Mixed Race Studies

Valentine’s Day special! On love, race and history in Ghana

Africa is a Country
2016-02-14

Dan Magaziner, Associate Professor of History
Yale University

Despite colonial administrators’ attempts to sabotage their marriage plans, Brendan (a district commissioner) and Felicia Knight wed in 1945. Fifteen years later, Felicia staged a successful one-woman-protest in front of Flagstaff House to save her husband’s job during the Africanization of government service. On the grounds that he was married to a Ghanaian and raising their five children as Ghanaians, Kwame Nkrumah retained Brendan in government employ.

A couple months ago I was fortunate to read Carina Ray’s excellent new book Crossing The Color Line: Race Sex and the Contested Politics of Colonialism in Ghana on the history on interracial intimacy on the Gold Coast. I decided to interview her for AIAC and when our conversation moved from political economy and racism to political economy, racism and love, we figured – Valentine’s Day! So here it is: an AIAC take on love, critical politics included.

Why do you think that the history of interracial intimacy in the Gold Coast / Ghana important? What drew you to study it and to these stories in particular?

Let me answer the second question first. When I started the archival work that culminated in Crossing the Color Line, my intention was to write an altogether different book about multiracial people in colonial and post-independence Ghana. Much has been written about them in the context of the precolonial period as cultural, social, political, and linguistic intermediaries—the ubiquitous “middle(wo)men” of the trans-Atlantic trade, especially as it became almost exclusively focused on the slave trade. Hardly anything, however, has been written about this group during the period of formal colonial rule in British West Africa. So I set out to do just that, but quickly discovered that while the archive had much to say about interracial sexual relations in the Gold Coast, there was relative silence about their progeny…

Read the entire interview here.

Rising Sun, “Rising Soul”: Mixed Race Japanese of African Descent

University of Southern California, University Park Campus
Los Angeles, California
Montgomery Ross Fisher Building (MRF)
Montgomery Ross Fisher Auditorium (340)
Friday, 2016-02-26, 14:00-17:00 PST (Local Time)

Rising Soul is a documentary film that explores the question, “What is the impact of Afro-Japanese offspring and their origins as children of Japanese war brides?” At the end of World War II, many Japanese women married American men of African descent and immigrated to the United States. While several stories examine the lives of Japanese war brides who married white Americans, none delve deeply into the history of Japanese war brides who married African Americans, and the journeys of their mixed-race children. Rising Soul explores the transnational juncture of Japanese and African American cultures embodied in the African-descent offspring of Japanese war brides, women that not only faced the challenges of life in the U.S., but who also confronted the adversities of interracial marriages to African Americans – hardships that emanated not only from white society, but also from Japanese including other Japanese war brides married to whites, from African Americans, and from Asian Americans. The documentary seeks to de-mystify Asian and Black identity from a perspective that does not see it as an anomaly or a subset of Hapa or Haafu identity but as something very real, primary, and organic to mixed race. Through interviews, glimpses into cultural phenomena, and historical artifacts, the film illuminates the complexity of that identity, and the betwixt and between and fusion that multiple heritages of color can foster. A panel will feature Rising Soul producer Monique Yamaguchi, screenwriter Velina Hasu Houston; and subjects from the film including Linda Gant, Sumire Gant, Kiyoshi Houston, Curtiss Takada Rooks, and Rika Houston. Excerpts from the film also will be screened.

For more information and to RSVP, click here. View the flyer here.

Let Ohio Vote First

The New York Times
2016-02-16

Emma Roller

We, as voters and election-obsessed bystanders, made it past the first two contests in this eons-long presidential primary, but seven candidates weren’t so lucky.

The winnowed-down field has now moved on to the warmer vote-seeking climes of Nevada and South Carolina. Before moving on too, I’d like to consider what this election has now proven: Iowa and New Hampshire’s first-in-the-nation status is not only obsolete, it’s bad for our democratic process.

Ask people in Iowa or New Hampshire to justify their lock on early voting, and you hear this: “It’s cheap to campaign here.” “We take this job seriously.” “It’s part of our political heritage.” It can turn into a sort of Zen koan: We matter because we’re first, and we’re first because we matter. Inconveniently for them, none of these justifications are good enough.

That’s why, to help save our democracy, I would like to autocratically declare Ohio as the new first-in-the-nation primary state starting in 2020. It might not be a perfect idea, but it would be a lot better than our system now.

The main problem with Iowa and New Hampshire is a demographic one. Put simply, they are too white. Both states’ populations are roughly 90 percent white, while the United States population as a whole is 62 percent white. The United States is projected to become a minority-white country in roughly 30 years. This is where Ohio comes in…

Read the entire article here.

In an increasingly multiracial America, identity is a fluid thing

89.3 KPCC: Southern California Public Radio
Pasadena, California
2016-02-16

Leslie Berestein Rojas, Immigration and Emerging Communities Reporter

If there’s any part of town that’s solidly Latino, it’s where Walter Thompson Hernandez grew up, in Huntington Park.

The city, on the southeast fringe of Los Angeles, is 97 percent Latino. Thompson-Hernandez was raised there by his mother, an immigrant from Jalisco, in what he describes as a very Mexican household.

“Quinceaneras, Vicente Fernandez, chilaquiles – those were very prominent fixtures in my upbringing,” said Thompson-Hernandez, now a graduate student researcher at the University of Southern California.

But he was different: “I saw myself as Mexican, but I stood out. I was always the tallest kid, had the curliest hair, the darkest skin,” he said.

His father was African-American, born in Oakland. His parents were estranged when he was very young. His mother always told him about his mixed heritage. But it didn’t really hit him until they moved to Palms, on the Westside.

“When we moved to the Westside, most of my friends were African-American,” Thompson-Hernandez said. “In a way, I sort of longed to identify that part of my heritage. So all my friends were black. I would spend countless hours, sleepovers at their house. So I came into this black identity by experiencing blackness with my friends.”

In his early twenties, he reconnected with his father and his side of the family. It was around that time that he first hear the term “Blaxican,” for black and Mexican. It resonated – and he ran with it…

…This evolving dance with race and identity is a familiar theme for Los Angeles actor and playwright Fanshen Cox. She produces a one-woman show called “One Drop of Love,” which she performs around the country. Her father is a Jamaican immigrant. Her mother is Native American and Danish.

Cox remembers how some black relatives and friends in Washington, D.C. identified her as a child: “In D.C., which is where I was born, I was ‘red bone’ and ‘high yellow.’”

These terms labeled her as a light-skinned black person – and set her at a distance, closer to white, as she describes it. Then her family moved to liberal Cambridge, Massachusetts…

Read the entire article here.

Music does not discriminate | Chi Chi Nwanoku | TEDxEuston

TEDx Talks
2016-01-14

Chi Chi Nwanoku speaks at a 2015 TEDx event in London.

Chi-Chi Nwanoku MBE is the Founder, Artistic Director of Chineke!, Europe’s first classical orchestra of Black and Ethnic Minority musicians and is also the Principal Double bassist and founder of the Orchestra of the Age of Entertainment. Chi-chi is a professor of Double Bass History Studies at the Royal Academy of Music and was made a Fellow there in 1998.

Chi-chi gracefully opened the TEDxEuston 2015 stage. She declared we are all born musicians; everyone of us has a heartbeat connected to something. It was a privilege for the audience to hear her personal journey through her early introduction to music and her experiences as a black women in the classical music industry. She narrates how she is fighting the good fight to bring diversity to the classical world and encourages the audience to “Never be afraid of a challenge.”

Ordinary Yet Infamous: Hannah Mary Tabbs and the Disembodied Torso

Not Even Past: “The past is never dead. It’s not even past.” William Faulkner
2016-02-01

Kali Nicole Gross, Associate Professor of African and African Diaspora Studies
University of Texas, Austin

Adapted from Kali Nicole Gross’s new book: Hannah Mary Tabbs and the Disembodied Torso: A Tale of Race, Sex, and Violence in America (Oxford University Press, 2016).

Rogues’ Gallery Books (1887) Courtesy of the Philadelphia City Archives.

The discovery of a headless, limbless, racially ambiguous human torso near a pond outside of Philadelphia in 1887, horrified area residents and confounded local authorities. From what they could tell, a brutal homicide had taken place. At a minimum, the victim had been viciously dismembered. Based on the circumstances, it also seemed like the kind of case to go unsolved. Yet in an era lacking sophisticated forensic methods, the investigators from Bucks County and those from Philadelphia managed to identify two suspects: Hannah Mary Tabbs, a black southern migrant, and George Wilson, a young mulatto that Tabbs implicated shortly after her arrest. The ensuing trial would last months, itself something of a record given that most criminal hearings wrapped up in a week or so. The crime and its adjudication also took center stage in presses from Pennsylvania to Illinois to Missouri…

Read the entire article here.

How and why did they do it?

Harriet Beecher Stowe House
2950 Gilbert Avenue
Cincinnati, Ohio 45206
Sunday, 2016-02-28, 13:00 EST (Local Time)

Between the the 18th and mid-20th centuries, countless African Americans passed as white, leaving behind families and friends, roots and communities.

Allyson Hobbs, Ph.D., Assistant Professor, Department of History, Stanford University, will be at the Harriet Beecher Stowe House Sunday, February 28, at 1 pm to discuss her book A Chosen Exile: A History of Racial Passing in American Life, published Harvard University Press.
A Chosen Exile was selected as an Editors’ Choice by The New York Times Book Review, The Root, and The San Francisco Chronicle.
It’s a story of challenges and loss in a country obsessed with racial distinctions.

Free to the public. Refreshments will be served. Reservations available by e-mail @ friendsharrietbeecherstowe@gmail.com or call 513-751-0651.

Soledad O’Brien on #OscarsSoWhite: Why Did It Take So Long to Have This Discussion?

The Hollywood Reporter
2016-01-28

Soledad O’Brien, Founder and CEO
Starfish Media Group

Soledad O’Brien
Getty Images

In my experience, diversity doesn’t just “happen.” It has to be very intentional. People have to have a genuine desire to make a change.

It’s hard to tell what’s going to happen this time around. There are some bright signs, including the fledgling efforts of the Academy of Motion Picture Arts and Sciences. And, most importantly, there is an active, honest conversation going on…

…I was raised by a white dad and black mom for whom dating and marriage were legally impossible in Baltimore in 1958 — so they drove to D.C. to get married, then lived in a fairly hostile environment toward mixed-race couples. That sense of isolation never stopped them, and it’s certainly helped me to deal with some very typical racism in my career: being dismissed as the “affirmative action” hire, being left out of opportunities. I’m not complaining. It’s the way it is and it was up to me to try to excel anyway. And, later, as a reporter I found it interesting to interview people who felt that way and try to understand their perspective. But that doesn’t mean the frustration didn’t build, and in my case, as that of many others, it eventually forces you to speak out. It also encourages you to do what you can to make it better.

In my case, I now run a production company called Starfish Media Group that strives to tell the untold stories of people of diverse backgrounds….

Read the entire article here.