Mixed Race Studies

Racism and skin colour: the many shades of prejudice

The Guardian
2011-10-04

Bim Adewunmi

Deeply entrenched attitudes towards colour, and the increasing promotion of skin-lightening products, are placing a ‘horrible burden’ on dark-skinned women

Next week, at the international black film festival in Nashville, Bill Duke and D Channsin Berry will premiere their new documentary, Dark Girls. The film looks at the everyday experiences of dark-skinned black women in America. The blurb from the official site promises the directors will “[pull] back our country’s curtain to reveal that the deep-seated biases and hatreds of racism—within and outside of the black American culture—remain bitterly entrenched”.

When the film-makers released a preview of Dark Girls in May, it spread like wildfire across social media sites and black entertainment blogs. Commenters wrote about being moved to tears by the nine minutes of film they’d seen and many mentioned how long in coming such a film was. Why did the documentarians decide to tackle this subject and why now? For Duke, a veteran of Hollywood—co-star of Car Wash and Predator—it was down to personal experience. “It came from me being a dark-skinned black man in America, and also observing what [dark-skinned] relatives like my sister and niece have gone through. The issue exists externally of our race, but a lot of it comes within the race itself and our perception of ourselves.” Berry recalls being called “darkie” at elementary school by his fellow classmates, “and even some family members were like: ‘He is really dark. Why is he so dark?’ It left a scar. So when Bill came to me, within the first couple of seconds, I was on board.”

Shadism lurks in our collective peripheral vision and rears its ugly head every so often. Earlier this year, there was a Twitter storm over a promotional flyer for a party in Ohio whose theme was “Light Skin vs Dark Skin”. In May, the Afro Hair and Beauty show in London had a stall advertising and selling skin-lightening products. The stall was called Fair and White. In an interview with black newspaper the Voice, the co-organiser of the show, Verna McKenzie, said that she had “a responsibility to cater to the marketplace”. Two years ago, makeup giant L’Oréal was accused of lightening the skin of singer Beyoncé in ads (it denied the claim), and last year, Elle magazine was accused of doing the same to actor Gabourey Sidibe (it said “nothing out of the ordinary” had been done to the photograph). Last month, a study conducted at Villanova University in Pennsylvania found that lighter-skinned women were more likely to receive shorter prison sentences than darker-skinned women, receiving approximately 12% less time behind bars…

…Heidi Safia Mirza, professor of equalities studies in education at the Institute of Education, University of London, says: “Pigmentocracy in the Caribbean as a kind of social hierarchical system emulated from the slave days where there was favouritism if you were fairer, particularly if you were a woman.” Mirza, who has been conducting her own research looking at young black and minority ethnic women in schools, tells the story of a Sierra Leonean teenager who reported being made fun of because of her very dark skin. “It was not uncommon for dark-skinned girls to be vilified and teased and called names like ‘blick’, which means ‘blacker than black’.”

Debbie Weekes-Bernard, senior research and policy analyst for education at the Runnymede Trust, wrote Shades of Darkness, a report on the way “darker-skinned girls reflect upon themselves against lighter-skinned (in this case mixed-parentage) girls” as part of her PhD. The subjects were girls between the ages of 12 and 16…

Read the entire article here.

Were the riots about race?

The Guardian
2011-12-08

Reading the Riots: Investigating England’s summer of disorder
In partnership with the London School of Economics
Supported by the Joseph Rowntree Foundation and the Open Society Foundations

Hugh Muir, Diary Editor

Yemisi Adegoke, Freelance Journalist

Some commentators were quick to call them ‘race riots’, but the true picture was more complicated

Amid the chaos and confusion of this summer’s riots, a few commentators felt the benefit of certainty. “These riots were about race. Why ignore the fact?” chided the Telegraph columnist Katharine Birbalsingh. Abroad, there seemed no need for deeper reflection. “Over 150 arrested after London hit by huge race riots,” said one US business website. “Let’s talk about those race riots in London,” urged talkshow hosts in New Zealand. Those on the other side of the debate could appear just as certain. “This is not about race at all,” Max Wind-Cowie of the left-leaning thinktank Demos told the Huffington Post…

…Of the 270 rioters interviewed by the Guardian and the LSE, 50% were black, 27% were white, 18% of mixed race and 5% Asian…

Read the entire article here.

My hero: Audre Lorde by Jackie Kay

The Guardian
Series: My Hero
2011-11-18

Jackie Kay, Professor of Creative Writing
Newcastle University

Refusal to be defined by single categories: Lorde in 1983. Photograph: Robert Alexander/Getty Images

‘Lorde was openly lesbian before the gay movement existed. Her wise words often seem eerily prescient’

Audre Lorde dropped the y from Audrey when she was still a child so she could be Audre Lorde. She liked the symmetry of the es at the end. She was born in New York City in 1934 to immigrants from Grenada. She didn’t talk till she was four and was so short-sighted she was legally blind. She wrote her first poem in eighth grade. The Black Unicorn, her most unified collection of poems, partly describes a tricky relationship with her mother. “My mother had two faces and a frying pot / where she cooked up her daughters / into girls … My mother had two faces / and a broken pot /where she hid out a perfect daughter /who was not me.”…

…I first met Audre in 1984, when I was 22. She told me her grandfather had been Scottish, and that I didn’t need to choose between being Scottish and being black. “You can be both. You can call yourself an Afro Scot,” she said in her New York drawl. Lorde was Whitman-like in her refusal to be confined to single categories. She was large. She contained multitudes…

Read the entire article here.

Wuthering Heights realises Brontë’s vision with its dark-skinned Heathcliff

The Guardian
Film Blog
2011-10-21

Tola Onanuga, Freelance Subeditor and Writer

At last, Andrea Arnold has bucked the trend of casting white actors in the role of Emily Brontë’s ‘gypsy’ foundling hero

Andrea Arnold’s forthcoming adaptation of Emily Brontë’s classic 1847 novel Wuthering Heights, will see, for the first time, the character of Heathcliff played on screen by a mixed race actor.

The casting of unknown actor James Howson, who is in his early 20s and from Leeds, shouldn’t be surprising given that Heathcliff was described in the original book as a “dark-skinned gypsy” and “a little lascar“—a 19th-century term for Indian sailors. Among the many screen adaptations of Wuthering Heights—which include musicals, TV serials, a Mexican version directed by Luis Buñuel and an ill-conceived teen romcom produced by MTV—a dark-skinned actor has never been given the role.

Even though Brontë passed away in 1848, one can easily imagine the writer turning in her grave at the prospect of so many white actors portraying her “little lascar” throughout history. As any Briton who’s ever watched an American war film knows, it’s common practice for history to be rewritten during the film-making process, with writers often pushing the boundaries of artistic licence to its very limits…

Read the entire article here.

Beware this new mixed-race love-in

The Guardian
2011-10-04

Joseph Harker, Assistant Comment Editor

I’m glad that attitudes to mixed-race people have changed. But does it all mask a subtler kind of racism?

Why does everyone want to be like me? According to scientific research (yes, really) I’m not only more beautiful than, but also biologically superior to, other humans. Advertisers use people like me all the time – to show how cool they are, how modern, how cutting-edge. People like me win world championships, X Factor, and even the keys to the White House. Yes, in today’s world it’s great to be mixed race. If Nina Simone were alive, surely she’d be singing: “To be young, gifted and mixed”.

This week the BBC is marking the 10th anniversary of the ethnic category being included on the UK census with a three-part documentary, Mixed Britannia, part of its mixed race season (in which I’ve had a small role). Between 1991 and 2001 there was a 150% increase in those identifying themselves as “mixed”. Young people in particular are keen to adopt this label, and with more than 50% of Caribbean-origin children having one white parent, and other racial mixes on the rise too, the figures for this year’s census look set for another huge leap…

…I can see why young people may want to adopt this identity – but there’s also a certain naivety to it, in that it ignores the history of anti-racist struggle and of mixed-race people themselves…

…The biggest delusion of all, which props up this whole debate, is the notion that black and white people forming loving relationships proves racism is being defeated: that the quality of life for Britain’s minorities can be measured by the number of interracial relationships. But this is fantasy. Compare it with gender equality. Would anyone seriously claim that, because men and women feel attraction for each other, sexism cannot exist? From the days of master-slave girl couplings, it’s always been clear that what people do in the bedroom is completely separate from what they do in the outside world…

Read the entire article here.

Mixed race Britain: charting the social history

The Guardian
2011-10-04

Laura Smith

While mixed race is one of the fastest-growing ethnic groups in the UK, there is nothing new in people from different cultures getting together

Olive was just 15 when she met the man who was to become her husband. It was 1930s Cardiff and the trainee nurse had become lost on her way home from the cinema to the Royal Infirmary. “I stopped and asked this boy the way to Queen Street. And we started talking and I think we fell in love there and then.”

The “boy” Olive met on the street that night was Ali Salaman, a young Yemeni working as a chef in his own restaurant, the Cairo Café, a popular hang-out in the city’s Tiger Bay neighbourhood. Despite being told by her priest that she was marrying a heathen, the Methodist teenager married Ali Salaman when she was 16 and they went on to have 10 children.

With mixed race now measured in the national census and one of the fastest growing ethnic groups, it is often viewed as a contemporary phenomenon. But Chamion Caballero, senior research fellow at London South Bank University’s Weeks centre, says: “There is a long history of racial mixing in the UK that people don’t talk about.”

Caballero has co-authored as yet unpublished research with Peter Aspinall, reader in population health at the University of Kent, that puts contemporary mixing into perspective.

It demonstrates that unions between white British women and men from immigrant communities were commonplace in areas where they were thrown together in the 1920s, 30s and 40s: from South Shields and Liverpool’s Toxteth to Cardiff’s Tiger Bay and London’s Docklands. The Era of Moral Condemnation: Mixed Race People in Britain, 1920-1950, shows that although they faced prejudice from some, mixed race families created new communities in which those from different backgrounds swapped cultural traditions. It also explores how official perceptions of mixed race families contrasted with the way people experienced it…

…Aspinall says the dominance of eugenics during this period was central to such attitudes. “If you look at the aims of the British Eugenics Society in the 1930s there was this explicit statement about the dangers of what they called race crossing,” he says. Marie Stopes, then a prominent eugenicist, advocated that all “half castes” should be “sterilised at birth”. Connie Hoe, the daughter of a Chinese father and white mother, was one of dozens of mixed race children who were experimented on by the eugenics society to test the relationship between physical appearance and intellect…

Read the entire article here.

Black and white twins

The Guardian
2011-09-23

Joanna Moorhead

James and Daniel are twins. What sets them apart is that one is white and one is black—and the differences don’t end there, as Joanna Moorhead discovers

The two teenage boys sitting on the sofa opposite are different in almost every way. On the left is James: he’s black, he’s gay, he’s gregarious, and he’s academic. He’s taking three A-levels next summer, and wants to go to university. Daniel, sitting beside him, is white. He’s straight, he’s shy, and he didn’t enjoy school at all. He left after taking GCSEs, and hopes that his next move will be an apprenticeship in engineering.

So, given that they are diametrically opposed, there is one truly surprising thing about James and Daniel. They are twins. They were born on 27 March 1993, the sons of Alyson and Errol Kelly, who live in south-east London. And from the start, it was obvious to everyone that they were the complete flipside of identical. “They were chalk and cheese, right from the word go,” says Alyson. “It was hard to believe they were even brothers, let alone twins.”…

Read the entire article here.

For black Britons, this is not the 80s revisited. It’s worse

The Guardian
2011-08-11

Joseph Harker, Assistant Comment Editor

Our MPs are ‘on message’, our media in decline and the Commission for Racial Equality abolished. Who speaks for us?

This is not 1981. Nor 1985. As has been pointed out over the past few days, things have changed a lot since the “inner-city unrest”—as it was quaintly named back then—erupted in Brixton, Tottenham, Toxteth, Handsworth and other parts of Britain.

But with each passing day, the old maxim, “The more things change, the more they stay the same”, has increasing relevance. In the 80s, as now, rioting was sparked by a confrontation between black people and the police and spread to the rest of the country, including to “white” areas. In 1981, the Conservative prime minister dismissed suggestions that the Brixton riot was due to unemployment and racism. Time proved that she was badly wrong. But fast forward three decades, and David Cameron tells the House of Commons that this week’s rioting was “criminality, pure and simple”.

In the years up to 1981, tension had been building between black people and the police over the “sus” laws, which gave officers powers to arrest anyone they suspected may be intending to steal. For them, a black youngster glancing at a handbag was enough. After Brixton, this law was repealed. Today, however, black people are seven times more likely than white people to be stopped and searched. And under the 1994 Criminal Justice and Public Order Act—which allows police to search anyone in a designated area without specific grounds for suspicion—the racial discrepancy rises to 26 times. This is symptomatic of the many ways in which, for black Britons, life seemingly improved but has steadily descended again…

…Over the last three decades we’ve allowed ourselves to be fooled that, with greater integration, plus a few black faces in sport and entertainment, things have improved. People gush about the growing mixed-race population, supposedly Britain’s “beautiful” future. Well, Mark Duggan had a white parent but it didn’t make much difference to his prospects…

Read the entire article here.

Half-white is an insult

The Guardian
2008-11-13

Michael Paulin

The debate over how black Obama is obscures the racial reconciliation his election represents

Barack Hussein Obama’s stunning victory against what was a thoroughly cynical Clinton campaign and a confused and morally bankrupt conservative Republican opposition is as historically significant as the fall of the Berlin Wall. His victory has revealed that a radical new form of political discourse and dialogue is possible, and that the tired dichotomies the political class have sustained for so long can be challenged by the people.

We now have our first black president. The most powerful man in the world is a black man. A man partly raised by his white grandparents. We have the first black president of the United States and, simultaneously, our first mixed-race president.

In Britain, Obama’s victory has exposed a predominantly white minority’s inherent suspicion and mistrust of black people. Christopher Hitchens, appearing on Newsnight last week, declared: “We do not have our first black president. He is not black. He is as black as he is white. He is not full black.” Rod Liddle, writing in the current edition of the Spectator under the headline “Is Barack Obama really black?”, suggested that “coloured“—a term of reference used in apartheid South Africa—would be more appropriate…

…These commentators are ignorant of the realities of the black experience and of the possibility of being of mixed heritage. Hitchens’s reliance on the concept of being “full black”, which harks back to the age of eugenics, exposes just how reactionary he has become. At this great moment in the global struggle for genuine democracy and racial unity, such commentators wriggle in discomfort, clinging to Obama’s “whiteness” in order to appease their own anxieties about the fact that we now have a black president. Even Yasmin Alibhai-Brown wrote an atrocious piece in the Evening Standard suggesting it was an insult to Obama’s mother to call him black…

…It is unfortunate that this needs to be said but, for the avoidance of doubt: Barack Hussein Obama is black. Yet he is also mixed-race. Perhaps more important, he is a black, mixed-race intellectual…

Read the entire article here.

British-Asian cinema: the sequel

The Guardian
2011-02-17

Sarfraz Manzoor

Aqib Khan in West Is West.

Twelve years on from the hugely acclaimed East Is East comes its sequel, West Is West. Sarfraz Manzoor examines the new directions British-Asian film-makers are taking

Twelve years on from the hugely acclaimed East Is East comes its sequel, West Is West. Sarfraz Manzoor examines the new directions British-Asian film-makers are taking

Ayub Khan-Din was in his first year at drama school in Salford when his mother was diagnosed with Alzheimer’s disease. Khan-Din, the mixed-race son of a Pakistani Muslim father and a white Catholic mother, found that each time he came home, another slab of his mother’s memory had disappeared. The past, with all its stories, was slipping into the void, and Khan-Din became determined to try to preserve his parents’ history and his own experience of growing up.

Although he was studying to be an actor, Khan-Din started writing. At the time, Asians were rarely glimpsed on screen in the UK unless they were being beaten up by racist skinheads, running corner shops or fleeing arranged marriages. Khan-Din wanted to tell a different story—about growing up with a Pakistani father who had married an English woman, but who wanted his boys to marry Pakistani girls. The play Khan-Din wrote, East Is East, was performed on stage, then released to great acclaim as a film in 1999. Now, 12 years on, comes the release of West Is West, Khan-Din’s long-awaited sequel…

…Like Khan-Din and Monica Ali—whose novel Brick Lane would later be adapted for the screen—Kureishi grew up in a mixed-race family. The particular conflicts inherent in such a background, and the subsequent struggles for identity, were not shared by those such as Chadha and Syal, whose parents were both Asian. My Beautiful Laundrette was not only a personal work but also, Kureishi suggests, the product of an emerging curiosity of mainstream Britain about Asian society. “Around the mid-80s, people in film and publishing realised that Britain was changing,” he says. “I was lucky because I had this great opportunity to write about something that no one else had written about.” The freshness of this material to a wider audience meant many of the films that have come out of the British-Asian subgenre—including Prasad’s My Son the Fanatic, based on another Kureishi short story—operate not only as fictional works but also as quasi-documentaries, revealing a hitherto unknown world. The frisson of familiarity felt by Asian audiences on seeing families like theirs was coupled by the shock of the new that white audiences experienced…

Read the entire article here.