects of racism on health. Ethnicity significantly moderated the effect of racism on negative mental health and physical health: the association between racism and negative mental health was significantly stronger for Asian American and Latino(a) American participants compared with African American participants, and the association between racism and physical health was significantly stronger for Latino(a) American participants compared with African American participants. Protocol PROSPERO registration number: CRD42013005464.

Read the entire article here.

Too Latina To Be Black, Too Black To Be Latina

The Huffington Post
2015-09-15

Aleichia Williams, Writer, Student, Advocate

I can remember the first time I had a ‘race crisis.’

I was probably twelve or thirteen and I had just moved to the quiet state of North Carolina from my home state and city of New York. North Carolina was a lot different than New York. For one, there wasn’t an enormous variety of culture and people. I didn’t have class with any Russians. My professors weren’t Puerto Rican and there wasn’t a whole lot of mixing between kids of one race with kids of another. In fact, at my middle school you had three groups you could classify as; black, “Mexican”, or white.

Unaware of this fact I walked into my second class on my first day of school and decided to sit next to a group of friendly looking Hispanic girls. As soon as I sat down the table was quiet. Then one girl snickered to another in Spanish “Why is she sitting here? I don’t want her to sit here.” Her friend, who had been in my previous class and had heard my class introduction, blushed and replied to her friend in English “She speaks Spanish.”

That was the first time I could remember being aware of my skin color and the overwhelming implications it held. This was also my first ‘race crisis’…

Read the entire article here.

Trevor Noah Brings ‘A Different Perspective’ as Daily Show Host

NBC News
2015-09-23

Amber Payne, Managing Editor of @NBCBLK

Trevor Noah is poised to take The Daily Show throne next week and the South African comedian says his biracial and cultural background will impact and inform his perspective as host.

“It just gives me a different perspective. I feel everyone has their perspective because of where they’ve come from,” Noah told NBCBLK. “I’ve never been ashamed to say, nor do I shy away from that fact that I am black. I’ve grown up black, black is the only existence I’ve ever known. But it’s strange when you live in a world where people go ‘OK but biracial—then which piece of this, which piece of that?'”

Noah grew up under Apartheid in South Africa to a white Swiss father and a black South African mother. While his comedy is often unapologetically about race and racism, he is careful not to equate the racial tensions in the United States to the divisions and tensions in South Africa…

Read the entire article here.

The few old schoolmates who ran into him had to pretend they’d never met. He was often seen around town with one of his best friends. the Indian-born actor Sabu, an alliance that brings to mind the “arranged” Hollywood marriage of a closeted gay actor.

Black novelist Charles Chesnutt’s The House Behind the Cedars, about a man who passes for white, has a sentence that could apply to Korla: “Our customs grip us in bands of steel.  We become the creatures of our creations.”

From slavery right down to this morning, countless African Americans have passed as white because they were evading the lynch mob or wishing for an equal opportunity. The subject has been taboo: Crossing over means denying who you are, means banishing friends and family from your life. You live in a gray zone, and it is the loneliest of places.

Passing for Asian was a little different, because you did not blend into white society. The practice went on long before Korla Pandit first appeared. In the late 1930s, Harlem’s Amsterdam News reported that a Syracuse University football star named Wilmeth Sidat-Singh was, as a columnist put it, “about as much Hindu as flatfoot floogie.” In 1947, around the time that Juan Rolondo was turning into Korla Pandit, the Los Angeles Tribune, a lively black newspaper, heralded a stunt pulled by a brown-skinned New York minister. He prepared for a visit through the Deep South by donning a purple turban, affecting “a slightly Swedish accent,” and concocting a tale about being a visiting Eastern dignitary. He was doted on and able to eat at white-only restaurants. In Mobile, Alabama, he impishly asked a waiter what would happen if a Negro came to eat. The Negro wouldn’t be served, he was told. “I just stroked my chin and ordered my dessert.” said the pastor.

When John Redd crossed over, he didn’t sever all ties with the world he had known. “It was not top secret,” says Ernest. “Among the family we knew what he was doing and very little was said about it. There was times when he would come by, and it was kind of like a sneak visit. He might come at night sometime and be gone before we got up. He had to separate himself from the family to a certain extent. They would go to see him play, but they wouldnt speak to him. They would go to his show and then they would leave, and the family would greet him at a later time.”

The situation became even more complicated once Korla’s Father, Ernest Sr., moved to Los Angeles, by the early ’50s. Reverend Redd became the pastor of Trinity Baptist Church, a prominent institution in the community. Any night he wanted to, Reverend Redd could come home from the church, switch on the television, and watch his son play the organ, with that strange look in his eyes and that turban on his head. Korla kept in touch with his family, and on occasion he and Beryl scheduled a covert mission to the parents’ West Adams home. But even then, detection could not be discounted. Even then, Korla wore the turban. He didn’t bring Shari or Koram, his and Beryl’s sons.

RJ Smith, “The Many Faces of Korla Pandit,” Los Angeles Magazine, June 2001, 148-149. https://books.google.com/books?id=aF8EAAAAMBAJ&pg=PA73#v=onepage&q&f=false.

Dating Partners Don’t Always Prefer “Their Own Kind”: Some Multiracial Daters Get Bonus Points in the Dating Game

Council on Contemporary Families
Austin, Texas
2015-07-01

Celeste Vaughan Curington
Department of Sociology
University of Massachusetts, Amherst

Ken-Hou Lin, Assistant Professor of Sociology
The University of Texas, Austin

Jennifer Hickes Lundquist, Professor of Sociology
University of Massachusetts, Amherst

A briefing paper prepared for the Council on Contemporary Families by Celeste Curington, University of Massachusetts-Amherst, Ken-Hou Lin, University of Texas at Austin, and Jennifer Lundquist, University of Massachusetts Amherst

Despite growing approval of interracial dating, researchers have long documented the existence of a racial hierarchy within the dating world, with white women and men the most preferred partners, blacks the least preferred, and Asians and Hispanics in between. But where do the growing numbers of biracial and multiracial individuals fit into this hierarchy? Do they too get ranked by descending shades of lightness?

Between 2000 and 2010, the number of individuals who identified themselves to Census takers as being of two or more races increased by a third. These nine million individuals still represent less than three percent of the population. But studies predict that by the year 2050, nearly one in five Americans may claim a multiracial background. How will this affect dating and marriage patterns in the United States?

We recently completed a study of how multiracial daters fare in a mainstream online dating website. Using 2003-2010 data from one of the largest dating websites in the United States, we examined nearly 6.7 million initial messages sent between heterosexual women and men. Specifically, we looked into how often Asian-white, black-white, and Hispanic-white daters received a response to their messages compared to their monoracial counterparts…

Read the entire paper here.

The Awesome Unordinary: Meet Marawa, The Celebrity Hula-Hooper

Chic Rebellion
2015-09-22

Jazzi Johnson

As children, we’re told to go after our dreams and not to let anyone deter us from whatever it may be… Well, can you imagine being 18 years old and telling your parents that you dream of hula-hooping for a living? That’s precisely what Marawa Ibrahim did.

Ibrahim, better known as Marawa the Amazing, is a record-breaking hula-hooper! She currently holds the Guinness world record for 160 hoops at once, and is known for roller-skating and hooping in high heels as part of her act. A natural born nomad, she was born to a Somalian father and an Australian mother. Inspired by the art of gymnasium, she took to Olga Korbut, Josephine Baker, and Delores Van Cartier to name a few.

Destined to live a world of her own making, Marawa enrolled in NICA- the National Institute of Circus Arts Australia– and earned her Bachelor of Circus Arts. Although she specialized in swinging trapeze, she always knew that hula-hoops was where her future lie…

Read the entire article here.

The Passing Paradox: Writing, identity & publishing while black

Fusion
2015-02-13

Stacia L. Brown

A wife lives in constant fear that her husband will discover she’s not who she claims to be. A black aspiring architect is mistaken for an ethnicity other than his own and is offered a job he never would’ve accessed had he corrected the error. A pregnant mother prays nightly that her baby’s skin won’t betray a bit of brownness. Such are the predicaments of characters in the early 20th century “passing narratives” I’ve loved since my days as an undergraduate English major.

To “pass,” as African American writers in the early 1900s defined it, was to choose to escape from the violence and discrimination attendant to blackness — a privilege possible only for those whose skin was light enough to pull it off. Peaking in popularity by the 1930s, passing narratives were often melodramatic and cautionary, detailing the myriad dangers of abandoning one’s black identity in order to take cover amid the white communities that systemically oppressed black citizens.

The penalty for being caught passing could be as merciless as emotional and physical abandonment or as cruel as a violent death. In Nella Larsen’s 1929 novel Passing, for instance, one of the story’s protagonists, Clare, either falls or is pushed from the top floor of a building during a party. Unbeknownst to her, her racist white husband has discovered her blackness through her light-skinned friend, Irene, who isn’t exactly passing. When he charges toward her stumbles out to her death.

Passing narratives not only interrogate the fluidity of racial identity and assess the stakes of racial allegiance, but also double as slow-burning thrillers: Race itself is the stalker, an implicit threat skulking in the backgrounds of seemingly contented, white identified lives…

Read the entire article here.

Here’s why Equal Protection may not protect everyone equally

The Washington Post
2015-09-23

Lauren Sudeall Lucas, Assistant Professor of Law
Georgia State University

Intersectionality is the acknowledgment that different forms of identity-based discrimination can combine to give rise to unique brands of injustice. For example, although women may generally face certain challenges in the workplace — unequal pay and the “motherhood penalty” are common — women of color may face different obstacles, including a bigger wage gap and the perception that they are too aggressive.

The Equal Protection Clause is the primary constitutional tool for addressing claims of identity-based discrimination. Finding out whether an incident of discrimination is legal typically begins with identifying the identity category — such as race or gender — on which the alleged discrimination is based. Depending on the category invoked, courts will apply varying levels of analysis to the claim, making it easier or harder for those accused of discrimination to defend their policies.

But for those who face discrimination at the intersection of multiple identity categories, it is not immediately clear how a court should respond. If someone claims that she has been denied the equal protection of the law because she is a black woman, should the alleged discrimination be examined with strict scrutiny, the most stringent standard of review in the court system, which is applied to classifications based on race? Or should it be treated with intermediate scrutiny, the lesser standard typically applied to gender classifications?…

Read the entire article here.

Korla

Appleberry Pictures
San Rafael, California
April 2005

A Film by John Turner & Eric Christensen

Korla Pandit was a spiritual seeker, a television pioneer and the godfather of exotica music. Known for his hypnotic gaze, Korla captured the hearts of countless Los Angeles housewives in the 50s with his live television program that featured a blend of popular tunes and East Indian compositions, theatrically performed on a Hammond B3 organ. In the 90s he resurfaced as a cult figure with the tiki/lounge music aficionados, filling clubs, skating rinks and bars with retro hipsters. Often pegged as a “man of mystery,” Korla lived up to that billing when he took an amazing secret with him to his grave in 1998 – one that is revealed in Korla.