Mixed Race Studies

[Gabriel] Galanda’s own ancestors were Native American, Scandinavian, Portuguese and Austrian — a mixed heritage that caused him to question his identity during his formative years.

But he says he kept remembering his grandma, born on California’s Round Valley Indian Tribes reservation, putting him on her knee and saying, in her smoky, gravelly voice, “You’re Nomlaki and Concow. Don’t ever forget it.”

“Before I undertook this work,” Galanda says, “I was really caught up in blood quantum.” Now, he says, “I don’t really care.” He has settled instead on an expansive, evolving notion of “belonging” that takes into account lineage without precise blood calculations or federal documents.

Nina Shapiro, “Native lawyer takes on tribes that kick members out,” The Seattle Times, December 19, 2015. http://www.seattletimes.com/seattle-news/northwest/native-lawyer-takes-on-tribes-that-kick-members-out/.

When a master class with ballerina Misty Copeland becomes a San Pedro homecoming

The Los Angeles Times
2015-12-23

Deborah Vankin, Contact Reporter

Ascendant ballerina Misty Copeland leads a master class during Monday’s celebration in San Pedro. (Christina House/For The Times)

The crowd of about 200 huddled in the parking lot of San Pedro City Ballet, ensconced in fog and drizzle. Restless and excited, they might have been awaiting the arrival of a rock legend. Some rubbed their palms together to keep warm on the chilly Monday afternoon; others stretched their necks, peering down Pacific Avenue in anticipation. Neighbors crouched on the roof of a small bungalow next door to get a glimpse of the action.

When at last a gray SUV rolled up, smartphones and tablets shot into the air and the chanting began: “Misty, Misty, Misty.”

San Pedro’s ballet prodigy was home.

A populist ballerina if ever there was one, Misty Copeland has become a pioneering hero not just to dance hopefuls but to a generation of young women looking for inspiring, boundary-breaking athletic and artistic role models. Earlier this year, the American Ballet Theatre soloist was promoted to principal dancer; she is the New York company’s first African American woman to hold that title. And she was the first African American woman to dance the lead in an ABT “Swan Lake” production. It’s partly why Copeland landed on the cover of Time magazine’s “100 Most Influential People” issue this spring…

Read the entire article here.

Feet in two worlds: The American Indian, cowboy hybrid

NonDoc
2015-12-26

Sunny Cooper

(Sunny Cooper)

The Native American is historically pedigreed. Its bloodlines bound through hundreds of years and generations, and lopes straight as I-40. Not so with the American Cowboy. Here, history zigzags, revealing how Spaniards and Native Americans formed the early American Cowboy: the Mestizos, the Criollos, the vaqueros. Russell Freedman says, “It is the cowboy whose fabled reputation we remember, while the vaquero has all but disappeared from history.”

The romantic icon we know today appears relatively new on the scene of humanity. What isn’t new to us is the historic conflicts, and Hollywood cinema, that deeply divided the American West into a split personality: Cowboys vs. Indians.

With respect to the fundamental fact that one set of cultures is rooted in bloodlines and the other in a lifestyle, the two identities share a vital commonality in the American West: the hybrid culture, the amalgamation of Indian and cowboy. We’re horses of a different color with feet in both worlds…

Read the entire article here.