Mixed Race Studies

2012 Critical Mixed Race Studies Conference

DePaul University
Student Center
2250 North Shefield Avenue
Chicago, Illinois
2012-11-01 through 2012-11-04

“What is Critical Mixed Race Studies?,” the biennial Critical Mixed Race Studies Conference, will be held at DePaul University in Chicago on November 1-4, 2012.

The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have fostered different approaches to the field, the 2012 CMRS conference is devoted to the general theme “What is Critical Mixed Race Studies?”
 
Critical Mixed Race Studies (CMRS) is the transracial, transdisciplinary, and transnational critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions of race. CMRS emphasizes the mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. CMRS addresses local and global systemic injustices rooted in systems of racialization.

For more information, click here. View the final schedule here.

I will deliver my paper, “Barack, Blackness, Borders and Beyond: Exploring Obama’s Racial Identity Today as a Means of Transcending Race Tomorrow,” during the Session Three panel titled, “Assessing Mixed—Race Iconography: Barack Obama and Tiger Woods” from 14:15-15:45 CDT (Local Time) in Room 313.  The abstract of my paper is below:

The racial identity of President Barack Obama has been the topic of considerable discussion and debate. Despite the fact that Obama has always identified unambiguously as black—most significantly in March, 2010 after filling out his census form—commentary continues to the point of unilaterally referring to him as “biracial” within some camps.
 
Using three separate frameworks, I explain why Obama is indeed black.  Firstly, I show that Obama is black within the framework of self-identification as crafted by the multiracial identity movement. Secondly, I show via an ethnological framework that Obama’s heterogeneous ancestry reinforces rather than weakens his cultural connection with black Americans.  Lastly, and most importantly, I show within a sociological framework, that Obama is black because we perceive him as such.

Furthermore, I show how the multiracial movement reifies rather than blurs racialized boundaries; and that Obama’s blackness creates one of the greatest challenges to this movement.  Rather than concluding with a seemingly triumphalist Afro-centric focus, I will instead explain how Obama’s “blackness” from “white/black” parentage can be used to exemplify the social construction of race and can provide us a means to create meaningful discourses that may lead us beyond the illogical nature of racialization.

Mixed Race Issues to be Examined at DePaul University Forum

DePaul University
News Release
2012-10-29

As Americans of mixed racial ancestry continue to grow in number and diversity, the demographic, social, political and cultural implications for the country become more complex. These issues will be examined from a variety of perspectives at a groundbreaking conference that will bring scholars and artists from around the United States and the world to DePaul University Nov. 1 through 4.
 
The conference will include 50 programs featuring research presentations, panel discussions and performances that explore various aspects of the emerging field of Critical Mixed Race Studies. More than 150 presenters from the U.S. and other countries, including the Philippines and the United Kingdom, are expected to attend.

Individual programs will examine issues such as discrimination against mixed race persons, mixed race student organizations and mixed race gender and sexuality issues. Individual panel topics include: “Assessing Mixed Race Iconography: Barack Obama and Tiger Woods;” “Clearly Invisible: Racial Passing and the Color of Mixed Race Identities;” and “Media, Celebrity and Beauty: The Visuals of Mixed Race.”
 
All programs are free and open to the public. A full schedule of events, times and locations is online here.

For more information, click here.

Scholars fix gaze on changing racial landscape

Chicago Tribune
2012-10-29

Dawn Turner Trice

Laura Kina, 39, is half Asian-American and half white. Her husband is Jewish, and her stepdaughter is half Hispanic. Her family, including her fair-skinned, blue-eyed biological daughter, lives near Devon Avenue in the heart of Chicago’s Indian and Pakistani community.

Kina, who’s a DePaul University associate professor of art, media and design, views her life as a vibrant collage of culture, religion and race, pieced together by chance and choice.

“I grew up in the ‘Sesame Street’ generation,” she said. “This is just my normal.”

On Thursday, Kina and DePaul professor Camilla Fojas will begin a four-day conference on campus that explores the emerging academic field of critical mixed-race studies. Hundreds of scholars and artists from around the country and globe are expected to participate in research presentations, spoken-word performances and discussions.

Kina and Fojas, who hosted a similar conference in 2010, hope to cover an array of topics on identity, discrimination and racial “passing.” Additionally, panels will tackle issues such as the role of the mixed-race person as exotic “everyman” in advertising and film, and the impact of President Barack Obama and Tiger Woods, among others, as biracial icons…

Read the entire article here.

Honors 301: Mixed Race Art and Identity

DePaul University, Chicago, Illinois
Autumn Quarter 2011-2012

Laura Kina, Associate Professor Art, Media, & Design

Mixed Race Art & Identity will focus on contemporary art and popular culture to critically examine images of miscegenation and mixed race and post-ethnoracial identity constructs. Students will learn about the history and emergence of the multiracial movement in the United States from the 1967 Loving v. Virginia Supreme Court Case, which overturned our nation’s last anti-miscegenation law; to the emergence of the multiracial movement in the 1990s leading up to the 2000 U.S. Census, which for the first time allowed multiracial individuals to self-identify as more than one race; to the ways in which discussions of race have unfolded following the 2008 election of President Obama and the results of the 2010 Census.  Through the vehicle of art and cultural studies, students will reflect upon our present moment and the increasingly ethnically ambiguous generation that is coming of age. This seminar course is designed to be interactive and will include: class discussions, leading or co-leading a reading, online reflection posts on readings, viewing films, art lectures, a visiting artist talk, a mid-term paper, and a final creative group curatorial project.

Course Books/Readings and Research Resources

Required Text Books (Available through the University Bookstore and on reserve at the LPC library. We will read select chapters from these two books.)

• DaCosta, Kimberly McClain. Making Multiracials: State, Family, and Market in the Redrawing of the Color Line. Stanford, California: Stanford University Press, 2007.
• Beltrán, Mary and Camilla Fojas, ed. Mixed Race Hollywood. New York: NYU Press, 2008.

Required E-reserve and/or Online Readings (Available through library.depaul.edu or through the course blackboard site, Mixedheritagecenter.org (MHC), or online.)

• (Online) Cotter, Holland. “The Topic is Race; the Art is Fearless.” The New York Times.com. 30 March, 2008.1 Jan. 2009 .
• (MHC) Dariotis, Wei Ming. “Hapa: Word of Power,” Mixed Heritage Center, 2008..
• (E-res) Duus, Masayo. Ch 5 “Becoming a Nisei.” The life of Isamu Noguchi : Journey without Borders. Trans. Peter Duus.
  Princeton, N.J.: Princeton University Press, 2004. 149-175
• (E-res) Elam, Michele. 2011. Introduction.” The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium.
  Stanford, CA: Stanford University Press, 2011. 1-26
• (E-res) Pinder, Kymberly N. “Biraciality and Nationhood in Contemporary American Art.” Race-ing Art History.
  Ed. Kymberly N. Pinder. New York: Routledge, 2001. 391-401.
• (E-res) Piper, Adrian. “Passing for White, Passing for Black.” The Visual Culture Reader. Ed. Nicholas Mirzoeff.
  New York: Routledge, 1998. 353-362.

Research and selections from original artist interviews with contemporary artists from the forthcoming book “War Baby/ Love Child: Mixed Race Asian American Art” edited by Laura Kina and Wei Ming Dariotis (University of Washington Press, 2013) and related exhibition co-curated by Kina and Dariotis (DePaul University Art Museum April 26 – June 30, 2013, Chicago, IL and Wing Luke Museum of the Asian Pacific American Experience August 9, 2013 – January 19, 2014, Seattle, WA. ) The artists covered include: Mequita Ahuja, Albert Chong, Serene Ford, Kip Fulbeck, Stuart Gaffney, Louie Gong, Jane Jin Kaisen, Lori Kay, Li-lan, Richard Lou, Laurel Nakadate, Samia Mirza, Chris Naka, Gina Osterloh, Adrienne Pao, Cristina Lei Rodriguez, Amanda Ross-Ho, Debra Yepa-Pappan, and Jenifer Wofford.

Film, Video, TV, and Radio

• Chasing Daybreak: A Film About Mixed Race in America, Dir. Justin Leroy. Pro. Matt Kelley. Mavin Foundation, 2005.
• Isamu Noguchi: Stones and Paper, Dir. Hiro Narita. Perf. Christo, Linda Hunt, Isamu Noguchi.
• A Pictures & Words production in assoc. with Thirteen-WNET. Princeton, N.J.: Films for the Humanities & Sciences, 1997.
• MiXeDmE, Dir. Kristen Lee. Pro. Nancy Wen. Ed. Chris Woon. Los Angeles: UCLA Asian American Studies, 2010.
• Muni to the Marriage, Dir. Stuart Gaffney. Independent film, 2004.
• Silences, Dir. Octavio Warnock-Graham. A production of Octave Films, 2006.
• “Kip Fulbeck Mixed Kids,” The TODAY Show. MSNBC. March 28, 2010.

Supplemental E-reserve and Reserve Readings are also available through the LPC Library

Critical Mixed Race Conference 2012: Call for Papers

Critical Mixed Race Conference 2012
“What is Critical Mixed Race Studies?”
2012-11-01 throuth 2012-11-04
DePaul University, Chicago, Illinois

Click here for this announcement in PDF format.

Conference Description: What is Critical Mixed Race Studies? will be hosted at DePaul University in Chicago, November 1-4, 2012. The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have fostered different approaches to the field, the 2012 CMRS conference is devoted to the general theme “What is Critical Mixed Race Studies?”

Proposals:We invite panels, roundtables, and papers that address the conference theme, although participants are also welcome to submit proposals that speak to their own specialized research, pedagogical, or community-based interests. The primary criterion for selection will be the quality of the proposal, not its connection to the conference theme. Proposals might consider the ways different disciplines approach or provide methodologies for critical analyses of mixed race issues. Proposals might also consider the following areas as related to Critical Mixed Race Studies:

To submit a proposal or for more information, please visit: http://las.depaul.edu/cmrs

Deadline for all proposals: December 15th, 2011.
Selections will be finalized by March 1, 2012.

All queries should be directed to cmrs@depaul.edu.

Watershed Moment for Critical Mixed Race Studies
 
Laura Kina’s Art Blog
2010-11-14

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Critical Mixed Race Studies Inaugural Conference

On November 5-6, 2010 DePaul University in Chicago, Illinois hosted the inaugural 2010 Critical Mixed Race Studies (CMRS) conference “Emerging Paradigms in Critical Mixed Race Studies.” We had over 450 people registered and 430 people actually showed up from all over the U.S. from Hawaii to Tennessee to New York as well as scholars from Canada, Korea, and the UK…

…We want to thank everyone who participated in making CMRS 2010 happen and we are looking forward to the next steps for Critical Mixed Race Studies: founding an association and a peer reviewed online journal; planning for CMRS 2012 at DePaul University and CMRS 2014 (hopefully at the University of Washington); looking for ways us to continue to stay in touch virtually (listserv, dedicated website); and ways to keep the momentum going for CMRS for 2011. There is a lot of work to do and we’ll be sending out the business minutes shortly with ways for you all to get involved…

Read the entire article here.

Critical Mixed Race Studies Conference

DePaul University, Lincoln Park Campus
DePaul University Student Center
2250 N. Sheffield
Chicago, Illinois USA 60614
2010-11-05 through 2010-11-06

Sponsored by DePaul University Asian American Studies and Latin American and Latino Studies and co-sponsored by the College of Ethnic Studies at San Francisco State University and the MAVIN Foundation.

“Emerging Paradigms in Critical Mixed Race Studies,” the first annual Critical Mixed Race Studies Conference, will be held at DePaul University in Chicago on November 5-6, 2010.

The CMRS conference brings together scholars from a variety of disciplines nationwide. Recognizing that the diverse disciplines that have nurtured Mixed Race Studies have reached a watershed moment, the 2010 CMRS conference is devoted to the general theme “Emerging Paradigms in Critical Mixed Race Studies.”

Critical Mixed Race Studies (CMRS) is the transracial, transdisciplinary, and transnational critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions of race. CMRS emphasizes the mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. CMRS addresses local and global systemic injustices rooted in systems of racialization.

Fanshen Cox, Tiffany Jones, and myself will participate in a Greg Carter (University of Wisconsin, Milwaukee) moderated round-table discussion titled “Exploring the Mixed Experience in New Media” on 2010-11-05 from 10:15 to 12:15 CDT at the conference.

View the finalized schedule here.

Organizers:

Wei Ming Dariotis, Assistant Professor Asian American Studies
San Francisco State University, IPride Board
dariotis@sfsu.edu

Camilla Fojas, Associate Professor and Chair
Latin American and Latino Studies
DePaul University

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University