The Melanin Millennium: Skin Color as 21st Century International Discourse

Posted in Africa, Anthologies, Anthropology, Asian Diaspora, Books, Caribbean/Latin America, Identity Development/Psychology, Media Archive, Native Americans/First Nation, Philosophy, Social Science, Social Work, United Kingdom, United States on 2013-03-14 21:05Z by Steven

The Melanin Millennium: Skin Color as 21st Century International Discourse

Springer
2013
348 pages
32 illustrations
Hardcover ISBN 978-94-007-4607-7
eBook ISBN: 978-94-007-4608-4
DOI: 10.1007/978-94-007-4608-4

Edited by:

Ronald E. Hall, Professor of Social Work
Michigan State University

  • Addresses the issue of skin color in a worldwide context
  • Discusses the introduction of new forms of visual media and their effect on skin color discrimination
  • Touches up on the issue of skin bleaching and the Bleaching Syndrome

In the aftermath of the 60s “Black is Beautiful” movement and publication of The Color Complex almost thirty years later the issue of skin color has mushroomed onto the world stage of social science. Such visibility has inspired publication of the Melanin Millennium for insuring that the discourse on skin color meet the highest standards of accuracy and objective investigation.

This volume addresses the issue of skin color in a worldwide context. A virtual visit to countries that have witnessed a huge rise in the use of skin whitening products and facial feature surgeries aiming for a more Caucasian-like appearance will be taken into account. The book also addresses the question of whether using the laws has helped to redress injustices of skin color discrimination, or only further promoted recognition of its divisiveness among people of color and Whites.

The Melanin Millennium has to do with now and the future. In the 20th century science including eugenics was given to and dominated by discussions of race category. Heretofore there remain social scientists and other relative to the issue of skin color loyal to race discourse. However in their interpretation and analysis of social phenomena the world has moved on. Thus while race dominated the 20th century the 21st century will emerge as a global community dominated by skin color and making it the melanin millennium.

Contents

  • Preface
  • Chapter 1. The Bleaching Syndrome: Western Civilization vis-à-vis Inferiorized People of Color; Ronald E. Hall
  • Chapter 2. The Historical and Cultural Influences of Skin Bleaching in Tanzania;  Kelly M. Lewis, Solette Harris, Christina Champ, Willbrord Kalala, Will Jones, Kecia L. Ellick, Justie Huff and Sinead Younge
  • Chapter 3. Pathophysiology and Psychopathology of Skin Bleaching and Implicationa of Skin Colour in Africa; A. A. Olowu and O. Ogunlade
  • Chapter 4. An Introduction to Japanese Society’s Attitudes Toward Race and Skin Color; Arudou Debito
  • Chapter 5. The Inconvenient Truth of India, Caste, and Color Discrimination; Varsha Ayyar and Lalit Khandare
  • Chapter 6. Indigeneity on Guahan: Skin Color as a Measure of Decolonization; LisaLinda Natividad
  • Chapter 7. A Table of Two Cultures; Eneid Routté-Gómez
  • Chapter 8. Where are you From?; Stéphanie Cassilde
  • Chapter 9. Social Work Futures: Reflections from the UK on the Demise of Anti-racist Social Work and Emerging Issues in a “Post-Race'” Era; Mekada J. Graham
  • Chapter 10. Shades of Conciousness: From Jamaica to the UK; William Henry
  • Chapter 11. Fanon Revisited: Race Gender and Colniality vis-à-vis Skin Color; Linda Lane and Hauwa Mahdi
  • Chapter 12. Pigment Disorders and Pigment Manipulations; Henk E. Menke
  • Chapter 13. Skin Color and Blood Quantum: Getting the Red Out; Deb Bakken and Karen Branden
  • Chapter 14. The Impact of Skin Color on Mental and Behavorial Health in African American and Latina Adolescent Girls: A Review of the Literature; Alfiee M. Breland-Noble
  • Chapter 15. Characteristics of Color Discrimination Charges Filed with the EEOC; Joni Hersch
  • Chapter 16. The Consequences of Colorism; Margaret Hunter
  • Chapter 17. Navigating the Color Complex: How Multiracial Individuals Narrate the Elements of Appearance and Dynamics of Color in Twenty-first Century America; Sara McDonough and David L. Brunsma
  • Chapter 18. The Fade-Out of Shirley, a Once-Ultimate Norm: Colour Balance, Image Technologies, and Cognitive Equity; Lorna Roth
  • Chapter 19. What Color is Red? Exploring the implications of Phenotype for Native Americans; Hilary N. Weaver
  • Chapter 20. From Fair & Lovely to Banho de Lua: Skin Whitening and its Implications in the Multi-ethnic and Multicolored Surinamese Society; Jack Menke
  • Chapter 21. Affirmative Action and Racial Identityin Brazil: A Study of the First Quota Graduates at the State University of Rio de Janneiro: Vânia Penha-Lopes
  • Index
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Children of the Occupation

Posted in Audio, History, Media Archive, Oceania on 2013-03-11 17:48Z by Steven

Children of the Occupation

Radio National
Big Ideals
Australian Broadcasting Corporation
2013-03-11

For a decade following the end of the Second World War, foreign troops occupied Japan.  During that time, thousands of mixed race children were born, the result of relationships between the occupying servicemen – Australians, Americans, Brits – and Japanese women.  What became of those children after their fathers returned home?  Former ABC Tokyo based correspondent, Walter Hamilton, has been finding out.

Listen to the episode here. Download the episode here.

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Hafu: The Film

Posted in Asian Diaspora, Census/Demographics, Identity Development/Psychology, Media Archive, United States, Videos on 2013-01-31 19:37Z by Steven

Hafu: The Film

Hafu: The Film
2013-01-30

Megumi Nishikura, Director, Producer and Cinematographer

Lara Perez Takagi, Director, Producer and Cinematographer

Marcia Yumi Lise, Thematic Advisor

Jilann Spitzmiller, Executive Producer

Aika Miyake, Editor

Winton White, Music

Dear Friends,

A belated happy new years to you! We have been quietly busy these past few months but have many great announcements to share with you.

Our first screening date has been set! On April 5th we will be screening at the Japan American National Museum in Los Angeles. Filmmakers Lara and Megumi will be present at the post-screening discussion afterwards. Seats are limited so RSVP your spot today.

The screening is part of the 5-day Hapa Japan Festival, which celebrates the stories of the growing number of mixed-Japanese in the US. For those in Los Angeles area this event is not to be missed!…

For more information, click here.

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Race as International Identity? ‘Miscegenation’ in the U.S. Occupation of Japan and Beyond

Posted in Articles, Asian Diaspora, History, Media Archive, United States on 2013-01-13 18:39Z by Steven

Race as International Identity? ‘Miscegenation’ in the U.S. Occupation of Japan and Beyond

Amerikastudien / American Studies
Volume 48, Number 1, Internationalizing U.S. History (2003)
pages 61-77

Yukiko Koshiro

The article attempts to retrieve the story of the little-known fate of so-called mixed-blood children, those born to American GIs and Japanese women in the aftermath of World War II, which had long vanished in a confluence of American and Japanese historical narratives. By shedding new light on the convergence of American and Japanese racisms and especially their mutual taboo on miscegenation, the article chronicles American and Japanese obsessions with “racial purity” as a national ideology during and after the U.S. Occupation of Japan. While the article highlights the adverse impact of racist thinking, its primary attempt is to break the silence on the mutual issue of miscegenation and provide a prelude to the story as part of a mainstream narrative of both nations. Only by internationalizing history is it possible to trace a nation’s trans-national Odysseys and relate them to American and Japanese postwar history. Furthermore, the article refers to cases of bi-racial children born in West Germany during and after U.S. Occupation, thus suggesting the extension of the study on the basis of empirical sources from Europe.

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Dismantling the Race Myth

Posted in Anthropology, Asian Diaspora, Forthcoming Media, Health/Medicine/Genetics, History, Identity Development/Psychology, Law, Literary/Artistic Criticism, Live Events, Politics/Public Policy, United States on 2012-12-07 16:20Z by Steven

Dismantling the Race Myth

Kyoto International Conference Center
Kyoto, Japan
2012-12-15 through 2012-12-16


Poster (PDF, Japanese)

Institute for Research in Humanities, Kyoto University presents International Symposium.
 
“Race” still has social reality even though it has no biological reality. This symposium aims to dismantle the race myth by bringing together scholars in a wide range of disciplines from Japan and abroad. While race studies have hitherto been confined to trans-Atlantic experiences, we will shed lights on “invisibility,” “ambiguity,” and “in-between-ness” with special reference to Japanese and Asian experiences.

Schedule

  • Saturday, December 15, 2012
    • Part I. Invisibility: Representation of Invisible Race
      • Takashi Fujitani (Toronto University) / Appearances Can Be Deceiving: Tennosei, Global Modernity, and the Anxieties of Ocular-centric Racism
      • Ayako Saito (Meiji Gakuin University) / Note on the Film Representation of the “Hisabetsu Burakumin”
      • Joong-Seop Kim (Gyeongsang National University) / The Formation of an Invisible Race: the case of the Korean “Paekjong”
      • Ariela Gross (University of Southern California) / Laws of Blood: The Science and Performance of Race in U.S. Courtrooms
      • Relay Talk and Poster Session by Junior Researchers
      • Social Hour
  • Sunday, December 16, 2012
    • Part II. Knowledge: Co-production of Science and Society
      • Arnaud Nanta (Centre National de la Recherche Scientifique) / Critique on the Idea of “Race” in French Anthropology, 1930s-1940s
      • Wataru Kusaka (Kyoto University) / American Colonial Public Health and the Leprosy Patients’ Revolt: Discipline and Desire on Culion Island, Philippines
      • Miho Ishii (Kyoto University) / Blood, Gifts, and “Community” in India: Betwixt and Between Marking and Anonymisation
      • Yasuko Takezawa (Kyoto University), Kazuto Kato (Osaka University), Hiroki Oota (Kitazato University) / Population Descriptors in Genetic Studies and Biomedicine
    • Part III. Hybridity: Beyond the Politics of “Blood”
      • Ryuichi Narita (Japan Women’s University) / Politics of “Mixed Race” in Modern Japan
      • Mika Ko (Rikkyo University) / Cinematic Representations of “Mixed-Race” People in 1930s Japanese Cinema: The Two Faces of Japan’s Modernity
      • Masako Kudo (Kyoto Women’s University) / Border-crossing and Identity Construction by Children of Japanese-Pakistani Marriage
      • Duncan Williams (University of Southern California) / Japan and Its Global Mixed Race History

This is part of a joint research project, a Japan-based Global Study of Racial Representations with Grants-in-Aid for Scientific Research (S). The organizers are grateful to Japan Society for the Promotion of Science for its sponsorship of this event. We are also thankful to Science Council of Japan for their support.

For more information, click here.

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The Modern Girl and the Vamp: Hollywood Film in Tanizaki Jun’ichirô’s Early Novels

Posted in Articles, Asian Diaspora, Literary/Artistic Criticism, Media Archive on 2012-12-05 22:23Z by Steven

The Modern Girl and the Vamp: Hollywood Film in Tanizaki Jun’ichirô’s Early Novels

positions: asia critique
Volume 20, Number 4 (2012)
pages 1067-1093
DOI: 10.1215/10679847-1717672

Deborah Shamoon, Assistant Professor of Japanese Studies
National University of Singapore

Chijin no ai (Naomi, 1924) and Nikukai (A Lump of Flesh, 1923), by Tanizaki Jun’ichirô, were seminal texts in forming the image of the “modern girl” in Japan in the 1920s. In both novels, Hollywood actresses famous for playing vamp roles are central to the construction of the modern girl character. The title Chijin no ai references the Japanese title of the US film A Fool There Was (1915), starring Theda Bara as the prototypical vamp. In a US context, the vamp character embodies not only the threat of the sexual woman but also anxieties surrounding racial mixing. In importing the vamp narrative to a Japanese context, Tanizaki reproduces this racial tension. This article examines the actresses, including Mary Pickford, Gloria Swanson, Bebe Daniels, and others, that Tanizaki uses as models for the modern girl in these two novels. The existing narrative of the Hollywood vamp informs Tanizaki’s description of the modern girl, even as that narrative is necessarily transformed in a Japanese context. Furthermore, Tanizaki in both novels also employs a narrative voice that evokes the filmic mode of seeing, including the close-up and montage. This article examines Chijin no ai and Nikukai as intersections of filmic and novelistic modes of narrative. Tanizaki’s fascination with the new technology of cinema inspired him to experiment with new modes of narrative and intertextuality in prose fiction. However, his use of the cinematic mode of narrative, as well as the vamp character, also results in the highlighting of white/nonwhite racial tension and an attraction/repulsion toward racial impurity.

Read or purchase the article here.

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Josephine Baker: A Chanteuse and a Fighter

Posted in Articles, Asian Diaspora, Biography, Media Archive, Women on 2012-11-23 20:07Z by Steven

Josephine Baker: A Chanteuse and a Fighter

The Journal of Transnational American Studies
Volume 2, Number 1 (2010)
18 pages

Konomi Ara
Tokyo University of Foreign Studies

This excerpt is from her newly-published biography of Josephine Baker, “A Fighting Diva.” It tells the intriguing story of Baker’s travels to Japan, her close friendship with the Japanese humanitarian Miki Sawada, and her adoption of a pair of Japanese orphans. Even after she achieved celebrity in France, Baker’s experience as a Black American led her to develop an antiracist philosophy at a worldwide level, and she combined political militancy in the public sphere with a personal commitment through the formation of an international multiracial household of children, the “Rainbow Tribe.”

Introduction: The Adoption of an Occupation Baby

Over half a century ago, in 1954, an African-American known as ‘The Amber Queen’ visited Japan. She was Josephine Baker (1906–1975), the dancer and singer who had
leaped to fame in Paris in the 1920s. The newspaper Asahi Shinbun described the feverish welcome she received on her first visit to the country:

“The amber-skinned singer Josephine Baker arrived from Paris on an Air France flight into Tokyo Haneda Airport at 9.40pm on the 13th. She has come to give fundraising performances for the abandoned mixed-race children of the Elizabeth Sanders Home in Oiso in Kanagawa Prefecture. The airport was thronged with many fans, including young women and black American soldiers, who had flocked in spite of the fine rain. Dressed in a black suit and a blue overcoat, Mrs Baker was greeted in the lobby by the director of the Sanders Home, Mrs Miki Sawada, the First Secretary of the French Embassy Monsieur Travis and the Daiei Studio actress Noboru Kiritachi among others. When two children from the Sanders Home, seven-year-olds Toshikazu Sato and Misao Kageyama, presented her with a bouquet, she gave the half-black boy and girl affectionate kisses on the cheeks. When she greeted all who had gathered, her voice was unexpectedly youthful for a 47 year old: ‘This is my first visit to Japan. Nothing could make me happier.’ She then headed for the Imperial Hotel with her pianist Milos Bartek and two others.” (14th April 1954)

As the article states, the purpose of Josephine’s visit to Japan was to give charity performances in support of abandoned mixed-race children. She had been invited by her friend Miki Sawada, the director of the Sanders Home, who was caring for the children known as ‘Occupation Babies’. The proceeds from Josephine’s performances around Japan would fund the construction of a boys’ dormitory at the Elizabeth Sanders Home, Baker Hall, and it still stands today although its use has changed. Josephine’s name and her words are carved at the bottom of a pillar on one of the corners of the building.

However, Josephine had a more important personal reason for her visit: she was going to adopt a child from the Home. Indeed, upon her arrival at the airport she asked Miki: “Where is my child?” and she was keen to meet the boy whom it was already agreed she would adopt. So Miki changed their plan, which was for Josephine to meet the child, Akio Yamamoto, three days later at the Elizabeth Sanders Home in Oiso, and instead took him to the Imperial Hotel the very next day. In the evening edition of Asahi Shinbun on the 14th, there is a photograph of a smiling Josephine holding Akio alongside an article headlined: “The First Meeting with Little Akio”.

Josephine subsequently visited the Elizabeth Sanders Home and adopted one more boy on the spur of the moment. Thus, the first two of Josephine’s 12 adopted children from different parts of the world and different cultural, religious and racial backgrounds, who would become known as The Rainbow Tribe, were from Japan. The youngsters would spend their childhoods at Josephine’s chateau, Les Milandes, in the Dordogne region of southwest France…

…This home for infants was founded in February 1948. The institution, which became well known as a home for mixed-race children, was a major project started by Miki Sawada. This eldest daughter of the Iwasaki family of the former Mitsubishi conglomerate, who had a privileged upbringing and who married the diplomat Renzo Sawada to become Miki Sawada, was moved by the problem of mixed‐race children in the wake of the War and decided to provide for such abandoned youngsters herself.

At its inception, Miki could not have imagined that the Home would turn into such a large-scale project with such longevity; but well over 1000 children subsequently arrived at and left this nest. Even today, the Home, a little altered, at any one time is home to almost 100 children whose birth parents have not been able to take care of them. Although the Home is no longer caring for ‘Occupation Babies’, the humanitarian spirit that forms the basis of its nurturing philosophy has not changed. One of the most powerful connections Miki formed was with the internationally famous African American performer Josephine Baker. Baker, who visited Japan for the first time in 1954, adopted two boys, Akio Yamamoto and Teruya Kimura, from among the mixed-race children known as ‘Occupation Babies’…

Read the entire article here.

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Drawn in Bloodlines: Blood, Pollution, Identity, and Vampires in Japanese Society

Posted in Asian Diaspora, Dissertations, History, Media Archive, Social Science on 2012-10-22 01:01Z by Steven

Drawn in Bloodlines: Blood, Pollution, Identity, and Vampires in Japanese Society

University of Texas, Austin
May 2012
117 pages

Benjamin Paul Miller

Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts

This thesis is an examination of the evolution of blood ideology, which is to say the use of blood as an organizing metaphor, in Japanese society. I begin with the development of blood as a substance of significant in the eighth century and trace its development into a metaphor for lineage in the Tokugawa period. I discuss in detail blood’s conceptual and rhetorical utility throughout the post-Restoration period, first examining its role in establishing a national subjectivity in reference to both the native intellectual tradition of the National Learning and the foreign hegemony of race. I then discuss the rationalization of popular and national bloodlines under the auspices of the popular eugenics movement, and the National Eugenics Bill. Then, I discuss the racialization this conception of blood inflicted on the Tokugawa era Outcastes, and its persistent consequences. Through the incongruity of the Outcastes ability to “pass” despite popular expectations that their blood pollution was visibly demonstrative, I introduce the notion of blood anxiety. Next, I address the conceptual and rhetorical role blood played in articulating Japan’s empire and imperial ambitions, focusing on the Theory of Common Descent and the Investigation of Global Policy with the Yamato Race as Nucleus report. I follow this discussion with a detailed examination of the postwar reconceptualization of national subjectivity, which demands native bloodlines and orthodox cultural expressions, and which effectively de-legitimized minority populations. As illustration of this point, I describe the impact of this new subjectivity on both the Zainichi and the Nikkeijin in lengthy case studies. Finally, I conclude this examination with a consideration of blood ideology’s representation in popular culture. I argue that the subgenre of vampire media allegorizes many of the assumptions and anxieties surrounding blood that have developed since the Restoration, and demonstrates the imprint of blood ideology on contemporary society.

Table of Contents

  • List of Tables
  • Introduction
    • Blood Matters
    • Thesis Organization
  • Chapter One: The Development of Blood as an Organizing Metaphor
    • The Blood Bowl Sutra and the Feminization of Blood Pollution
    • Sōtō Zen and the Dissemination of Blood Determinism
    • Lineage and a New Vocabulary
  • Chapter Two: Bloodlines in Modern Japanese Society
    • A State Without a Nation
    • The Formulation of the Family-State
    • Civil Code and Constitution
    • Eugenics and the Rationalization of Bloodlines
      • Race, Science, and the Introduction of Eugenic Thought
      • Popular Eugenics
      • State Eugenics
    • From Outcastes to Burakumin
      • Outcastness as Pollution
      • The Racialization of the Outcastes
      • Infiltration and Blood Anxiety
  • Chapter Three: The Empire
    • Blood-Kinship and Overseas Expansion
    • Imperial Manifesto
  • Chapter Four – Postwar Reconceptualization and the De-legitimization of Minority Populations
    • The Aesthetics of Ethnic Homogeneity
    • Blood and Culture
    • Zainichi
      • Colonial Koreans and Their Subjective Shift
      • Hereditary Foreigners
    • The Nikkeijin
      • Immigration and the Racially Homogenous State
      • The Sakoku-Kaikoku Debate
      • 1990 Immigration Control and Refugee Recognition Act
      • Culture Clash
  • Chapter Five – Blood Ideology in the Popular Media
    • The Vampire Boom
    • The Vampire as Blood Allegory
  • Bibliography
  • Vita

Read the entire dissertation here.

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Mixed Roots Japan ミックスルーツ・ジャパン: Towards a Japan Model of a Multicultural Society

Posted in Asian Diaspora, Forthcoming Media, Live Events, Social Science on 2012-10-14 21:04Z by Steven

Mixed Roots Japan ミックスルーツ・ジャパン: Towards a Japan Model of a Multicultural Society

The Mixed Roots Academic Forum is now in its third year, hosted by Osaka University GLOCOL and planned by Mixed Roots Japan. With the aim of promoting “firsthand social dialogue”, various panel discussions, performances, and short film screenings are organized.

In the absence of a formal academic recognition of the subject of mixed roots studies in Japan, we are especially working hard to connect various academics and the development of young researchers by providing them a venue for presentation. Out participation is not limited to the Kansai region—presenters and acdemics converge from as far as Okinawa, Sendai, and the United States.

We are also collaborating with the bi-annual Hapa Japan Conference organized by Prof. Duncan Williams (formerly at UC Berkley), which will be held at University of Southern California in April 2013.

Please email us for inquiries and RSVPs.

For more information, click here.

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Children of the Occupation

Posted in Articles, Asian Diaspora, History, Media Archive, Oceania on 2012-10-10 01:19Z by Steven

Children of the Occupation

NewSouth Publishing
2012-07-01

Walter Hamilton, Journalist and Author

Towards the end of an eventful life, George Budworth, who served with the Australian Army in Japan after the war, wrote an account describing the first time he saw his son, Peter. It was not in a hospital maternity ward but on the streets of Kure one chilly night in 1954:

In broken English, the woman said, ‘Please, you look my baby, he sick’. She turned her back to Quietly [George’s fictional alter ego]. The baby was tied on her back in a kind of carryall. Quietly reached down and flipped back the lid. Looking up at him was the pinched, undernourished white face of a very young baby. Quietly could see at a glance that the child was half Japanese ­– certainly not a full blood. ‘He now six weeks; he Goshu (Australian) baby-san,’ was all she said through her sobs.

George gave the woman all the money he was carrying. She later sought him out to return the change; they started a relationship; and George formed a close bond with the child, Hideki, whom he renamed Peter and formally adopted.

In 1956, as the British Commonwealth Forces Korea prepared to pull out of Japan, George was among a handful of soldiers and civilians seeking permission to take adopted children back to Australia. In the decade since the first Australian troops arrived in Occupied Japan, such a thing had never been allowed (though war brides were admitted after 1952). In George’s fictionalised memoir, Peter’s mother, Fusako, surrenders custody of her child because she fears for his future in Japan: ‘They could never go to school, never marry, or hold any job but as labourers, in other words a life worse than death was the best these children could expect’…

…Walter Hamilton’s book Children of the Occupation: Japan’s Untold Story will be published by NewSouth in June.

Read the entire article here.

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