Mixed Race Studies

Race in the United States – Mississippi and Hawaii at Two Ends of the Spectrum

UCR Today
University of California, Riverdale
2015-09-04

Mojgan Sherkat (mojgan.sherkat@ucr.edu)

RIVERSIDE, Calif. (www.ucr.edu) – There’s a lot to learn about race in the United States through statistical figures alone, especially when comparisons are made between Hawaii and Mississippi, according to David Swanson, professor of sociology at the University of California, Riverside.

“Hawaii and Mississippi stand out from each other and the U.S. as a whole in terms of health, education, and income,” said Swanson.

Swanson will release an essay on the topic on Zócalo Public Square on Sept. 16, 2015. The not-for-profit ideas exchange board will have a discussion on “What can Hawaii Teach America About Race?” It is co-sponsored by the Smithsonian and the Inouye Institute. The essay will be available on Zocalo‘s website.

Swanson used data from the U.S. Census Bureau (except life expectancy data, which comes from Wikipedia) to demonstrate race in America…

Read the entire article here.

Multiracial Gen Z And The Future Of Marketing

Media Post
2015-09-03

Jose Villa, Founder and president
Sensis, Los Angeles, California

Millennials are generally believed to be the most ethnically and racially diverse generation in American history. Hispanics (20%), African-Americans (14%) and Asians (6%) make up 40% of the total millennial population. This diversity underpins the notion of the bicultural millennial, a young consumer straddling two worlds, balancing their cultural lives with their mainstream integration into popular culture. Yet, lost in the buzz around bicultural millennials is the growing multiracial U.S. population truly living in two worlds at home and in society…

…Multiracial America

The large segment of multiracial Gen Z is the result of demographic trends at work for the last two decades. Starting with the 2000 census – the first census that allowed individuals to self-identify with more than one race – we have been seeing a steady demographic shift resulting from an increase in multiracial marriage. In a recent New Republic article, William Frey laid out how the blending of racial minorities through multiracial marriage is leading to a major demographic shift in the U.S. In 2000, 6.7% of all marriages were multiracial. That number jumped to 8.4% in 2010. Hispanics are driving the increase in multiracial marriages, accounting for 49% of all multiracial marriages in 2010 (Hispanics and Whites: 44%, Hispanics and Black: 3%, Hispanics and Asian: 2%). Furthermore, more than one in seven newlywed couples are now multiracial. This data also does not account for non-married multi-racial couples that are adding to the growing multiracial Gen Z population…

Read the entire article here.

Understanding Race on Black London history walk

Sociology in the City: blogging from Sociology at the University of Westminster
University of Westminster
London, United Kingdom
2015-02-20

Students of the first year module Understanding Race went on a walking tour this morning, led by the writer and historian Steve Martin.

Challenging the popular idea that race in Britain is a phenomenon of post-WW2 immigration, Steve gave us an insight into the longstanding presence of non-white people in London’s history, with a focus on people of African and African-Carribean heritage…

Read the entire article here.

Louise Erdrich on her fiction: ‘I’m writing out of the mixture of cultures’

The Guardian
2015-09-05

Bridey Heing

Receiving the Library of Congress prize for American fiction, Erdrich spoke of how her writing emerged from the ‘great loss’ of Native Americans

Novelist Louise Erdrich was presented with the Library of Congress prize for American fiction on Saturday in recognition of her three-decade literary career.

In the Q&A at the National Book Festival in Washington, DC, that followed, Erdrich – the author of Tracks, Love Medicine and The Round House and a key voice in contemporary American literature – offered insight into the worldview from which she writes, one heavily influenced by her own experiences as a mixed-race Native American.

“It is where I’m from; literally there’s no other way than this that I can write. I’m writing out of the mixture of cultures,” she said. “Knowing both sides of my family really infused my life with a sense that I lived in many times and in many places as many people. It was never just me. I was always filled with the stories, the humor, the loss. Because, of course, we are all part of this great loss that occurred.”…

Read the entire article here.

Call for Papers: “Mixed Race in Scandinavia”

The Journal of Critical Mixed Race Studies
e-ISSN: 2325-4521
September 2015

G. Reginald Daniel, Editor in Chief and Professor of Sociology
University of California, Santa Barbara

JCMRS encourages established and emerging scholars to submit articles in response to the annual call of papers. The journal is currently inviting submissions on the topic of global mixed race, particularly in terms of populations, experiences, and concerns outside the United States. Articles will be considered for publication based on their contribution to important and current discussions in critical mixed race studies, and their scholarly competence and originality. The primary criterion for selection will be the quality of the paper, not its connection to the CMRS conference theme.

The journal is transracial, transdisciplinary, and transnational in scope. It places the concept of mixed race at the critical center of focus such that multiracial individuals become subjects of historical, social, and cultural processes rather than simply objects of analysis. This involves the study of racial consciousness among racially mixed people, the world in which they live, and the ideological forces that inform their identity and experience.

JCMRS also stresses the critical analysis of the institutionalization of social, cultural, and political structures based on dominant conceptions of race. JCMRS acknowledges that the concept of race invokes biologically-based human characteristics, but the selection of specific human features for the purposes of racial signification is a constantly changing sociohistorical process. Accordingly, the journal emphasizes the constructed nature of race and the notion that racial categories are unstable and decentered structures of sociocultural meanings that are continuously being created, inhabited, contested, transformed, and destroyed. Finally, JCMRS underscores the mutability of race and the porosity of racial boundaries in order to critique local and global systemic injustices rooted in processes of racialization and social stratification based on race, as well as the interlocking nature of racial phenomena with sex, gender, sexuality, class, and other categories of difference.

Submission Deadline: Open

Submission Guidelines: Article manuscripts should range between 15-30 double-spaced pages, Times New Roman 12-point font, including notes and works cited, must follow the Chicago Manual of Style, and include an abstract (not to exceed 250 words). Papers will not be reviewed unless they follow the exact formatting of the submission guidelines.

Visit our website for complete submission guidelines and to submit an article: http://escholarship.org/uc/ucsb_soc_jcmrs.

Please address all inquiries to: socjcmrs@soc.ucsb.edu.

Chosen by Mississippi Democrats, Shy Trucker Is at a Crossroad

The New York Times
2015-09-07

Campbell Robertson, Southern Correspondent

Robert Gray (Photo source: WLBT-TV)

JACKSON, Miss. — Only three people who had ever met this man, Robert Gray, knew that he was running in the primary for governor of Mississippi.

There were the two volunteers who took his $300 filing fee and qualifying papers several months ago at the state Democratic Party office and the candidate for agriculture commissioner who happened to be in the headquarters at the same time.

Otherwise, no one — not even Mr. Gray’s mother, with whom he lives.

At least she voted for him when she saw his name on the Aug. 4 ballot. Mr. Gray, 46, a round-faced, soft-spoken long-haul truck driver who lives on a quiet country road south of Jackson, was too busy working on his rig to vote himself. He would, nonetheless, go on to win, taking 79 out of Mississippi’s 82 counties.

Mr. Gray beat two other candidates, who unlike him spent money and campaigned. Democratic Party officials were stunned. The news media was stunned. Mr. Gray, now Mississippi’s Democratic nominee for governor, gave some interviews and then set off with a truck full of sweet potatoes for a potato chip factory in Pennsylvania…

…No one there had met Mr. Gray, but Gary Downing, who was getting a little off the ears, offered a thought on the state of politics: “Can’t do no worse than what we’ve got.”

This may be the central plank of the Gray campaign, such as it is. His campaign staff for now consists mostly of his sister, Angela Gray, 45, who works in real estate in Georgia, and Dwight Utz, 57, an engineer who moved here three years ago from Idaho. Mr. Utz, who is white, sees the campaign as the stirrings of a new civil rights movement.

Mr. Gray does not talk much about race. He cites no specific issue that prompted him to run for governor. He emphasizes a more general conviction that the state has been foundering for too long and that it could be thriving if only the governor would expand Medicaid and spend more on infrastructure and education…

Read the entire article here.

Bottles, Bubbles, and Blood: Jean Toomer and the Limits of Racial Epidermalism

Modernism/modernity
Volume 22, Number 2, April 2015
pages 279-302
DOI: 10.1353/mod.2015.0041

Catherine Keyser, Associate Professor of English Language and Literature
University of South Carolina

In an unpublished 1935 memoir, Jean Toomer reminisces about his job as a soda jerk in high school and exults in his hard-won expertise:

I got my white coat. Under my friends [sic] guidance I learned to work the fountain, draw sodas, pile sundaes, brew special concoctions. Of course, I had imprinted upon me indelibly what my fellow-men consider tasty thirst-quenching drinks. … I was a serious youth at first, in every way an eager, earnest student of the job. … I soon became familiar with the store’s stock, the patent medicines, the chemicals in jars. Sime [sic] times I watched the doctor compound prescriptions and I had a feeling of fascination and mystery as if there were some magic about this and I were in—not the prosaic back of a modern drug store but in the work shop of an alchemist.

Toomer’s verbs animate the process of intermixture and especially his active role in that process: “work,” “draw,” “pile,” “brew.” While popular taste renders the soda jerk passive, even textual (“I had imprinted upon me indelibly”), the model of the doctor compounding prescriptions promises active and expert authorship. In this combination, we can see an alter ego for the literary modernist, reformulating the materials of popular culture with expertise. The audience for the work is meant to imbibe its results, to incorporate the concoction in the body, and thus to experience the senses anew. The pharmacist models not only form (as formula) and bricolage (as compounds), but also the radical transformation of the consumer of this “magic.” This alchemical metaphor for modernist practice suits Toomer’s approach to race as well as his approach to art. Mark Whalan observes that Toomer uses technological metaphors in his masterwork Cane in order to imagine a “dynamic process” of racial transformation: “At the centre of this exists the figure of the artist, transforming through a process of mechanical efficiency material forms which degrade or oppress into forms which offer liberation and agency.”

The outside world encroaches on this idyllic magician’s workshop. Toomer’s longed-for imaginative transformation of racial categorization was not so easily performed in the segregated spaces of the Jim Crow era, and the anecdote in his memoir bears this out. His grandmother disapproves of his ambition to work at a soda fountain: “I could not bring myself to ask my grandmother. I could hear her exclaim, ‘My grandson a soda boy!’” Her hesitation (and his) is telling. A notoriously segregated city, Washington, D.C., had an anti-discrimination law on the books from 1872 stating that “keepers of ice-cream saloons or places where soda-water is kept for sale” would be fined for “refusing to sell or wait upon any respectable, well-behaved person, without regard to race, color, or previous condition of servitude,” but in practice, this statute was ignored. Is this a soda fountain for white patrons, where a black teenager could work behind the counter but not sit in front of it? Or is this a soda fountain for black patrons, a safe but lower-class space? It is not a surprise that Toomer, frustrated at what he elsewhere calls “color labels,” fails to mention the race of his friends, colleagues, or patrons in the soda fountain, but the fact that he does not do so draws attention to the racial politics that he tries to overlook. Soda fountains were a common symbol of segregation and racial tension. In 1918, James Weldon Johnson wrote that “the denial of the privilege of drinking ice cream soda in certain places on account of race or color is a phase of the denial of full citizenship and common democracy.” For many Harlem Renaissance writers, the soda fountain represented social barriers rather than chemical recombinations. In George Schuyler’s Black No More (1931), his newly white protagonist learns about a local Klan rally at a soda fountain. In The Big Sea (1940), Langston Hughes recalls stopping in St. Louis during a train trip in 1918 and being turned away from “the soda fountain where cool drinks were being served” because he was “colored.” Hughes sardonically concludes the anecdote: “I knew I was home in…

Read or purchase the article here.