Mixed Race Studies

Emma: On What It Means to Be “Attracted to Black Girls”

Ask Emma: Navigating race and identity in Ireland
Dublin InQuirer
Dublin, Ireland
2018-04-24

Emma Dabiri

Image by Rob Mirolo

In her regular column, Emma Dabiri fields your questions on race and identity in contemporary Ireland. Got something you’ve been pondering? You can send her your questions through this form.

Hi Emma,

I’m a white male Dubliner who is very attracted to black girls. I’ve never been with a black girl, and don’t actually know any black women at all to be honest, but whenever I see a pretty black girl on the street or in the office, I melt.

I’m trying not to sound too weird. I know it’s not good to exoticize. I do watch lots of black porn. I have had no chill on the few opportunities I’ve had to speak to black girls. I feel like flirting is hard enough, but with race, identity, etc. it all becomes overwhelming.

What should I do?

We deliberated quite a lot as to whether or not this was a serious question or the work of a troll. However, as a black woman who grew up on the receiving end of attitudes such as yours, I am pretty convinced of its veracity.

The ideas about what blackness is that inform your “preferences” are centuries old, and sadly are not going away anytime soon. What I write should help you, although I have to admit that in this instance helping you is not my main priority.

Rather, I want to take this opportunity to expose the mechanics behind this way of thinking, and the ways in which these attitudes are damaging and dehumanizing to black people.

What is it about black girls that you find so attractive? We come in all different shades and sizes. Amongst all of the women who could be identified as black, there exists such a huge diversity of features and appearances that it is hard to talk about what a “black woman” looks like in any meaningful way, yet you reduce us to a monolith?…

Read the entire article here.

A Furious Voice, Forged In The ‘Fire’ Of Prejudice

Book Review
National Public Radio
2008-10-10

Jessa Crispin, Founder and Editor
Bookslut.com

If I Could Write This in Fire
By Michelle Cliff
Hardcover, 104 pages
University of Minnesota Press
List price: $21.95

While on a tour of the University of Virginia, Jamaican-American novelist and short-story writer Michelle Cliff is informed by a doctoral student that Thomas Jefferson never owned slaves. “‘Villagers,’ as they’re affectionately known,” says the student, “built [this] university, Monticello, every rotunda, column and finial the great man dreamed of. They liked him so much they just pitched in, after their own chores are done.”

It’s one of many unsettling moments in If I Could Write This in Fire, a collection of essays that is Cliff’s first nonfiction book. Everywhere Cliff goes, she sees people treating history as if it were a story they could rewrite at will: women at cocktail parties uttering, “Pinochet was not so bad”; guests at a dinner party disbelieving that the blacks in Birth of a Nation were white actors in blackface.

Cliff, 61, has always been an outsider — a lesbian born on a homophobic Caribbean island, an immigrant in the U.K. (where she studied) and the U.S. (where she settled), a mixed-race intellectual trying to make sense of a black and white world…

Read the entire review here.

William Alexander Leidesdorff: Forgotten San Francisco Pioneer

San Francisco Travel
2014-08-22

Cindy Hu

Photo by vgm8383 / CC BY-NC

Financial district hotshots pass by tiny Leidesdorff Street, hardly more than an alley, and few can pronounce its name. Little do they know that the namesake of this charming hitching post-lined lane blazed the trail for them some 150 years ago. Fewer still realize he was the city’s first prominent businessman of black ancestry.

William Alexander Leidesdorff was born the son of Alexander Leidesdorff, a drifting Danish seaman, and a mulatto woman on St. Croix Island in the West Indies. The child was given Danish citizenship, though his father never shared in the raising of young William. However, an English plantation owner grew fond of the young boy and saw to his care and education.

When Leidesdorff grew into a strapping young man, the Englishman sent him to New Orleans to live with the planter’s brother and to become a cotton merchant. Leidesdorff and the mercantile industry were a perfect fit. He quickly learned the industry and built a reputation as a keen businessman. When the Englishman and his brother suddenly died, just months apart, Leidesdorff fell heir to their New Orleans estate.

When he was not managing the estate, the striking, young and wealthy Leidesdorff courted a southern belle named Hortense, whose prominent family claimed membership in New Orleans’ high society and whose lineage heralded back to Louis XIV of France. Keeping his mixed ancestry secret, Leidesdorff became engaged to the blonde, fair-skinned Hortense…

Read the entire article here.

If I Could Write This in Fire

University of Minnesota Press
2008
104 pages
5 1/2 x 8 1/2
Cloth/jacket ISBN: 978-0-8166-5474-1

Michelle Cliff (1942-2016)

A deeply personal meditation on history and memory, place and displacement by a major writer

Born in a Jamaica still under British rule, the acclaimed and influential writer Michelle Cliff embraced her many identities, shaped by her experiences with the forces of colonialism and oppression: a light-skinned Creole, a lesbian, an immigrant in both England and the United States. In her celebrated novels and short stories, she has probed the intersection of prejudice and oppression with a rare and striking lyricism.

In her first book-length collection of nonfiction, Cliff displays the same poetic intensity, interweaving reflections on her life in Jamaica, England, and the United States with a powerful and sustained critique of racism, homophobia, and social injustice. If I Could Write This in Fire begins by tracing her transatlantic journey from Jamaica to England, coalescing around a graceful, elliptical account of her childhood friendship with Zoe, who is dark-skinned and from an impoverished, rural background; the divergent life courses that each is forced to take; and the class and color tensions that shape their lives as adults. The personal is interspersed with fragments of Jamaica’s history and the plight of people of color living both under imperial rule and in contemporary Britain. In other essays and poems, Cliff writes about the discovery of her distinctive, diasporic literary voice, recalls her wild colonial girlhood and sexual awakening, and recounts traveling through an American landscape of racism, colonialism, and genocide—a history of violence embodied in seemingly innocuous souvenirs and tourist sites.

A profound meditation on place and displacement, If I Could Write This in Fire explores the complexities of identity as they meet with race, gender, sexuality, nationality, and the legacies of the Middle Passage and European imperialism.

Writing in Fire: Honoring the Life & Legacy of Michelle Cliff

Yomaira C. Figueroa, Ph.D.
2017-06-28

Yomaira C. Figueroa, Assistant Professor of Global Diaspora Studies
Michigan State University

Michelle Cliff (Nov. 2, 1942-June 12, 2016) was an award-winning Jamaican novelist, essayist, critic, poet, scholar, and teacher. An influential author in Caribbean, feminist, and lesbian writings, some of her notable works include: Abeng, No Telephone to Heaven, Claiming an Identity They Taught Me to Despise, Free Enterprise, If I Could Write This In Fire, and The Land of Look Behind. Cliff’s work reflected many parts of her identity, contemporary sociopolitical concerns stemming from colonialism, and a critical investment in the Caribbean and her diasporas. Her works examine the complexities of identity politics, lesbianism, colorism, colonialism/post-colonialism and revolution – both of the personal variety and the political. On June 22, 2017, we gathered at the Caribbean Philosophical Association Annual Meeting in NYC to honor her life and writing. This post includes the work of the roundtable participants. The roundtable, titled “‘Writing in Fire’: Honoring the Life & Legacy of Michelle Cliff” marked the second year that the Chair of Afro-Diasporic Literatures (me) and the Chair of the Initiative on Gender, Race, and Feminisms (Xhercis Mendez) joined together to propose roundtables to honor Caribbean women writers at the CPA (at the 2016 we celebrated the 10th/11th publication anniversary of M. Jacqui Alexander’s Pedagogies of Crossing). This year two Ph.D. students – Keishla Rivera (Rutgers Newark) and Briona Jones (Michigan State) – joined moderator Xhercis Mendez and I to reflect on the rich inheritance Michelle Cliff has left us. Below are excerpts from the reflections which engendered a powerful and generative dialogue across several topics, fields, and interests…

Read the entire article here.

A Girl Full of Smartness

The Paris Review
2017-06-02

Edward White

Mary Ellen Pleasant

As an entrepreneur, civil-rights activist, and benefactor, Mary Ellen Pleasant made a name and a fortune for herself in Gold Rush–era San Francisco, shattering racial taboos.

They did things differently in the Old West. On the morning of August 14, 1889, Stephen J. Field, a justice of the Supreme Court, was eating breakfast at a café in Lathrop, California, when David S. Terry, a former bench colleague, stopped by Field’s table and slapped him twice across the face.

This was not unprecedented behavior. Despite having risen to the rank of chief justice of the Supreme Court of California, Terry was described by one contemporary as an “evil genius” with an “irrepressible temper,” who once stabbed a man for being an abolitionist and killed a Congressman wedded to the Free Soil movement. His gripe with Stephen Field, however, had nothing to do with slavery. In 1883, Terry’s wife had filed a lawsuit (Sharon vs. Sharon) against the multimillionaire U.S. Senator William Sharon, claiming she had been married to him in secret some years ago and that, having been callously discarded by the womanizing senator, she was owed a divorce settlement. After five years the case ended up at a federal circuit court, where Field found in favor of William Sharon; there would be no divorce settlement. Terry was livid and promised to exact revenge.

It was only the latest twist in what had been a bizarre case. On the first day of the trial, William Sharon’s attorney asserted that his client was the victim of a plot involving an elderly black woman who had used voodoo to steal Sharon’s hard-earned fortune. That woman was known to the San Francisco public as “Mammy Pleasant,” around whom sinister rumors had swirled for years. Some accused her of being a murderess, a madam, and a practitioner of black magic who befriended white families only to curse them and bleed them dry; a nightmarish image of “the mammy gone wrong,” to quote one historian. But just as many—especially among the black community—knew her as Mary Ellen Pleasant: an ingenious entrepreneur, pioneering civil-rights activist, and beloved benefactor who broke racial taboos and played a singular role in the early years of San Francisco…

Even within her lifetime, there were several competing stories about Pleasant’s origins. One version has her born into slavery in Georgia; another says she was the daughter of a wealthy Virginian planter who had a fling with a voodoo priestess from the Caribbean. In her published reminiscences she claimed to have been born in Philadelphia in 1812, to a Hawaiian father and “a full-blooded Louisiana negress.” Racial mixing and ethnic ambiguity, themes that would repeat over and again throughout Pleasant’s life, appear to have been part of her identity from the start…

Read the entire article here.

The real history behind Mary Ellen Pleasant, San Francisco’s “voodoo queen”

KALW Local Public Radio, 91.7 FM
San Francisco, California
2015-09-09

Olivia Cueva & Liza Veale

Performer Susheel Bibbs poses in front of an image of Mary Ellen Pleasant. Photograph by Olivia Cueva

In the mid-1800s, boomtown San Francisco was a city of men — only about 15 percent women. While slavery was illegal in California, white men were the ones cashing out on the boom. Mostly.

Then there was Mary Ellen Pleasant. She was one of the richest and most powerful people in the state — and she was a black woman. In fact she was a freedom fighter; her nickname was “Black City Hall.”

Yet today, Pleasant is barely remembered. The story that does get told is a mythologized tale about San Francisco’s so-called “voodoo queen.”

Why did this extraordinary woman fall from the city’s graces, left to haunt its history as the voodoo queen? We start at the last stop on a city tour called the San Francisco Ghost Hunt.

The tour brings you to the corner of Octavia and Bush streets, where Mary Ellen Pleasant’s mansion once stood. Six huge eucalyptus trees tower above the spot. Pleasant planted them herself over a hundred years ago.

Jim Fassbinder guides the tour. He tells a tale that he admits is not quite fact, not quite fiction.

He says Pleasant had power over San Franciscans because she practiced “voodoo.” He says some claim she was responsible for the death of four people, including her longtime business partner. Rumor has it her servant “found Mary Ellen pulling apart the bones of his head and picking out bits of his brain,” says Fassbinder.

As the story goes, she’s haunted this corner ever since the day she died. But the story’s been mangled by history. What really happened?

“It still is a mystery,” says Susheel Bibbs, “Her life is still a mystery.”

Bibbs has been studying Pleasant for over 20 years. She says part of the reason it’s so hard to distinguish fact from fiction is because Pleasant herself never kept her story straight.

“It was ingrained from the very beginning that survival meant that you don’t tell. You just keep secrets,” Bibbs says.

By best accounts, Pleasant was born on a plantation in Georgia. Once she was freed as a young girl, she began falsifying her identity. Slavery was still alive and well, so she needed to protect herself from law enforcement.

“If they decided she was an escaped slave and she had no freedom papers, they could just wrest her off the streets and back into slavery,” Bibbs says.

Her skin was fair enough to pass, so when she docked in San Francisco in 1852, she arrived as a white woman…

Read entire story here. Listen to the story (00:08:37) here.

Dear Grandpa Massa: An Open Letter to my White Ancestor for Confederate Memorial Day

Afroculinaria: Exploring Culinary Traditions of Africa, African America and the African Diaspora
2018-04-23

Michael W. Twitty, African American-Jewish Culinary Historian and Author

To: Captain Richard Henry Bellamy—
From: Your Descendant, Mr. Michael W. Twitty, a published author
Date: 4/23/2018, Confederate Memorial Day
Subject: Times Have Changed

You are my third great grandfather. You are white. Because of you and several others I am Viking, I am Celt, I am a melting pot of western, northern, southern and eastern Europe. But I am still Black, your society made those rules, not mine, but its okay because I’m proud to be Black no matter how you intended it to work against my favor. And despite you, I am Asante, Serer, Fula, Mandinka, Yoruba, Igbo, Kongo and Malagasy.

You and your father William held in bondage my great great great grandmother Arrye and her sons—one of her sons married your daughter a girl child born to a teenage girl you took advantage of from the nearby Chadwick plantation.

You were a deadbeat dad; what’s worse is that there were thousands like you that led to millions like me. Thanks to the miracle of DNA research, oral history has been confirmed sans Maury–you are the father…

Read the entire letter here.

Portugal confronts its slave trade past

Politico
2018-02-06

Paul Ames

Portuguese President Marcelo Rebelo de Sousa on Goree Island in April 2017 Moussa Sow/AFP via Getty Images

Planned monument in Lisbon sparks debate over race and history.

LISBON — Over five centuries after it launched the Atlantic slave trade, Portugal is preparing to build a memorial to the millions of Africans its ships carried into bondage.

Citizens of Lisbon voted in December for the monument to be built on a quayside where slave ships once unloaded. Yet although the memorial has broad support, a divisive debate has ignited over how Portugal faces up to its colonial past and multiracial present.

“Doing this will be really good for our city,” said Beatriz Gomes Dias, president of Djass, an association of Afro-Portuguese citizens that launched the memorial plan.

“People really got behind the project, there was a recognition that something like this is needed,” said Gomes Dias. “Many people told us this is important to bring justice to Portugal’s history here in Lisbon, which is a cosmopolitan and diverse capital with such a strong African presence.”…

…Country of tolerance

Few Portuguese miss their imperial regime. Four decades on, no political force clings to colonial nostalgia. Yet a belief lingers that Portuguese colonialism was gentler than other European empires, marked by a tolerant interaction with other peoples and widespread racial mixing.

That tolerance, the narrative goes, is reflected in today’s Portugal.

Unlike just about everywhere else in Europe, there’s no significant far-right party spouting xenophobic populism; during Europe’s refugee crisis, a parliamentary consensus backed doubling the country’s refugee quota; in 2015, Portugal quietly voted in António Costa, whose father was Indian, as prime minister…

Read the entire article here.

Richard Potter: America’s First Black Celebrity

University of Virginia Press
February 2018
352 pages
6.13 × 9.25 in
Cloth ISBN: 9780813941042
Ebook ISBN: 9780813941059

John A. Hodgson, Former Dean
Forbes College, Princeton University

Apart from a handful of exotic–and almost completely unreliable–tales surrounding his life, Richard Potter is almost unknown today. Two hundred years ago, however, he was the most popular entertainer in America–the first showman, in fact, to win truly nationwide fame. Working as a magician and ventriloquist, he personified for an entire generation what a popular performer was and made an invaluable contribution to establishing popular entertainment as a major part of American life. His story is all the more remarkable in that Richard Potter was also a black man.

This was an era when few African Americans became highly successful, much less famous. As the son of a slave, Potter was fortunate to have opportunities at all. At home in Boston, he was widely recognized as black, but elsewhere in America audiences entertained themselves with romantic speculations about his “Hindu” ancestry (a perception encouraged by his act and costumes).

Richard Potter’s performances were enjoyed by an enormous public, but his life off stage has always remained hidden and unknown. Now, for the first time, John A. Hodgson tells the remarkable, compelling–and ultimately heartbreaking–story of Potter’s life, a tale of professional success and celebrity counterbalanced by racial vulnerability in an increasingly hostile world. It is a story of race relations, too, and of remarkable, highly influential black gentlemanliness and respectability: as the unsung precursor of Frederick Douglass, Richard Potter demonstrated to an entire generation of Americans that a black man, no less than a white man, could exemplify the best qualities of humanity. The apparently trivial “popular entertainment” status of his work has long blinded historians to his significance and even to his presence. Now at last we can recognize him as a seminal figure in American history.