Mixed Race Studies

A Mother’s Love: Stories of Struggle, Sacrifice, Love and Wisdom

The Root
2014-05-11

Breanna Edwards

Journalist Alysia Steele’s explores the “jewels in the Mississippi Delta” who held it down for their families through decades of strife and racial struggle.

It’s Mother’s Day weekend, and many of us may feel the keen absence of the women who meant the most to us.

How many times have you wished you could turn back the hands of time and have one more conversation with one of the most influential women of your life? Maybe have notes of memorable anecdotes they shared?

This was one of Alysia Steele’s biggest regrets concerning her paternal grandmother, Althenia A. Burton, who died 20 years ago. Since then, the memory of her grandmother has stayed with Steele, never fading, and ultimately culminating in the conception of her current project, a book proposal, “Jewels in the Delta,” that has gained interest from publishers.

“I have a huge sense of regret that as a trained journalist I never had the foresight to get her story and I’ll never hear her voice again, and I can’t even tell you how much that hurts me,” Steele tells The Root.

Steele has interviewed about 47 women and is conducting the last of what will be a total of 50 interviews in the coming days. The project has taken her approximately 11 months to complete and countless hours of recording, transcribing, coaxing and traveling. It’s been hard work, to be sure, but to Steele the end goal has been more than worth it.

“How many of us stop and talk to our grandparents to get to their stories? To really ask them the questions that are hard?” she adds…

…In an excerpt from Steele’s book proposal, Virginia Hower, 93, shared how she “felt dirty” because of her ability to pass for white in a segregated society.

It was horror. You felt bad because you couldn’t be with your grandmother or your grandfather. You just accepted it. I couldn’t be with them because they were darker. Sometimes you felt bad because you could ride in a clean coach and just to think that your grandmother couldn’t kiss you as you stepped off the train. But they accepted it, so why not enjoy the clean train? And then when I got down on the streets, we all kiss and carry on. Those was happy moments. And then you got to thinkin’ how foolish this life is, how foolish. Then you got to thinkin’ about it and say take advantage of it and a lot of people down here in Clarksdale, they went to Chicago in ’41 and never revealed they were colored.

So many fascinating stories from unassuming women who had nothing but love for their respective husbands and children and who never really spoke about the troubles and trials they had endured…

Read the entire article here.

Stunning Portraits of Mixed-Race Families

Slate
2014-06-24

David Rosenberg, Editor of Slate’s Behold blog

Fascinated by the evolution of identity, the photographer Cyjo, who styles her name CYJO, has created a series of portraits that examines how race, ethnicity, and heritage contextualize a person as an individual, and how they coexist within the framework of a family.

Cyjo identifies herself as a Westerner of Korean ethnicity (she was born in South Korea and raised in the United States) and photographed the series “Mixed Blood” from 2010–13 in both New York and Beijing. She has explored the dynamic between individual and collective identities in her previous work via a more abstract approach, but, with “Mixed Blood,” she uses the more literal approach of portraiture.

Over time, as humans migrate and change environments, the definition of identity has evolved to adjust to a broader definition of race and ethnicity. Cyjo pointed out that, in 2000, the United States Census for the first time allowed people to choose more than one identifier when noting their race. Almost 7 million people chose to count themselves as mixed race, a number that has continued to grow over the past decade and a half…

Read the article and view the photo essay here.

‘Mixed Blood’

Ecns.cn: The Official English-language website of China News Service
2014-06-05

To many, the US is no doubt a cultural melting pot as over the years people from various ethnic backgrounds have inhabited the land and collectively created an all new culture. Yet, all the way on the other side of the Earth, a similar situation seems to be emerging in China. Through images seen at the exhibition for Mixed Blood at the Today Art Museum in Beijing, visitors will have the chance to glimpse these changes for themselves.

Cosponsored by the US Embassy in Beijing and the Today Art Museum, the Beijing exhibition for Mixed Blood features photographs and documents created by artist CYJO from 2010 to 2013 documenting 19 families of mixed ethnicities, races and cultures living in Beijing and New York.

In the photographs, family members stand in their own homes in a line with arms at their sides, while next to the photographs are introductions explaining the background of each family member and the story of their family.

Standing in the exhibition hall, these photographs don’t just provide a clear image of the life of “mixed families” commonly seen in big cities, but also raise the question: “How far has our society progressed when it comes to ethnicity and race?”…

Read the entire article here.

Kaneesha Parsard on (1)ne Drop and the Multiplicity of Blackness

Climbing Vines: A Collection of Short Stories
2014-05-01

Janday Wilson

When you think of blackness what do you see? Dr. Yaba Blay’s multiplatform project (1)ne Drop and book (1)ne Drop: Shifting the Lens on Race complicate the answers to that question. In the book, visually stunning portraits and candid personal testimonies, presented along with historical conceptions of race, challenge the rigid notion of what blackness is.

Kaneesha Parsard (Penn ’11) was one of (1)ne Drop’s incredibly forthcoming contributors whose profile shed light on her mixed African and East Indian heritage and the privileges and challenges that are tied to her physical appearance – but her interest in race extends beyond her participation in this project. Currently a doctoral student in the combined program in American Studies and African American Studies (and doing a qualification in Women’s, Gender, and Sexuality Studies) at Yale University, her research examines the literary and artistic representations of the late 19th century and early 20th century colonial British West Indies and the ways in which the descendants of enslaved Africans and indentured Indians shared spaces and frustrated the colonial management of bodies, dwellings, and reproduction. And by the time you read this, she will have already submitted the prospectus for her dissertation, “Improper Dwelling: The Yard, The House, Sexuality and Colonial Modernity, 1838-1962.”

Read Climbing Vines’ conversation with Kaneesha to learn about her experience with (1)ne Drop, her thoughts on black beauty and self-image and to find out her plans for the future.

How did you get involved with (1)ne Drop?

I did the interview in the summer of 2011 … after I graduated from Penn. Yaba Blay, [Co-Director of] Africana Studies at Drexel – who got her PhD from Temple [University] in African American Studies – got in contact with me, I believe through Salamishah Tillet [Associate Professor of English at the University of Pennsylvania], who is one of my very close mentors. I think Salamishah recommended me for the book. She came to my house and that’s where we did the interview. And then we followed it up a couple weeks later with a photo shoot in downtown Brooklyn. It was really beautiful to see the ways that Yaba and her partner in the project, Noelle Théard, who is a photographer, sought to visualize the themes I was talking about in my interview with different settings and colors…

Read the entire interview here.

GalleryDAAS: Photographs by Ed West

University of Michigan
G648 Haven Hall
505 S State Street
Ann Arbor, Michigan 48109
2014-03-13 through 2014-05-02
Opening Reception: 2014-03-14, 17:30-20:00 CDT (Local Time)

Hosted by the Department of Afroamerican and African Studies (DAAS)

GalleryDAAS presents So Called, a photography series by award-winning artist and U-M professor Edward West. Curated by Franc Nunoo-Quarcoo, So Called is a transnational project about multi-ethnic identities in three locations: Honolulu, Hawaii, Havana, Cuba and Cape Town, South Africa. The series includes photographic portraits of individuals drawn from these communities and focuses on the issue of race, specifically the mixing of races and its social complexities. While the mixing of races has long been a consequence of diasporic/nomadic history, we have only recently found a place in our cultural imaginary for a fuller representation of these collective and individual identities and destinies. The introduction of a mixed race category on the U.S. census, literary and filmic treatments of racialized lives, the emergence of postcolonial studies, all suggest an expanded space for the reception of ideas and issues concerning creolization. See GalleryDAAS here.

A practicing artist for more than 30 years, Edward West’s creative work includes photography, collage, and installation. His exhibitions include installations at the Smithsonian Institution, the Detroit Institute of Arts, the Brooklyn Museum of Art, the Museum of Contemporary Photography in Chicago, the Art Institute of Chicago, the Rose Art Museum in Boston, the Honolulu Academy of Arts, the Corcoran Gallery of American Art, and the University of Michigan Museum of Art.

For more information, click here.

The Mixed Marriage

The New York Times
2014-01-11

Interview by Lise Funderburg

Lise Funderburg, a journalist, interviewed Yael Ben-Zion, a photographer raised in Israel, about her new book, “Intermarried,” published by Kehrer, which features families from the Washington Heights neighborhood where she lives with her French husband and 5-year-old twins.

Q. What inspired this project?

A. I saw an Israeli television campaign that showed faces on trees and bus stops, like missing children ads. A voice-over said, “Have you seen these people? Fifty percent of young Jewish people outside of Israel marry non-Jews. We are losing them.” I happen to be married to a person who is not Jewish. And, so for me it was, “Aah, they’re losing me.” I’m not religious, but this campaign made me wonder more generally why people choose to live with someone who is not from their immediate social group, and what challenges they face.

Q. How did you establish your taxonomy for what qualified as mixed?

A. I wasn’t going to go in the street and ask couples if they were mixed. I didn’t grow up here; I didn’t even know what terminology to use. But I live in a very diverse Manhattan community that has an online parent list with more than 2,000 families on it. I put up an ad saying I was looking for couples that define themselves as mixed. I said it could be different religion, ethnicity or social background. I didn’t use the word race, because I wasn’t sure how politically correct that was. All the couples who responded are either interfaith or interracial or both, but my goal from the beginning wasn’t to create some statistical visual document. For example, I have hardly any Asian people, and I don’t think there are any Muslims, and the reason is that they didn’t approach me…

Read the entire interview and view the slide shows here.

Intermarried

Kehrer Verlag Heidelberg
2013
128 pages
57 color ills.
24 x 29.5 cm
English
Hardcover ISBN 978-3-86828-418-8

Photography by: Yael Ben-Zion

Text by: Amy Chua, Maurice Berger, Yael Ben-Zion

Yael Ben-Zion uses photography and text to reflect on intermarriage.

Following her award-winning monograph 5683 miles away (Kehrer 2010), in Intermarried Yael Ben-Zion fixes her camera on another personal but politically charged theme: intermarriage. Ben-Zion initiated the project in 2009 by contacting an online parent group in Washington Heights, her Manhattan neighborhood, inviting couples who define themselves as “mixed” to participate. Her own marriage “mixed,” she was interested in the many challenges faced by couples who choose to share their lives regardless of their different origins, ethnicities, races or religions.

Through layered images and revealing texts (including excerpts from a questionnaire she asked her subjects to fill out), Intermarried weaves together fragments of reality to compose a subtle narrative that deals with the multifaceted issues posed by intermarriage.

Professor shifts the lens on race through portraiture, new book

FIU News
Florida International University
2014-01-02

Evelyn Perez

What is blackness? What does it mean to be black? Is blackness a matter of biology or consciousness? Who and what determine who is black and who is not?

A new book by Yaba Blay, co-director of the Africana Studies Program at Drexel University, and Noelle Théard MA’10, adjunct professor in the FIU African and African Diaspora Studies Program, explores these questions and challenges society’s narrow perception of blackness and what it looks like. Titled (1)ne Drop: Shifting the Lens on Race, its name is a reference to the “one-drop rule” from the early 20th century, meaning that anyone with 1/32 of “African black blood” was black.

“Although we live in a ‘post-racial’ society with a president of mixed-race ancestry and a lot of strides have been made since the Civil Rights movement of the 1960s, we still live in a society where issues of race and racial identity are salient,” Théard said. “There is a tendency for folks to not want to have conversations pertaining to issues of race…

Read the entire article here.

One Drop, but Many Views on Race

The New York Times
2013-12-16

Maurice Berger, Research Professor and Chief Curator
Center for Art, Design and Visual Culture
University of Maryland, Baltimore County

In the 2010 census — when respondents could check more than one racial group — President Obama, the son of a black African father and a white mother, checked a single box: “Black, African-American or Negro.” Mr. Obama himself was unequivocal about it: “I self-identify as African-American — that’s how I am treated and that’s how I am viewed. And I’m proud of it.”

Yet the president’s words are nuanced: While he opts to classify himself as black, he implies that his racial identity is also contingent on how he is seen and treated by others in a nation prone to racial absolutes, no matter how he sees himself.

Those observations are among the provocative arguments presented by Yaba Blay in “(1)ne Drop: Shifting the Lens on Race” (BLACKprint Press), which examine what it means to be black. In it, she demonstrates how racial identity is not just biological or genetic but also a matter of context and even personal choice. It is revealing that the president’s definitive answer came after years of being dogged by outside doubters who questioned not just his race, but also his very nationality.

“(1)ne Drop” explores the intricate and fraught issue of race through the observations of 60 contributors from 25 countries who self-identify, at least partly, as black, even if they are not always seen as such because of light skin, facial features or interracial ancestry. Their words are accompanied by portraits by Noelle Théard and a team of photographers directed by her. The book challenges narrow conceptions about blackness, both as an identity and as an experience, and the stereotypes and rigid boundaries of color that continue to divide us…

…The books subject’s recount how their efforts to define themselves clashed with society’s imperative to assign neat racial categories in order to “make something that is fluid and uncertain more certain,” as a contributor, Deborah Thomas, noted. Some described the bewilderment and prying questions of acquaintances, co-workers and strangers attempting to discern their race. Others pointed to the social stigma of having complexions that are frustratingly — or insultingly — viewed as too dark or too light…

Read the entire review here.

Book Review of (1)ne Drop: Shifting the Lens on Race

The Skanner
Portland, Oregon, and Seattle, Washington
2013-12-10

Kam Williams

Yaba Blay and Noelle Théard (dir. of photography), (1)ne Drop: Shifting the Lens on Race (Philadelphia: BLACKprint Press, 2013)

Traditionally, in America, if you were just a teeny-weeny bit black, you’d always been considered black. This arbitrary color line was even codified by the Supreme Court decision in Plessy v. Ferguson, an 1896 case brought by an octoroon light enough to pass who sued for the right to sit in the “white only” section of a segregated train traveling through the South…

…This means that folks, who only a generation ago would’ve been forced to identify themselves simply as black, now feel much more freedom to avail themselves of an array of alternatives along the ethnic spectrum. (1)ne Drop: Shifting the Lens on Race is a collection of essays reflecting on racial identity by 60 introspective individuals who until relatively recently would’ve been labeled black in the eyes of the law.

This enlightening opus was edited by Dr. Yaba Blay, a professor of Africana Studies at Drexel University, and each contributor’s entry is accompanied by a proud portrait photographed by Noelle Théard, a professor at Florida International University. The book breaks down the contributors by three categories: “Mixed Black,” “American Black” and “Diaspora Black.”

Although “Black” Kathleen Cross has a black father and a white mother, she has resisted the invitations to join the “Multiracial Movement, which she sees as divisive. By contrast, Harlemite Jozen Cummings describes himself as “Mixed,” with parents who are Japanese, Puerto Rican and African-American…

Read the entire review here.