Mixed Race Studies

Chi-chi’s classic tale of real talent

The Independent
2016-11-14

Julia Molony

Irish-Nigerian double bass player Chi-chi Nwanoku has been breaking down barriers all her life. She tells our reporter about her remarkable childhood and career

The home of classical musician Chi-chi Nwanoku offers a glimpse into the mind of a person driven to the greatest heights of excellence in their field.

For one thing, it is immaculate. “I’m fastidious,” she admits, miming obsessive wiping of kitchen surfaces. She is also, “a very literal person. If someone says ‘play that staccato’, you won’t hear it played shorter.” Then, of course, there is her double bass in the front room – the oversized instrument, “a man’s instrument” as she was told when she started out, seeming cartoon-ish here, despite the tall ceilings of her elegant Victorian semi-detached house.

After you have taken in Nwanoku’s jaunty, jewel-coloured afro, and the surprise of her bright turquoise eyes, the most striking thing about her is her energy. She is, she says, only five feet tall. But she is a woman clearly driven by a relentless, indefatigable energy…

…She was born in Fulham, London, the eldest daughter of an Irish nurse and Nigerian medical student. Mixed race couples were an anomaly at the time and her parents faced enormous prejudice, both from society and closer to home, within their extended family. They were economic migrants to the capital of the British Empire at a time when landlords routinely posted signs reading “no blacks, no Irish, no dogs.” But her parents’ love flourished and endured for 50 years until they died. It was through witnessing her parents’ bond, that Chi-chi’s own iconoclasm was formed….

Read the entire article here.

The Artist Painting Intimate Portraits of Interracial Love

Broadly
2017-03-10

Sheila Regan

In honor of the 50th anniversary of the landmark Supreme Court case “Loving v. Virginia,” which overturned bans on miscegenation, artist Leslie Barlow wanted to explore mixed-race identity in a positive, uplifting way.

You’d think that 50 years after the landmark Supreme Court case Loving v. Virginia, which determined that anti-miscegenation laws were unconstitutional in the United States, people would be free to love whomever they want. Tell that to Alissa Paris, who was harassed and called a racial slur while walking in downtown Minneapolis with her then-boyfriend a few years ago. They were both mixed race, but most people read Paris as black and her boyfriend as white.

On February 25, Paris attended an art exhibition with her current partner, Jared, who is also mixed race, at the Public Functionary gallery in Minneapolis. There, they saw a portrait of themselves, painted by artist Leslie Barlow, as part of a body of work that features mixed-race families and couples. In no time, Paris started to get choked up; it was rare to see mixed-race people portrayed in such an intentional way. “It was really emotional,” she says…

Read the entire article here.

Social Construction and Achieving Reference

Noûs
Volume 51, Issue 1 (March 2017)
pages 113-131
DOI: 10.1111/nous.12107

Ron Mallon, Professor of Philosophy
Washington University, St. Louis, Missouri

One influential view is that at least some putatively natural human kinds are actually social constructions, understood as some real kind of thing that is produced or sustained by our social and conceptual practices. Category constructionists share two commitments: they hold that human category terms like “race” (and racial terms) and “sex” (and sexual terms) and “homosexuality” and “perversion” actually refer to constructed categories, and they hold that these categories are widely but mistakenly taken to be natural kinds. But it is far from clear that these two commitments are consistent. The sort of mismatch between belief and underlying nature constructionists’ suppose is often taken to indicate a failure of reference. Reliance on a causal-historical account of reference allows the preservation of reference, but unfortunately, constructionists’ appropriation of causal historical accounts of reference is beset by difficulties that do not attend natural kind theorists’ appeals to such accounts. Here, I set out these difficulties, but argue that they can be answered, allowing terms for apparently natural human kinds refer to some sort of social construction about which there is massive error.

Read the entire article here.

Apres Midi Afternoon Classics: March 7, 2017- “Krazy: George Herriman, a Life in Black and White”

Apres Midi/Afternoon Classics
KRVS 88.7 FM
Lafayette, Louisiana
2017-03-07

Judith Meriwether, Host

Interview with Michael Tisserand about his book Krazy: George Herriman, a Life in Black and White.

Listen to the interview (01:00:00) here.

A Demographic Threat? Proposed Reclassification of Arab Americans on the 2020 Census

Michigan Law Review (Online)
Volume 114, Issue 1 (August 2015)
8 pages

Khaled A. Beydoun, Associate Professor of Law
Mercy School of Law
University of Detroit

INTRODUCTION

“Arab Americans are white?” This question—commonly posed as a demonstration of shock or surprise—highlights the dissonance between how “Arab” and “white” are discursively imagined and understood in the United States today.

These four words also encapsulate the dilemma that currently riddles Arab Americans. The population finds itself interlocked between formal classification as white, and de facto recognition as nonwhite. The Office of Management and Budget (OMB), the government agency that oversees the definition, categorization, and construction of racial categories, currently counts people from the Middle East and North Africa (MENA) as white. The United States Census Bureau (Census Bureau), the agency responsible for collecting and compiling demographic data about the American people, adopts these definitions and classifications for the administration of its decennial census. Since the racially restrictive “Naturalization Era,” Arab Americans have been legally classified as white.

Within the context of the pronounced and protracted “War on Terror,” the OMB and Census Bureau may be the only two government entities that still identify Arab Americans as white. Heightening state surveillance of Arab Americans, combined with still escalating societal animus, manifests a shared public and private view of the population as not only nonwhites, but also “others,” “terrorists,” and “radicals.”

Although not a new phenomenon, the association of Arab American identity with subversion, warmongering, and terrorism intensified after the September 11th terrorist attacks. Fourteen years later, broadening antiterror policing coupled with emergent “preventative counter-terrorism” initiatives, or Countering Violent Extremist (CVE) policing, signals that suspicion of Arab American identity is still trending upward. And perhaps, is yet to reach its apex.

This Essay argues that the establishment of a standalone MENA American box on the next U.S. Census may erode Arab American civil liberties by augmenting the precision of government surveillance and monitoring programs. The proposed reclassification of Arab American identity is not simply a moment of racial progress but, I argue, a mechanism that evidences the state’s interest in obtaining more accurate “macro and micro demographic data” about Arab Americans. By illuminating the causal state interests facilitating reform and reclassification, I highlight how more precise and extensive demographic data—collected and compiled with a MENA American box on the U.S. Census form—expands the reach of federal and local antiterror and counter-radicalization policing amid the fluid yet evermore fierce War on Terror…

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Africa Utopia: Chi Chi Nwanoku discusses the Chineke! orchestra

The Evening Standard
London, United Kingdom
2016-09-02

The founder of Britain’s first BME orchestra sat down with [Features Writer] David Ellis to talk classical music, prejudice in the industry and the Southbank Festival

Watch the interview here.

Teaser: Documentary on Leone Jacovacci – 1920s Black Italian Boxer Who “Took a Swing at Fascism”

Shadow and Act: On Film, Television and Web Contents of Africa and Its Diaspora
2017-03-12

Leone Jacovacci

Leone Jacovacci (a.k.a. John Douglas Walker and Jack Walker) was born in 1902 in the village of Pombo in the then Belgian Congo (now Democratic Republic of the Congo), the son of an Italian man and a Congolese woman. He was raised in Italy which was rough for him, given that he was bi-racial, and as a result, in his late teens, found himself in England where he reinvented himself as John Douglas Walker, added a couple of years to his age, and enlisted in the 53rd Battalion of the Bedfordshire Regiment of the British Army.

After being discharged, he took up amateur boxing and was mostly successful, bouncing between England and France, racking up victories. In 1922 he returned to Italy, pretending to be an American named Jack Walker until he found it too burdensome to maintain the fake persona (he occasionally slipped and spoke fluent Italian). His surprising confession in 1925 that he was Italian presented complications in a nation that was then ruled by Benito Mussolini’s National Fascist Party…

Read the entire article and watch the trailer here.

“I’ve seen some of the interviews NASA has done with its modern figures’—women of color at NASA who are scientists, mathematicians and engineers, and they make me really happy,” [Heather] Graham says, “because I want the message to get out that Katherine Johnson’s achievements aren’t history but rather the beginning of a movement of women in space science! Katherine Johnson is not the first black woman to accomplish some of the things she did but the first woman, period. She’s such an all purpose hero!”

Linda Billings, “Before “Hidden Figures,” There Was a Rock Opera About NASA’s Human Computers,” Air & Space Magazine, February 3, 2017. http://www.airspacemag.com/daily-planet/hidden-figures-there-was-rock-opera-about-nasas-human-computers-180961980/.

I enjoy a lot of privileges. I’m middle class and I go to a good school. On top of that Asian Americans just seem to fare better in terms of bias and racism — at least these days.

I think it’s important to acknowledge that privilege exists. We don’t have to become defensive, and we don’t have to feel guilty for it, but we do have to know when it’s there.

Sierra Fang-Horvath, “Mixed Race Privilege?” KQED Radio, March 9, 2017. https://ww2.kqed.org/perspectives/2017/03/08/mixed-race-privilege/.

A Good Fellow and a Wise Guy

The New York Sun
2006-08-09

William Bryk

Book Review
A Pickpocket’s Tale: The Underworld of Nineteenth-Century New York
by Timothy J. Gilfoyle

George Washington Appo, the once notorious Asian-Irish-American petty criminal who flourished during the last quarter of the 19th century as a pickpocket and swindler, had pretty much faded into obscurity at his death in 1930, aged 73. Even the street where he lived, Donovan’s Lane (better known as Murderer’s Alley) is gone, buried with the infamous Five Points slum beneath the federal courthouses in Foley Square.

Appo resurfaced in Luc Sante’s 1991 best seller, “Low Life,” which briefly presents him as a buffoon, incompetent even as a crook. If Timothy J. Gilfoyle’s “A Pickpocket’s Tale” (W.W. Norton, 460 pages,$27.95) serves any purpose, it corrects this slur on Appo’s reputation. Appo practiced pick-pocketing as others practice dentistry or law: He was a thorough professional who picked thousands, if not tens of thousands, of pockets during his career, usually making as much money in a day as the average workingman then made in a year. He was imprisoned four times for pickpocketing, all while still relatively young. He apparently accepted jail as an inevitable cost of doing business…

Read the entire review here.