“Yuck, you disgust me!” Affective bias against interracial couples

Posted in Articles, Identity Development/Psychology, Media Archive, Social Science, United States on 2016-08-19 12:10Z by Steven

“Yuck, you disgust me!” Affective bias against interracial couples

Journal of Experimental Social Psychology
Volume 68, January 2017
pages 68–77
DOI: 10.1016/j.jesp.2016.05.008

Allison L. Skinner, Postdoctoral Researcher
University of Washington

Caitlin M. Hudac, Senior Post-doctoral Fellow
University of Washington

Highlights

  • Bias against interracial romance is correlated with self-reported feelings of disgust.
  • Interracial couples elicit a neural disgust response among observers – as indicated by increased insula activation.
  • Manipulating state disgust leads to implicit dehumanization of interracial couples.
  • Findings suggest that meaningful social units (e.g., couples) influence person perception.

The current research expands upon the sparse existing literature on the nature of bias against interracial couples. Study 1 demonstrates that bias against interracial romance is correlated with disgust. Study 2 provides evidence that images of interracial couples evoke a neural disgust response among observers – as indicated by increased insula activation relative to images of same-race couples. Consistent with psychological theory indicating that disgust leads to dehumanization, Study 3 demonstrates that manipulating disgust leads to implicit dehumanization of interracial couples. Overall, the current findings provide evidence that interracial couples elicit disgust and are dehumanized relative to same-race couples. These findings are particularly concerning, given evidence of antisocial reactions (e.g., aggression, perpetration of violence) to dehumanized targets. Findings also highlight the role of meaningful social units (e.g., couples) in person perception, an important consideration for psychologists conducting social cognition research.

Read or purchase the article here.

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Race And Radicalism In Puerto Rico: An Interview With Carlos Alamo-Pastrana

Posted in Articles, History, Interviews, Literary/Artistic Criticism, Media Archive, Social Science, United States on 2016-08-19 01:11Z by Steven

Race And Radicalism In Puerto Rico: An Interview With Carlos Alamo-Pastrana

African American Intellectual History Society (AAIHS)
2016-08-02

Devyn Spence Benson, Assistant Professor of History and African and African American Studies
Louisiana State University

This month I interviewed Dr. Carlos Alamo-Pastrana about his new book, Seams of Empire: Race and Radicalism in Puerto Rico and the United States (University Press of Florida, 2016). Tracing cultural and political exchanges between African Americans, U.S. white liberals, and Puerto Ricans, this timely work highlights how activists and politicians in both spaces understood race, empire, and colonialism in the 20th century. Alamo-Pastrana illuminates the potential for fruitful multiracial alliances by uncovering the archive of a sub-group of Puerto Rican independentistas called the Proyecto Piloto. Led by Puerto Rican doctor Ana Livia Cordero, who had been married to Julian Mayfield, this group identified Puerto Rico as a black nation, worked to provide education and social services in poor barrios, and sought links with U.S. black radicals. Seams of Empire is a must read for scholars of transnational and diaspora history as well as anyone trying to build black and brown alliances in today’s antiracist movements.

Dr. Carlos Alamo-Pastrana is currently Associate Dean of Strategic Planning and Academic Resources at Vassar College where he is also Associate Professor of Sociology and Latin American and Latina/o Studies. His research and teaching interests focus on comparative racial formations, Latino/a Studies, Afro-Latina/o intellectual history, popular culture, and prison studies.

Seams of Empire follows cultural workers and politicians in Puerto Rico and the United States to tell a story about racism, colonialism, and activism. What led you to focus the book on these exchanges?

Alamo-Pastrana: That is such a great question because it really gets at the heart of the book. As someone who studies race in the Americas, I have always found the conversations about race in Puerto Rico a bit limiting. These are in many instances reduced to the realm of popular culture especially music, film, etc. Even more, they are framed in very insular ways that really limit the scope of how we should think about race in broader contexts to include different national, racial, and political movements and groups. This is significant because it helps to produce and circulate some of the troubling forms of racial exceptionalism that I discuss in the book. Even I fell into this trap in some of my earlier research projects on Afro-Puerto Rican folk music.

But, for this book, I felt that I needed to push the analysis beyond the nation-state framework to see the more dynamic ways that people and ideologies travel across different spaces. The book tries to use cultural production and actors in larger global circuits in order to see how race is being (re)configured and used to explain certain political dilemmas…

…In the Introduction, you make a point of saying that you want Puerto Rican Studies scholars to “banish” la gran familia puertorriqueña as an analytical lens for looking at the island (11). What is the grand Puerto Rican family and what dangers (or challenges) does it present to the type of work you do?

Alamo-Pastrana: La gran familia puertorriqueña is one of the foundational state myths that asserts that Puerto Rico is somehow a racially heterogeneous (mestizo), inclusive, and equal nation. It is this, the argument goes, that makes Puerto Rico so much more different than its racist colonizer to the North. Well, you don’t have to look around much in Puerto Rico to see how untrue this is…

Read the entire interview here.

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Seams of Empire: Race and Radicalism in Puerto Rico and the United States

Posted in Books, Caribbean/Latin America, History, Literary/Artistic Criticism, Media Archive, Monographs, United States on 2016-08-19 00:59Z by Steven

Seams of Empire: Race and Radicalism in Puerto Rico and the United States

University Press of Florida
2016-05-10
232 pages
6×9
Hardcover ISBN 13: 978-0-8130-6256-3

Carlos Alamo-Pastrana, Associate Professor of Sociology and Latin American and Latina/o Studies
Vassar College, Poughkeepsie, New York

Puerto Rico’s colonial relationship with the United States and its history of intermixture of native, African, and Spanish inhabitants has prompted inconsistent narratives about race and power in the colonial territory. Departing from these accounts, early twentieth-century writers, journalists, and activists scrutinized both Puerto Rico’s and the United States’s institutionalized racism and colonialism in an attempt to spur reform, leaving an archive of oft-overlooked political writings.

In Seams of Empire, Carlos Alamo-Pastrana uses racial imbrication as a framework for reading this archive of little-known Puerto Rican, African American, and white American radicals and progressives, both on the island and the continental United States. By addressing the concealed power relations responsible for national, gendered, and class differences, this method of textual analysis reveals key symbolic and material connections between marginalized groups in both national spaces and traces the complexity of race, racism, and conflict on the edges of empire.

Contents

  • List of Figures
  • List of Abbreviations
  • Acknowledgments
  • Introduction
  • 1. The Puerto Rican Blueprint
  • 2. Dispatches from the Colonial Outpost
  • 3. The Living Negro in Latin America
  • 4. The Republic of the Penniless
  • 5. You Are Here to Listen
  • Conclusion
  • Notes
  • Bibliography
  • Index
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Seattle’s multiracial identity evolves along with census

Posted in Articles, Census/Demographics, Media Archive, United States on 2016-08-19 00:44Z by Steven

Seattle’s multiracial identity evolves along with census

The Seattle Times
2016-08-18

Gene Balk

Now that Americans can select more than one racial category, we rank high nationally in terms of multiracial population and percentage.

TODAY — WHEN NEARLY 10 million Americans identify as multiracial — it’s strange to think that just a few decades ago, this community was practically invisible.

That’s because it wasn’t until 2000 that the Census Bureau allowed Americans to choose more than one racial category to describe themselves. Before that, you could pick only one, and people with mixed backgrounds often struggled over the decision about which box to check.

When the Census Bureau made that change, it had an especially profound impact in Seattle. That’s because even though Seattle ranks only 15th in size among U.S. metropolitan areas, our population of multiracial people — about 233,000 — is the fourth-largest. New York, Los Angeles and San Francisco are the top three, in order…

Read the entire article here.

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Richard Pryor’s Daughter Opens Up About The Racism Her Family Faced In Beverly Hills

Posted in Articles, Arts, Autobiography, Media Archive, United States on 2016-08-19 00:34Z by Steven

Richard Pryor’s Daughter Opens Up About The Racism Her Family Faced In Beverly Hills

The Huffington Post
2016-08-18

Lisa Capretto
The Oprah Winfrey Network

“I’m a product of this thing that everyone was against.”

When Rain Pryor was born in 1969, her father, Richard Pryor, had already begun transitioning from a relatively mild joke-telling comedian to a fearless, outspoken comic whose routines doubled as raw social commentary. As Pryor’s comedy was shifting, so was the country, moving toward more progressive values. But, as his daughter Rain points out, blatant racism still affected countless families, including her own.

Speaking with “Oprah: Where Are They Now?”, the 47-year-old actress opened up about her childhood, setting the scene for what her interracial family faced during that time in their Beverly Hills community.

“My dad’s Richard Pryor. My mother, Shelley, was a poor Jewish woman,” Rain says. “Imagine, if you will, Beverly Hills in the early ‘70s. Here I am, this mixed-race child [with] my golden skin, my big poufy hair ― because Mom knew nothing about a pressing comb ― [and] my mom’s blond-haired, blue-eyed, looking like Cher, wearing dashikis.”…

Read the entire article here.

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I struggle with a permanent guilt for the way my appearance allows me to move through the world so much more easily than my family members, and I am grateful for the constant reminder.

Posted in Excerpts/Quotes on 2016-08-18 00:52Z by Steven

Despite the fact that both Rachel [Dolezal] and Vanessa [Beecroft] seem to have found their “true” identities, I am still searching for where “multicultural” fits within the landscape that is race in America. When I was younger, I had moments of weakness where I allowed racist, ignorant, hurtful behavior to occur around me without repercussion. Speaking out, would mean having to explain myself, and then be questioned and teased for “not really being” who I say I am. I struggle with a permanent guilt for the way my appearance allows me to move through the world so much more easily than my family members, and I am grateful for the constant reminder. As much as I am connected to and proud of my Black and Brazilian heritage, an intense awareness of how I am perceived by everyone around me is part of who I am. It has taken 29 years to get here with far more work to be done. And when these white women proclaim themselves to be spiritually Black, it feels like they’re pouring multiple varieties of artisanal salt (available at the aforementioned, gentrified storefronts) on the wound.

Natasha Diaz, “White People, Stop Saying You’re ‘Black On The Inside’,” The Establishment, August 15, 2016. http://www.theestablishment.co/2016/08/15/white-people-stop-saying-youre-black-on-the-inside/.

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The Memoir of a White-Passing Activist

Posted in Articles, Autobiography, Media Archive, Native Americans/First Nation, United States on 2016-08-18 00:46Z by Steven

The Memoir of a White-Passing Activist

Odyssey
2016-08-16

Haley Arthur

My experiences with being mixed race and trying to use my white privilege to help liberate myself and others.

“Oh, you’re mixed? Wow, I would never have guessed. Now it all makes sense.”

Yes, this is something that has been said to me multiple times, and something that I will probably continue to hear for the rest of my life. But the part that bothers me is not the fact that people don’t recognize my indigenous blood upon first glance, but rather that the fact that in the eyes of some people, fighting to gain equal rights for everyone only “makes sense” if I am not a full-blooded white person (which, by the way, is pretty much impossible to come by these days anyway, for all of you white supremacists out there). People say this as if they know that the system benefits white people, and cannot conceive why I, a fellow white person, would ever want to change that. But that in itself is a huge part of the problem. Nothing about racial injustice “makes sense”, least of all the hesitation to fight against it…

Read the entire article here.

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White People, Stop Saying You’re ‘Black On The Inside’

Posted in Arts, Autobiography, Media Archive, Passing, United States on 2016-08-17 17:49Z by Steven

White People, Stop Saying You’re ‘Black On The Inside’

The Establishment
2016-08-15

Natasha Diaz

White and Wrong

White people are consistent; I’ll give them that. They take Black culture as the blueprint for their fashion, entertainment, music, and new hip terms to enhance their Urban Dictionary posts. They colonize neighborhoods, forcing out people who have lived there for generations, stripping the area of culture, and filling it with ridiculous storefronts that specialize in multiple varieties of a single condiment that could easily be made at home. Just when you thought they couldn’t take any more, they’ll figure out a way to snatch even the intangible away. Take #BlackLivesMatter, a slogan built to anchor a human rights movement, stolen to protect Smurfs. (Presumably that’s what “Blue Lives Matter” is about, since otherwise it makes no goddamn sense.) Usually, white people want everything Black, except to actually be Black. That is, until Friday, June 12th, 2015, when Rachel Dolezal and her circus full of weave and spray tan came marching out into the public eye.

Everyone I knew emailed to tell me about Dolezal. As a woman of mixed race that inadvertently passes as white, I clearly needed to be in the know. A few idiots even reached out to say that they “finally understood now” where I was coming from in explaining my racial background. Let’s have a moment of silence for those poor unfortunate souls, now eternally “unfriended” in all senses of the term—R.I.P. But none of my friends’ and ex-friends’ responses were as offensive as Dolezal’s spurious claim to be Black…

Read the entire article here.

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Are Biracial People Better-Looking? New Research On Beauty And Race

Posted in Articles, Media Archive, Social Science, United States on 2016-08-17 14:23Z by Steven

Are Biracial People Better-Looking? New Research On Beauty And Race

Medical Daily
2016-08-15

Dana Dovey, Health and Science Reporter

The number of interracial marriages are at an all-time high, and the biracial demographic continues to grow. However, our admiration for the “exotic” looks of multicultural people may have consequences. According to a recent study, black people who simply say they’re multiracial are considered better-looking by others, regardless of how they actually look.

For the study, 3,200 self-identified black people were interviewed by people of all different races as part of the National Longitudinal Study of Adolescent Health. The interviewees were asked a series of questions about their racial background. Afterwards, the interviewers then rated the black interviewees on their attractiveness based on a scale of one to five. Results revealed that individuals who said they were multiracial got higher scores of attractiveness, suggesting that just the idea that an African-American person is of mixed-race heritage makes that person more attractive to others…

Read the entire article here.

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How Tessa Thompson Became A Modern Marvel

Posted in Articles, Arts, Media Archive, United States on 2016-08-17 14:01Z by Steven

How Tessa Thompson Became A Modern Marvel

BuzzFeed
2016-07-20

Anita Badejo, Associate Features Editor

At a time when Hollywood is finally developing the kinds of projects for actors of color that had traditionally been out of reach, Tessa Thompson’s ascent to the A-list isn’t just welcome — it’s necessary. How can she embody this pivotal cultural moment without being defined by it?

Tessa Thompson has a problem. “I really like to be good at things,” she says, reclining in a rich brown leather chair in the Library bar of Manhattan’s NoMad Hotel. It’s a Sunday afternoon in March, and Thompson is wearing a sheer black blouse with gold-chained collar pins and high-waisted acid-wash jeans. “It’s an impediment sometimes.”

The idea that the 32-year-old could be impeded by anything seems unlikely. In the past two years, she has been touted as Hollywood’s Next Big Thing based on performances in films such as the indie darling Dear White People, the historical drama Selma, and November’s box office hit Creed, and she has parlayed those successes into at least three potentially life-changing upcoming roles. “To be really bad in the beginning and to risk being bad every time and just continually be compelled to want to be good and better?” she says, her Ts aspirated in the manner of a lifelong performer. “Acting is the only thing I was able to push through that.”

And, as Thompson acknowledges, the roles she’s had a particular knack for so far have tackled complicated issues of race and gender — all befitting the multiracial actress, who peppers her musings with references to everyone from bell hooks to Laurence Olivier. “Whatever alchemy it is, those are the kind of parts that I’m going to be better at.”…

Read the entire article here.

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