Mixed Race Studies

‘The Sympathizer,’ by Viet Thanh Nguyen

Book Review
The New York Times
2015-04-02

Philip Caputo

The more powerful a country is, the more disposed its people will be to see it as the lead actor in the sometimes farcical, often tragic pageant of history. So it is that we, citizens of a superpower, have viewed the Vietnam War as a solely American drama in which the febrile land of tigers and elephants was mere backdrop and the Vietnamese mere extras.

That outlook is reflected in the literature — and Vietnam was a very literary war, producing an immense library of fiction and nonfiction. Among all those volumes, you’ll find only a handful (Robert Olen Butler’s “A Good Scent From a Strange Mountain” comes to mind) with Vietnamese characters speaking in their own voices.

Hollywood has been still more Americentric. In films like “Apocalypse Now” and “Platoon,” the Vietnamese (often other Asians portraying Vietnamese) are never more than walk-ons whose principal roles seem to be to die or wail in the ashes of incinerated villages.

Which brings me to Viet Thanh Nguyen’s remarkable debut novel, “The Sympathizer.” ­Nguyen, born in Vietnam but raised in the United States, brings a distinct perspective to the war and its aftermath. His book fills a void in the literature, giving voice to the previously voiceless while it compels the rest of us to look at the events of 40 years ago in a new light…

…Duality is literally in the protagonist’s blood, for he is a half-caste, the illegitimate son of a teenage Vietnamese mother (whom he loves) and a French Catholic priest (whom he hates). Widening the split in his nature, he was educated in the United States, where he learned to speak English without an accent and developed another love-hate relationship, this one with the country that he feels has coined too many “super” terms (supermarkets, ­superhighways, the Super Bowl, and so on) “from the federal bank of its ­narcissism.”…

Read the entire review here.

Trevor Noah Wasn’t Expecting Liberal Hatred

The New York Times Magazine
2016-11-02

Ana Marie Cox

Your memoir, “Born a Crime,” is a striking depiction of your life in South Africa both under and after apartheid. How has that experience formed your perspective on the divisions we’re seeing in America because of the election? America is the place that always seems to treat the symptoms and not the cause. In South Africa, we’re very good at trying to go for the cause of racism. One thing that really never happened here, which is strange to me, was a period where white America had to reconcile with what it had done to black Americans.

I wonder if one difference is that in South Africa, no one could deny that the root of it all was racism, whereas here, people think there’s more ambiguity. What’s scary is how many people don’t realize that racism is written into your system in America. We had a very simple, blatant system. You could see where the tumor was, and you could cut it out. In America, the tumor masquerades as an organ, and you don’t know which parts to cut out because it’s hard to convince people that there’s a problem in the first place…

Read the entire interview here.

Collecting: My special focus on Louisiana’s Free People of Color.

Louisiana Historic and Cultural Vistas
2016-10-31

Jeremy K. Simien

It’s been said that collecting is a sickness and that a great collector will never stop collecting. I don’t know why, but I’ve always collected things. It started with fossilized rocks on the gravel playground at school, and it continued with other miscellaneous school yard obsessions, some now too embarrassing to admit. Although I will share that at the age of eleven, I was quite serious about finding rare Beanie Babies. No matter the age, I always enjoyed finding and collecting things…

…My personal desire to find and collect portraits of Free people of African descent/Creoles of color is simple. I feel that these pieces act as a crucial visual cue for a story and a message that must be told. The story of the so-called “Free People of Color” goes well beyond my personal family history and any narcissistic need for ancestral gratification. The desire to share and spread this story comes from my need to present a narrative that offers encouragement to not only people of African descent, but also other marginalized groups and persons. The narrative that I hope to present will hopefully be a message of resistance, persistence, and survival…

Read the entire article here.

How do you become “white” in America?

The Correspondent
September 2016

Sarah Kendzior, Flyover Country Correspondent

An immigrant family looks out over the New York skyline as they arrive in the U.S. from Germany aboard the S.S. Nieuw Amsterdam. Photo by Getty

Trump has retweeted white supremacist groups and has the backing of the Ku Klux Klan. He uses whiteness as a weapon, and his candidacy on a major party ticket threatens to put the country back some 200 years. What does Trump’s vision of whiteness mean for a diverse country like the U.S.?

Since 1790, the U.S. has taken a census that divides citizens into racial categories. These categories have transformed dramatically over the past 220 years along with U.S. demography. In 1790, there were three categories: “free whites”, “other free people”, and “slaves.” Over the next few centuries, new groups were added ranging from broad racial categories (“Asian”) to subsets (“Korean”, for example, was added as its own race in 1920, removed in 1950, re-added in 1970, and subsumed into “Asian” in 2000.)

The most recent census, taken in 2010, divided Americans as follows: White, Black or African American, American Indian or Alaska Native, Asian, Native Hawaiian or Other Pacific Islander, or Some Other Race. In 1980, as a result of a huge increase in the Hispanic population, ‘Hispanic’ (or Latino, often the preferred term) was added as its own category, with a note that it is an ethnicity, not a race…

…Being white in the U.S. has long meant better jobs and opportunities, and an escape from persecution based on appearance and culture. Although these structural advantages remain, the meaning of whiteness is still hotly debated – particularly during this election season…

Read the entire article here.

Reaping Something New: African American Transformations of Victorian Literature

Princeton University Press
November 2016
304 pages
6 x 9
12 line illus.
Hardcover ISBN: 9780691169453
eBook ISBN: 9781400883745

Daniel Hack, Associate Professor of English
University of Michigan

Tackling fraught but fascinating issues of cultural borrowing and appropriation, this groundbreaking book reveals that Victorian literature was put to use in African American literature and print culture in the nineteenth and early twentieth centuries in much more intricate, sustained, and imaginative ways than previously suspected. From reprinting and reframing “The Charge of the Light Brigade” in an antislavery newspaper to reimagining David Copperfield and Jane Eyre as mixed-race youths in the antebellum South, writers and editors transposed and transformed works by the leading British writers of the day to depict the lives of African Americans and advance their causes. Central figures in African American literary and intellectual history—including Frederick Douglass, Frances Ellen Watkins Harper, Charles Chesnutt, Pauline Hopkins, and W.E.B. Du Bois—leveraged Victorian literature and this history of engagement itself to claim a distinctive voice and construct their own literary tradition.

In bringing these transatlantic transfigurations to light, this book also provides strikingly new perspectives on both canonical and little-read works by Charles Dickens, George Eliot, Alfred, Lord Tennyson, and other Victorian authors. The recovery of these works’ African American afterlives illuminates their formal practices and ideological commitments, and forces a reassessment of their cultural impact and political potential. Bridging the gap between African American and Victorian literary studies, Reaping Something New changes our understanding of both fields and rewrites an important chapter of literary history.

Table of Contents

• List of Illustrations
• Acknowledgments
• Introduction: The African Americanization of Victorian Literature
• 1. Close Reading Bleak House at a Distance
• 2. (Re-) Racializing “The Charge of the Light Brigade”
• 3. Affiliating with George Eliot
• 4. Racial Mixing and Textual Remixing: Charles Chesnutt
• 5. Cultural Transmission and Transgression: Pauline Hopkins
• 6. The Citational Soul of Black Folk: W.E.B. Du Bois
• Afterword After Du Bois
• Notes
• Bibliography
• Index

The Dominican Racial Imaginary: Surveying the Landscape of Race and Nation in Hispaniola

Rutgers University Press
November 2016
200 pages
9 photographs, 2 figures, 2 maps, 8 tables
6 x 9
Cloth ISBN: 978-0-8135-8448-5
Paper ISBN: 978-0-8135-8447-8
Web PDF ISBN: 978-0-8135-8450-8
epub ISBN: 978-0-8135-8449-2

Milagros Ricourt, Associate Professor of Latin American and Puerto Rican Studies
Lehman College, The City University of New York

This book begins with a simple question: why do so many Dominicans deny the African components of their DNA, culture, and history?

Seeking answers, Milagros Ricourt uncovers a complex and often contradictory Dominican racial imaginary. Observing how Dominicans have traditionally identified in opposition to their neighbors on the island of Hispaniola—Haitians of African descent—she finds that the Dominican Republic’s social elite has long propagated a national creation myth that conceives of the Dominican as a perfect hybrid of native islanders and Spanish settlers. Yet as she pores through rare historical documents, interviews contemporary Dominicans, and recalls her own childhood memories of life on the island, Ricourt encounters persistent challenges to this myth. Through fieldwork at the Dominican-Haitian border, she gives a firsthand look at how Dominicans are resisting the official account of their national identity and instead embracing the African influence that has always been part of their cultural heritage.

Building on the work of theorists ranging from Edward Said to Édouard Glissant, this book expands our understanding of how national and racial imaginaries develop, why they persist, and how they might be subverted. As it confronts Hispaniola’s dark legacies of slavery and colonial oppression, The Dominican Racial Imaginary also delivers an inspiring message on how multicultural communities might cooperate to disrupt the enduring power of white supremacy.

Table Of Contents

• Preface
• Chapter 1 Introduction
• Chapter 2 Border at the Crossroad
• Chapter 3 The Creolization of Race
• Chapter 4 Cimarrones: The Seed of Subversion
• Chapter 5 Criollismo Religioso
• Chapter 6 Race, Identity, and Nation
• Notes
• Bibliography
• Index

The Sympathizer

Grove Press
April 2015
384 pages
Hardcover ISBN: 978-0802123459
Paperback ISBN: 978-0802124944

Viet Thanh Nguyen

• Winner of the 2016 Pulitzer Prize for Fiction
• Winner of the Andrew Carnegie Medal for Excellence in Fiction
• Winner of the 2015 Center for Fiction First Novel Prize
• Winner of the 2016 Edgar Award for Best First Novel
• Winner of the 2015 Center for Fiction First Novel Prize
• Winner of the 2015-2016 Asian/Pacific American Award for Literature (Adult Fiction)
• Winner of the 2016 California Book Award for First Fiction

Named a Best Book of the Year by the New York Times Book Review, Wall Street Journal, Washington Post, Seattle Times, Daily Beast, Kansas City Star, Library Journal, Kirkus Reviews, Publishers Weekly, Booklist, Guardian, National Post, MPR News, Amazon, Slate, Flavorwire, Entropy, Quartz, and Globe and Mail

A profound, startling, and beautifully crafted debut novel, The Sympathizer is the story of a man of two minds, someone whose political beliefs clash with his individual loyalties. In dialogue with but diametrically opposed to the narratives of the Vietnam War that have preceded it, this novel offers an important and unfamiliar new perspective on the war: that of a conflicted communist sympathizer.

It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong. The Sympathizer is the story of this captain: a man brought up by an absent French father and a poor Vietnamese mother, a man who went to university in America, but returned to Vietnam to fight for the Communist cause. Viet Thanh Nguyen’s astonishing novel takes us inside the mind of this double agent, a man whose lofty ideals necessitate his betrayal of the people closest to him. A gripping spy novel, an astute exploration of extreme politics, and a moving love story, The Sympathizer explores a life between two worlds and examines the legacy of the Vietnam War in literature, film, and the wars we fight today.