Mixed Race Studies

Invisibly Black: A Life of George Herriman, Creator of ‘Krazy Kat’

The New York Times
2017-01-12

Nelson George

KRAZY: George Herriman, a Life in Black and White
By Michael Tisserand
Illustrated. 545 pp. Harper/HarperCollins Publishers. $35.

In our superficially more enlightened age, the phrase “mixed race” has become the accepted term to describe people with parents of different races. In fact the phrase has become a tool of marketers and brand-conscious celebrities to suggest whatever they’re selling is all-inclusive, a living embodiment of diversity. Many take great care in, for example, their Instagram biographies to list their hyphenated backgrounds.

But there are limits to the term’s utility, especially for people with African ancestry. Barack Obama was America’s first mixed-race president. His father was Kenyan and his mother a white woman from Kansas. Yet the tawdry racial history of this Republic demanded that he claim blackness as his primary identity because one drop of black blood has always decided your fate in this country. “Mixed race” notwithstanding, an African heritage in America is never just a cool exotic spice; one taste and it becomes all anyone remembers of the meal.

This rigid attitude toward race is often enforced by black Americans as fiercely as whites. For them the “mixed race” label, when employed by black people with a nonblack parent or grandparents, seems more a transparent attempt to dodge racial pigeonholing than a heartfelt assertion of identity. Jim Crow, which ended officially in the 1960s, has never been completely dismantled. So attempts to escape its grip, while understandable, create resentment in those unable to slip across the racial boundaries.

All of which makes Michael Tisserand’s “Krazy: George Herriman, a Life in Black and White” a fascinating and frustrating biography. Though Herriman’s “Krazy Kat” comic strip was admired in his lifetime, it wasn’t until years after his death in 1944 that his vast influence received widespread critical respect. Herriman’s depiction of the tangled relationships among the black cat Krazy, his white mouse tormentor and sometime love interest Ignatz and the bulldog Officer Pupp, set against a desert backdrop in fictional Coconino County (taken from a real area of Arizona), inspired several generations of cartoonists. Charles M. Schulz’s “Peanuts,” Ralph Bakshi’s “Fritz the Cat” and Art Spiegelman’s “Maus” all owe a debt to Herriman’s draftsmanship and poetic sense…

Read the entire review here.

Interview with Scenters-Zapico

As Us
Issue 2 (December 2015)

Casandra Lopez, Co-Founder, Editor-in-Chief

“As a poet, I’m interested in what art can be created from the anxieties of being from such a place. What can we create from these experiences? I’m a poet, not a rhetorician—it’s not my place to tell you as a reader how best to interpret the world. I want to write about the things that keep me longing and the things that keep me up at night.”

[Casandra Lopez]1. Having read some of your work in workshop I was delighted to read your full manuscript. Can you describe what your manuscript is about. I am particularly interested in hearing about the “twin” element that is prevalent in many of your poems and how place functions in your work.

[Natalie Scenters-Zapico] On a literal level this manuscript is about where I am from, the sister cities of El Paso, Texas and Ciudad Juárez, México. It stems from a place of longing for where I am from, both what it is and what it used to be. They are poems about immigration, language, pollution, brutality against women and men, war, love, marriage, weddings, and the hybrid sense of these things that exists in these two cities. The metaphor of the cities being twins runs throughout the manuscript. El Paso and Cd. Juárez were one city, El Paso del Norte, that was then divided by the river into the U.S. and México leaving them forever in a state of longing for each other. In the manuscript, this longing manifests itself in a variety of ways and I became interested in how twins can feel a connection that is beyond that of regular siblings. I also liked that I could write about a relationship between a set of twins and only hint that they might be cities….

[CL]2. Can you talk a little about how you identify both as a poet and as an individual. How or in what ways to do think these identities influence your writing and topics you choose to explore in your work.

[NSZ] This is a very interesting question for me, mainly because I have such a hybrid identity and experience. My father is Anglo, from Wisconsin, and my mother is from Asturias, Spain. My mother came to the U.S. in her twenties after falling in love with my father. I grew up in a fully bi-lingual household, in a bi-lingual city, El Paso, Texas, and went to a high school at a time when over half of my graduating class was from Cd. Juárez and crossed the bridge every day for school. I also married a Mexican man, who was educated in México and the U.S. and is also bilingual. I grew up surrounded by hybridity and a variety of experience. I grew up where multiplicity was never seen as a positive or negative thing, only a fact of existence on the border. I think that all of these things affect how I identify as an individual and then what my concerns are as a poet…

Read the entire interview here.

“I think it’s important to recognize that to be Latinx is to be hybrid. There is no such thing as purity in Latinidad, if you even buy into this very American idea of Latinidad.” —Natalie Scenters-Zapico

Sebastian Hasani Paramo, “A Conversation With Natalie Scenters-Zapico,” The American Literary Review, March 27, 2016. http://www.americanliteraryreview.com/reviews–interviews/a-conversation-with-natalie-scenters-zapico.

Chan, poetry by Hannah Lowe

The Asian Review of Books
2017-01-08

Theophilus Kwek

From the gangplank of a pre-war steamship to the present, via the jazz underground of 1960s London, Hannah Lowe’s rewarding second collection revels in the company of an unlikely crew of voices and personalities. Chan takes its name from the poet’s father (nicknamed, in turn, after the Polish card magician Chan Canasta) but does not shy away from the older resonances of the word, tracing these back into her Hakka heritage and the journeys of a global diaspora. Along the way, the poems investigate lives that intersect with Lowe’s personal history, no matter how brief the acquaintance: from the magnetic jazz saxophonist Joe Harriott, her father’s first cousin, to the travellers and stowaways who join Gilbert Lowe on the SS Ormonde in 1947 as it sails from Kingston to Liverpool…

Read the entire review here.

Barack Obama’s original sin: America’s post-racial illusion

The Guardian
2017-01-13

Keeanga-Yamahtta Taylor, Assistant Professor of African American Studies
Princeton University

Illustration by Joe Magee

Barack Obama’s refusal to use his position as president to intervene on behalf of African Americans is a stain on his record many activists will never forget

In the first hours of the new year in 2009, just weeks before Barack Obama was to be inaugurated as the next president, shots rang out in Oakland, California. A transit officer named Johannes Mehserle shot an unarmed 22-year-old black man who lay face-down in handcuffs on a public transportation platform. His name was Oscar Grant…

Read the entire article here.

Pity the sad legacy of Barack Obama

The Guardian
2017-01-09

Cornel West, Professor of Philosophy and Christian Practice
Union Theological Seminary, New York, New York

Our hope and change candidate fell short time and time again. Obama cheerleaders who refused to make him accountable bear some responsibility

Eight years ago the world was on the brink of a grand celebration: the inauguration of a brilliant and charismatic black president of the United States of America. Today we are on the edge of an abyss: the installation of a mendacious and cathartic white president who will replace him…

Read the entire article here.

Will Racism End When Old Bigots Die?

Code Switch: Race And Identity, Remixed
National Public Radio
2017-01-14

Leah Donnella

Shelly Fields is a 46-year-old white woman living in Richton Park, a racially diverse Chicago suburb. She says she’s raised her four daughters, who are biracial, to see people of all races as equal, just as her parents raised her. Fields doesn’t think that racism will ever disappear completely, but she’s hopeful that it lessens with each passing generation.

“The more biracial children there are, the more equality we see,” Fields said. “The more people of color we see in positions of power – it will help to change the way people see race.”

Her oldest daughter, Summer, is a 22-year-old graduate of the University of Chicago. When she was in high school, Summer probably would have agreed that race relations were looking up. The ’90s and early 2000s were “a post-racial fantasy time” in Richton Park, Summer said. “Being firmly in the middle of the Obama era – it [was] a moment of progress. It was validating.”

Now, as the Obama era ends, she is of the mind that racism isn’t going anywhere.

“Racism always evolves, and will find a way,” Summer said.

The question that Shelly and Summer are tackling has been posed in many forms for many generations. Will racism just die off with old bigots? Does the fate of race relations lie with the children?…

…They’ve argued over things like trigger warnings and safe spaces (her mom says that’s not how the real world works) and about how to self-identify. Summer thought of herself as biracial until she went to college. When she started referring to herself as a black woman, that became another point of contention.

“My mom doesn’t understand,” she said. “She feels like that’s an affront to her.”…

Read the entire article here.

Katherine Johnson, Va. woman at center of ‘Hidden Figures,’ calls calculation ‘piece of cake’

CBS 6, WTVR-TV
Richmond Virginia
2017-01-13

HAMPTON, Va. — It is the untold story that has been hidden in Hampton for decades.

The box office hit “Hidden Figures” highlights the black female mathematicians at NASA who’s brain power helped launch the first Americans into space.

“It feels good,” said 98-year-old former NASA mathematician Katherine Johnson.

Johnson, portrayed in the film by Taraji P. Henson, calculated the trajectory for Alan Shepard, the first American in space.  Johnson also confirmed, by hand, the launch calculations for John Glenn, the first American to circle the globe in 1962…

Read the entire article and watch the story here.

Britain’s black history has been shamefully whitewashed

The Spectator
2017-01-14

Hakim Adi, Professor of the History of Africa and the African Diaspora
University of Chichester, Chichester, West Sussex, United Kingdom

Author David Olusoga (Photo: Getty)

I have been researching and writing about black British history for over 30 years but never before have I been fortunate enough to review a 600-page book on the subject, published to accompany a recent major BBC documentary. The book and the four-part series give some indication of the extent of a history which David Olusoga presents as ‘forgotten’: the subject, he argues, has been largely excluded from the mainstream narrative of British history. Why it should be forgotten, and who might have forgotten it should give us all pause for reflection, since the denial of black British history by those who should know better could be considered tantamount to racism.

Olusoga reminds us that Britain’s ‘island story’ cannot be understood in isolation from the rest of the world and certainly not from Africa and other parts of what was once the British empire. He also demonstrates that Africans were often a central part of Britain’s history centuries before the empire, going back to the Roman period and beyond. Indeed, he argues that black British history is not just about black people but about encounters between blacks and whites, including intermarriage or the ‘mixed relationships’ that have been commented on since Elizabethan times.

The latest archaeological techniques and historical research show that in Roman Britain there were many individuals of African heritage of all classes. We are now becoming more familiar with the fourth-century ‘Ivory Bangle Lady’ of York and ‘The Beachy Head Lady’ from sub-Saharan Africa, thought to have lived in East Sussex c. 200 AD. It seems likely that soon we will have more conclusive evidence that Africans were travelling to Britain long before the arrival of the Romans…

Read the entire review here.

Exclusive: Watch Salena Godden’s ‘Under the Pier’

The State Of The Arts
2017-01-10

Christy Cooney
Leeds, United Kingdom

Spoken word artist Salena Godden has kicked of 2017 with the release of a video for ‘Under the Pier’, a piece from her 2016 album LIVEwire.

Shot on location in Hastings, East Sussex in November 2016, the video was filmed, directed, and edited by Jordon Scott Kennedy of Idle Work Factory, and accompanies a live performance at the BBC Radio Theatre.

Kennedy said of the project:

“I jumped at the chance to work with Salena. Her words in particular have the habit of conjuring up imagery that takes us to a specific place and time, and even then, we are left looking forwards, and hopeful, rather than nostalgic or regretful. Behind the scenes she has a way of carrying this spirit at all times, and she made my job fairly easy. “Can you just stand there and think about Salena stuff? Yep. That’s perfect. Cut. Fucking doddle. Pub?”

“She spent the day showing me around her hometown, which became a blank canvas for me. Her enthusiasm for her roots had all kinds of ideas rushing through my head. I think it could be quite easy to be overwhelmed by her explosive lust for life. There’s definitely something special about the lass, and you feel that listening to LIVEwire…”

Read the entire article here.