Mixed Race Studies

‘You look like the help’: the disturbing link between Asian skin color and status

Fusion
2016-08-25

Mari Santos
Toronto, Ontario, Canada

Outside a hotel lobby in Toronto earlier this year, an elderly Asian woman stopped my mother and me to ask what time a tour bus would be arriving. Then, the woman asked in broken English: “Are you Philippine?”

“Yes,” my mom replied.

“Ahh, you look Korean!” the woman exclaimed. My mother graciously thanked her.

I darted my eyes, offended and confused at the implication that looking Korean over Filipino should somehow be taken as a compliment. Later I asked my mother: “Why did you thank her?”

“I don’t know,” she admitted sheepishly…

Read the entire article here.

Toronto Film Review: ‘Barry’

Variety
2016-09-10

Owen Gleiberman, Chief Film Critic

Devon Terrell in Barry. Courtesy of TIFF

Set in 1981, a canny and absorbing drama paints a highly convincing portrait of Barack Obama when he was a 20-year-old college student in New York, still piecing together who he was.

In the movie world, there is often a fine line between coincidence and karma. It’s not really all that hard to fathom how two filmmakers, within a year of each other, could each come up with the notion of making a kind of snapshot biopic about the young Barack Obama. Yet the fact that both movies are emerging near the tail-end of the Obama presidency is surely no accident. The time has come to take stock, and Obama, at the twilight of his leadership, with eight years of policy and scrutiny, controversy and (yes) celebrity behind him, is ripe for the kind of mythological intimacy that the movies, perhaps uniquely, can provide.

“Southside With You,” the Sundance hit that was released into theaters just two weeks ago, is a deft and observant talkathon that turns Barack and Michelle Obama’s first date into a touching political spin on “Before Sunrise.” The Barack of that movie, which is set on a single day in 1989, is still finding his way, but he’s already a precocious young version of the Obama we know: impeccable and confident, a fusion of insight and arrogance and clarity and empathy, speaking in those rolling information-age cadences.

The Barack Obama we meet in “Barry,” on the other hand (a movie set eight years earlier), is a very different sort of cat, a young man you feel you scarcely know at all, because he doesn’t totally know himself — which turns out to be the theme of the movie. As played by the canny Australian actor Devon Terrell, he’s not even Barack yet, he’s just Barry, rolling with the punches, a slightly gawky handsome angular dude with a fringe of Afro and a way of falling into pensive trances when he’s chain-smoking. Terrell nails the clipped vibe of awareness, and a youthful version of the stare, to an uncanny degree. His Barry is reasonably self-possessed, with a lot of ideas, but he doesn’t have a clue as to how they fit together. He’s not the talkative lawyer-professor we’re used to. He’s tentative, his brashness weighed down by hidden doubts…

Read the entire review here.

Passing is both a social and political act: a form of revolt against slave owners and slavery, outlawed and feared by segregationists and white supremacists, yielding a breath of freedom and yet systemically injurious to those still oppressed. Because of this latter fact, it’s hard for me to work through how to perceive it morally, how to weigh all of its effects. As Harvard Law School professor Randall Kennedy writes in his 2001 essay, “Racial Passing,” passing, when a choice, “requires that a person be self-consciously engaged in concealment.” But it is not just a concealment of the self—my grandmother erasing who she may have been at one time, keeping her skin powdered. It’s a concealment of history—a concealment and erasure of others: we have no photographs of my grandmother’s parents, and none of their parents either—not even a photo of her brother.

Ashlie Kauffman, “Our Secret Family Legacy,” The Rumpus, August 31, 2016. http://therumpus.net/2016/08/our-secret-family-legacy/.