Mixed Race Studies

Beyond the Sunset: The Melungeon Outdoor Drama, 1969-1976

Mercer University Press
2019-12-02
420 pages
6 x 1 x 8.8 inches
Paperback ISBN: 9780881467185

Wayne Winkler, Director WETS-FM
East Tennessee State University, Johnson City, Tennessee

In 1969, Hancock County, Tennessee was the eighth poorest county in the United States. Isolated by rugged mountains and far from population centers or major highways, the county had few natural resources, couldn’t attract industry, and had lost half its population in just a few decades. Hoping to develop a tourist industry, county leaders decided to stage an outdoor drama about the Melungeons, a mysterious, racially-mixed people that had attracted newspaper and magazine writers to Hancock County for more than a century. To stage the drama, the organizers had to overcome long-standing local prejudice against the dark-skinned Melungeons, the reluctance of the Melungeons to call attention to themselves, the physical isolation of the county, and their own lack of experience in any aspect of this project. In Beyond the Sunset, Wayne Winkler uses contemporary press reports, long-forgotten documents, and interviews with participants to chronicle the struggles of an impoverished rural Appalachian county to maintain its viability in the modern world–and the unexpected consequences of that effort. For those interested in Appalachian history in general and in Melungeon heritage specifically, this is a book that is an essential addition to your reading list.

Black Britons Wonder What Took Harry and Meghan so Long

The New York Times
2020-01-10

Ceylan Yeginsu

Prince Harry and Meghan, Duchess of Sussex, leaving St. George’s Chapel in Windsor Castle after their wedding last year. Pool photo by Ben Birchall

“Thank God they are free,” one Londoner said. “All of this is about her race, I know it because as a Caribbean woman who did not grow up here, I have experienced it myself.”

LONDON — When Prince Harry and Meghan announced this week that they would be stepping back from their royal duties and spending extensive time in North America, many of Britain’s minority residents said they felt a burst of relief.

At long last, many said in interviews, the couple might finally escape the abuse, much of it racially tinged, that has been heaped upon them by the British press, particularly the country’s raucous tabloids.

“Thank God they are free,” said Sanaa Edness, lifting her arms to the sky as she walked through Fordham Park in southeast London. “Nobody should tolerate bullying and abusive behavior because of the color of their skin. All of this is about her race, I know it because as a Caribbean woman who did not grow up here, I have experienced it myself.”…

Read the entire article here.

ENGL 205 Focus on: Passing and Performing Identity

Xavier University
Cincinnati, Ohio
Spring 2020

Section 25 Online MCFARLANE HARRIS
Section 26 Online MCFARLANE HARRIS
CRN 13054 and 11004

EOAs part of the Core Curriculum’s Ethics / Religion and Society Requirement, Literature and the Moral Imagination is required for all undergraduate students. In broad terms, ENGL 205: Literature and the Moral Imagination focuses on personal and social ethical issues in literature. Individual sections feature specific topics.

In this course, we will read fiction and graphic novels that investigate the phenomenon of racial passing in the United States, whereby “black” persons light-skinned enough to appear “white” cross the color line to live as white people. Along the way, we will read a smattering of historical sources and cultural theory on the social construction of race, gender, sexuality, socioeconomic class, religion, etc.

For more information, click here.

Walking Toward the Sunset: The Melungeons of Appalachia

Mercer University Press
2005-04-08
314 pages
6 x 1 x 8.8 inches
Paperback ISBN: 9780865548695

Wayne Winkler, Director WETS-FM
East Tennessee State University, Johnson City, Tennessee

Walking toward the Sunset is a historical examination of the Melungeons, a mixed-race group predominantly in southern Appalachia. Author Wayne Winkler reviews theories about the Melungeons, compares the Melungeons with other mixed-race groups, and incorporates the latest scientific research to present a comprehensive portrait. In his telling portrait, Winkler examines the history of the Melungeons and the ongoing controversy surrounding their mysterious origins. Employing historical records, news reports over almost two centuries, and personal interviews, Winkler tells the fascinating story of a people who did not fit the rigid racial categories of American society. Along the way, Winkler recounts the legal and social restrictions suffered by Melungeons and other mixed-race groups, particularly Virginia’s 1924 Racial Integrity Act, and he reviews the negative effects of nineteenth- and twentieth-century magazine and journal articles on these reclusive people. Walking toward the Sunset documents the changes in public and private attitudes toward the Melungeons, the current debates over “Melungeon” identity, and the recent genetic studies that have attempted to shed light on the subject. But most importantly, Winkler relates the lives of families who were outsiders in their own communities, who were shunned and shamed, but who created a better life for their children, descendants who are now reclaiming the heritage that was hidden from them for generations.

Shape Shifters: Journeys across Terrains of Race and Identity

University of Nebraska Press
January 2020
432 pages
8 photos, index
Hardcover ISBN: 978-1-4962-0663-3
eBook (EPUB) ISBN: 978-1-4962-1698-4
eBook (PDF) ISBN: 978-1-4962-1700-4

Edited by:

Lily Anne Y. Welty Tamai, Curator of History
Japanese American National Museum, Los Angeles, California

Ingrid Dineen-Wimberly, Professor of History
University of La Verne, Point Mugu, California

Paul Spickard, Distinguished Professor of History
University of California, Santa Barbara

Shape Shifters presents a wide-ranging array of essays that examine peoples of mixed racial identity. Moving beyond the static “either/or” categories of racial identification found within typical insular conversations about mixed-race peoples, Shape Shifters explores these mixed-race identities as fluid, ambiguous, contingent, multiple, and malleable. This volume expands our understandings of how individuals and ethnic groups identify themselves within their own sociohistorical contexts.

The essays in Shape Shifters explore different historical eras and reach across of the globe, from the Roman and Chinese borderlands of classical antiquity to Medieval Eurasian shape-shifters, the Native peoples of the missions of Spanish California, and racial shape-shifting among African Americans in the post–civil rights era. At different times in their lives or over generations in their families, racial shape-shifters have moved from one social context to another. And as new social contexts were imposed on them, identities have even changed from one group to another. This is not racial, ethnic, or religious imposture. It is simply the way that people’s lives unfold in fluid sociohistorical circumstances.

With contributions by Ryan Abrecht, George J. Sanchez, Laura Moore, and Margaret Hunter, among others, Shape Shifters explores the forces of migration, borderlands, trade, warfare, occupation, colonial imposition, and the creation and dissolution of states and empires to highlight the historically contingent basis of identification among mixed-race peoples across time and space.

Beneath the Surface: A Transnational History of Skin Lighteners

Duke University Press
January 2020
368 pages
85 illustrations (incl. 39 in color)
Paper ISBN: 978-1-4780-0642-8
Cloth ISBN: 978-1-4780-0538-4

Lynn M. Thomas, Professor of History
University of Washington

For more than a century, skin lighteners have been an ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation, as well as consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners’ layered history, Thomas theorizes skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.

Interracial Marriage and the Meaning of Race

Race Talk
2020-01-08

David Morse, Host

Chinyere K. Osuji, Assistant Professor of Sociology
Rutgers, The State University of New Jersey, Camden

Dr. Chinyere Osuji discusses her book, “Boundaries of Love: Interracial Marriage and the Meaning of Race“. It’s an amazing work of scholarship rooted in comparing and contrasting black/white marriages in Rio de Janeiro and Los Angeles.

Listen to the podcast (00:40:33) here.

Black Britons Know Why Meghan Markle Wants Out

The New York Times
2020-01-09

Afua Hirsch

Samir Hussein/WireImage, via Getty Images

It’s the racism.

The British press has succeeded in its apparent project of hounding Meghan Markle, the Duchess of Sussex, out of Britain. The part it perhaps didn’t bargain for, however, is the loss of Prince Harry — a much loved Royal and a key part of the family’s global brand — along with her.

In a statement released this week, the couple said they want to “carve out a progressive new role” within the royal family and will “step back as ‘senior’ members, and work to become financially independent.”

The British press reacted with surprise at the “shock move abroad,” described variously as “seismic,” “selfish,” “rogue” and “an atrocious lapse of judgment.”

If the media paid more attention to Britain’s communities of color, perhaps it would find the announcement far less surprising. With a new prime minister whose track record includes overtly racist statements, some of which would make even Donald Trump blush, a Brexit project linked to native nationalism and a desire to rid Britain of large numbers of immigrants, and an ever thickening loom of imperial nostalgia, many of us are also thinking about moving…

Read the entire article here.

Trump loves to blame the black guy

The Washington Post
2020-01-09

Jonathan Capehart, Opinion Writer

President Barack Obama and President-elect Donald Trump speak before members of the media during a meeting in the Oval Office of the White House in Washington on Nov. 10, 2016. (Jabin Botsford/The Washington Post)

Anyone else tired of perpetually petulant President Trump blaming former president Barack Obama for, well, everything?

Boo-hoo, the air conditioning makes the White House too cold. Waaa, it’s unlawful for Turkey to buy U.S. fighter jets because it purchased missiles from Russia. Hmmph, Iran is restarting its nuclear program after I junked the international treaty Obama negotiated that put the whole thing on ice for at least 10 years.

On Wednesday, hours after some yapper on “Fox & Friends” said, “This moment right now is on Barack Obama, not Donald Trump,” the 45th president of the United States blamed the 44th. “The missiles fired last night at us and our allies were paid for with the funds made available by the last administration,” Trump mewled. “The very defective [Iran nuclear agreement] expires shortly anyway, and gives Iran a clear and quick path to nuclear breakout.” As my Post colleague Paul Waldman noted, “None of those things is true.”…

Read the entire article here.