Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels

Posted in Anthologies, Books, History, Literary/Artistic Criticism, Media Archive, United States on 2018-04-27 01:53Z by Steven

Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels

University of Georgia Press
2018-04-01
368 pages
79 b&w images
Trim size: 6 x 9
Hardcover ISBN: 978-0-8203-5201-5
Ebook ISBN: 978-0-8203-5200-8

Edited by:

Martha J. Cutter, Professor of English and Africana Studies
University of Connecticut

Cathy J. Schlund-Vials, Professor of English and Asian American Studies
University of Connecticut

An innovative collection that explores how multiethnic graphic novels investigate and remake U.S. history

Redrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past. The twelve essays explore Mat Johnson and Warren Pleece’s Incognegro, Gene Luen Yang’s Boxers and Saints, GB Tran’s Vietnamerica, Scott McCloud’s The New Adventures of Abraham Lincoln, Art Spiegelman’s post-Maus work, and G. Neri and Randy DuBurke’s Yummy: The Last Days of a Southside Shorty, among many others.

The collection represents an original body of criticism about recently published works that have received scant scholarly attention. The chapters confront issues of history and memory in contemporary multiethnic graphic novels, employing diverse methodologies and approaches while adhering to three main guidelines. First, using a global lens, contributors reconsider the concept of history and how it is manifest in their chosen texts. Second, contributors consider the ways in which graphic novels, as a distinct genre, can formally renovate or intervene in notions of the historical past. Third, contributors take seriously the possibilities and limitations of these historical revisions with regard to envisioning new, different, or even more positive versions of both the present and future. As a whole, the volume demonstrates that graphic novelists use the open and flexible space of the graphic narrative page—in which readers can move not only forward but also backward, upward, downward, and in several other directions—to present history as an open realm of struggle that is continually being revised.

Contributors: Frederick Luis Aldama, Julie Buckner Armstrong, Katharine Capshaw, Monica Chiu, Jennifer Glaser, Taylor Hagood, Caroline Kyungah Hong, Angela Lafien, Catherine H. Nguyen, Jeffrey Santa Ana, and Jorge Santos.

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In fact, I would contend that the rhetoric around abolitionism was one of the most important factors in how the Anglo-Atlantic World thought about race at the end of the eighteenth century.

Posted in Excerpts/Quotes on 2018-04-27 01:35Z by Steven

“The debate about the slave trade, and of slavery itself, formed a critical background to everything that happens in the book. In fact, I would contend that the rhetoric around abolitionism was one of the most important factors in how the Anglo-Atlantic World thought about race at the end of the eighteenth century. For mixed-race migrants, there were three specific discussions that were relevant to them. First, activists working to abolish the slave trade started arguing in 1788 that once enslaved people were treated better and encouraged to marry one another, then they would increase naturally as a population, making the slave trade obsolete. That argument produced an ancillary claim that reformers should prevent interracial sex in the colonies because it undercut the natural growth of enslaved populations. In other words, the interracial relationships that produced mixed-race offspring suddenly became political, not just moral, problems for reformers. Second, when the Haitian Revolution broke out in 1791, French and English observers blamed abolitionists for stirring up trouble. But they also pointed to an event in the colony of Saint Domingue (that becomes Haiti) a few months before the Revolution. Vincent Ogé, a mixed-race Dominguan educated in France, led a militia of color demanding equal rights. They were quickly put down, but whites across the Caribbean assumed that his metropolitan education had radicalized him, and helped to inspire the later enslaved uprising. Jamaicans of color living in Britain, who had the same kind of biography as Ogé, were now even more threatening. Third, once the slave trade was abolished in 1807, observers immediately grew concerned that whites would flee the West Indies in droves, as the islands would no longer be economically productive. Someone still had to oversee these colonies, though, and mixed-race migrants who had been educated in Britain came to be seen as the best replacements for that white population that would inevitably leave the Caribbean.” —Daniel Livesay

Christopher Jones, “Q&A with Daniel Livesay, author of Children of Uncertain Fortune: Mixed-Race Jamaicans in Britain and the Atlantic Family, 1733-1833,” The Junto: A Group Blog on Early American History, April 20, 2018. https://earlyamericanists.com/2018/04/20/qa-with-daniel-livesay-author-of-children-of-uncertain-fortune-mixed-race-jamaicans-in-britain-and-the-atlantic-family-1733-1833/.

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