Mixed Race Studies

NBCBLK Summer Book Club: ‘New People’ by Danzy Senna

NBCBLK
NBC News
2017-07-14

Donna Owens

Danzy Senna (Mara Casey)

NEW PEOPLE
By Danzy Senna
229 pp. Riverhead Books, $26

The literati have always loved Danzy Senna.

In 1998, the biracial Boston native dazzled literary circles with her debut novel, `Caucasia.’ The coming of age tale—which tackled race, class and gender before terms like `intersectionality’ entered the mainstream lexicon—nabbed awards, and was hailed an instant classic.

Senna’s follow-up novel, `Symptomatic,’ (2001) further explored mixed-race characters. Her memoir, `Where Did You Sleep Last Night?: A Personal History,’ (2009) and story collection, `You Are Free,’ (2011) continued probing identity politics.

Now the scribe is back with her anticipated third novel,`New People.’ As with Senna’s previous work, it mines the complex themes of race, sex, and class. The tale unfolds through the adventures of Maria, a hip Brooklynite whose enviable lifestyle unravels behind her obsession with a man she barely knows…

…You’re biracial—White mom and African American father — and your writing delves frequently into race. Is it a painful topic for you?

So for me, I’m not so much writing about race as I am writing about America. And to me, the American story is one of race, money and class. We do live in a racialized world, and I’ve spent my whole life in this space. I find it strange when writers don’t address it. I’m almost always assumed to be white. I’ve been privy to a lot of racism and conversations in rooms where I unintentionally disappeared into whiteness. I think there were periods when it was a struggle. But I’m at a place in my life when I’m very clear on who I am, my own story and who I come from…

Read the entire interview and book excerpt here.

Dr. Zebulon Miletsky talks about the mixed race / mixed culture experience to BWTM

Bayloric Worldwide Television & Media
2017-07-18

Ingram Jones, Host

Dr Zebulon Miletsky assistant professor of Africana Studies at Stony University, New York talks to BWTM  about his experiences and shares a wealth of knowledge on the topic of race.

Dr. Zebulon Vance Miletsky teaches African-American History at Stony Brook University where he is an Assistant Professor in both the Departments of Africana Studies and History. He is the author of numerous articles, essays and most recently a book chapter that appeared in the anthology “Obama and the Biracial Factor: The Battle for a New American Majority” which traces the contested meanings throughout history of terminology for multiracial people and the role that this historical legacy of “naming” plays into how President Obama is read as African American, but still asserts a strategic biracial identity through the use of language, symbols, and interactions with the media. Miletsky who is half-Jewish (white) and African-American/Afro-Caribbean, received his Ph.D. in African-American Studies with a concentration in History at the University of Massachusetts at Amherst in 2008 . There, he was trained as a historian by some of the best thinkers in the field of Black Studies, many of whom are veterans from the Civil Rights and Black Power movements of the 1960s and 70s. His research interests include: Racial passing; interracial marriage; African-Americans in Boston; Northern freedom movements; and Mixed race history. Miletsky has given a Ted Talk and at Stony Brook University entitled “Tracing Your ‘Routes’” and has have been interviewed on Huffington Post Live, various radio shows including the WBAI NYC 99.5 FM Pacifica radio show “Behind the News-Long Island” and the “Multiracial Family Man” Podcast.

Watch the interview (01:26:47) here. Read the transcript here.

Got something to say about race and kids?

Medium
2017-07-15

Andrew Grant-Thomas, Co-Founder
EmbraceRace

Let’s have it.

What do these pieces have in common?

“But Daddy, I’m a scientist, too!”

Why are all the white dolls sitting together on the Target shelf?

Muslim in Trump’s America…

Read the entire article here.

‘Krazy Kat,’ and all that jazz

The Boston Globe
2017-06-23

Matthew Guerrieri, Globe Correspondent

This Sunday is the anniversary of the end of one of the greatest comic strips of all time. On June 25, 1944, the final installment of “Krazy Kat” was published, two months after the death of its creator, George Herriman. In various forms since 1910, the strip’s essential paradox — Ignatz, a mouse, forever beans Krazy with bricks, who nevertheless loves him back — yielded seemingly inexhaustible variations.

In its day, “Krazy Kat” was more a critical than a popular favorite, though publisher William Randolph Hearst, a fan, continued to give Herriman carte blanche despite the strip’s sometimes meager readership. But its dreamlike artwork, linguistic fantasy, and self-referential tinkering with comic-strip form influenced numerous other art forms — music included.

The dense, idiosyncratic argot of Herriman’s dialogue and his precisely-dashed linework and zig-zagging scenery (a stylization of Herriman’s beloved southwestern landscapes) found its musical counterpart in syncopation. As early as 1911 — only a year after Krazy and Ignatz first appeared in the margins of Herriman’s strip “The Dingbat Family” — a New York composer-pianist named Ben Ritchie published “Krazy Kat Rag,” with a Herriman illustration on the cover. In later years, saxophonist Frankie Trumbauer’s Orchestra (which included such jazz luminaries as Bix Beiderbecke, Eddie Lang, and Joe Venuti), expatriate bandleader Sam Wooding, and clarinetist Artie Shaw all recorded “Krazy Kat” tributes.

Most ambitious was composer John Alden Carpenter’s “Krazy Kat” ballet, subtitled “A Jazz Pantomime.” First performed by the Chicago Symphony Orchestra in 1921, and first staged in 1922 — choreographed by Russian-born Adolph Bolm, with scenery designed by Herriman himself (he also illustrated the sheet music) — the ballet was well-received, but Carpenter’s score (possibly the first concert work to include the word “jazz” in the title) was soon overshadowed by more overt rapprochements between jazz and classical music. Carpenter’s version of jazz was tame, owing more to the “sweet” jazz of white dance bands than the “hot” jazz of their African-American counterparts. But the composer effectively mined jazz’s capacity for charm and whimsy…

Read the entire article here.

CFA: Special Issue of The History of the Family – Mixed Marriage, Interracial Relationships, and Binational Couples from Global and Comparative Perspectives

H-Black-Europe
2017-06-30

Call for papers to special issue in The History of the Family: An International Quarterly

Special issue theme: Mixed Marriage, Interracial Relationships and Binational Couples from Global and Comparative Perspectives

Guest-editors:

Julia Moses
University of Sheffield/University of Gottingen

Julia Woesthoff
DePaul University

Call for Article Proposals

In response to the mass globalization of the twenty-first century and associated migration, a recent boom in social-scientific research has analyzed various manifestations of binational and interracial romantic relationships in the present and recent past. This theme issue seeks to historicize this research by drawing on key case studies from across the world and across time and drawing on relevant historiography and theoretical literature. This call for proposals welcomes both quantitative and qualitative studies that shed light on individual experiences of, as well as various practices of regulating, ‘interracial’, ‘binational’ and ‘mixed marriages’. The issue aims to parse the assumptions behind these contested concepts and to trace how these categories have shifted over time and space. In doing so, it also seeks to chart how intermarriages and other forms of interracial, binational and cross-confessional relationships took shape: who participated in these relationships? How common were they, and in which circumstances were they practiced (or banned)? Contributions investigating relationships involving regions in the Americas, Africa and Asia are particularly welcome.

The papers in this issue chart these relationships over various periods of time. Some papers will focus on the nineteenth and twentieth centuries. This era was a flashpoint for considerations about the relationship between race, culture and family formation. It was during the contested ‘first age of globalization’ at the turn of the twentieth century that new cultural encounters took form, forged through the expansion of European empires, a spike in global economic migration facilitated by new transportation technologies and the rise of mass communication through daily newspapers and the telegraph. At the same time, the growth of anthropology and related social sciences as disciplines contributed to the problematization of race, culture and cultural difference. These encounters came to a head in the First and Second World Wars, which witnessed a new era of nationalism across the world alongside a call to return to the home and family as a safeguard against the uncertainties of a world at war and faced by severe economic fluctuations. How were the perception and practice of intermarriage and other forms of cross-cultural romantic relationships affected by these historical developments? Other papers will focus on earlier periods, including moments of religious reformation and counterreformation as well as various early experiments in trade and imperialism. How did early colonial and commercial encounters shape attitudes towards interracial relationships? How have changing religious conflicts shaped attitudes towards intermarriage across confessional lines?

Ultimately, the theme issue will build on a selection of papers from a panel organized by the co-editors that will take place at the upcoming European Social Science History Conference (Belfast, 2018). Proposals that complement the themes and regions presented in the panel are particularly welcome, and those participating in the theme issue are also very welcome to come along to the ESSHC to join in the discussions there and help shape this joint venture.

Deadline for proposing articles (max 500 word abstracts only): Friday, 29 September 2017 (by e-mail to: j.moses@sheffield.ac.uk and j.woesthoff@depaul.edu).

The acceptance of abstracts will be announced to authors in early December 2017. The proposals selected are to be submitted initially as extended abstracts or working draft papers before Friday, 23 March 2018 so they can be considered together with the papers that will be presented at the ESSHC. Complete drafts (max 10,000 words) should be submitted by Friday, 20 July 2018 to the guest editors. After internal editing and revision by the author, the papers will be sent out for external peer-review via the journal. Please note that inclusion in the theme issue is subject to final external peer review.

We warmly welcome your proposal!

For more information, click here.

Wait, NBC Sports Announcer Mike Tirico Isn’t Black?

The Root
2017-07-17

Stephen A. Crockett Jr., Senior Editor

Getty Images Staff/Getty Images

Wait … hol’ up. Normally when we wade into these blackness waters, it’s because some fair-skinned pop star is refusing to accept that the back of her hair—you know, the area above the neck; the area that old folks call the “kitchen”; the area that used to make my sisters cry when my mom really dug in with the hairbrush and Posner Light Touch hair grease … that area—is a little thicker than the rest.

But this news here is mind-boggling. Longtime ESPN broadcaster-turned-NBC Sports announcer Mike Tirico doesn’t believe himself to be black. To hear him tell it, he’s just an Italian kid who grew up in Queens, N.Y., who people keep insisting is black.

In a recent interview with the New York Times titled, “Mike Tirico Would Like to Talk About Anything but Mike Tirico,” the sportscaster had this to say about race:…

Read the entire article here.

Mike Tirico Would Like to Talk About Anything but Mike Tirico

The New York Times
2017-07-15

Juliet Macur

Mike Tirico in the NBC booth before calling the Belmont Stakes. Tirico will take over for Bob Costas as the host of the Winter Olympics next year but prefers to avoid talking about himself and his background. Credit Uli Seit for The New York Times

BALTIMORE — Don’t pay any attention to Mike Tirico, even if you’ll be seeing much more of him, and soon.

Tirico has been a fixture in sports broadcasting for nearly three decades, his voice a prominent and familiar soundtrack for football and basketball and soccer and tennis and — actually, you name the sport, and he has probably worked it.

This week, he’ll host his 21st British Open. In the fall, he will take over Al Michaels’s spot on “Thursday Night Football.” Next February, he will replace Bob Costas as the host of NBC’s Olympics coverage, a not-so-subtle hint that he also is the network’s choice as the new face of NBC Sports.

Yet don’t mind Tirico. He insists. When he was in Baltimore in May to call the Preakness Stakes for NBC, he explained why he wants it that way.

In contrast to the yelling, preening and debating in vogue on sports shows, Tirico said, he strives to be an invisible narrator. It is an old-school notion, but Tirico’s shtick is that he doesn’t have a shtick — and that might just be why he appeals to such a broad audience…

…Those questions stem from a 1991 profile of him in The Post-Standard of Syracuse, N.Y., when he was just starting his career. In that article, Tirico said he wasn’t sure if he was black.

Ever since, perhaps regretting offering even that small peek into his private life, he has preferred to avoid the subject. Though he once described his relatives as “as white as the refrigerator I’m standing in front of right now,” a Washington Post article in 1997 described Tirico as “the first black play-by-play man (with a little Italian heritage in the family tree) to handle a golf telecast.”

But these days, at a time when the nation is transfixed by a discussion of race relations, Tirico just doesn’t want to go there. He told me to say he was mixed race, and that was that…

Read the entire article here.

For Some Adopted Kids, There’s a Danger in Erasing Racial Lines

The Takeaway
WNYC Radio
New York, New York
2017-07-10

Todd Zwillich, Host

Rebecca Carroll (upper left) with her siblings, circa 1974. (Courtesy of Guest)

The Takeaway has been presenting conversations about race and identity through our original series, “Uncomfortable Truths: Confronting Racism in America.”

Last week, we featured a conversation with Takeaway listener Rechelle Schimke and her brother, Gerritt. Rechelle is white; Gerritt, who was adopted, is black.

Rebecca Carroll, editor of special projects at WNYC Radio, heard echoes of her own story in that conversation. Rebecca, like Gerritt, is black, and was also adopted by a white family.

But while Gerritt’s experience resulted in a seeming erasure of racial lines, Rebecca insists on the importance of recognizing the different identities that have shaped the history of race in America.

Listen to the interview (00:08:00) here.

Stuart Hall and the Rise of Cultural Studies

The New Yorker
2017-07-17

Hua Hsu

Thirty years ago, many academics considered the study of popular culture beneath them. Stuart Hall helped change that. Photograph by Eamonn McCabe / Camera Press / Redux

In the summer of 1983, the Jamaican scholar Stuart Hall, who lived and taught in England, travelled to the University of Illinois at Urbana-Champaign, to deliver a series of lectures on something called “Cultural Studies.” At the time, many academics still considered the serious study of popular culture beneath them; a much starker division existed, then, between what Hall termed the “authenticated, validated” tastes of the upper classes and the unrefined culture of the masses. But Hall did not regard this hierarchy as useful. Culture, he argued, does not consist of what the educated élites happen to fancy, such as classical music or the fine arts. It is, simply, “experience lived, experience interpreted, experience defined.” And it can tell us things about the world, he believed, that more traditional studies of politics or economics alone could not.

A masterful orator, Hall energized the audience in Illinois, a group of thinkers and writers from around the world who had gathered for a summer institute devoted to parsing Marxist approaches to cultural analysis. A young scholar named Jennifer Daryl Slack believed she was witnessing something special and decided to tape and transcribe the lectures. After more than a decade of coaxing, Hall finally agreed to edit these transcripts for publication, a process that took years. The result is “Cultural Studies 1983: A Theoretical History,” which was published, last fall, as part of an ongoing Duke University Press series called “Stuart Hall: Selected Writings,” chronicling the career and influence of Hall, who died in 2014…

Read the entire article here.

Racial and Ethnic Homogamy and Gendered Time on Core Housework

Socius: Sociological Research for a Dynamic World
First Published 2016-11-21
15 pages
DOI: 10.1177/2378023116676277

Catherine Bolzendahl, Assistant Professor of Sociology
University of California, Irvine

Zoya Gubernskaya, Assistant Professor of Sociology
University at Albany, State University of New York

Racial/ethnic partner homogamy may contribute to gendered patterns in time on housework. To evaluate this, we pool 10 years of data from the American Time Use Survey and examine how time spent on housework varies by racial/ethnic homogamy across racial/ethnic groups and by gender. Interracial partnerships are more gender equitable, due to women spending less time on housework than women in homogamous relationships. Patterns vary by race/ethnicity; homogamy effects are strongest for Hispanic women but are also significant for Asian women. Homogamy has no significant effect among black or white respondents. Descriptive patterns by partner’s race/ethnicity reflect findings on biculturalism.

Read the entire article here.