Mixed Race Studies

The SRB Interview: Jackie Kay

Scottish Review of Books
Volume 11, Issue 3 (2016)

Opening one of Jackie Kay’s books is like walking into a busy metropolitan bar that has accommodated within its walls the deep past, character and charm of a country pub. You know you will encounter stories comic and sad, that you will never leave thirsty, and that the mind will feel renewed with the spirit, musicality and colour of life. Kay was born in Edinburgh in 1961 to a Nigerian father and a Scottish mother. She was adopted at birth by Helen and John Kay, who lived, and still live, in Bishopbriggs, Glasgow. Helen was a primary school teacher who was also secretary of the Scottish peace movement and John worked full time for The Communist Party. When Kay was pregnant with her son Matthew she started a search for her birth parents, and this long experience, along with her Scottish upbringing, is recounted in her memoir Red Dust Road (2010). Kay’s writing style is as varied and vivid as her life, and her ability to inhabit voices and capture them on the page was demonstrated in her first poetry collection, The Adoption Papers (1991). It incorporated themes still prevalent in her work today: ‘what is identity? Is identity a shifting, fluid thing? How much are we made up by genes, and how much by stories? How much is it possible to escape the constraints of our own DNA and invent ourselves? How much does love define us, and make things possible? Does being loved change the shape of your face, or change the look in your eyes, or change your voice, or your body?’

Kay’s output is too prolific to give but a précis. Her second poetry book, Other Lovers (1993), explored the impact of colonialism and slavery on black culture, and it was a topic she returned to in her play The Lamplighter (2008). She has a written a sequence of poems about Bessie Smith, and she also wrote a biographical portrait of the great blues singer, which was published in 1997. Jazz and blues have been a lifelong love, and her novel Trumpet (1998), republished this year as a Picador classic, is about a jazz musician called Joss Moody. Upon his death, the trumpet player is found to have been a woman, and the novel refracts Moody’s life through the lens of those who knew him and the media eye. Kay’s short story collections include Why Don’t You Stop Talking (2002) and Reality, Reality (2012). Her most recent poetry collections are Fiere (2011) and the pamphlet The Empathetic Store, published in 2015 by Mariscat Press. In progress is a new novel, Bystander.

Kay has lived in Manchester for the last twenty years, although she has said ‘in my mind I also live in Scotland’, and frequently is at home in Glasgow seeing her parents. Nick Major met Kay in HOME, a new arts centre and theatre space near Manchester’s old industrial centre. They sat in the upstairs restaurant beside tall glass windows that afforded a view of the sun. The room was baked in a heat that defied the cold winter’s day outside. They had a long afternoon lunch, punctuated with coffee to keep the mind fresh. The clatter of other lives, other lunches, was all around them. Small in stature, large in mind, she was wearing a red jumper that matched the city’s prevailing colour, and two silver discs hung from her ears, shimmering in the light. Kay is a fast talker, and often spoke in long looping sentences that circled every subject, always prodding and poking at it in a search for a newer, clearer understanding. As this edition of the Scottish Review of Books went to press she was appointed our new Makar.

The Scottish Review of Books: You’ve lived in Manchester for many years now, but do you still think of Glasgow as home?

Jackie Kay: I think of Glasgow as my home in the many ways that a person can think of a home. My parents live in exactly the same house I grew up in. Nobody’s been in that house except our family. It’s a Lawrence house. But Glasgow as a city is a spiritual home, and I love the robust energy of the place and all the contradictions. It’s a city of doubles and amazing contrasts. It often gets less attention because Edinburgh is like a beautiful twin sister, but Glasgow is beautiful in its own different way. It is a city that can still surprise you; you can keep getting to know it because it keeps on changing…

Read the entire interview here.

Misty Copeland Opens Up About ‘Lack of Diversity’ in Ballet World

Variety
2016-04-09

Misty Copeland spoke from the heart at Variety’s third annual Power of Women New York event about her journey “from living in a motel to dancing on the stage of the Metropolitan Opera House.”

Thomas Jefferson Dreams of Sally Hemings: A Novel

Viking Books
2016-04-05
624 pages
Hardcover ISBN: 9780525429968
Ebook ISBN: 9780698410336

Stephen O’Connor

A debut novel about Thomas Jefferson and Sally Hemings, in whose story the conflict between the American ideal of equality and the realities of slavery and racism played out in the most tragic of terms.

Novels such as Toni Morrison’s Beloved, The Known World by Edward P. Jones, James McBride’s The Good Lord Bird and Cloudsplitter by Russell Banks are a part of a long tradition of American fiction that plumbs the moral and human costs of history in ways that nonfiction simply can’t. Now Stephen O’Connor joins this company with a profoundly original exploration of the many ways that the institution of slavery warped the human soul, as seen through the story of Thomas Jefferson and Sally Hemings. O’Connor’s protagonists are rendered via scrupulously researched scenes of their lives in Paris and at Monticello that alternate with a harrowing memoir written by Hemings after Jefferson’s death, as well as with dreamlike sequences in which Jefferson watches a movie about his life, Hemings fabricates an “invention” that becomes the whole world, and they run into each other “after an unimaginable length of time” on the New York City subway. O’Connor is unsparing in his rendition of the hypocrisy of the Founding Father and slaveholder who wrote “all men are created equal,” while enabling Hemings to tell her story in a way history has not allowed her to. His important and beautifully written novel is a deep moral reckoning, a story about the search for justice, freedom and an ideal world—and about the survival of hope even in the midst of catastrophe.

The black people ‘erased from history’

BBC News Magazine
2016-04-10

Arlene Gregorius, BBC Mexico

More than a million people in Mexico are descended from African slaves and identify as “black”, “dark” or “Afro-Mexican” even if they don’t look black. But beyond the southern state of Oaxaca they are little-known and the community’s leaders are now warning of possible radical steps to achieve official recognition.

“The police made me sing the national anthem three times, because they wouldn’t believe I was Mexican,” says Chogo el Bandeno, a black Mexican singer-songwriter.

“I had to list the governors of five states too.”

He was visiting the capital, Mexico City, hundreds of miles from his home in southern Mexico, when the police stopped him on suspicion of being an illegal immigrant.

Fortunately his rendition of the anthem and his knowledge of political leaders convinced the police to leave him alone, but other Afro-Mexicans have not been so fortunate…

Read the entire article here.

Jussie Smollett Talks About Growing Up in a Biracial Home and Pranking His ‘Empire’ Costars

ABC News
2016-04-08

Angela Williams, Entertainment TV Producer

There is lots of great music, loads of drama and plenty of surprises packed into each episode of Fox’s “Empire.” And much of it is centered around break-out star Jussie Smollett who plays singer/musician Jamal Lyon, son of fictitious music moguls Cookie and Luscious Lyon (played by Taraji P. Henson and Terrance Howard). It’s the role that has thrust Smollett into the spotlight – something he’s still wrapping his head around.

“I was sitting in a restaurant yesterday and I was just in a lunch meeting and then I look and there’s paparazzi out there taking pictures. And I’m like, ‘That’s so weird. It’s not normal,’” Smollett told ABC News. “At first you’re looking around, and you’re like, ‘Is One Direction here? Where’s Michael B. Jordan?’ And then you realize that they’re there for you. And I’m like, ‘There’s gotta be something better to do than follow me around,’” joked Smollett.

Smollett’s character is struggling to gain his father’s approval.

“And because he’s gay, Luscious, played by the great Terrance Howard, is not very supportive,” said Smollett. “He’s not happy. He’s not going on any marches with his son, let’s just say that. He ain’t gone be there.”

A gay, black man living in the world of hip-hop is a role rarely seen on prime-time television. But Smollett said he feels no added pressure on how he portrays the character…

…Smollett’s confidence likely stems from his upbringing. He grew up in a tight-knit family with a diverse background — his mother is African American and his father is Russian-Polish — and he’s one of six siblings.

“We’re a very close family, a functioning family, instead of dysfunctional – unlike the Lyons,” Smollett said. “No one’s ever loved me in spite of who I am. They’ve always loved me because of who I am.”…

Read the entire article here.

Allyson Hobbs discusses A Chosen Exile: A History of Racial Passing in American Life

Harvard Book Store
1256 Massachusetts Avenue
Cambridge, Massachusetts 02138
Monday, 2016-04-11, 19:00 EDT (Local Time)

Harvard Book Store and Mass Humanities welcome Assistant Professor of History at Stanford University Allyson Hobbs discusses the paperback release of her book A Chosen Exile: A History of Racial Passing in American Life.

About A Chosen Exile

Countless African Americans have passed as white, leaving behind families and friends, roots and communities. It was, as Allyson Hobbs writes, a chosen exile. This history of passing explores the possibilities, challenges, and losses that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions.

For more information, click here.

So here I am. I’m still black and I’m proud, but I will acknowledge the white blood that is running through my veins if pressed more about my heritage. I also love to see the shock on peoples’ faces when I tell them that my ancestors were raped by slave masters and my “mulatto” and “quadroon” ancestors kept mixing with other mulattoes, quadroons, and octoroons. It depends on the audience how deep I want to go.

Amal Gonzalez, “How To Identify With Your People When Your People Won’t Let You,” Swirl Nation Blog, March 30, 2016. http://www.swirlnationblog.com/blog/2016/3/30/how-to-identify-with-your-people-when-your-people-wont-let-you.

Toward building a conceptual framework on intermarriage

Ethnicities
Volume 16, Number 4, August 2016
pages 497-520
DOI: 10.1177/1468796816638402

Sayaka Osanami Törngren
Malmö University, Sweden; Sophia University, Japan

Nahikari Irastorza, Marie Curie Research Fellow
Malmö Institute for Studies of Migration, Diversity, and Welfare
Malmö University, Sweden

Miri Song, Professor of Sociology
University of Kent, Canterbury, Kent, United Kingdom

Increasing migration worldwide and the cultural diversity generated as a consequence of international migration has facilitated the unions of people from different countries, religions, races, and ethnicities. Such unions are often celebrated as a sign of integration; however, at the same time as they challenge people’s idea of us and them, intermarriages in fact still remain controversial, and even to some extent, taboo in many societies. Research and theorizing on intermarriage is conducted predominantly in the English-speaking North American and British contexts. This special issue includes empirical studies from not only the English-speaking countries such as the U.S., Canada, and the UK, but also from Japan, Sweden, Belgium, France, and Spain and demonstrate the increasingly diverse directions taken in the study of intermarriage in regards to the patterns, experiences, and social implications of intermarriages. Moreover, the articles address the assumed link between intermarriage and “integration.”

Read or purchase the article here.

How To Identify With Your People When Your People Won’t Let You

Swirl Nation Blog
2016-03-30

Amal Gonzalez

This is very hard for me to write because I don’t know how to begin.

I’ve written about being racially ambiguous. Growing up in a predominantly white environment without real examples of people who are mixed-raced in the media made me “other”, but definitely not white, or at least not 100% white. I’ve written about my parents both being mixed-race, but because of the one-drop-rule, they were black and never were allowed, or even compelled to identify as anything other than black. My dad definitely “looks” like he has African blood flowing through his veins – full lips, coarse, kinky hair, and a slightly broader nose. My mother, on the other hand, has been identified as Latina, Middle Eastern, Mediterranean, and Jewish. She has naturally soft hair, an angular nose, fairer skin, not pale. However, my mother grew up with 6 black sisters in a white rural town in California. Everyone knew her family and she was reminded she was black every day.

So you can only imagine, when it came to raising me and my sisters, we were told about our white relatives. We were told about our family members we will probably never meet because they decided to “pass” during a time when being white was truly a privilege. BUT we never identified with being white or bi-racial. It was always people around me that pointed out my differences, the “other”. It was society that pointed out that I didn’t necessarily fit in one category based on my physical appearance…

Read the entire article here.

Meet Yosif Stalin, The Soviet-Born Black American From Kremlin, Virginia

Radio Free Europe/Radio Liberty
2016-04-08

Carl Schrek

KREMLIN, Virginia — Yosif Stalin stood before his Kremlin home on a windswept afternoon this spring, his weathered hands gripping his walker. “I still own it,” he said of the white, two-story house off a lonely country road.

It’s no coincidence that this octogenarian was named after one of the 20th century’s bloodiest dictators, but it’s just half of his name. His full name is Yosif Stalin Kim Roane, and he was the first child of African-American parents ever born in the Soviet Union.

“Didn’t nobody pay that no mind,” Roane said of his notorious namesake in a recent interview with RFE/RL. “They mostly called me Joe.”

Roane, 84, is among the few living offspring of African-Americans who traveled to the Soviet Union in the 1920s and 1930s to seek a better life in the nascent communist state.

Most of these voyagers were driven by political convictions or economic hardship amid the Great Depression and pernicious racism in the United States, including the segregationist Jim Crow laws of the American South.

That Roane was born in an empire run from the Kremlin and grew up in this tiny Virginia hamlet of the same name is a coincidence that inspired the title of a recent documentary, Kremlin To Kremlin, aimed at preserving the record of his family’s remarkable journey for future generations…

Read the entire article here.