Mixed Race Studies

A Telenovela, Slavery, and the Diaspora

African American Intellectual History Society
2016-04-17

Greg Childs

A Escrava Isaura, the 1875 novel by Bernardo Guimarães, was one of a number of late 19th century works of fiction in Brazil that focused on abolitionism. The story revolves around a young enslaved girl named Isaura, her efforts to gain freedom and become married to Alvaro, a wealthy white man who believes fervently in abolition, as well as her trials and tribulations with the plantation overseer who aims to seduce her and make her his concubine. It was quite transparently an anti-slavery propaganda novel. But it was also quite transparently an idealized romance, an effort to portray liberal whiteness as a heroic and saving grace for enslaved peoples. The novel was a huge success in Brazil and catapulted the author to immediate national fame.

Later in 1976 the novel would be reconceptualized as a television show, or telenovela. It was wildly successful and became one of the most watched television programs in the world, broadcasted in over 80 countries. It was undoubtedly a smash success in South America but also in the Soviet Union, China, Poland, and Hungary. In fact, it was in Hungary where the most intriguing- or depending on your perspective, most comical- story about the telenovela comes to us. According to legend, it was in Hungary in the 1980s where the faithful viewers of Escrava Isaura took up collections after the final episode of the series to help purchase Isaura’s freedom…

Read the entire article here.

Mixed-race indigenous people should get benefits extended to those with Indian status, Canadian court rules

The Los Angeles Times
2016-04-14

Christopher Guly

For decades in Canada, people of mixed indigenous and European ancestry didn’t qualify for “Indian” status and were denied a host of benefits granted to other First Nations people, including government funding, free postsecondary education and health benefits, and hunting and fishing rights.

In a landmark ruling Thursday, that changed. The Canadian Supreme Court declared that hundreds of thousands of mixed-race indigenous people, known as Metis in Canada, along with non-status Indians living off reservations, should have access to the same government programs and services as those with Indian status.

“This is something that will impact about 600,000 people across the country who have been denied recognition or access to entitlements that they now have been declared by the court as having,” said Dwight Dorey, national chief of the Ottawa-based Congress of Aboriginal Peoples…

Read the entire article here.

Blackass: a race rewrite of Kafka’s Metamorphosis

The Guardian
2016-04-13

Ainehi Edoro

Ainehi Edoro reflects on Blackass, a novel that subjects Kafka’s classic to African literary conventions – and, in the process, gives an iconic European story ‘an extreme but necessary makeover’

Last year, I received a review copy of A Igoni Barrett’s Blackass from his Nigerian publisher. I knew it was a rewrite of Kafka’s Metamorphosis. I just didn’t know what to expect. To be quite frank, I was a bit worried. Kafka has not always lived a happy life in Africa. When Guinean novelist Camara Laye wrote a Kafka-inspired novel, he was dragged through a gauntlet of scandals. Kind commentators called his work derivative and unoriginal. Others were less kind. They accused him of borderline plagiarism. Some even went as far as suggesting that he couldn’t have written the novel without the help of a ghostwriter of some kind. But Blackass, it turns out, is different. Barrett essentially subjects Kafka’s classic to the pressures African literary conventions, and, in the process, gives an iconic European story an extreme, but much needed makeover…

Read the entire review here.

#BlackLivesMatter in Latin America: Race, Space and Consciousness

New York University Department of Social & Cultural Analysis
20 Cooper Square
New York, New York 10003
Monday, 2016-04-18 18:30-20:00 EDT (Local Time)

The hashtag turned social movement, #blacklivesmatter, has thrust police brutality and institutionalized racism into the American consciousness. African descendants in Latin America are concurrently mobilizing around issues not unlike those faced by blacks in the U.S., drawing inspiration, in part, from #blacklivesmatter. What are the points of convergence in past and present Afro-Latin American and African American struggles to attain human rights? Join us for a multi-media panel discussion on #blacklivesmatter as a globalized from of protest, declaration of black pride and transnational solidarity throughout the Americas.

Moderator:

Dr. Arlene Davila, Professor of Anthropology, Social and Cultural Analysis
New York University

Panelists:

Carmen Perez, The Gathering for Justice
Johanna Fernandez, PhD, CUNY Faculty
Diana Palacios, DRECCA
Wendi Muse, PhD Candidate, NYU

Supported by:

Gallatin Dean’s Office Human Rights Fund
Center for Multicultural Education & Programs
Center for Latin American & Caribbean Studies
Department of Social & Cultural Analysis
Department of Spanish & Portuguese
Afro-Latin@ Forum

For more information, click here.

Race isn’t just black or white

The Beacon: The Student Voice of the University of Portland Since 1935
Portland, Oregon
2016-04-13

Rebekah Markillie, Design Editor

I couldn’t have been more than seven or eight years old, on the way to the park with my dad, when a neighborhood kid asked me if I was adopted. That was the first time someone had brought to my attention the disparity between my complexion and the one of my so-called biological father’s. Another time more recently, when my mother tried introducing me as her daughter to another woman, she paused for a moment, looked at me and laughed, “You’re not her daughter!”

We hear it all the time that race can’t be divided into nice boxes to check. But this is rarely the reality. In many well-meaning discussions about racial inclusion and racial diversity, mixed race identities are completely left out. I’ve been told countless times that I can’t talk about racial discrimination, or Asian racial issues, because I’m not brown or Asian…

Read the entire article here.

Michele Elam: “The Souls of Mixed Folk” (NBAAS, 31/10/12)

YouTube
Race & Ethnicity Archive
2016-03-19

“What are you?” The question can often comes out of nowhere One can be going about her quotidian activities, or she might have just finished a meeting at work. “What are you?” The question is disorienting for most, but for others who are racially ambiguous it is commonplace. The ostensibly benign question suggests that it is about the person being asked. However, one might argue that it is more about the one who does the asking. In The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millenium (Stanford University Press, 2011), Michele Elam critically discusses the rise of the Mixed Race Studies. To demonstrate the new sub-genre of cultural studies in both art and academia Elam shows elements of what mixed-racedness looks like in the classroom, as well as in the public sphere here at the turn of the 21st century.

One of the contributions of Elam’s Souls makes to Mixed Race Studies is her careful outline of the ways people of mixed biological ancestry have historically worked for the goal of social justice for all oppressed groups; moreover, she shows how those who look at mixed-racedness critically continue to do so. This, despite the trajectory in which some of mixed-race advocates are moving: people of mixed-race backgrounds are a separate group with separate issues, and most importantly, being both black and white–and that is most often the only definition many use of being “mixed”–their experience falls outside the purview of race studies. This notion of being separate and outside is often used to justify a view of race that essentially reifies notions of identity as being defined by blood percentage–a point of view that takes us back, not forward. While those who critically study mixed- raceness see that one’s movement through a society that continues to ask What are you? can result in alternate experiences, many show that the difference can work in a way to help all understand racial oppression. Dr. Michele Elam, Martin Luther King, Jr. Centennial Professor in the English Department at Stanford University, falls within the latter group.

And, so do Lezley Saar, Danzy Senna, Philip Roth, Aaron McGruder, and Dave Chappelle, to name but a few. A mixed bag, for sure, Elam examines relevant works of the aforementioned artists as she considers the way in which they challenge what is quickly becoming conventional thought on mixed-racedness from the academic classroom to the public sphere.

Whether one is fascinated with her critical reading of K-12 textbooks focused on mixed race curriculum or with her reading of artist Lezley Saar’s “Baby Halfie Brown Head”; with her insightful readings of Aaron McGruder’s Boondocks comic strips and/or the unforgettable episode “The Racial Draft” from The Dave Chappelle Show; whether one is interested in the ways that author Colson Whitehead and playwright Carl Hancock Rux ask their audiences to think critically about mixed-racedness in the 21st century one thing is clear: Elam first highlights and subsequently knocks down the notion that “fetishizing the box” of the racial categories on census forms or outlining one’s mixed family tree represents progression towards a most just society in the US.

Poetry Betrays Whiteness

Harriet: A Poetry Blog
Poetry Foundation
2016-04-12

Lucas de Lima (Introduction by Daniel Borzutzky)

Among the many pointed questions that Lucas de Lima raises in “Poetry Betrays Whiteness” is that of how positions of unitedstatesian privilege can be used “to fight structural inequality and global anti-blackness.” This far-reaching essay touches upon, among other things, conceptions of race in the U.S. and Brazil; afro-Brazilian artists who have offered alternative conceptions; and a fascinating discussion of the ways that Brazilian Portuguese has been shaped by indigenous and African influences.

Lucas concludes by drawing our attention to a racist and sexist post on Harriet in 2008 that I had never seen before, and which sadly seems illustrative of the disgusting racism embedded in U.S. literary institutions that has been exposed in the past few years. Lucas asks, among other things, for the Poetry Foundation to take responsibility for the publication of the racist post it provided a platform for. This is a fair request, and one that I second. We should know why such posts are published. Editorial policies surrounding racist content should be clearly articulated and transparent…

…When I’m in Brazil—the country with the largest Black population in the world outside of Africa—I am not a light-skinned Latino or a person of color. I occupy the position of a white person.

Lately, moving between racial categories has magnified my political feelings. The more time I spend in the country I left as a child, the more I hone the grief and rage that whiteness, as a global logic, provokes in me. For every Black person killed by the police in the U.S., countless more are killed in Brazil. In both places, the rise of police brutality and mass incarceration is one condition of racialized life. Another is the exploding suicide rate in Native communities, particularly among youth.

I think of nation-states as inherently militarized spaces articulated through each other. When Frederick Douglass said Brazil was less racist than the U.S. in its treatment of freed slaves, he anticipated the self-fashioning of a ‘racial democracy’ whose mixture would be defined against U.S.-style segregation. Like the vast majority of Brazilians, I have mixed-race ancestry. Because my nonwhite ancestors survived, I am alive and need to be explicit about the horrors of miscegenation—the rape of African and Indigenous women by Portuguese men. My light skin is the result of policies that whitened the population by incentivizing European immigration at the turn of the century. I think all the time about how the state transmits white supremacy through my body. My phenotype encodes a national fear of being too black and brown. As in other slaveholding societies, the idea that Brazil could one day be Haiti haunted the elite…

Read the entire article here.

The Specter of Races: Latin American Anthropology and Literature between the Wars

University of Virginia Press
April 2016
224 pages
6 x 9
Paper ISBN: 9780813938790
Cloth ISBN: 9780813938783
Ebook ISBN: 9780813938806

Anke Birkenmaier, Associate Professor of Spanish and Portuguese
Indiana University, Bloomington

Arguing that race has been the specter that has haunted many of the discussions about Latin American regional and national cultures today, Anke Birkenmaier shows how theories of race and culture in Latin America evolved dramatically in the period between the two world wars. In response to the rise of scientific racism in Europe and the American hemisphere in the early twentieth century, anthropologists joined numerous writers and artists in founding institutions, journals, and museums that actively pushed for an antiracist science of culture, questioning pseudoscientific theories of race and moving toward more broadly conceived notions of ethnicity and culture.

Birkenmaier surveys the work of key figures such as Cuban historian and anthropologist Fernando Ortiz, Haitian scholar and novelist Jacques Roumain, French anthropologist and museum director Paul Rivet, and Brazilian sociologist Gilberto Freyre, focusing on the transnational networks of scholars in France, Spain, and the United States to which they were connected. Reviewing their essays, scientific publications, dictionaries, novels, poetry, and visual arts, the author traces the cultural study of Latin America back to these interdisciplinary discussions about the meaning of race and culture in Latin America, discussions that continue to provoke us today.

Antiracism in Cuba: The Unfinished Revolution

University of North Carolina Press
April 2016
332 pages
6.125 x 9.25
24 halftones, notes, bibl., index
Paper ISBN: 978-1-4696-2672-7

Devyn Spence Benson, Assistant Professor of History and African and African American Studies
Louisiana State University

Analyzing the ideology and rhetoric around race in Cuba and south Florida during the early years of the Cuban revolution, Devyn Spence Benson argues that ideas, stereotypes, and discriminatory practices relating to racial difference persisted despite major efforts by the Cuban state to generate social equality. Drawing on Cuban and U.S. archival materials and face-to-face interviews, Benson examines 1960s government programs and campaigns against discrimination, showing how such programs frequently negated their efforts by reproducing racist images and idioms in revolutionary propaganda, cartoons, and school materials.

Building on nineteenth-century discourses that imagined Cuba as a raceless space, revolutionary leaders embraced a narrow definition of blackness, often seeming to suggest that Afro-Cubans had to discard their blackness to join the revolution. This was and remains a false dichotomy for many Cubans of color, Benson demonstrates. While some Afro-Cubans agreed with the revolution’s sentiments about racial transcendence–“not blacks, not whites, only Cubans”–others found ways to use state rhetoric to demand additional reforms. Still others, finding a revolution that disavowed blackness unsettling and paternalistic, fought to insert black history and African culture into revolutionary nationalisms. Despite such efforts by Afro-Cubans and radical government-sponsored integration programs, racism has persisted throughout the revolution in subtle but lasting ways.

Negotiating Identities: Mixed Race Individuals in China, Japan, and Korea

University of San Francisco
McLaren Complex – MC 250
2130 Fulton Street
San Francisco, California 94117-1080
2016-04-14 through 2016-04-15

The University of San Francisco Center for Asia Pacific Studies is pleased to announce its spring symposium Negotiating Identities: Mixed-Race Individuals in China, Japan, and Korea, a conference to be held at the University of San Francisco on Thursday and Friday, April 14-15, 2016.

The highlight of the conference will be a keynote address by Emma Teng, Professor of History and Asian Civilizations, Massachusetts Institute of Technology (MIT).

With this conference, the Center plans to provide a forum for academic discussions and the sharing of the latest research on the history and life experiences of mixed-race individuals in China, Japan, and Korea. The conference is designed to promote greater understanding of the cross-cultural encounters that led to the creation of interracial families and encourage research that examines how mixed-race individuals living in East Asia have negotiated their identities…

For more information and to register, click here.