Mixed Race Studies

How I Learned To Feel Undesirable

Code Switch: Fronter of Race, Culure and Ethnicity
National Public Radio
2014-02-04

Noah Cho

For the past few weeks, we’ve convened a conversation about romance across racial and cultural lines. Some of the most eloquent accounts we encountered came from a Bay Area junior high school teacher named Noah Cho. We asked him to expand on some of his experiences in this essay.

It’s an odd feeling, as an adult, to look at a photo of your parents and feel perplexed by it. As a young child, I believed that most sets of parents looked like mine — a Korean man, a white woman — and it never registered to me that other parents looked different, or that their love could be something culturally undesirable.

But as I have moved through 32 years of looking at myself in the mirror, a time in which the vast majority of interracial couples I have known have looked nothing like my parents, I have come to see their love as something rare. Most men in interracial couples I have encountered do not look like my dad. They do not have his skin tone, or his combination of dark hair and dark eyes. My mom often tells me stories about when she began dating my father in suburban New Jersey in the 1970s, and I could only infer from her stories that her predominantly white community felt confused and unsure why a white woman would find an Asian man attractive.

I learned, slowly, painfully, over the course of my life that most people shared the opinion of my mother’s community. I know this, because I look like my father.

When I look in the mirror, I do not see someone that I understand to be handsome by Western standards. I look mostly Asian, and like so many other heterosexual Asian males before me, I have internalized a lifetime of believing that my features, my face, my skin tone, in tandem, make me unattractive and undesirable…

Read the entire article here.

The New York Times and NPR Are Still Clueless About Latinos

Alisa Valdes: Official Website for Writer and Producer Alisa Valdes
2014-01-03

Alisa Valdes

More than a decade ago, when I worked as a staff writer for two of the nation’s top newspapers (The Boston Globe and the LA Times), I was often disappointed to see my fellow writers and editors using the words “Hispanic” or “Latino” as physical descriptors. They seemed to believe the US Census category of Hispanic/Latino to denote physical, “racial” characteristics, in spite of race itself being entirely a social construct with no basis in genetic or scientific fact, and in spite of the United States Census Bureau itself stating clearly that “Hispanics may be of any race.”

Put in simpler terms, Latin America is as “racially” or physically diverse as the United States as a whole. There is no single “type” or “race” of human being in Latin America, and as a result Latinos are “racially”/physically as diverse as the United States population as a whole — or as the entirety of humanity…

Read the entire article here.

For Key And Peele, Biracial Roots Bestow Special Comedic ‘Power’

Fresh Air
National Public Radio
2013-11-20

Terry Gross, Host

Keegan-Michael Key and Jordan Peele are the duo behind the Comedy Central sketch comedy show Key & Peele. Each has a white mother and black father, and a lot of their comedy is about race: Perhaps because they’re biracial, they’re perfectly comfortable satirizing white people and African-Americans — as well as everybody else. The New Yorker’s TV critic Emily Nussbaum describes their biracialism as a “Golden Ticket to themes rarely explored on television.”

Peele tells Fresh Air’s Terry Gross, “I think the reason both of us became actors is because we did a fair amount of code switching growing up, and still do.”

Key and Peele met in Chicago, where they were part of the improv scene, and later worked together on the sketch comedy series MADtv. Their current show on Comedy Central wraps up its third season on Dec. 18, and has been renewed for a fourth.

Key and Peele tell Gross the stories behind some of their sketches, and their feelings about Saturday Night Live’s lack of female African-American cast members…

Read the entire article here. Listen to the story here. Download the audio here. Read the transcript here.

Seeing Opportunity In A Question: ‘Where Are You Really From?’

Morning Edition
National Public Radio
2013-11-11

Renee Montagne, Host

Steve Inskeep, Host

Michele Norris, Host/Special Correspondent

NPR continues a series of conversations about The Race Card Project, where thousands of people have submitted their thoughts on race and cultural identity in six words. Every so often NPR Host/Special Correspondent Michele Norris will dip into those six-word stories to explore issues surrounding race and cultural identity for Morning Edition.

“Where are you from?”

“No, really, where are you from?”

Those questions about identity and appearance come up again and again in submissions to The Race Card Project. In some cases, Norris tells Morning Edition‘s Steve Inskeep, people say it feels accusatory — like, ‘Do you really belong?’

It’s also a question that Alex Sugiura, because of his racially ambiguous appearance, can’t seem to escape.

Sugiura, 27, is the child of a first-generation Japanese immigrant father and a Jewish mother of Eastern European descent. Sugiura’s brother Max looks more identifiably Asian, but when people meet Alex, they’re often not satisfied to hear that he’s from Brooklyn…

Read the article here. Listen to the story here. Download the audio here. Read the transcript here.

Holding Onto The Other Half Of ‘Mixed-Race’

the race card project: six word essays
Morning Edition
National Public Radio
2013-10-14

Steve Inskeep, Host

NPR continues a series of conversations about The Race Card Project, where thousands of people have submitted their thoughts on race and cultural identity in six words. Every so often NPR Host/Special Correspondent Michele Norris will dip into those six-word stories to explore issues surrounding race and cultural identity for Morning Edition.

Again and again, The Race Card Project receives submissions dealing with mixed-race identity; from a child of a mixed-race union, from a parent of mixed-race children or from someone who is trying to figure out how to identify a mixed-race student or colleague, for example.

Those kinds of stories are the largest single category of six-word submissions the Race Card Project receives, says Michele Norris, who curates the project. Many of these entries have a lot to do with labels and identity.

Wilma Stordahl, a Seattle resident who’s an account manager for a national landscape company, offered one such submission: “Norwegian with Nappy Hair Doesn’t Fit.“…

Read the article here. Listen to the story here. Read the transcript here.

Sugar Pie DeSanto: After 50 Years, ‘Go Going’ Strong

Fresh Air from WHYY [Philadelphia]
National Public Radio
2010-07-29

Terry Gross, Host

Ed Ward, Rock Music Commentator

Ace Records

Sugar Pie DeSanto was born in Brooklyn in October 1935, and was christened Umpeleya Marsema Balinton. Her father was Filipino, her mother African-American. Her mother had been a concert pianist, but DeSanto says her father couldn’t carry a tune in a bucket. He moved the family to San Francisco when Peliya, as they called her, was 4, and soon enough, the young girl discovered dancing and singing and made a fast friend with a neighbor named Jamesetta Hawkins, who was a member of a girl gang called the Lucky 20’s.

Hawkins wound up in jail for her gang activities, and when she got out, she formed a singing group with one of Peliya’s younger sisters. Peliya looked on in envy as Hawkins was discovered by bandleader Johnny Otis and re-christened Etta James. She started entering talent contests in San Francisco, and won so often, they told her to stop entering. At another talent contest in L.A., Otis saw her again and offered to record her. He made good on his offer, and gave her a stage name, too: Little Miss Sugar Pie…

Read the story here. Listen to the story here. Read the transcript here.

A Family Tree That Includes Slaves — And Slave Owners

Tell Me More
National Public Radio
2013-08-15

Celeste Headlee, Host

Part of our summer reading series Island Reads, highlighting authors from the Caribbean

Andrea Stuart was curious about her family’s history in Barbados. And through years of careful research, she found that her bloodline includes both slave owners and slaves. She has written about her own family, as well as a detailed history of slavery in the Caribbean, in her book Sugar in the Blood. Guest host Celeste Headlee talks with Stuart about her family history, the moral complexity of slavery and finding roots in the past.

Interview Highlights

On the founder of a mixed-race dynasty:

“When I read about George Ashby, or rather, wrote about him, I remember thinking, ‘My goodness. What bravery it must have taken to take this huge step to leave England, in his case, to go to the New World.’ I mean, in those days the journey itself was so traumatic and long, the chances of being killed by raiders or pirates — everything was so difficult about this journey, and then to kind of confront this untrampled land, where at least half of the early settlers died just because things were so difficult. It seemed to me that he was extraordinarily brave. But then his generation and the subsequent generations make this terrible mistake. They become slave owners, and therefore become part of the whole institution of slavery. So I am deeply ambivalent about him. I admire him on one hand, and I lament him on the other.”…

Listen to the story here. Download the audio here. Read the transcript here.

Obama Warms To Speaking Personally About Race

Weekend Edition Saturday
National Public Radio
2013-08-13

Linda Wertheimer, Senior National Correspondent and Host

Ari Schapiro, White House Correspondent

On race, Barack Obama often says he is not president of black America, but of the United States of America. Though he has not avoided the subject during his time in office, he tends not to seek out opportunities to discuss racial issues.

“He wanted to address them in a time and a way that accomplished specific objectives,” says Joshua Dubois, who ran the White House’s faith-based initiatives during Obama’s first term.

Obama addressed race most comprehensively in a Philadelphia speech during his first presidential campaign, after incendiary sermons by the pastor Jeremiah Wright came to light. “Race is an issue that I believe this nation cannot afford to ignore right now,” he said.

A handful of other events followed in the next four years, including a White House “beer summit” between a black Harvard professor and a white police officer; and the occasional commencement address at a historically black college.

Sherrilyn Ifill, who leads the NAACP Legal Defense Fund, believes Obama’s posture is typical for African-Americans who lead racially diverse groups. “It’s not as though many of us relish wading into issues of race,” she says. “We often feel we must, or we feel compelled to, but very few of us are eager to do it, and certainly I think the president was not eager to do it.”…

…During his recent travels through Africa, Obama talked repeatedly and explicitly about the significance of his skin color. “As an African-American president, to be able to visit this site I think gives me even greater motivation in terms of defense of human rights around the world,” he said at a slave port in Senegal…

Listen to the story here.  Download the audio here. Read the entire transcript here.

‘Americanah’ Author Explains ‘Learning’ To Be Black In The U.S.

Fresh Air from WHYY
National Public Radio
2013-06-27

Terry Gross, Host

When the novelist Chimamanda Ngozi Adichie was growing up in Nigeria she was not used to being identified by the color of her skin. That changed when she arrived in the United States for college. As a black African in America, Adichie was suddenly confronted with what it meant to be a person of color in the United States. Race as an idea became something that she had to navigate and learn.

The learning process took some time and was episodic. Adichie recalls, for example, an undergraduate class in which the subject of watermelon came up. A student had said something about watermelon to an African-American classmate, who was offended by the comment.

“I remember sitting there thinking, ‘But what’s so bad about watermelons? Because I quite like watermelons,’ ” Adichie tells Fresh Air’s Terry Gross.

She felt that her African-American classmate was annoyed with her because Adichie didn’t share her anger — but she didn’t have the context to understand why. The history of the trans-Atlantic slave trade was not taught to students in Nigeria. Adichie had yet to learn fully about the history of slavery — and its continuing reverberations — in the U.S.

“Race is such a strange construct,” says Adichie, “because you have to learn what it means to be black in America. So you have to learn that watermelon is supposed to be offensive.”

Adichie is a MacArthur Fellowship winner and author of the novels Purple Hibiscus and Half of A Yellow Sun. Her new novel, Americanah, explores this question of what it means to be black in the U.S., and tells the story of a young Nigerian couple, one of whom leaves for England and the other of whom leaves for America.

The title, she says, is a Nigerian word for those who have been to the U.S. and return with American affectations.

“It’s often used,” she says, “in the context of a kind of gentle mockery.”…

Read the transcript here. Listen to the interview here. Download the interview here.

Coming Out As Black, When You Were Hispanic

Tell Me More
National Public Radio
2013-06-06

Celeste Headlee, Guest Host

High school senior Elaine Vilorio wrote that she started seriously contemplating her blackness when she stopped straightening her hair.
Elaine Vilorio

Teen Elaine Vilorio spent years trying to make sense of her racial identity. She describes herself as Hispanic, but other people see her as black. Vilorio speaks to guest host Celeste Headlee about her recent HuffPost Teen blog, ‘Coming Out As Black.’

This is Tell Me More from NPR News. I’m Celeste Headlee. Michel Martin is away. Coming up, a celebrity chef shares some tasty summertime recipes and juicy stories about his clients. But first, we’ll turn to the issue of race and identity. The question of, what am I, is one that a lot of teens ask themselves and the answer can be quite complicated for multiracial kids.

It’s something that Elaine Vilorio has thought a lot about. She’s a high school senior, originally from the Dominican Republic. Over the course of her life, people assumed she was black and that bothered her. But two years ago, after she stopped chemically straightening her hair, the change in her appearance made her rethink her roots. She wrote about that in a Huffington Post piece titled “Coming Out as Black,” and Elaine Vilorio is now here to tell us more. Welcome to the program, first of all.

ELAINE VILORIO: Thank you, I’m happy to be here.

HEADLEE: First of all, let me ask you, why did you phrase it that way, coming out as black?

VILORIO: Well, people have always asked me, you know, like you said, you know, if I was black consistently, and I’ve always denied that. So I thought that was a very fitting way, a very dramatic way to say that I finally have admitted, you know, this Afro identity, so to speak, when it’s always been there. Coming out, I finally can say it out loud, and I can finally explain to people, yes, I have African roots in me and that’s okay.

HEADLEE: Well, when you talk about racial identity, it’s something you’ve written about quite a bit as well.

VILORIO: Yes.

HEADLEE: What is racial identity for you? Is it about the way you see yourself or how others see you?

VILORIO: I mean, it’s a combination of both. I think people perceive me and they separate Afro-descendancy from, you know, the Hispanic identity. Hispanic identity doesn’t really take into account that African racial root. You know, I see myself as a predominantly black Hispanic. And then other people, you know, they just see a mixed person, just mixed. Blackness isn’t really, you know, acknowledged…

Read the transcript here.  Listen to the interview here.  Download the interview here.