Mixed Race Studies

Teaser: Documentary on Leone Jacovacci – 1920s Black Italian Boxer Who “Took a Swing at Fascism”

Shadow and Act: On Film, Television and Web Contents of Africa and Its Diaspora
2017-03-12

Leone Jacovacci

Leone Jacovacci (a.k.a. John Douglas Walker and Jack Walker) was born in 1902 in the village of Pombo in the then Belgian Congo (now Democratic Republic of the Congo), the son of an Italian man and a Congolese woman. He was raised in Italy which was rough for him, given that he was bi-racial, and as a result, in his late teens, found himself in England where he reinvented himself as John Douglas Walker, added a couple of years to his age, and enlisted in the 53rd Battalion of the Bedfordshire Regiment of the British Army.

After being discharged, he took up amateur boxing and was mostly successful, bouncing between England and France, racking up victories. In 1922 he returned to Italy, pretending to be an American named Jack Walker until he found it too burdensome to maintain the fake persona (he occasionally slipped and spoke fluent Italian). His surprising confession in 1925 that he was Italian presented complications in a nation that was then ruled by Benito Mussolini’s National Fascist Party…

Read the entire article and watch the trailer here.

“I’ve seen some of the interviews NASA has done with its modern figures’—women of color at NASA who are scientists, mathematicians and engineers, and they make me really happy,” [Heather] Graham says, “because I want the message to get out that Katherine Johnson’s achievements aren’t history but rather the beginning of a movement of women in space science! Katherine Johnson is not the first black woman to accomplish some of the things she did but the first woman, period. She’s such an all purpose hero!”

Linda Billings, “Before “Hidden Figures,” There Was a Rock Opera About NASA’s Human Computers,” Air & Space Magazine, February 3, 2017. http://www.airspacemag.com/daily-planet/hidden-figures-there-was-rock-opera-about-nasas-human-computers-180961980/.

I enjoy a lot of privileges. I’m middle class and I go to a good school. On top of that Asian Americans just seem to fare better in terms of bias and racism — at least these days.

I think it’s important to acknowledge that privilege exists. We don’t have to become defensive, and we don’t have to feel guilty for it, but we do have to know when it’s there.

Sierra Fang-Horvath, “Mixed Race Privilege?” KQED Radio, March 9, 2017. https://ww2.kqed.org/perspectives/2017/03/08/mixed-race-privilege/.

A Good Fellow and a Wise Guy

The New York Sun
2006-08-09

William Bryk

Book Review
A Pickpocket’s Tale: The Underworld of Nineteenth-Century New York
by Timothy J. Gilfoyle

George Washington Appo, the once notorious Asian-Irish-American petty criminal who flourished during the last quarter of the 19th century as a pickpocket and swindler, had pretty much faded into obscurity at his death in 1930, aged 73. Even the street where he lived, Donovan’s Lane (better known as Murderer’s Alley) is gone, buried with the infamous Five Points slum beneath the federal courthouses in Foley Square.

Appo resurfaced in Luc Sante’s 1991 best seller, “Low Life,” which briefly presents him as a buffoon, incompetent even as a crook. If Timothy J. Gilfoyle’s “A Pickpocket’s Tale” (W.W. Norton, 460 pages,$27.95) serves any purpose, it corrects this slur on Appo’s reputation. Appo practiced pick-pocketing as others practice dentistry or law: He was a thorough professional who picked thousands, if not tens of thousands, of pockets during his career, usually making as much money in a day as the average workingman then made in a year. He was imprisoned four times for pickpocketing, all while still relatively young. He apparently accepted jail as an inevitable cost of doing business…

Read the entire review here.

Before “Hidden Figures,” There Was a Rock Opera About NASA’s Human Computers

Air & Space Magazine
2017-02-03

Linda Billings, Senior Editor

Katherine Johnson’s inspirational story came to the Baltimore stage in 2015, thanks to another space scientist.

“Hidden Figures,” the story of three African-American women whose mathematical skill helped NASA launch astronauts into space and back in the early 1960s, has been both a critical and box office success. With more than $100 million in ticket sales and a stack of award nominations, the movie has inspired audiences with a true story made even more powerful by virtue of the fact that it was largely untold for 50 years. And still mostly unknown is the story of another NASA scientist who beat Hollywood to the punch by putting “human computer” Katherine Johnson’s saga on stage almost two years ago.

Heather Graham is an astrobiologist at NASA’s Goddard Space Flight Center outside Washington, D.C. She’s also a gamer, a feminist, and a member of the Baltimore Rock Opera Society. In May 2015, the society staged Graham’s one-act rock opera, “Determination of Azimuth,” which portrays how Johnson and her colleagues Mary Jackson and Dorothy Vaughan, were ignored and demeaned on the job at NASA’s Langley Research Center in Virginia, because they were black and female. The story has a happy ending: Their work was validated, their expertise accepted. But they had to endure racism and sexism along the way…

Read the entire article here.

Mixed Race Privilege?

KQED Radio
San Francisco, California
2017-03-09

Sierra Fang-Horvath
Oakland, California

My mom is Chinese, with black hair and tan skin. My dad is white, with light eyes and skin the color of office paper. I, on the other hand, am an awkward midway point: dark skin, but not super dark; black hair, but not super black.

It used to be that I never thought about my mixed race. But as I’ve gotten older, and now that I attend a predominantly white suburban school, race is constantly on my mind.

Recently, my classmates and I participated in a survey calculating our privilege…

Read the story here. Listen to the story (00:02:20) here.

News from our Graduate Students: PhD candidate Kristina Pilz

University of Washington
Department of Germanics
2017-03-08

Kristina Pilz

Kristina Pilz

BlackWhite — Experiences and Writing Practices in Contemporary Afro-German Literature

I am excited to continue working on my dissertation that describes innovative writing practices in contemporary Afro-German literature. My project focuses on rhetorical, intertextual and aesthetic strategies as creative devices for a diasporic literary history. My analysis includes fictional/non-fictional texts comprised of Afro-German poetry and autobiographies…

Read the entire article here.

Let’s Stop This Offensive Term From Making A Comeback

Refinery 29
2017-03-09

Anna Jay & Rebecca Gonsalves

The other night I was out with a friend, and her friends, and their friends. You know, one of those evenings where you walk into the pub and realise you don’t know anyone. But seeing as this isn’t the first day of primary school and you can’t wail and cling to your mum’s leg, you have to suck it up, get a drink and start mingling.

The evening progressed and it seemed to be going well: small talk was made, jokes (and shots) were shared. On the dance floor, a new acquaintance leaned in all conspiratorial to tell me something about having slept with a guy at the bar. “Over there,” she said. “The half-caste guy.” The music was loud but there was no mistaking that ugly, old-fashioned phrase. I felt physically jarred, the blood rushing to my face. I usually hate confrontation – who doesn’t – but get a drink or two in me and I become altogether more argumentative…

Read the entire article here.

Biracial composer seeks her ‘true name’ through piece for North Corner Chamber Orchestra

The Seattle Times
2017-02-16

Jason Victor Serinus, Special to The Seattle Times

Composer Hanna Benn

NOCCO’s Feb. 18-19 concerts will feature a work by local composer Hanna Benn; works by Davida Ingram, Alex Guy and Rick Benjamin, rooted in Scott Joplin’s opera, “Treemonisha”; and works by Alvin Singleton and George Walker.

It is the very subject of “Resonance,” North Corner Chamber Orchestra’s concert “Celebrating Black American Composers,” that left Seattle-based composer Hanna Benn, 29, in a bit of quandary. As much as she was delighted to work with one of the world’s few conductorless chamber orchestras, her commission to honor black American composers left her pondering the fact that she is biracial, and does not see herself as either black or white.

“For the last couple of years, I’ve been trying to understand where I come from, and my responsibility as a biracial person,” she explained by phone and email. “I want to completely embrace my blackness / my whiteness.”…

Read the entire article here.

Critical Mixed Race Studies w Steven F. Riley

iMiXWHATiLiKE!
2017-03-05

Jared A. Ball, Host and Associate Professor of Communication Studies
Morgan State University, Baltimore, Maryland

Steven F. Riley, curator of MixedRaceStudies.org, joined us for this discussion of mixed race studies, popular culture and the shifting terrain of race and identity.

Watch the entire interview (00:21:02) here.