Mixed Race Studies

Interview with Playwright Adrienne Dawes

#TeatroLatinegro
2016-12-23

Dawes Portrait by Beth Consetta Rubel Photo via Dawes

I heard of Adrienne Dawes when a show that talked about Mexican identity called Casta came on my radar.  I knew that I had to connect with her.  She is a boss writer and the head of a production company called Heckle Her.  She is the mastermind behind dope shows like Doper than Dope, Am I White and Denim Doves.  She has been featured in Essence magazine and other national outlets….

…Adrienne is the recipient of the Stanley and Evelyn Lipkin Prize for Playwriting.  Her play Am I White was a finalist for the 2012 O’Neill National Playwrights Conference and semifinalist for the 2012 Princess Grace Award. Am I White won the David Mark Cohen New Play Award (2015 Austin Critics Table Awards), an award for Outstanding Original Script (2015 B. Iden Payne Awards) and was honorably mentioned by The List (The Kilroys) of recommended new plays by female and trans authors.  Adrienne is a member of the Dramatists Guild and a company member of Salvage Vanguard Theater in Austin, TX. In January 2017, Adrienne will join the inaugural class of writers in the Tulsa Artist Fellowship, supported by the George Kaiser Family Foundation.”

What is your identity?

I identify as mixed-race, multiracial, and/or AfroLatina. I am an artist and feminist; my pronouns are she and her.

Tell us about CASTA.

“Casta” is the working title of a new performance piece I am writing and creating with support from Salvage Vanguard Theater in Austin. It’s my first time to collaborate with visual artist Beth Consetta Rubel and composer Graham Reynolds. It’s also my first “history” play set in a very specific time and place (presented mostly as a period piece). We are exploring mixed-race representation in casta paintings of 18th century Mexico. Casta paintings were a unique genre of portraiture that depicted different racial mixtures arranged in 16 panels according to a hierarchy of race and status…

Read the entire interview here.

When Black is not the only colour

50.50: inclusive democracy
open democracy
2017-02-20

Kamila Zahno
Haringey, London, United Kingdom

Kamila and her ‘slightly coloured’ siblings in the 1960s.

Too Black for the adoption agencies but not Black enough for the political campaigners.  On growing up an adoptee of mixed heritage in Britain.

Times have changed. When I was a child in sixties’ Britain there was no Jessica Ennis, Jackie Kay, Chuka Umunna or Lewis Hamilton. Mixed heritage role models were thin on the ground: we saw film stars like Merle Oberon, or singers such as Bob Marley, but I can’t remember seeing any British role models. Now people of mixed parentage are everywhere, although it was not until the 2001 Census that we became ‘official’.  In that year there were 677,177 of us.  By 2020 it is estimated that 1.24 million people in the UK will be of mixed parentage.

In the fifties when I was born, unmarried pregnant women were encouraged to give their babies up for adoption. I, along with my three siblings, was one of them.  However, the adoption agency files revealed what a headache we posed to them.  We were not adoption material.  ‘Baby is slightly coloured and adoption is impossible’ was the phrase written in my sister Ellen’s adoption papers.

We were all different ethnicities: our fathers from Asia or Africa, our mothers white. My mother was a young Swiss au pair working in London; my father an Indian engineering student. How they met I shall never know but I liked to think about them learning to jive at the Hammersmith Palais…

Read the entire article here.

‘Loving’ and Virginia: a timeline of mixed-race marriage

The Richmond Times-Dispatch
2017-02-19

The movie “Loving” tells the story of a mixed-race Caroline County couple – and an important story about Virginia itself. We asked the Virginia Foundation for the Humanities for some insight into Richard and Mildred Loving, as well as state history. Here is a timeline from the foundation’s Encyclopedia Virginia.

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April 3, 1691: The General Assembly passes “An act for suppressing outlying slaves,” which grants county sheriffs, their deputies and any other “lawfull authority” the ability to kill any slaves resisting, running away or refusing to surrender when so ordered. The act seeks to prevent “abominable mixture and spurious issue” by prohibiting mixed-race marriages.

October 1705: The assembly passes “An Act Concerning Servants and Slaves,” which summarizes previous laws defining bound labor in Virginia. It makes distinctions between the treatment of white “christian” indentured servants and nonwhite, non-Christians, allowing for the killing of slaves in various situations without penalty.

1848: The assembly increases the penalty for the white partner in an interracial marriage from six months to a maximum of 12 months in prison…

Read the entire article here.