Mixed Race Studies

“My Kids Are Getting The Message Loud And Clear: Being Black Is A Burden”

Vogue UK
2020-07-05

Christabel Nsiah-Buadi

^©Misan Harriman

Unable to shield her children from the global conversation on anti-Black racism, Christabel Nsiah-Buadi is leaning in to celebrating her kids’ #BlackBoyJoy and #BlackGirlMagic. But, she writes, real change takes time.

A few weeks ago, my daughter handed me one of her final pieces of first-grade homework. It was a memory book. On the front page, she had coloured all of the kids with brown skin. Inside, she drew a picture of herself hugging her teacher, who is Asian American. She coloured both of them with pink skin.

I found that strange, because it was the first time my kid had done that in her nearly eight years. As a child with a white father and a black mother, she is used to seeing people of different skin colours in her life. Indeed, my husband and I have made a conscious effort to make sure she could see the power in being a brown-skinned girl, because we knew that by being a Black kid living in the US or the UK, it was only a matter of time before she’d be told – by someone in her life, or something she heard, saw or watched – that she was less valued than her white friends…

Read the entire article here.

There is only 1 driver from an African American background at the top level of our sport..I am the 1. You’re not gonna stop hearing about “the black driver” for years. Embrace it, accept it and enjoy the journey..

— Bubba Wallace (@BubbaWallace) November 8, 2017

There is only 1 driver from an African American background at the top level of our sport..I am the 1. You’re not gonna stop hearing about “the black driver” for years. Embrace it, accept it and enjoy the journey.

Darrell “Bubba” Wallace Jr., Twitter, November 8, 2017, 17:02. https://twitter.com/BubbaWallace/status/928382162063249408.

Brit Bennett: ‘Last week was truly the wildest week of my life’

The Guardian
2020-07-05

Simran Hans

‘I’m Californian, so nobody really reads me as anxious’: Brit Bennett. Photograph: Leonardo Cendamo/Getty Images

The US author on topping the bestseller charts with her new novel, why being right is overrated, and the TV show bringing her joy in lockdown

Brit Bennett, 30, was born and raised in southern California. She attended Stanford University and earned an MFA in fiction at the University of Michigan. Her acclaimed first novel, The Mothers, was published in 2016, when she was 26. Her follow-up, The Vanishing Half, has spent the past three weeks in the top five of the New York Times bestseller list and the screen rights have been optioned by HBO in a seven-figure deal.

HBO had to outbid 17 rival TV companies in the race to adapt your book for the screen. How does that feel?
Last week was truly the wildest week of my life. It was my birthday week, so I’ve never been sent so many bottles of champagne or bouquets of flowers in my life, and probably never will be again.

And that was on top of your book debuting at No 1 in the NYT bestseller list. What were you doing when you heard the news?
It was maybe 5 o’clock in the evening and I was just sitting on my couch, and my editor called out of nowhere. We were optimistic, but I never imagined that. The people who are No 1 are household names, like Stephen King!

Describe The Vanishing Half.
It’s a story about twin sisters, Desiree and Stella, who decide to live their lives on opposite sides of the colour line – one as a white woman and one as a black woman…

Read the entire interview here.

HBO Wins ‘The Vanishing Half’ Auction In 7-Figure Deal; 17 Bidders Pursued Brit Bennett Bestseller

Deadline
2020-06-29

Mike Fleming Jr

HBO

EXCLUSIVE: HBO won a wild auction that sources said saw 17 bidders vying for The Vanishing Half, the novel by Brit Bennett that is currently atop The New York Times bestseller list. Sources said HBO will pay low seven-figures for the book and the author will be executive producer of what HBO will develop as a limited series.

The novel focuses on the Vignes sisters, identical twins who, after growing up together in a small, southern black community, run away at age sixteen. It’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other passes for white, hiding her identity from her husband, who knows nothing of her past. Even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?…

Read the entire article here.

Pierce Freelon Breaks Down the Invention of Whiteness in a New Animated Musical Series

Indy Week
2020-07-02

Brian Howe

Whoopi Goldberg and Pierce Freelon photo courtesy of the artist

“Hey you, Caucasian,” Pierce Freelon raps with confiding urgency as the video begins. He goes on to break down the formation of American whiteness from varied ethnic groups—something defined not by what it was, but by what it wasn’t, meaning Black and Indigenous—over an energetic collage of animated images.

It’s the first trailer for The History of White People in America, which premieres Monday, July 6 on PBS World. Freelon—Blackspace founder, former Durham mayoral candidate, and soon-to-be “family album” creator—is the co-director, writer, and musical composer of the series, which was selected by curator Whoopi Goldberg for the Tribeca Film Festival’s animated-shorts category…

Read the entire article here.

Shadow Child

Grand Central Publishing
2018-05-08
352 pages
Hardcover ISBN-13: 9781538711453
eBook ISBN-13: 9781538711446

Rahna Reiko Rizzuto

For fans of Tayari Jones and Ruth Ozeki, from National Book Critics Circle Award finalist Rizzuto comes a haunting and suspenseful literary tale set in 1970s New York City and World War II-era Japan, about three strong women, the dangerous ties of family and identity, and the long shadow our histories can cast.

Twin sisters Hana and Kei grew up in a tiny Hawaiian town in the 1950s and 1960s, so close they shared the same nickname. Raised in dreamlike isolation by their loving but unstable mother, they were fatherless, mixed-race, and utterly inseparable, devoted to one another. But when their cherished threesome with Mama is broken, and then further shattered by a violent, nearly fatal betrayal that neither young woman can forgive, it seems their bond may be severed forever–until, six years later, Kei arrives on Hana’s lonely Manhattan doorstep with a secret that will change everything.

Told in interwoven narratives that glide seamlessly between the gritty streets of New York, the lush and dangerous landscape of Hawaii, and the horrors of the Japanese internment camps and the bombing of Hiroshima, Shadow Child is set against an epic sweep of history. Volcanos, tsunamis, abandonment, racism, and war form the urgent, unforgettable backdrop of this intimate, evocative, and deeply moving story of motherhood, sisterhood, and second chances.

Sister Mine

Grand Central Publishing
2013-03-12
346 pages
Paperback ISBN-13: 9781455528400
eBook ISBN-13: 9781455517732

Nalo Hopkinson

Andre Norton Nebula Award, 2013

Nalo Hopkinson–winner of the John W. Campbell Award, the Sunburst Award, and the World Fantasy award (among others), and lauded as one of our “most inventive and brilliant writers” (New York Post)–returns with a new work. With her singular voice and characteristic sharp insight, she explores the relationship between two sisters in this richly textured and deeply moving novel . . . Sister Mine We’d had to be cut free of our mother’s womb. She’d never have been able to push the two-headed sport that was me and Abby out the usual way. Abby and I were fused, you see. Conjoined twins. Abby’s head, torso, and left arm protruded from my chest. But here’s the real kicker; Abby had the magic, I didn’t. Far as the Family was concerned, Abby was one of them, though cursed, as I was, with the tragic flaw of mortality.

Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls gave Abby a permanent limp, but left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father, the god of growing things–a highly unusual childhood that made them extremely close. Ever since Abby’s magical talent began to develop, though, in the form of an unearthly singing voice, the sisters have become increasingly distant.

Today, Makeda has decided it’s high time to move out and make her own life among the other nonmagical, claypicken humans–after all, she’s one of them. In Cheerful Rest, a run-down warehouse space, Makeda finds exactly what she’s been looking for: an opportunity to live apart from Abby and begin building her own independent life. There’s even a resident band, led by the charismatic (and attractive) building superintendent.

But when her father goes missing, Makeda will have to discover her own talent–and reconcile with Abby–if she’s to have a hope of saving him . . .

“Having a black great-grandmother made me non-white”: Popular white DJ defined herself as brown to enter college through Brazil’s affirmative action program

Black Women of Brazil
2020-06-11

By Luana Benedito and Juca Guimarães

Larissa Busch defined herself as ‘brown’ in order to get into college through affirmative action

Young woman entered the university in the modality that contemplated “self-declared black, brown or indigenous candidates regardless of income”

24-year-old digital influence Larissa Busch admitted to cheating the racial quota system at the Federal University of Rio de Janeiro (UFRJ) in a long post on her Instagram profile this Tuesday (2). The young woman, who is white, joined the educational institution in the Social Communication course, in the second half of 2014, in the modality that contemplated “self-declared black, brown or indigenous candidates regardless of income”.

“In 2014, six years ago, I made the worst choice of my life and I’m here to talk about it with all the guilt that I carry. I entered the university calling myself ‘parda’ (brown/mixed). Yes, this is horrible and there is not a day that I don’t think about it. I have kept this shame inside me for a long time and as much as I feel sad that the dirtiest episode of my life is becoming public, I always knew that this day would come”, said Larissa in an excerpt of the text…

Read the entire article here.

The Role of Black Women in the Making of a White Argentine Republic

Black Perspectives
2020-07-02

Christina Proenza Coles, Lecturer of American Studies
University of Virginia

Erika Denise Edwards, Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic (Tuscaloosa: University Alabama Press, 2020)

The discovery of personal whiteness among the world’s peoples is a very modern thing,” observed W.E.B. Du Bois, “a nineteenth and twentieth century matter, indeed.”¹ The exposition of whiteness as a novel social construct and political tool masquerading as a natural category has been ably elaborated by several scholars in the last forty years. Erika Denise Edward’s new book, Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic, is both innovative as well as firmly grounded in the rich tradition of scholarship that illuminates the manifold processes, policies, sites, and situations in which notions of whiteness were negotiated, reified, and contested across the New World.

Hiding in Plain Sight counters conventional narratives about the demographic decline of Afro-Argentines as it centers the initiatives of African-descended women in capitalizing on the privileges of whiteness. Edwards, an Associate Professor of colonial Latin American History at UNC Charlotte, addresses broad questions regarding the complex relationships between race and class in Latin America, including “how the caste societies of the colonial and early national periods were gradually transformed into the class societies of the twentieth century.”²…

Read the entire review here.

No Room for Beige Tears

Alison Hart
2020-06-08

Alison Hart

After the video went viral of George Floyd mercilessly murdered in the street by police, held down, knee on neck, for eight minutes and forty-six seconds, the whole world woke up to the American dream for what it is. Breonna Taylor, Ahmaud Arbery, Sandra Bland, and many more Black lives brutalized and murdered by police and white supremacists in a country that claims “liberty and justice for all.” We still haven’t gotten off the plantation the racist system locked in place, four hundred years of Black resistance—locked in place—lock them up in prisons, in poverty as disposable citizens.

In Alameda, California, where I live, a Black man was recently arrested for dancing on the street. That’s right, dancing. He was doing his usual morning exercise routine and a white neighbor called the police. The result: police pinned him to the ground, handcuffed, arrested, and detained him. It’s on video, you can look it up. It could have turned deadly when he reached for his keys, deadly at any moment. White people policing Black bodies by calling police because of their unchecked discomfort and racial bias too often yields fatal results and should be charged as hate crimes.

White America is uncomfortable, and I say get used to it. As a mixed race Black, Native American, Irish, Scottish, English woman I have developed the skill to decenter in this racially stratified society. In order to have empathy for another’s experience, I need to decenter my own. I am able to hold my disequilibrium when in any group of people. Decentering is the first step that allows you to feel empathy outside your experience. Wherever I am I do not expect people to “get” me, to make my existence okay, or validate me…

Read the entire article here.