Mixed Race Studies

Race In R.I.: The Invisible Natives

The Providence Journal
Providence, Rhode Island
2015-10-24

G. Wayne Miller, Journal Staff Writer

Their ancestors were the state’s original settlers, but today’s Indians say whites ‘don’t even see us’

First of two parts

EXETER – On this fine autumn morning, Paulla Dove Jennings welcomes a visitor into her home at the edge of woods with a handshake and a smile. She pours tea, sits at her kitchen table, and begins relating some of her life’s story, which in its essential elements mirrors that of her relatives and ancestors, Rhode Island’s Narragansett and Niantic peoples.

A tribal elder now at 75, Jennings has been a waitress, chef, clerk, author, historian, educator, museum curator, state Indian Affairs Commissioner, Narragansett leader and more. Gifted with words and possessing a keen memory, she is a celebrated storyteller — a woman who laughs easily, and who also feels anger and pain at how some whites have treated her people since the Great Swamp Massacre of 1675 nearly obliterated them. The Narragansett and Niantic are among the state’s original inhabitants, here for 30,000 or more years.

“Oppression” is one word Jennings sometimes uses to describe that centuries-long treatment.

“Racism” is another.

“Rhode Island has close to the same racism as in Mississippi, and I’ve lived in both places,” says Jennings, a direct descendant of the great 17th-century Niantic sachem Ninigret…

Read the entire article here.

Faculty Panel: Multiracialism Informing Academic Work

University of Michigan Hatcher Graduate Library
Gallery (Room 100)
913 S University Ave
Ann Arbor, Michigan 48109
2015-10-26, 16:00-18:00 CDT (Local Time)

Series: What Does it Mean to be Multiracial in a Monoracial World?

Join us for the first in a year-long series of events that explore what it means to be multiracial in a monoracial world. This faculty panel will include:

Martha Jones, Prof. of History and Afroamerican & African Studies, co-director of the Michigan Law Program in Race, Law & History. Dr. Jones’ scholarly interests include the history of race, citizenship, slavery, and the rights of women in the United States and the Atlantic world.

Edward West, Thurnau Prof. of Art and Design. Professor West’s photographs and writing examine the lives and experiences of multiracial people around the world. His recent exhibit and publication, So Called, drew from his travels around the world photographing multiracial people.

Mark Kamimura-Jimenez, Director, Graduate Student Success, Rackham Graduate School, Lecturer, Oakland University. Dr. Kamimura-Jimenez’s research examines the college experience for multiracial students.

For more information, click here.

The myth of race

The Cripplegate
2015-10-22

Jesse Johnson, Teaching Pastor
Immanuel Bible Church, Springfield, Virginia

One of the most harmful effects of evolutionary theory is the concept of race. Despite having zero scientific validity to it, the idea that human beings can be categorized into general “races” that are supposedly connected to their biology has wormed its way into our world views. It needs to make a quick exit—stage left.

Thabiti Anwaybwile (pastor of Anacostia River Church in [Washington] DC) said it this way: “Believing in race is like believing in unicorns, because neither exist.”

Certainly cultures exist. Certainly ethnicities exist. And certainly racism exists (largely fueled by the whole notion of race to begin with).

But unicorns do not, and neither does race…

Read the entire article here.

Why Germany’s latest Nazi satire ‘Heil’ isn’t brave enough

Deutsche Welle
2015-07-16

Sarah Hofmann

An unlikely spokesman Neo-Nazi boss Sven (left, played by Beno Fürmann) celebrates a victory. He kidnapped Afro-German author Sebastian Klein (played by Jerry Hoffmann), who suffers from amnesia after behind hit on the head. Klein starts mimicking everything the neo-Nazis say.

An Afro-German starts talking like a neo-Nazi after the right-wingers beat him up in the new film satire, “Heil.” If Germany is going to laugh about Nazis, it should have a better reason to, says DW’s Sarah Hofmann.

It starts with a shock and the text “Deutschland 1945” on a black board. Cut. Historic footage of a Hitler speech. Cut. Piles of corpses in Bergen-Belsen. Cut. “Deutschland 1945” on a black board. Cut. One of the main characters in the film, a neo-Nazi, spraying “Wheit Pauer” – presumably intended to read “White Power” – and a swastika on a wall.

The first sequence in the film “Heil” lasts only five seconds. But the scenes are powerful. The audience stops laughing when the images jump from 1945 to 2015.

As a German in the audience, I find myself asking: Is that ok? Can images of Nazi crimes be used to evoke laughter without offending the victims? I decide that, yes, it can. But with one caveat: It has to hurt.

If the humor is black, then it should be bad.

How far can clichés be taken?

Nevertheless, even in 2015, Nazi jokes shouldn’t be turned into slapstick in Germany – and that’s the problem with “Heil.” The plot cannot be summed up in a few lines. It opens in Prittwitz, a fictional East German village that fulfills every cliché and is controlled by neo-Nazis. Afro-German author Sebastian Klein has a reading scheduled in this very town. Shortly after he arrives, he is beaten up and kidnapped by a bunch of neo-Nazis. The slapstick element comes when Klein suffers from amnesia after being hit on the head and mimics everything the neo-Nazis say for the rest of the film.

In talk shows, Klein rants xenophobic slogans. It’s a victory for neo-Nazi boss, Sven, who is competing with other neo-Nazi groups: the new Nazis in the West and the Nipsters. The latter dress like hipsters and know their way around social media, which gives them an advantage over the backward twits from Prittwitz. Then there are the local gangs that are just waiting for an opportunity to march into Poland again.

And Sebastian? His pregnant girlfriend – the epitome of the well-situated, hip Berlin mom – comes looking for him…

Read the entire article here.

Young Mr. Obama: Chicago and the Making of a Black President

Bloomsbury Press
2010
288 pages
5 1/2″ x 8 1/4″
Hardback ISBN: 9781608190607

Edward McClelland

Barack Obama’s inspirational politics and personal mythology have overshadowed his fascinating history. Young Mr. Obama gives us the missing chapter: the portrait of the politician as a young leader, often too ambitious for his own good, but still equipped with a rare ability to inspire change. The route to the White House began on the streets of Chicago’s South Side.

Edward McClelland, a veteran Chicago journalist, tells the real story of the first black president’s political education in the capital of the African American political community. Obama’s touch wasn’t always golden, and the unflappable and charismatic campaigner we know today nearly derailed his political career with a disastrous run for Congress in 2000.

Obama learned from his mistakes, and rebuilt his public persona. Young Mr. Obama is a masterpiece of political reporting, peeling away the audacity, the T-shirts, and the inspiring speeches to craft a compelling and surpassingly readable account of how local politics shaped a national leader.