Mixed Race Studies

mxd kd mixtape

Glass Poetry Press
2017
Chapbook ISBN: 978-0-9975805-6-3

Malcolm Friend, Poet, Performer, Educator

Cover by Raychelle Duazo

In his debut chapbook mxd kd mix tape, Malcolm Friend offers us a speaker on the fringe of becoming. If he were a superhero this would be his origin story. The musicality & rhythm that is promised in the title more than delivers, but what Friend also delivers on are poems forged within the many rooms of his identity. & these rooms are decorated with poetic craft & a keen knowledge of the songs that have shaped him. This collection, & Friend are a valuable addition to America’s poetic landscape. I look forward to many more work from this fresh new voice.

— Yesenia Montilla, author of The Pink Box

In mxd kd mixtape, Malcolm Friend gracefully blends personal and public history, crafting a dynamic archive in verse. As Friend sets voices of remembrance against the forces of oppression, violence, and neglect, we hear how the richest points of identification — in poetry, in music, in life — occur as intersections: musicality and masculinity, Puerto Rican and Jamaican heritage, safety and threat, question and answer. The result is a chapbook filled with necessary poems that “echo of insistent survival.” I’m so grateful for this talented and convicted poet, who has risked reminding us, because we need reminding, especially when staring down the many faces of erasure, “this is why we turn to song.”

— Geffrey Davis, author of Revising the Storm

mxd kd mixtape hits all the right young poet notes: identity, awareness, inquiry, a politically charged imagination with the right doses of social value. Friend alludes to our heroes, our irony, our singers, as he sifts through the nuances of diaspora, untold stories, and lyrical re-interpretations of Black Caribbean complexes. This debut asks us to confront our biases, our mask-wearing tendencies, our ability to stay silent; it resists the violence of definitions until we have no choice but to sing. Friends’ poetry does what all good albums of their time seek to do: set the record straight.

— Willie Perdomo, The Essential Hits of Shorty Bon Bon

Turner Prize Goes to Lubaina Himid, Whose Work Depicts African Diaspora

The New York Times
2017-12-05

Anna Codrea-Rado

Lubaina Himid won Britain’s leading contemporary art prize for “her uncompromising tackling of issues” including colonial history and racism, the jury chairman said. Credit Edmund Blok for Modern Art Oxford

The visual artist Lubaina Himid, best known for her paintings, installations and drawings depicting the African diaspora, won the Turner Prize on Tuesday night, making her the first nonwhite woman to be given the leading British contemporary art award…

…Alex Farquharson, Tate Britain’s director and the chairman of the Turner Prize jury, said in a statement that the jury “praised the artist for her uncompromising tackling of issues including colonial history and how racism persists today.” Ms. Himid won for three of her shows this year, in Oxford, Bristol and Nottingham, he said.

Among the selection of Ms. Himid’s work on display at the Turner Prize exhibition in Hull was a collection of English ceramics painted with images of black slaves.

Ms. Himid, 63, is the oldest recipient in the prize’s history; a rule change made her eligible. This year’s award was the first since 1991 that was open to artists over 50…

…This year’s shortlist was also noted for being one of the most diverse. All of the nominees have connections abroad, either by birth or through parentage. Ms. Nashashibi, 44, was born in London to a Palestinian father and an Irish mother; Ms. Büttner, 46, is German-born; Mr. Anderson is the son of Jamaican immigrants; and Ms. Himid was born in Tanzania…

Read the entire article here.

My Mother Is White. I Am Not: On Being Biracial Without Identity Issues

Very Smart Brothas
The Root
2017-12-05

Panama Jackson

Panama Jackson, 1 year old, with his dad (Panama Jackson)

Editor’s note: This piece speaks from the perspective of being biracial with black and white parents. I realize that other biracial ethnic mixes may or may not share any of these experiences.

A few weeks ago, I wrote a piece called “Black Folks Who, Though Invited, Probably Wouldn’t Come to the Cookout.” On this list I included the following people: Mariah Carey, Meghan Markle, Rashida Jones and Lenny Kravitz. Would they come? We many never know, but sure as shootin’ an early comment on Facebook pointed out, solely, that “Mariah Carey is biracial. I believe Megan Merkel [sic] is biracial as well …”

While I can’t speak for the commenter, my assumption is that their biracialness excludes them from the list with the lead of “Black Folks,” though I’m surprised he didn’t realize that Rashida and Lenny are also biracial in the way that Sean Fury can appreciate. Put a pin in this…

…Self-identity is defined as the recognition of one’s potential and qualities as an individual, especially in relation to social context.

Self-identity.

Here is where I point out some facts about myself. I am mixed. I’m the product of a Caucasian woman from France and a black man from Alabama. I will tell you, without hesitation, that I am biracial.

What I will also tell you, without hesitation and with pride, is that I’m black. I identify as black. I was raised that way. I was raised in a household by my black father and black stepmother and my black sisters. My upbringing was full of blackness, not even intentionally but by virtue of who my parents are. My white mother obviously had a hand in raising me—we spent summers with her in Michigan—but largely, my foundation, self-esteem, pride and identity were crafted by my black parents….

Read the entire article here.