Mixed Race Studies

Historian Victoria Bynum on the inaccuracies of the New York Times 1619 Project

World Socialist Web Site
2019-10-30

Eric London

Victoria Bynum

An interview with the author of The Free State of Jones

Historian Victoria Bynum, author of The Long Shadow of the Civil War: Southern Dissent and Its Legacies (University of North Carolina Press, 2010), The Free State of Jones: Mississippi’s Longest Civil War (University of North Carolina Press, 2001) and Unruly Women: The Politics of Social and Sexual Control in the Old South (University of North Carolina Press, 1992), spoke to the World Socialist Web Site’s Eric London on the historical falsifications involved in the New York Times’ “1619 Project.”

The 1619 Project, launched by the Times in August, presents American history in a purely racial lens and blames all “white people” for the enslavement of 4 million black people as chattel property.

Bynum is an expert on the attitude of Southern white yeomen farmers and impoverished people toward slavery. Her book The Free State of Jones studied efforts by anti-slavery and anti-confederate militia leader Newton Knight, who abandoned the Confederate army and led an armed insurrection against the Confederacy during the Civil War. It was adapted for the big screen in Gary Ross’s 2016 film Free State of Jones.

* * *

WSWS: Hello Victoria, it is a pleasure to speak to you. The New York Times writes that slavery is “America’s national sin,” implying that the whole of American society was responsible for the crime of slavery.

But [Abraham] Lincoln said in his second inaugural address in 1865 that the Civil War was being fought “until every drop of blood drawn with the lash shall be paid by another drawn with the sword.” What was the attitude of the subjects of your study toward slavery? Is it possible to separate those attitudes from the economic grievances that many white farmers and poor people harbored against the Confederate government of the slavocracy?

Victoria Bynum: Direct comments about the injustice of slavery are rare among plain Southern farmers who left few written records. Knowing this at the outset of my research, I was delighted to find clear and strong objections to slavery expressed by the Wesleyan Methodist families of Montgomery County, North Carolina, which I highlighted in my first book, Unruly Women. In 1852, members of the Lovejoy Methodist Church invited the Rev. Adam Crooks, a well-known abolitionist, to address their church…

…WSWS: Do you see parallels between the New York Times’ references to genetics (the historic “DNA” of the United States) and the argument, advanced by the slavocracy, that “one drop” of black “blood” was enough to count a light-skinned person in the expanded the pool of slave labor. Can you expand on this?

VB: The frequent correlation of identity with ancestral DNA continues to mask the historical economic forces and shifting constructions of class, race and gender that have far more relevance to one’s identity than one’s DNA can ever reveal. Historically, race-based slavery required legal definitions of whiteness and blackness that upheld the fiction that British/US slavery was reserved for Africans for whom the institution “civilized.” From the earliest days of colonization, however, both forced and consensual sexual relations created slaveholding and non-slaveholding households that were neither “black” nor “white,” but rather were mixed-race. The frequent rape of enslaved women by slaveholders produced multitudes of such children, but so also were many mixed-race children born to whites and free blacks. Slave law dictated that the child of an enslaved woman was also a slave—and therefore “black”—regardless of who fathered the child. Conversely, deciding the race of children born to free women who crossed the color line was not so easy, and became even more difficult after slavery was abolished. In the segregated South, where one’s ability to work, live, love, travel and enjoy the full benefits of American citizenship depended on one’s perceived race, such questions might end up in court, as was the case in 1946 for Newt Knight’s mixed-race great-grandson, Davis Knight, after he married a white woman. While custom dictated that Davis Knight was “black” based on his great-grandmother Rachel’s mixed-race status, state laws required more precise evidence. Under Mississippi law, unless one was proved to have at least one-fourth African ancestry, one was legally—though not socially—white. On this basis, Davis Knight went free…

Read the entire interview here.

After my school experiences, any demands to explain where I came from disconcerted me. My parents taught me to hold my head erect, to look directly at adults who addressed me, to smile with my eyes not just my teeth, to speak clearly, and to be conspicuously open, transparent and honest. My dad said that if I did not follow this advice I would be regarded as “shifty”, duplicitous and unworthy of attention. But I was unprepared for intense cross-examination about where I was from. I did not understand, until I was a teenager, that my father was coaching me in the art of being a “good” black girl, acceptable to white people.

Hazel Carby, “My Jamaican dad was an RAF hero. Why did no one believe me?” The Guardian, November 16, 2019. https://www.theguardian.com/lifeandstyle/2019/nov/16/jamiacan-father-raf-hero-.

Raptors GM draws on mixed upbringing in building team’s post-Kawhi Leonard identity

The Washington Post
2019-11-19

Ben Golliver, NBA Reporter

“I don’t think I look super Asian or white,” said Toronto Raptors General Manager Bobby Webster, who became the NBA’s youngest GM when he was appointed in 2017. “Being both was freeing.” (Chris Young/The Canadian Press/Associated Press)

LOS ANGELES — When Bobby Webster took the stage as a guest speaker at the U.S.-Japan Council’s annual conference earlier this month, the moderator introduced him as a world champion and a hapa.

The first label was self-evident: Webster is the Toronto Raptors’ general manager, a low-key strategic planner and salary cap specialist who reports to Masai Ujiri, the organization’s brash, larger-than-life president.

The second term — a Hawaiian phrase that means “part” and refers to people of mixed race — described Webster’s Japanese-American background. Webster’s mother, Jean, descended from Japanese immigrants who came to work in the stables at a Hawaiian sugar plantation around the turn of the 20th century. Webster’s father, Bob, a redheaded Chicago native, moved to Hawaii in his late 20s and never left…

Read the entire article here.

My Jamaican dad was an RAF hero. Why did no one believe me?

The Guardian
2019-11-16

Hazel Carby, Charles C. and Dorothea S. Dilley Professor of African American Studies; Professor of American Studies
Yale University

Hazel Carby: ‘I learned that I was not considered British.’ Photograph: Michel Huneault/The Guardian

My Welsh mother met my father during the war. From childhood, I have grown to dread the question: ‘Where are you from?’

I was in primary school the first time it happened. The boy who sat at the desk to my right – the one who used to pinch my arm whenever the teacher’s back was turned – finished talking about his father’s war experience of heat and flies and deserts while driving tanks across Egypt, and looked at me smugly as if to say, “Beat that.” It was my turn to describe my father’s contribution to the war effort. I stated clearly that my father served in the RAF. On the piano at home stood a photograph of a young man in RAF uniform, with an enigmatic smile, head tilted at a slightly rakish and daredevil angle, holding a pipe in his hand. In my eyes he was the epitome of wartime British heroism.

Before I could describe the photograph, I was interrupted by the teacher who told me to sit and listen carefully. I sat. The entire class was stunned. Silenced by her anger, they stared at me, the culprit, as the teacher issued a warning about the dire consequences of telling lies. She insisted that there were no “coloured” people in Britain during the war, that no coloured people served in any of the armed services, and certainly not in the RAF, the most elite branch of the British military.

Speaking in the slow and deliberate tone of voice that she adopted when she would brook no opposition, she declared that coloured people were not British, but immigrants who arrived on these shores after the war had been fought and won. We all shifted back in our seats, and I cowered in shock and humiliation…

Read the entire article here.

Black Judas: William Hannibal Thomas and “The American Negro”

University of Georgia Press
2019-11-15
416 pages
Paperback ISBN: 9-780-8203-5626-6

John David Smith, Charles H. Stone Distinguished Professor of American History
University of North Carolina, Charlotte

The classic biography of the infamous black Negrophobe William Hannibal Thomas, with a new preface by the author

William Hannibal Thomas (1843-1935) served with distinction in the U.S. Colored Troops in the Civil War (in which he lost an arm) and was a preacher, teacher, lawyer, state legislator, and journalist following Appomattox. In many publications up through the 1890s, Thomas espoused a critical though optimistic black nationalist ideology. After his mid-twenties, however, Thomas began exhibiting a self-destructive personality, one that kept him in constant trouble with authorities and always on the run. His book The American Negro (1901) was his final self-destructive act.

Attacking African Americans in gross and insulting language in this utterly pessimistic book, Thomas blamed them for the contemporary “Negro problem” and argued that the race required radical redemption based on improved “character,” not changed “color.” Vague in his recommendations, Thomas implied that blacks should model themselves after certain mulattoes, most notably William Hannibal Thomas.

Black Judas is a biography of Thomas, a publishing history of The American Negro, and an analysis of that book’s significance to American racial thought. The book is based on fifteen years of research, including research in postamputation trauma and psychoanalytic theory on self-hatred, to assess Thomas’s metamorphosis from a constructive race critic to a black Negrophobe. John David Smith argues that his radical shift resulted from key emotional and physical traumas that mirrored Thomas’s life history of exposure to white racism and intense physical pain.

Hollywood at the Intersection of Race and Identity

Rutgers University Press
2019-11-15
314 pages
31 b-w photographs
6 x 9
Paperback ISBN: 978-0-8135-9931-1
Cloth ISBN: 978-0-8135-9932-8
PDF ISBN: 978-0-8135-9935-9
EPUB ISBN: 978-0-8135-9935-9

Edited by:

Delia Malia Caparoso Konzett, Professor of English, Cinema/American/Women’s Studies
University of New Hampshire, Durham

Contributions by: Ruth Mayer, Alice Maurice, Ellen C. Scott, Delia Malia Caparoso Konzett, Jonna Eagle, Ryan Jay Friedman, Charlene Regester, Matthias Konzett, Chris Cagle, Dean Itsuji Saranillio, Graham Cassano, Priscilla Peña Ovalle, Ernesto R Acevedo-Muñoz, Mary Beltrán, Jun Okada, and Louise Wallenberg.

Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities? The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film’s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal?

Table of Contents

• Introduction
• Hollywood Formulas: Codes, Masks, Genre, and Minstrelsy
  • Daydreams of Society: Class and Gender Performances in the Cinema of the Late 1910s / Ruth Mayer
  • The Death of Lon Chaney: Masculinity, Race, and the Authenticity of Disguise / Alice Maurice
  • MGM’s Sleeping Lion: Hollywood Regulation of the Washingtonian Slave in The Gorgeous Hussy (1936) / Ellen C. Scott
  • Yellowface, Minstrelsy, and Hollywood Happy Endings: The Black Camel (1931), Charlie Chan in Egypt (1935), and Charlie Chan at the Olympics (1937) / Delia Malia Konzett
• Genre and Race in Classical Hollywood
  • “A Queer, Strangled Look”: Race, Gender, and Morality in The Ox-Bow Incident / Jonna Eagle
  • By Herself: Intersectionality, African American Specialty Performers, and Eleanor Powell / Ryan Jay Friedman
  • Disruptive Mother-Daughter Relationships: Peola’s Racial Masquerade in Imitation of Life (1934) and Stella’s Class Masquerade in Stella Dallas (1937) / Charlene Regester
  • The Egotistical Sublime: Film Noir and Whiteness / Matthias Konzett
• Race and Ethnicity in Post-World War II Hollywood
  • Women and Class Mobility in Classical Hollywood’s Immigrant Dramas / Chris Cagle
  • Orientalism, Diaspora, and Indigeneity in Go for Broke! (1951) / Dean Itsuji Saranillio
  • Savage Whiteness: The dialectic of racial desire in The Young Savages (1961) / Graham Cassano
  • Rita Moreno’s Hair / Priscilla Peña Ovalle
• Intersectionality, Hollywood, and Contemporary Popular Culture
  • “Everything Glee in ‘America’”: Context, Race, and Identity Politics in the Glee Appropriation of West Side Story / Ernesto R. Acevedo-Muñoz
  • Hip Hop “Hearts” Ballet: Utopic Multiculturalism and the Step Up Dance Films / Mary Beltrán
  • Fakin da Funk (1997) and Gook (2017): Exploring Black/Asian Relations in the Asian American Hood Film / Jun Okada
  • “Let Us Roam the Night Together”: On Articulation and Representation in Moonlight (2016) and Tongues Untied (1989) / Louise Wallenberg
• Acknowledgments
• Selected Bibliography
• Contributors
• Index

The difficulty with asserting your beauty identity when you’re mixed race

Dazed Beauty
2019-11-05

Layla Haidrani
London, United Kingdom

^©Rachel Rumai

We explore the confusion of navigating your personal identity when you have multiple heritages with conflicting beauty standards

I’ve grappled with the complex relationship between mixed race identity and beauty for a long time. Both my location and my heritage – I’m half-Lebanese, half-Pakistani – upheld beauty ideals that were at odds with each other. Looking too overdone would court much derision growing up in North London, but this minimalist approach conflicted greatly with Beirut’s – a city I spent most summers a teenager where ‘more is more’ is the unofficial beauty mantra. Once the plastic surgery capital of the Middle East, appearing permanently preened and polished with a face full of make-up isn’t just encouraged, it’s expected – even if you’re simply loitering in a shopping mall.

I’d never seen myself reflected in advertisements in the Middle East, where heavily groomed women subscribe to traditionally narrow ideas of femininity – carefully sculpted arched eyebrows, immaculate nails, hairless body, paired with long, sleek black hair – but that didn’t stop me from trying. In the lead-up to visiting for my holiday, I’d spend hours in beauty salons having head-to-toe treatments including a manicure and pedicure, eyebrow shaping, and a full-body wax. It wasn’t unusual for me to have an entirely separate make-up bag bursting with products. It was trickier when I factored in my Pakistani roots and when I spent time with my Desi London-based friends, I’d deliberately kohl my eyes and straighten my hair so our differences wouldn’t be glaringly obvious.

The fluidity of my beauty regime, which shifted according to the spaces I inhabited and the people I was surrounded by, felt stifling, as if there was only one ‘right’ way to look. This would be further exacerbated by Instagram, where I’d be confronted with dozens of images of what a ‘normal’ Lebanese or Pakistani girl should look like.

The term ‘mixed race’ itself tends to lump people as a monolith, and just as their experiences and heritages can wildly differ, so can their beauty identities. Dr Sarah Gaither, an assistant professor at Duke University who studies racial identity and social interactions, says that mixed race people report higher rates of social exclusion than other racial and ethnic groups. “They’re constantly being questioned about their racial backgrounds and denied their identities and group memberships,” she explains. “These experiences are known to cause increased levels of stress and depression at times and can be associated with more difficulties in forming a true sense of self and a sense of being an ‘imposter’.”…

Read the entire article here.

Internalization of Race Messages Among Mixed Race Individuals

Loyola University, Chicago
December 2014
102 pages

Jennifer Moulton, Associate Psychologist
University of Wisconsin, Madison

A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY

The present study used grounded theory qualitative methodology to explore mixed race individuals’ experiences within specific racial socialization contexts of family, friends, community, and society, to identify messages received within these contexts. How messages influence both their understandings of mixed race identity and how they racially identify themselves was also examined. Mixed race identity development was found to follow an ecological framework, in which racial socialization messages serve as a mechanism through which experiences within contexts may be interpreted, to then inform conceptions of racial identity and identification choices. Common themes of experiences emerged within contexts, including disownments/disapproval, sibling differences, race dialogues, seeking diversity and racial awareness, community racial dynamics, `What are you?’ questions, racial categorization, normativity, attractiveness, and the President Obama effect. Additionally, general message themes of belonging, racial physical features, racial teasing, and racism, emerged across these contexts. Messages influenced understandings of mixed race identity through the cultural consciousness, racial discourse, pride, and awareness of mixed race privilege. While personal racial identifications varied, messages influenced conscious decisions in identifying to others as mixed, rather than choose one race over the other.

Read the entire dissertation here.

Today, this hyper-sexualization and fetishization of mixed race people has unfortunately become the norm. A disproportionate amount of mixed women experience sexual violence compared to other minority women. The 2010 National Intimate Partner and Sexual Violence study found that mixed race women experienced rape, physical abuse, and stalking by an intimate partner at a rate of thirty-two point two percent, a rate second only to American Indian/Alaska Natives at thirty-seven point five percent.

Alia Shaukat, “Me, Myself, and My Mixed Identity,” The Bull & Bear: McGill’s Student-Run News Magazine, October 17, 2019. http://bullandbearmcgill.com/me-myself-and-my-mixed-identity/.

Color, culture or cousin: FSU researcher explores interracial dating

Florida State University News
Tallahassee, Florida
2019-11-15

Kara Irby, News and Media Relations Specialist

Shantel G. Buggs, assistant professor of sociology and African American studies. (FSU Photo/Bruce Palmer)

The U.S. Census predicts America will become a majority-minority country between 2040 and 2050, with great growth projected for multiracial populations.

A new study from Florida State University researcher Shantel G. Buggs examined how this growing population of multiracial women view interracial relationships and what that illustrates about American’s broader views about race.

Buggs wanted to determine how multiracial women classify interracial relationships and what factors influence their decision to engage with a potential suitor.

“As a multiracial person myself, I was always interested in what happens when multiracial people become adults who then have to navigate relationships with other people,” Buggs said. “It was a goal of this study to debunk this racial fetishizing that is common in society today — the idea that multiracial people are more attractive, are the best of both worlds and will end racism.”

Her findings are published in the Journal of Marriage and Family…

Read the entire article here.