Mixed Race Studies

Mary Seacole statue: Why Florence Nightingale fans are angry the Crimean War nurse is being commemorated

The Independent
2016-06-27

Kashmira Gander

Some Florence Nightingale experts say Mary Seacole isn’t a nurse

It should be a symbol of pride in a black British heroine. Instead, a statue of Mary Seacole, to be unveiled on 30 June, has become a source of controversy

Staring proudly across the River Thames towards Big Ben, her cape caught in a gust as she strides away from a backdrop of the Crimean battlefield. This is how the Crimean War heroine Mary Seacole will be memorialised in a powerful 10ft bronze statue by the distinguished sculptor Martin Jennings, to be unveiled outside St Thomas’ hospital in central London on Thursday.

The campaign to commemorate the nurse once voted the greatest black Briton began when a group of Caribbean women approached their local MP in Hammersmith. Seven years later, the sculpture – the first public statue of a named black woman in the UK – is complete thanks to donations from tens of thousands of people. Happy days.

Except a small faction of hand-wringing Florence Nightingale experts and fans are not at all happy. To them, placing Seacole’s statue outside the hospital where the Lady with the Lamp established her revolutionary nursing school is an affront…

…Then there’s the argument that Seacole is a symbol of political correctness gone mad because the great black British icon isn’t, er, black. In a Spectator piece Rob Liddle took the baffling stance that Seacole was “three-quarters white”. This is despite contemporary depictions of her as a person “of colour” (and her own recollection that a white American at a dinner party said he wished he could bleach her skin).

But how tiresome this mud-slinging is. If we were going to pick holes, we could point out that even Nightingale couldn’t compete with the fact that her military hospital at Scutari was placed over a sewer, meaning many patients died. But we celebrate the best in her: her initial impulse; her skill in creating and organising the British nursing profession in later life…

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Charles Blow blows his horn in the New York Times

Renegade South: Histories of Unconventional Southerners
2016-06-27

Victoria Bynum, Distinguished Professor Emeritus of History
Texas State University, San Marcos

In today’s New York Times, opinion editor Charles Blow delivers a harsh critique of the movie, Free State of Jones, arguing that its treatment of slavery in general and the rape of slave women in particular amounts to a “genteel treatment” of the institution. Blow then turns to my book “The Free State of Jones: Mississippi’s Longest Civil War, and accuses me of using “grossly inappropriate descriptors” to characterize what in reality was rape. To demonstrate, he quotes the following passage from my book:

Through encounters with women such as Rachel, Newt knew that white men regularly crossed the color line despite laws and social taboos that forbade interracial liaisons and marriages. Rachel, light-skinned and physically attractive, was the sort of slave after whom many white men lusted. The fact that she had a white-skinned daughter announced to interested men that she had already been “initiated” into the world of interracial relations. (page 86)

With great indignation, Blow then exclaims, “Encounters? Liaisons? Initiated? Sexual relations? As long as she was a slave this was rape! Always. Period.”

I responded in the comments section of his op ed with the following:…

Read the entire article here.