Mixed Race Studies

A Black Female Astrophysicist Explains Why Hidden Figures Isn’t Just About History

Gizmodo
2017-01-17

Rae Paoletta

Taraji P. Henson as Katherine Johnson in Hidden Figures. Image: 20th Century Fox/YouTube

First, it beat Star Wars: Rogue One. Now, for the second weekend since its wide-release debut, Hidden Figures—the true story of three black female mathematicians at NASA—is number one at the box office. It’s raked in roughly $6o million so far, and counting.

The inspiring story of Katherine Johnson, Mary Jackson, and Dorothy Vaughan has reenergized the ongoing conversation about the importance of inclusivity in STEM. Though we’ve long done away with the Jim Crow laws depicted in Hidden Figures, black women in are still notoriously underrepresented in mathematical sciences, including physics. A quick look at the numbers proves it: between 1973 and 2012, 22,172 white men received PhDs in physics. Only 66 black women did.

Dr. Chanda Prescod-Weinstein was one of those women.

Chanda Prescod-Weinstein Image Credit: GR21 LOC

In 2010, Prescod-Weinstein became the 63rd black American woman to ever earn a PhD in physics, from the Perimeter Institute at the University of Waterloo in Canada. Now, as a theoretical astrophysicist who’s worked at MIT and, more recently, the University of Washington, she is an advocate for black women and non-binary people in STEM…

Read the entire interview here.

98-Year-Old NASA Mathematician Katherine Johnson: ‘If You Like What You’re Doing, You Will Do Well’

People
2016-11-04

Caitlin Keating

Katherine Johnson thinks all of her accomplishments over the 98 years she’s been alive are “ordinary.”

But to the rest of the world, they’re anything but.

Johnson, a physicist, space scientist and mathematician graduated from high school at 14-years-old, attended college the very next year and was the first African-American woman to desegregate the graduate school at West Virginia University…

…In 1953, after years of being a teacher, she began working for NASA where she was nicknamed the “human computer.”

Johnson was able to calculate the trajectory for numerous space missions, including for the space flight of Alan Shepard, the first American in space and the trajectory for the 1969 Apollo 11 flight to the Moon…

Read the entire interview here.

Statement by Joseph Boyden

CNW: A Cision Company
2017-01-11

Joseph Boyden

TORONTO, Jan. 11, 2017 /CNW/ – A few weeks ago, I found out that my 85-year-old mom had been contacted by a journalist who prodded her with pointed and personal questions about her heritage. Specifically, he asked her to prove how Indigenous she is.

My family’s heritage is rooted in our stories. I’ve listened to them, both the European and the Indigenous ones, all my life. My older sisters told me since childhood about my white-looking father helping his Indian-looking brother hide their blood in order to survive in the early 1900’s. My mother’s family history is certainly not laid out neatly in the official records, or on ancestry.ca either. From the age of nine or ten, the woman I knew as my grandmother told me stories about my mother that, until recently, my mother preferred not to share with anyone. The details are private and painful, yet my mother has been forced to revisit aspects of her past she believed were closed away forever.

Children don’t go about consciously presenting identities; they just are who they are. And that’s how I was: a white kid from Willowdale with native roots. The Ojibwe family I grew-up with in summers on Christian Island still call me cousin or uncle.  The bad poetry I first scribbled as a troubled teen was about searching for my mother’s clan.  For the last 22 years I’ve been a member of a Moose Cree First Nation family, active in their community and doing everything we can to get youth out onto the land at Camp Onakawana on the Abitibi River. This is my life.  And I’ve always said pretty much the same thing: “a small part of me is Indigenous, but it’s a big part of who I am.”…

Read the entire new release here.

President with a torpedo in his crotch: how the works of Lubaina Himid speak to Trump times

The Guardian
2017-01-17

Hettie Judah

Lubaina Himid among the cutouts of slaves that form her 2004 piece Naming the Money, at Spike Island contemporary art centre in Bristol. Photograph: Adrian Sherratt for the Guardian

Born in Zanzibar and raised in Britain, Lubaina Himid makes work about everything from slavery to Thatcher to the cotton trade. Now in her 60s, she’s finally getting the recognition she deserves

Lubaina Himid was just four months old when her father died. It was 1954 and her Blackpool-born mother decided to leave their home in Zanzibar and head back to Britain, where she brought her daughter up as a Londoner. Himid would not return to the place of her birth for 43 years…

Read the entire article here.