Mixed Race Studies

Why Self-Identifying As Multiracial Is Still New And Not Automatic For Me

Swirl Nation Blog
2016-10-12

Sarah Ratliff

I grew up in New York City during the 1960s and 70s. Although I grew up in a very racially, ethnically and culturally diverse area—which included several interracial families—it wasn’t the norm to raise kids in that time period to self-identify as more than one race.

Although nobody specifically said so, all of us multiracial / Biracial kids were living according to the one-drop rule. For many of us, my family included, this had to do with which parent’s race was more discriminated against.

In my particular case, and I know I am hardly unique, my father’s father disowned my father for marrying my mother. I never met my grandmother or my father’s father. I saw my father’s brother and his family no more than a dozen times while I was growing up. My mother was an only child whose parents died before I was born and so the tragedy is that while I had grandparents living, one of them refused to meet his grandchildren and the other was too scared to try and have a relationship with her grandchildren.

This compounded my parents’ decision to raise us to self-identify as Black…

Read the entire article here.

Black History Month: Lorraine Maher

Camden Review: Camden’s take on the London arts scene
2016-10-13

Angela Cobbinah

Lorraine Maher

WHEN she was growing up in County Tipperary in the 1960s, Lorraine Maher (pictured) met no other black people and on the few occasions they came into her midst she would avoid them.

“I didn’t want to draw attention to myself in any way,” she says.

“I grew up in a beautiful town full of beautiful people but there was racism all around me. This was the age of the golliwog and the ‘Black Baby Box’ to collect money for starving African babies.

“I knew I was different but my blackness was never spoken about and I spent my childhood just wanting to hide away and not be noticed.”…

…It is this often painful journey to self-realisation that laid the seeds of the #iamirish exhibition she has curated for the London Irish Centre, tellingly its first ever contribution to Black History Month. Opened last week by Ruaidri Dowling on behalf of the Irish Embassy, it is a display of stunning portraits by photographer Tracey Anderson that aims to question the concept of what it looks like to be Irish…

Read the entire article here.

One man’s quest to preserve the haunting black history of Pocahontas Island

The Washington Post
2016-09-26

Gregory S. Schneider

POCAHONTAS ISLAND, Va. — He roams from house to house along the quiet streets of this little neighborhood, giving voice to its history and spirits. The collection of modest homes, tucked between an empty lumber factory and an abandoned rail yard, doesn’t look like a rare and haunted place.

But in Richard Stewart’s eyes, Pocahontas Island is alive with an unexpectedly dramatic past. Using a black magic marker, Stewart scrawls the words of 12 generations of ancestors on old porch rails, doorways and window frames.

“Ain’t no looking back master I’m at the promised land.”…

…Outside, Stewart has bought the small house next door, which he said was built in the early 1800s by a mixed-race man whose white mother sold him into slavery as a child because she couldn’t be seen with him. Stewart painted it pink and yellow and covered it with words and pictures related to Nat Turner.

At least one man who helped Turner’s bloody slave rebellion in 1831 in nearby Southampton County hid, for a time, in the woods on Pocahontas Island, Stewart said…

…Stewart talks about slavery in an offhand way that can seem jarring. He credits his stature and strong build to what many regard as the myth of selective breeding. In colorful terms, he tells how mixed-race children were sent to live on the island: “We had a lot of out-of-wedlock mulattos over here. You might have seen a child walking along over here white as snow, and [the] mama walking along dark as a bag of coal.”…

Read the entire article here.

Tracing Your “Routes”

TEDx Talks: TEDxSBUWomen
Stony Brook University, State University of New York
2015-07-10

Zebulon Miletsky, Professor of Africana Studies
Stony Brook University, State University of New York

“He’s gonna have a hard time proving he’s a brother.”

Dr. Zebulon Miletsky discusses his journey through the multiple worlds of race and identity as he shares his experiences with researching his own family genealogy, the various “routes” this process led him to and how “tracing your routes” can lead to more than just knowledge about your background–it’s about how we treat one another along those “routes”.

Dr. Zebulon Miletsky teaches African-American History at Stony Brook University where he is an Assistant Professor of Africana Studies. He is the author of numerous articles, essays and most recently a book chapter that appeared in the anthology “Obama and the Biracial Factor: The Battle for a New American Majority” which traces the contested meanings throughout history of terminology for multiracial people and the role that this historical legacy of “naming” plays into how President Obama is read as African American, but still asserts a strategic biracial identity through the use of language, symbols, and interactions with the media. Miletsky who is half-Jewish (white) and African-American/Afro-Caribbean, has done a great deal of genealogical research for a book manuscript in progress and is in the process of researching his own family tree. He lives in Brooklyn.

Projections of Passing: Postwar Anxieties and Hollywood Films, 1947-1960

University Press of Mississippi
2016-04-04
284 pages
40 b/w illustrations, filmography, bibliography, index
6 x 9 inches
Hardback ISBN: 9781496806277

N. Megan Kelley

How the cinematic act of passing embodied, exacerbated, and sometimes alleviated American fears

A key concern in postwar America was “who’s passing for whom?” Analyzing representations of passing in Hollywood films reveals changing cultural ideas about authenticity and identity in a country reeling from a hot war and moving towards a cold one. After World War II, passing became an important theme in Hollywood movies, one that lasted throughout the long 1950s, as it became a metaphor to express postwar anxiety.

The potent, imagined fear of passing linked the language and anxieties of identity to other postwar concerns, including cultural obsessions about threats from within. Passing created an epistemological conundrum that threatened to destabilize all forms of identity, not just the long-standing American color line separating white and black. In the imaginative fears of postwar America, identity was under siege on all fronts. Not only were there blacks passing as whites, but women were passing as men, gays passing as straight, communists passing as good Americans, Jews passing as gentiles, and even aliens passing as humans (and vice versa).

Fears about communist infiltration, invasion by aliens, collapsing gender and sexual categories, racial ambiguity, and miscegenation made their way into films that featured narratives about passing. N. Megan Kelley shows that these films transcend genre, discussing Gentleman’s Agreement, Home of the Brave, Pinky, Island in the Sun, My Son John, Invasion of the Body-Snatchers, I Married a Monster from Outer Space, Rebel without a Cause, Vertigo, All about Eve, and Johnny Guitar, among others.

Representations of passing enabled Americans to express anxieties about who they were and who they imagined their neighbors to be. By showing how pervasive the anxiety about passing was, and how it extended to virtually every facet of identity, Projections of Passing broadens the literature on passing in a fundamental way. It also opens up important counternarratives about postwar America and how the language of identity developed in this critical period of American history.

What Growing Up Mixed-Race Taught Me About Food

Spoon University
2016-09-13

Susanna Mostaghim
Virginia Tech

And why we’re the ultimate foodies.

Weird things come with being mixed-race. These include, but are not limited to: no one ever guessing your heritage correctly, random stereotypes you wouldn’t expect, a fusion of your parents’ cultures, and questions of “Wait, where did your parents meet?”

Being mixed-race, I commonly get mistaken for being of Hispanic origin, which is a laugh as neither of my parents are from the same continents as any Hispanic country. It’s my favorite bar game to have people guess my heritage when they ask, “But where are you really from?” (cue my desire to act like this).

It’s kind of like that Parks and Rec[creation] scene where Leslie asks Tom where he’s from, and it ends with him saying his mom’s uterus.

But what most people don’t realize is that the best part of being mixed-race isn’t that you don’t look like any certain race or anything physical. It’s the fusion of the different food styles your parents and community bring to the table…

Read the entire article here.

‘We were the unspoken story of Ireland’

BBC News
2016-10-13

The #IamIrish exhibition in north London explores what it means to be mixed race and Irish.

Watch the video (00:02:21) here.

An interview with hip hop artist Akala

Vlad TV
2016-06-10

Vladimir Lyubovny (DJ Vlad), Host

U.K. artist Akala stopped by the Vlad Couch to discuss a plethora of topics surrounding the history of the impact of slavery throughout the world, Black culture, hip hop’s influence across the world, and what it means to be mixed-race in today’s society.

Akala starts the conversation discussing the difference between racism in America versus the United Kingdom. Then delves into police brutality and the gun laws in Britain. Then the rapper gives a brief history lesson on Britain’s involvement in the slave trade, and how they’ve maintained a very “white” history. Akala explained there is nowhere in the U.K where there are only Black people. “You know if you go to the south side of the Chicago, or you go to certain parts of the Bronx, I’ve visited family up there, and literally everyone [was Black.]”

In breaking down the presence of hip-hop in the UK, Akala talks about his Black Shakespeare theory, and how he believes that centuries from now, someone like Nas or Lauryn Hill will be the Shakespeare of their time. He also explains why he feels Damian Marley out-rapped Nas on ‘Distant Relatives,’ after explaining why as a Black man he chooses not to use the N-word anymore.

Listen to the educational and entertaining interview above.

Being “Dual Heritage” In Modern Britain

HC At Exeter Cornwall
2016-10-11

Stacey Harris, 2nd year Environmental Science Student
Solihull, West Midlands

As many of you may be aware, October is Black History Month, which acts as a platform for education, reflection and a celebration of the trials and triumphs of African and Caribbean communities throughout history. It provides a vital means to raise the voices of minorities whose history is often sorely overlooked.  Every year a different thought-provoking theme is selected for the month, with this year’s being “tackling conscious and unconscious bias”. As a person of dual heritage, this got me thinking about my own intentional and unintentional bias towards my own ethnic background.

After spending 19 years of my life with a very vague understanding of my own family history – merely using the provided census classification of “white black Caribbean” – I suddenly had a bit of an identity crisis, and decided I needed to know more about my heritage in order to solve this. This, in tandem with my impulsive spending habits, led to me undertaking a 23andMe DNA test. The process involved sending away a saliva sample, and then an agonising two month wait until my results were sent back and revealed. I found the whole thing strangely more emotive than I was expecting when I first saw the detailed breakdown of my ancestry, as so much of my history was presented before me in just a few words and numbers…

Read the enitre article here.

Paisley Rekdal Wins the 2016 AWP Award for Creative Nonfiction

University of Georgia Press
2016-10-05

Paisley Rekdal (photo credit: Austen Diamond)

Congratulations to Paisley Rekdal for winning this year’s Association of Writers & Writing Programs Award for Creative Nonfiction with her work The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. Rekdal is an essayist, photographer, and poet. She is the author of The Night My Mother Met Bruce Lee, a book of essays; a photo-text memoir called Intimate; and five books of poetry: A Crash of Rhinos, Six Girls without Pants, The Invention of the Kaleidoscope, Imaginary Vessels, and Animal Eye. She has received numerous awards and fellowships for her work. She currently holds the position of managing editor at Mapping Salt Lake City, a community-written web atlas of Salt Lake City of which she is creator. She is a professor of English at the University of Utah in Salt Lake City and holds a Master of Arts from the University of Toronto and a Master of Fine Arts from the University of Michigan, Ann Arbor.

Paisley Rekdal’s The Broken Country will be published by the University of Georgia Press in the fall of 2017…

Read the entire press release here.