Mixed Race Studies

HALF MEASURES: California’s Journey Toward Counting Multiracial People By 2022

Multiracial Americans of Southern California (MASC)
2020
30 pages

Thomas Lopez, Editor
Sarah Gowing, Lead Researcher

Reviewers:

G. Reginal Daniel, Ph.D., Professor and Vice Chair, Department of Sociology
University of California, Santa Barbara

Kelly F. Jackson, Ph.D., Associate Professor of Social Work
Arizona State University

Racial and ethnic data is collected by the government to enable the enforcement of civil rights laws, ensure equitable distribution of resources, and measure inequality. In 2016, the State of California released new policy standards for the collection and public reporting of racial/ethnic demographic data. All State agencies, boards, and commissions that collect this data must comply by January 1, 2022, allowing respondents to select multiple racial/ethnic categories. They must also disseminate this information in such a way as to not obscure mixed-race individuals. Potentially the most significant change to the standards would be the counting of people with mixed Latina/o and non-Latina/o identity. California will be the first state in the nation to do this.

This study’s aim is to determine whether these agencies are in compliance or whether there are still changes to be made. After reviewing organizations and aims from four sectors (education, business, health, and criminal justice), it was found that only one system is in compliance with the data collection, and none have followed the standards for race/ethnic data presentation. The counting of mixed Latina/o identified people is the most conspicuous gap in both the data collection and reporting methods. With less than two years to make the required changes, agencies must ensure that they are beginning the process now due to the time and resources required.

Table of Contents

• Executive Summary
• About MASC
• Terminology
• Introduction
• Current vs. Future Standards
  • Future Data Collection Compliance
  • Future Data Presentation Compliance
• Methodology
• Results
  • Data Collection
  • Data Presentation
• Discussion & Recommendations
• About the Authors
• Works Cited
• Appendix A: Assembly Bill 532
• Appendix B: Supporting Data

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Asian Slaves in Colonial Mexico: From Chinos to Indians

Cambridge University Press
June 2014
300 pages
9 b/w illus. 3 maps
Hardback ISBN: 9781107063129
Paperback ISBN: 9781107635777
DOI: 10.1017/CBO9781107477841

Tatiana Seijas, Associate Professor of History
Rutgers, The State University of New Jersey

Winner of the 2014 Berkshire Conference of Women Historians’ Book Prize

During the late sixteenth and seventeenth centuries, countless slaves from culturally diverse communities in the Indian subcontinent and Southeast Asia journeyed to Mexico on the ships of the Manila Galleon. Upon arrival in Mexico, they were grouped together and categorized as chinos. Their experience illustrates the interconnectedness of Spain’s colonies and the reach of the crown, which brought people together from Africa, the Americas, Asia and Europe in a historically unprecedented way. In time, chinos in Mexico came to be treated under the law as Indians, becoming indigenous vassals of the Spanish crown after 1672. The implications of this legal change were enormous: as Indians, rather than chinos, they could no longer be held as slaves. Tatiana Seijas tracks chinos’ complex journey from the slave market in Manila to the streets of Mexico City, and from bondage to liberty. In doing so, she challenges commonly held assumptions about the uniformity of the slave experience in the Americas.

As with Fredi Washington in 1934’s Imitation of Life and several other Black females who skin tones and facial features enabled them to “pass” for white such as Lena Horne, Dona [Drake] would have to deny her family heritage to succeed in the entertainment industry because at the time and for many years after, the studios felt the movie going public wouldn’t accept (and unfortunately they were correct) an attractive black actress, no matter how talented, in any role but that of a servant or comedic side-kick. Certainly not as the romantic lead opposite a white actor, even Hollywood knew the rest of the country paid it’s salaries.

“The “Real” Mrs. William Travilla – Dona Drake,” Travilla’s Legacy: Keeping True Fashion Alive, November, 7, 2013. https://travillalegacy.wordpress.com/2013/11/07/the-real-mrs-william-travilla-dona-drake/.

That Hair

Tin House
2020-03-17
163 pages
Paperback ISBN: 978-1-947793-41-5
eBook ISBN: 978-1-947793-50-7

Djaimilia Pereira de Almeida
Translated by Eric M. B. Becker

“The story of my curly hair,” says Mila, the narrator of Djaimilia Pereira de Almeida’s autobiographically inspired tragicomedy, “intersects with the story of at least two countries and, by extension, the indirect story of the relations among several continents: a geopolitics.” Mila is the Luanda-born daughter of a black Angolan mother and a white Portuguese father. She arrives in Lisbon at the tender age of three, and feels like an outsider from the jump. Through the lens of young Mila’s indomitably curly hair, her story interweaves memories of childhood and adolescence, family lore spanning four generations, and present-day reflections on the internal and external tensions of a European and African identity. In layered, intricately constructed prose, That Hair enriches and deepens a global conversation, challenging in necessary ways our understanding of racism, feminism, and the double inheritance of colonialism, not yet fifty years removed from Angola’s independence. It’s the story of coming of age as a black woman in a nation at the edge of Europe that is also rapidly changing, of being considered an outsider in one’s own country, and the impossibility of “returning” to a homeland one doesn’t in fact know.

That Hair

The Healing Power of ‘Steven Universe’

The New York Times

2020-03-28

Nicole Clark

Steven Universe is raised by the Crystal Gems: Garnet, Amethyst and Pearl, female-presenting, nonbinary aliens. Cartoon Network

The hit cartoon series has helped me process my biracial identity.

For most of my life, Taiwan was a place that lived in my head. My mother told me her origin stories like a series of tall tales, full of pitched, tin roofs and fields of underbrush that my grandmother used to drive through on her moped, lifting her legs to avoid snake bites.

Her stories felt like aphorisms I could attach to the idea of being Taiwanese, something I knew I was, but felt no particular ability to locate outside the life I lived in California. I could not get past the differences of our childhoods, the disparities in our means, the foreign topography. It would take me years to realize I’d inherited her cultural traditions and perspectives growing up — and even longer to separate my identity from the need to demonstrate proficiency in it, as if it were a set of actions committed to memory.

When I began watching Rebecca Sugar’s musical cartoon series “Steven Universe” and its limited series spinoff “Steven Universe Future” — which aired its final episodes on Friday — it immediately fit like a familiar sweater. So much of Steven’s coming-of-age story mapped onto my own: We both come from two distinct cultures, the most dominant of which can feel inscrutable….

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