Mixed Race Studies

Theaster Gates on how his new show was inspired by the eviction of 45 people from an island in Maine

The Art Newspaper
2019-02-01

Anna Swansom

Theaster Gates ©Theaster Gates; Photo: Julian Salinas

The Chicago-based artist’s exhibition in Paris examines the forced removal in 1911 of the inhabitants of Malaga Island

The US artist Theaster Gates has taken the eviction of a mixed-race community from a small island in Maine as the starting point for his first solo exhibition in France, opening this month at the Palais de Tokyo. In 1912, 45 people from Malaga Island were evicted by the state authorities and eight of them were committed to the Maine School for the Feeble-Minded following the state’s purchase of the island in 1911. The island, a poor fishing village of black, white and mixed-race people, was ridiculed in a Maine newspaper as a “strange community” of “peculiar people”; its eviction has recently been described by a US documentary as having been motivated by economics, racism, eugenics and political retribution.

Through new works including sculptures, a film and a video, the Chicago-based artist has developed the wide-ranging project and exhibition, Amalgam, which explores the complexity of interraciality and migratory histories. The show has been organised by Katell Jaffrès and has received support from Regen Projects, Richard Gray Gallery and White Cube.

The Art Newspaper: How did you become interested in the history of Malaga Island and how did this lead to Amalgam?

Theaster Gates: I had started a residency in 2017 at Colby College in Maine and was visiting a friend who said there was this important, not well-known history about this island that used to have black and mixed-race people that were evicted. We were in a boat and he suggested having lobsters on the adjacent island before checking it out. So I learned of it quite leisurely and then started to do research.

The idea of interracial mixing led to the creation of a sculptural form, “amalgam”: a by-product of what happens when one artistic form from history meets another one to create a new kind of work. I wanted to create a bridge that would make people more curious about this island and for people who are of mixed race and from backgrounds where their parents are of different religions, I wanted Malaga to be a place where all mixes felt that they had a home. The beauty of mixing is one of the cornerstones of the exhibition…

Read the interview article here.

Bristol school drops Colston name and replaces it with African-American, female mathematician’s

The Bristol Post
Bristol, United Kingdom
2019-02-10

Tristan Cork, Senior Reporter

An 18th century engraving of Edward Colston

All the other house names have been dropped in favour of more diverse role models

One of Bristol’s oldest state schools has decided to ditch the names of its houses – including one named after Edward Colston – in favour of more inspiring names who are better role models.

St Mary Redcliffe and Temple School has a house system with five houses, all named after historic figures from the school’s, and Bristol’s, past.

That system has operated for decades, but from the start of the next academic year in September, they will be replaced.

The school, which is the only Church of England secondary school in the Diocese of Bristol, has come under pressure for its links to the controversial slave trader Edward Colston in recent years, and that included calls to rename one of the five school ‘houses’ which is named after him.

The school groups students into five houses, from when they start in Year 7 to Year 11.

Pupils start in James House in Year 7, before being split into four different houses until they take their GCSEs…

…Colston House will become Johnson House

Katherine Johnson

Edward Colston is one of the most prominent and divisive figures in Bristol’s history. A Bristol-born merchant, he effectively ran the Royal Africa Company in London, before helping to open it up for Bristol.

As well as a statue of him in The Centre, there are roads, buildings, schools and homes named after him, with the use of his name across Bristol increasingly controversial.

Katherine Johnson was an African-American mathematician whose calculations of orbital mechanics were critical to the success of America’s first manned spaceflights.

She effectively worked out how man could land on the moon during the Apollo missions, and her calculations also were essential to the beginning of the Space Shuttle programme. She was portrayed in the 2016 film Hidden Figures.

Read the entire article here.

Enemies in Love: A German POW, a Black Nurse, and an Unlikely Romance

The New Press
May 2018
288 pages
5½ x 8¼
Hardcover ISBN: 978-1-62097-186-4

Alexis Clark, Adjunct Faculty
Columbia Journalism School, New York, New York

A true and deeply moving narrative of forbidden love during World War II and a shocking, hidden history of race on the home front

This is a love story like no other: Elinor Powell was an African American nurse in the U.S. military during World War II; Frederick Albert was a soldier in Hitler’s army, captured by the Allies and shipped to a prisoner-of-war camp in the Arizona desert. Like most other black nurses, Elinor pulled a second-class assignment, in a dusty, sun-baked—and segregated—Western town. The army figured that the risk of fraternization between black nurses and white German POWs was almost nil.

Brought together by unlikely circumstances in a racist world, Elinor and Frederick should have been bitter enemies; but instead, at the height of World War II, they fell in love. Their dramatic story was unearthed by journalist Alexis Clark, who through years of interviews and historical research has pieced together an astounding narrative of race and true love in the cauldron of war.

Based on a New York Times story by Clark that drew national attention, Enemies in Love paints a tableau of dreams deferred and of love struggling to survive, twenty-five years before the Supreme Court’s Loving decision legalizing mixed-race marriage—revealing the surprising possibilities for human connection during one of history’s most violent conflicts.

Researchers seek fuller picture of first Africans in America

The Associated Press
2019-02-07

Jesse J. Holland

FILE – In this April 10, 2018, file photo, Historic Jamestowne staff archaeologist Lee McBee, right, shows artifacts to Carla Howe, of Gilmanton, N.H., left, and her children Caroline, second from left, and Grace, third from left, at the dig site of the Angelo slave house in Jamestown, Va. The first Africans to arrive in North America were so little noted by history that many are known today by only their first names. (AP Photo/Steve Helber)

WASHINGTON (AP) — The first Africans to arrive in English-controlled North America were so little noted by history that many are known today by only their first names: Antony and Isabella, Angelo, Frances and Peter.

Almost 400 years ago, they were kidnapped and forcibly sailed across the ocean aboard three slave ships — the San Juan Bautista, the White Lion and the Treasurer — and then sold into bondage in Virginia.

Now their descendants, along with historians and genealogists, are seeking recognition for a group of 20-some Africans they describe as critical to the survival of Jamestown, England’s first successful settlement in North America.

“We need to reclaim our history. We need to tell our story,” said Calvin Pearson, head of Project 1619 , which is named after the year those first Africans landed near what became Hampton, Virginia…

A few historical markers and records mention these early slaves, but there’s been scant research on their lives. President Barack Obama made the area where they arrived a national monument in 2011 to ensure that its history was not lost, and Pearson and others are working to learn more.

Before the slaves arrived, Jamestown was starving. “Basically all of those people were right off of the streets in England,” said Kathryn Knight, who in May will release a book titled “Unveiled – The Twenty & Odd: Documenting the First Africans in England’s America 1619-1625 and Beyond.”…

…Although sold into servitude, many of those original Angolans fared better than the millions of African slaves who came to North America later, said John Thorton, a Boston University professor of African American studies and history.

“They had a better chance at a better future than almost anybody who followed them because they were the first,” Thorton said. “A lot of them ended up owning property, and they ended up owning slaves of their own.”

By intermingling with the English colonists, some had children who ended up passing for white and merging into early colonial society, Thorton said…

Read the entire article here.

Overlooked No More: Mabel Grammer, Whose Brown Baby Plan Found Homes for Hundreds

The New York Times
2019-02-06

Alexis Clark, Adjunct Faculty
Columbia Journalism School, New York, New York

Mabel Grammer, who started the Brown Baby Plan to help mixed-race children in Germany. She adopted 12, and found homes for 500 others. Associated Press

Since 1851, many remarkable black men and women did not receive obituaries in The New York Times. This month, with Overlooked, we’re adding their stories to our archives.

Grammer’s self-run adoption agency made it possible for unwanted mixed-race children in Germany to find homes after World War II.

They were called “brown babies,” or “mischlingskinder,” a derogatory German term for mixed-race children. And sometimes they were just referred to as mutts.

They were born during the occupation years in Germany after World War II, the offspring of German women and African-American soldiers. Their fathers were usually transferred elsewhere and their mothers risked social repercussions by keeping them, so the babies were placed in orphanages.

But when Mabel Grammer, an African-American journalist, became aware of the orphaned children, she stepped in. She and her husband, an army chief warrant officer stationed in Mannheim, and later Karlsruhe, adopted 12 of them, and Grammer found homes for 500 others…

Read the entire article here.

Germany’s ‘Brown Babies’

Black German Cultural Society
2019-02-05

Home Needed for 10,000 Brown Babies Interracial Children of War, Ebony Magazine, October 1948

We Are Here! (Wir Sind Hier!)

“We’ve struggled through childhoods filled with confusion, fear, anger, and feelings of inferior self-esteem. Navigated adolescence in extreme conformity to perceived structures of authority in order to redeem our existence, or in defiance to them in utter rebellion. Adulthood was either accomplished successfully by integrating the powerful nuances of our diversified selves, or postponed until safety could be found in the distanced wisdom of experience. Some of us didn’t make it. Some of us are just now coming of age.” ~ Rebekka White, Black German

Out of the approximately 95,000 U.S. Occupation babies born in Germany shortly after WWII, there were approximately 5,000 of us, Post WWII Afro-German children or so-called Negro mulatto babies, better known in the United States as Germany’s “Brown Babies.” In 1952, the SPD (Social Democratic Party of Germany) deemed that we formed a special group, presenting a human and racial problem of a special nature. Our national and cultural heritage were seen to be in direct contrast to our skin color…

Read the entire article here.

Inside the US Government Agency where Identity Politics Was Born

Quillette
2018-10-23

Michael Gonzalez, Senior Fellow
The Kathryn and Shelby Cullom Davis Institute for National Security and Foreign Policy
The Heritage Foundation, Washington, D.C.

The phrase “grievance studies” recently has entered public discourse thanks to a scandal by three liberal academics who set out to expose the vacuous nature of critical theory, post-colonial studies, queer theory and other sub-disciplines within the social sciences. Mathematician James Lindsay, writer Helen Pluckrose, and Portland State philosophy professor Peter Boghossian spent a year writing fake papers, which they then pitched to journals specializing in these fields. Seven passed peer review and were accepted for publication. As various commentators (including several here at Quillette) have noted, the hoax has shown what many have long suspected—that ivory-tower academics who study in fashionable fields inhabit ideological domains far removed from those of ordinary people.

But while observers have correctly focused on the lessons that may be inferred about high academic culture in the United States, it should be noted that the drifts of the liberal arts into postmodern gibberish has not been an isolated phenomenon. The trend also has its cheerleaders in government, even in Donald Trump’s very own Washington D.C. backyard.

Few Americans have heard of the Census Bureau’s National Advisory Committee on Racial, Ethnic and Other Populations (NAC). But when it comes to policymaking, the NAC effectively acts as a support network for grievance studies. Along with bureaucrats in other agencies, and various non-governmental “stakeholder” groups on the left, the NAC has for decades controlled the policy by which demographic data—the seedbed of identity politics—is collected and interpreted.

One ongoing dispute helps explain what the NAC does and why that work is important. In Jan., the Census Bureau (whose director is a presidential appointee) rejected two important changes to the 2020 census that had been proposed by the NAC. The first would have created yet another identity group, this one for Americans whose ancestors originate in the land between Morocco and the Iran-Afghan border, which were to be designated as MENA (for Middle East, North Africa). The second would have elevated another pan-ethnic group, Hispanics, to the status of a category on par with biological races. The NAC has bitterly opposed the Trump Administration’s decision not to go along with these initiatives, but that dispute was largely ignored by the media in the shadow of the much more high-profile issue of whether the census should ask residents whether they are U.S. citizens…

Read the entire article here.

A mixed-race body moving through homogenous spaces often inspires attempts at conversations of classification. Whether through the form of a sudden, uneasy speechlessness followed by a mumbled comment, or an incessant stream of questions, this body of mine often seems to inspire the same disquietude in others that I experience within myself. In a crowded Tokyo mall, I once found myself the subject of a Japanese man’s gaze. When I moved to avoid him, climbing the stairs to the next floor, he positioned himself silently beside me, all the while staring at my face, my posture, my hands, my body. Only when I turned to exit did he open his mouth to mumble, “Jyun-japa?” (“Pure Japanese?”). He lifted his eyes to mine and I felt myself overcome by a blanketing silence.

Nina Coomes, “What Miyazaki’s Heroines Taught Me About My Mixed-Race Identity,” Catapult, October 16, 2017. https://catapult.co/stories/fans-what-miyazakis-heroines-taught-me-about-my-mixed-race-identity.

Episode 1

Shade Podcast: UK culture and news podcast focused on the mixed race experience
2019-01-19

Laura Hesketh, Co-Host
Liverpool, England

Lou Mensah, Co-Host
London, England

Debut episode from Laura Hesketh & Lou Mensah where we discuss identification, Meghan Markle (00:01:36), the Khloé Kardashian bi racial doll tweet (00:07:25), Colin Kaepernick (00:10:40), Steven Riley (00:12:22), and more.

Listen to the episode (00:14:19) here. Download the episode here.

Nina Li Coomes

Speaking of Marvels: interviews about chapbooks, novellas, and books of assorted lengths
2018-03-26

William Woolfitt, Editor

“how does one carry oneself in the between?”

haircut poems (dancing girl press, 2017)

Could you tell us a bit about your growing up and your path to becoming a writer?

I was born in Nagoya, Japan and moved with my family to the United States on January 1, 2000. Most of my writing is informed by the “between” of existing as both Japanese and American, existing in both of these places, even the literal travel it takes to get from one place to the next. I’m not sure what led me to start writing exactly. Perhaps it’s genetic. My mother has told me before that she wanted to be a writer as a child, and my father told my sister and I what he would call “verbal stories” for much of our time growing up. There’s something about growing up shuttling from one country to another though that impresses upon you just how temporary or fleeting something might be. In many ways, I think my writing comes from a place of urgency, of wanting to note everything in case it fades…

…Which poem in your chapbook has the most meaningful back story to you? What’s the back story?

Perhaps not a backstory, but the poem “yesterday” draws from a couple snapshots. The preoccupation with red and red lips in particular comes from something I once heard at a Mixed Race Studies Conference about how after the war, in US occupied Japan, comfort women wore red lipsticks to signal their availability to American GIs. As you may know, comfort women were employed by the Japanese government in Korea, the Philippines, and even in Japan where certain women were designated a sexual buffer for soldiers, whether they were Japanese soldiers or American ones. I think this is a very shameful, condemnable part of history that needs to be better acknowledged. I also think a lot about how mixed-race children after the war were primarily borne of this violence, and what it means to come from violent histories, and how one might reconcile ore reclaim them…

Read the entire interview here.