Mixed Race Studies

Multiracial Identity Recognition – Why Not? A Comparison Between Multiracialism in the United States and Brazil

University of Ottawa, Ontario, Canada
2015
143 pages

Ana Carolina Miguel Gouveia

Thesis submitted to the Faculty of Graduate and Post-Graduate Studies in partial fulfillment of the requirements for a LLM Master degree in Law Graduate Studies in Law

Scholars debate the importance of multiracial identity recognition as the increasing number of self-identified multiracial individuals challenges traditional racial categories. Two reasons justify the count of multiracial individuals on censuses. One is the right to self-identification, derived from personal autonomy. The other is social: the category allows governments to accurately assess affirmative action programs’ results and society’s acceptance of multiracialism. Critical Race Theory and Critical Mixed-Race Studies serve as basis for my analysis over multiracial identity formation and its recognition. Comparing multiracialism in America and Brazil, I verify that both countries are in different stages regarding categorization and social acceptance of multiracial identity. Neither uses multiracial data for social programs, though. I conclude that the growth of mixed-race individuals makes the identification of race-based social programs’ beneficiaries difficult, which demands the use of diverse criteria. Moreover, official recognition can serve to improve the way society deals with race.

Read the entire thesis here.

At a Santo Domingo Hair Salon, Rethinking an Ideal Look

The New York Times
2015-12-30

Sandra E. Garcia

On my first trip back to the Dominican Republic in 10 years, as I wandered down the streets of La Zona Colonial, I noticed how their names were weighted with history. Calle de las Damas, a street made specifically for the wives and daughters of noblemen from colonial times to walk down. Calle José Gabriel García, named for a Dominican historian and journalist, among other things, who shares a first and last name with my father and made me think of him while I was there. Calle Isabel La Católica where I felt a connection to my paternal grandmother, Isabel Mireya Garcia. Born in Bani, she lived and died on the right side of Hispaniola and raised my father in Santo Domingo.

During my trip I would text my father pictures of the streets, and he would always text me back a story from his youth that occurred close to or near the street I was on.

“That’s the street where I shook Pope John Paul II’s hand in 1979,” he texted me, referring to Calle Padre Billini.

He likened La Zona Colonial to Times Square, but to me it resembled too much of the Old World.

The cobblestones, the colonial-style houses that were more like haciendas, Christopher and Diego Columbus’s house-turned museum — this all reminded me of the Spanish who once lived here and the continuing reverence for their influence in a country whose residents have African, European and Asian ancestry.

Before I knew it, I was standing in front of the Miss Rizos Salon on Calle Isabel La Católica. This was a departure from that reverence.

Long hair that hangs down your back has so long been the prevalent beauty ideal in the Dominican Republic that many residents who mastered hair-straightening on the island emigrated to the United States and opened successful salons throughout the country…

Read the entire article here.

From the Archives: Adrian Piper’s “Blacks, Whites and Other Mythic Beings”

Art in America
2015-05-29 (Orignially published November 2001)

Eleanor Heartney

Adrian Piper, the uncompromising Berlin-based American artist and philosopher whose work applies the rigorous strictures of conceptual art to questions of race and identity, was awarded a Golden Lion award at the 56th Venice Biennale earlier this month. Piper received the honor for her participation in “All the World’s Futures,” where she showed The Probable Trust Registry. The piece asks participants to pledge to live by one or more of the following tenets: “I will mean everything I say”; “I will do everything I say I will do”; and “I will always be too expensive to buy.”

In this A.i.A. article from the November 2001 issue, reproduced below, contributing editor Eleanor Heartney reflects on Piper’s tendency “to favor the confrontational over the conciliatory” on the occasion of several traveling retrospectives of her work.

Blacks, Whites and Other Mythic Beings

By Eleanor Heartney

Adrian Piper has long pursued twin careers in art and philosophy. In response to a traveling retrospective, the author ponders the artistic consequences—and seeming contradictions—of Piper’s analytical observations about race.

Does race exist? Henry Louis Gates, Jr., among others, believes not. Labeling race a biological myth, the Harvard scholar has added that from a social and political perspective, race is best understood as a metaphor for something else and not an essence or a thing in itself. [1]

Adrian Piper’s career has been, in one sense, an exploration of this theory. As a light-skinned black woman who, she points out in works like Colored (1988) and My Calling (Cards), 1986-90, could easily pass for white, Piper questions the validity of racial categorization and examines the prevalence of social stereotyping. If race cannot be defined by science or be determined by a person’s visual appearance, she asks, why does it continue to retain such a powerful hold on the human psyche? And what, if anything, can be done to expose its artificiality in a way that will destroy its power?

Many artists have explored the subject of race in recent years, but Piper has been conducting her inquiry from a rather uncommon position. For the last quarter century she has pursued parallel careers as a visual artist with an extensive international exhibition history and as a professor of philosophy, currently on the faculty of Wellesley College. If autobiography provided the starting point for her exploration of race and racism, philosophy has shaped the form of her inquiries. But in the process, the application of abstract philosophical principles to this seemingly intractable social problem produces certain contradictions which suggest that even Piper is not immune to the insidious fictions of race…

Read the entire article here.

When surveying youth in foster care, almost one in five changed their racial self-identification over a one-year period. This reflects a higher rate of change over a shorter period of time than has been reported in the literature for adolescents in the general public. In contrast, the increased likelihood for Native American and multi-racial youth in the current study to change their racial categorization mirrors findings from earlier studies involving similarly-aged youth; the findings also suggest that a significant proportion of Hispanic youth change their ethnic categorization as well. Findings from the current study further highlight high rates of discordance between the racial and ethnic self-identification of Native American, Hispanic and multi-racial youth, and how agencies (school and child welfare) categorize them. For example, the level of discordance between self-reports of Native American youth and the racial designations made by child welfare was 90% at Time 1; youth–child welfare discordance was even higher (96.1%) for multiracial youth. Similarly, Hispanic youth were misclassified by the child welfare system over half of the time, and by school approximately one-third of the time.

Jessica Schmidt, et. al., “Who am I? Who do you think I am? Stability of racial/ethnic self-identification among youth in foster care and concordance with agency categorization,” Children and Youth Services Review, Volume 56, September, 2015, 65. http://dx.doi.org/10.1016/j.childyouth.2015.06.011. Also here.

Everyone’s Problem: Adrian Piper Tackles the Complexities of Race Relations Head-On

Artspace
2015-12-30

Artspace Editors

Adrian Piper receiving her Golden Lion from the 2015 Venice Biennale

The artist and philosopher Adrian Piper’s direct and subtly intellectual approach to unpacking the tangled issues of race, gender, identity, and belonging has inspired a generation of socially-conscious artists across all media, although her impact is just now being fully recognized: she was the recipient of the Golden Lion for best artist at this year’s Venice Biennale, and MoMA has recently announced plans for, in the words of Robin Pogrebin in the New York Times, “the most comprehensive exhibition to date on the conceptual artist,” set to open in 2018. In this excerpt from Phaidon’s Defining Contemporary Art, the curator Connie Butler responds to one of Piper’s most important video and installation works, Cornered from 1988.

Adrian Piper’s conceptual explorations of race and difference have made her a critical influence on subsequent generations of artists exploring race and the construction of identity. By 1988—after two decades in which she moved from a relatively traditional conceptual art practice to using her own body in her work, and to locating her subject matter in the fluidity of identity—she had begun to explore her own struggles with racial identity: namely, people’s assumptions about her race and their corresponding behavior towards her.

The pivotal video installation Cornered addresses this in the straightforward, analytical fashion common to all of Piper’s work. Viewers encounter the artist herself, a light-skinned black woman, looking out at them from a monitor placed in the corner of a room. On either side of it hang her father’s two birth certificates—one that identifies him as white, the other as black. A large table upended in front of the monitor distances us from all this, keeping Piper at a remove in space. Despite this, the artist faces us calmly and begins matter-of-factly. “I’m black. Now, let’s deal with this social fact, and the fact of my stating it, together. Maybe you don’t see why we have to deal with it together. Maybe you think this is just my problem, and that I should deal with it by myself. But it’s not just my problem. It’s our problem.”…

Read the entire article here.

My Ancestor’s Name and Race Changed in Census Records. Why?

The Root
2016-01-01

Henry Louis Gates Jr., Alphonse Fletcher, Jr. University Professor; Director, Hutchins Center for African & African American Research
Harvard University

Anna L. Todd, Researcher
New England Historic Genealogical Society (NEHGS), Boston, Massachusetts

1860 U.S. census for Hardy County, Va.
U.S. census

Tracing Your Roots: Antebellum records raise questions about the racial identity and legal status of West Virginia forebears.

Dear Professor Gates:

I recently discovered that I have an ancestor listed as “mulatto” on the 1850 and 1860 census records. Her name is Amelia “Millie/Milly” A. Moreland, born in 1818 in Virginia. She is listed as living with William White Mullin and three children, Richard Winfield Scott Moreland, Anna R.C. Moreland and Mary J.V. Moreland—all children also listed as “mulatto.” By the 1900 census, son Richard changed his surname to Mullin (he was still listed as Moreland/Mooreland on the 1880 census) and was listed as “white.” He is my fourth-great-grandfather. They were located in Hardy County, Va. (now in West Virginia).

These census records are all I can find. I can’t find anything on Milly except her birth year and place, and I’m not sure if she was free or a slave. Can you help me find out more about her, please? —Amber Simmons

It just so happens that three sets of Professor Gates’ fourth-great-grandparents (all free Negroes) lived in Hardy County, Va. (now West Virginia), in the 18th and 19th centuries. In fact, many of their descendants continued to live there; in fact, Professor Gates was born in Keyser, W.Va., which is 36 miles from Moorefield, Hardy County’s county seat! So he knows this area very, very well, and finds your question especially intriguing because of this personal connection.

What does a “mulatto” designation mean in the census?

Let’s start with a surprising fact about racial designations and census takers: The status of a person listed in the federal census (black, white or mulatto) was ultimately the personal interpretation of the census taker, based on assumptions made regarding skin color and other aspects of an individual’s appearance, regardless of what the occupant of the home told her or him. Therefore, one can’t necessarily infer parentage, complexion, or much else based on that designation in a census record. However, in this case, it’s an indication that a local person was making a declaration of mixed-race ancestry (either recent or older) in your relative’s family tree…

Read the entire article here.

Op-Ed Thomas Chatterton Williams: My black privilege

The Los Angeles Times
2016-01-03

Thomas Chatterton Williams

A couple of years ago, I participated in an Aspen Institute symposium on the state of race. During the roundtable that followed the panels, as I spoke about my experiences growing up black in the 1990s, I was interrupted by a Latino sociologist and former gang member from UC Santa Barbara. People who care about people of color, the professor instructed me, ought to focus their energies on continued systemic racism and forget about anything so nebulous and untrustworthy as observation. Like it or not, I was the victim of greater social forces. It did not matter that I had come to see my life as something of my own making — the evidence of my senses was useless.

I thought about this exchange often in 2015, a year in which the discussion of racism — always relevant — became omnipresent. This was mostly a good thing. Yet it is dismaying how hard it is now to have a serious conversation about black experience without coming across some version of the professor’s condescending remarks.

Perhaps the most influential book last year was Ta-Nehisi Coates’ “Between the World and Me,” a jeremiad whose thesis is that black people “have been cast into a race in which the wind is always at your face and the hounds are always at your heels.” The string of high-profile police killings of black men and women seemed to underscore Coates’ point, and galvanized support for the Black Lives Matter movement, which, in turn, forced an urgent critique of the very real bias plaguing the criminal justice system. That movement has also frequently veered away from the work of reforming law enforcement practices, enlisting itself in a social media-driven culture war over far more ambiguous problems, such as microaggressions and safe spaces.

Black people everywhere, many of our most audible voices seem to say, will always and everywhere be “the faces at the bottom of the well,” as Coates put it.

But the truth is more complicated than that. I am a black man of mixed race heritage, and while every black member of my family has encountered racism, we are also the ones in the family who hold graduate degrees, own businesses and travel abroad. My black father, born in 1937 in segregated Texas, is an exponentially more worldly man than my maternal white Protestant grandfather, whose racism always struck me more as a sad function of his provincialism or powerlessness than anything else. I don’t mean to excuse the corrosive effects of his views; I simply wish to note that when I compare these two men, I do not recognize my father as the victim…

Read the entire article here.

Young Gifted Black

Isthmus
Madison, Wisconsin
2015-05-01

Allison Geyer, Staff Writer

Fiery activist group praised and panned for disruptive protests in name of racial equality

Dozens of protesters with the Young, Gifted and Black Coalition marched on March 19 to a mayoral forum at the Barrymore Theatre, where two white, progressive mayoral candidates were preparing to debate the issues facing the city of Madison. There was no question the city’s racial inequalities would be on the agenda.

Deep disparities are considered by many to be liberal Madison’s secret shame. And the officer-shooting death a few weeks earlier of unarmed biracial teenager Tony Robinson dealt a crushing blow to the city’s already disenfranchised community.

Protesters marched down the aisles of the theater holding a banner declaring “Black Lives Matter.” The rallying cry has emerged nationally in response to what many see as a pattern of systematic state violence against African American citizens that fails to take account of lost lives.

What did they want? “Justice!” When did they want it? “Now!” And if they didn’t get it? “Shut it down!”…

…Young, Gifted and Black is in some ways a misnomer.

The group is certainly youth-oriented — middle school, high school and college-aged students walked out of class to join the numerous marches in the weeks following the Tony Robinson shooting. And many more youth have attended direct action training sessions at UW-Madison. But key organizers of the group range in age from their mid-20s to mid-30s, with members up to 40 and older.

Members are passionate, with a capacity to inspire and mobilize — and to piss certain people off. Many are African American or identify as such, but Asian, Latino and white allies also have a strong presence in the group.

Group leadership is also deliberately feminist and “conspicuously queer,” committed to dismantling patriarchy as well as combating racial inequality. Organizers say these are characteristics that set the movement apart from older iterations of civil rights activism.

But perhaps what unites many of the core members is a shared experience of discrimination that fuels a desire to change what they see as an unjust world…

…Matthew Braunginn’s activist roots go deep — his father, Stephen Braunginn, was president and CEO of the Urban League of Greater Madison and a co-founder of Wisconsin Network for Peace and Justice.

Braunginn, 29, characterizes previous efforts to combat racial disparity and racism as “lip service” and “half attempts” that didn’t address the root causes of problems plaguing minorities. He graduated from Purdue University and now works for the UW-Madison PEOPLE Project — a college readiness program for minority and low-income students. He joined Young, Gifted and Black to confront institutionalized racism directly.

“Racism is more than just being hateful,” he says, adding that many white people have a “poor understanding” of the minority experience and how implicit biases exist throughout the society.

“It’s almost worse that Madison is liberal,” he adds.

Braunginn is biracial, but he identifies as black. He says his ethnic ambiguity has been a source of stress and confusion — unable to truly “pass” as either black or white, he has struggled with discrimination and uncomfortable questions about his race. He says his identity struggles led him to abuse opioids in his teens and early 20s…

Read the entire article here.

Among The Wild Mulattos And Other Tales (By Tom Williams) [NPR Review]

NPR’s Book Concierge: Our Guide To 2015’s Great Reads
National Public Radio
2015-12-08

Michael Schaub, book critic

Produced by Nicole Cohen, Rose Friedman, Petra Mayer and Beth Novey
Designed by Annette Elizabeth Allen, David Eads, Becky Lettenberger and Wes Lindamood

Identity, both racial and otherwise, is at the heart of nearly all the stories in Among the Wild Mulattos, a manic, cutting and frequently hilarious collection from Kentucky author and academic Tom Williams. He’s an uncompromising writer with a fiercely original voice, and he has created one of the most unforgettable books of the year. The collection feels vital, essential, not only for the unexpected ways Williams talks about identity but for his brash, gutsy writing.

Read the review from 2015-08-07 here.

BEST OF 2015: Not Quite White

Madison365
Madison, Wisconsin
2015-12-29

Matthew Braunginn

Matthew Braunginn

I may never be able to truly “pass” or to be “race neutral.” I have always been and always will be “not quite white.”

I reject those terms because I have been othered on their terms. I can never fully fit in among a group of white people. And even though my pigment is closer to that of my white peers, I have always found more comfort in being around my black brothers and sisters; a sense of belonging and shared struggle that I have never felt in a room full of white people…

I live in Madison, Wisconsin, a predominantly white, liberal city that maintains egregious racial disparities. According to the Race to Equity report, Madison has one of the largest education gaps in the nation: 75 percent of its children living in poverty are black, with black children making up just 8.5 percent of its population; black unemployment is at 25 percent versus 5 percent for whites. Adult black males are 4.8 percent of its population, yet in 2011 they made up 43 percent of new prison placement.

Madison is a very different experience for blacks than it is for whites. I grew up in a bi-racial house. My mother is white and my father is black. I am fair-skinned enough so that I can “pass” at times, but times that are not of my making. My parents raised my sister and I to be racially aware, to understand the racial dynamics of this nation, and to understand the sins of its past. But I am not white. Throughout my childhood this reality created and fostered an extra layer of confusion for me. I fought through a gauntlet of anger, confusion, pain, and deep depression. Now I am experiencing an awakening, a taking back of my power of self-identification…

Read the entire article here.