Mixed Race Studies

My Passage at the New Orleans Tribune: A Memoir of the Civil War Era

LSU Press
April 2001 (Originally published in 1872)
184 pages
5.50 x 9.00 inches
3 halftones
ISBN10: 0807126896, ISBN13: 9780807126899

Jean-Charles Houzeau (1820-1888)

Edited by David C. Rankin
Translated by Gerard F. Denault

When Belgian scientist Jean-Charles Houzeau arrived in New Orleans in 1857, he was disturbed that America, founded on the principle of freedom, still tolerated the institution of slavery. In late 1864, he became managing editor of the New Orleans Tribune, the first black daily newspaper published in the United States. Ardently sympathetic to the plight of Louisiana’s black population and reveling in the fact that his dark complexion led many people to assume he was black himself, Houzeau passionately embraced his role as the Tribune’s editor and principal writer. My Passage at the New Orleans “Tribune,” first published in Belgium in 1872, is Houzeau’s memoir of the four years he spent as both observer and participant in the drama of Reconstruction.

The Bone People: A Novel (Hardcover Reissue)

LSU Press
April 2005
464 pages
6.00 x 9.00 inches
Hardcover ISBN: 9780807130728

Keri Hulme

• Winner of The Booker Prize
• The Pegasus Prize for Literature
• The New Zealand Book Award for Fiction

Integrating both Māori myth and New Zealand reality, The Bone People became the most successful novel in New Zealand publishing history when it appeared in 1984. Set on the South Island beaches of New Zealand, a harsh environment, the novel chronicles the complicated relationships between three emotional outcasts of mixed European and Māori heritage. Kerewin Holmes is a painter and a loner, convinced that “to care for anything is to invite disaster.” Her isolation is disrupted one day when a six-year-old mute boy, Simon, breaks into her house. The sole survivor of a mysterious shipwreck, Simon has been adopted by a widower Māori factory worker, Joe Gillayley, who is both tender and horribly brutal toward the boy. Through shifting points of view, the novel reveals each character’s thoughts and feelings as they struggle with the desire to connect and the fear of attachment.

Compared to the works of James Joyce in its use of indigenous language and portrayal of consciousness,The Bone People captures the soul of New Zealand. After twenty years, it continues to astonish and enrich readers around the world.

Spectacular Wickedness: Sex, Race, and Memory in Storyville, New Orleans

LSU Press
January 2013
336 pages
6.00 x 9.00 inches
13 halftones, 2 maps
Hardcover ISBN: 9780807150146

Emily Epstein Landau
Department of History
University of Maryland, College Park

From 1897 to 1917 the red-light district of Storyville commercialized and even thrived on New Orleans’s longstanding reputation for sin and sexual excess. This notorious neighborhood, located just outside of the French Quarter, hosted a diverse cast of characters who reflected the cultural milieu and complex social structure of turn-of-the-century New Orleans, a city infamous for both prostitution and interracial intimacy. In particular, Lulu White—a mixed-race prostitute and madam—created an image of herself and marketed it profitably to sell sex with light-skinned women to white men of means. In Spectacular Wickedness, Emily Epstein Landau examines the social history of this famed district within the cultural context of developing racial, sexual, and gender ideologies and practices.

Storyville’s founding was envisioned as a reform measure, an effort by the city’s business elite to curb and contain prostitution—namely, to segregate it. In 1890, the Louisiana legislature passed the Separate Car Act, which, when challenged by New Orleans’s Creoles of color, led to the landmark Plessy v. Ferguson decision in 1896, constitutionally sanctioning the enactment of “separate but equal” laws. The concurrent partitioning of both prostitutes and blacks worked only to reinforce Storyville’s libidinous license and turned sex across the color line into a more lucrative commodity.

By looking at prostitution through the lens of patriarchy and demonstrating how gendered racial ideologies proved crucial to the remaking of southern society in the aftermath of the Civil War, Landau reveals how Storyville’s salacious and eccentric subculture played a significant role in the way New Orleans constructed itself during the New South era.

Nella Larsen, Novelist of the Harlem Renaissance: A Woman’s Life Unveiled

Louisiana State University Press
1994
496 pages
6.00 x 9.00 inches
12 halftones
Paperback ISBN: 9780807120705

Thadious M. Davis, Geraldine R. Segal Professor of American Social Thought; Professor of English
University of Pennsylvania

Nella Larsen (1891–1964) is recognized as one of the most influential, and certainly one of the most enigmatic, writers of the Harlem Renaissance. With the instant success of her two novels, Quicksand (1928) and Passing (1929), she became a bright light in New York’s literary firmament. But her meteoric rise was followed by a surprising fall: In 1930 she was accused of plagiarizing a short story, and soon thereafter she disappeared from both the literary and African American worlds of New York. She lived the rest of her life—more than three decades—out of the public eye, working primarily as a nurse. In a remarkable achievement, Thadious Davis has penetrated the fog of mystery that has surrounded Larsen to present a detailed and fascinating account of the life and work of this gifted, determined, yet vulnerable artist. Davis deftly situates the writer within the broader politics and aesthetics of the Harlem Renaissance and analyzes her life and work in terms of the current literature on race and gender.

Creole New Orleans: Race and Americanization

LSU Press
September 1992
352 pages
6.00 x 9.00 inches
Paperback ISBN: 9780807117743

Edited by:

Arnold R. Hirsch, University Research Professor of History
University of New Orleans

Joseph Logsdon

This collection of six original essays explores the peculiar ethnic composition and history of New Orleans, which the authors persuasively argue is unique among American cities. The focus of Creole New Orleans is on the development of a colonial Franco-African culture in the city, the ways that culture was influenced by the arrival of later immigrants, and the processes that led to the eventual dominance of the Anglo-American community.

Essays in the book’s first section focus not only on the formation of the curiously blended Franco-African culture but also on how that culture, once established, resisted change and allowed New Orleans to develop along French and African creole lines until the early nineteenth century. Jerah Johnson explores the motives and objectives of Louisiana’s French founders, giving that issue the most searching analysis it has yet received. Gwendolyn Midlo Hall, in her account of the origins of New Orleans’ free black population, offers a new approach to the early history of Africans in colonial Louisiana.

The second part of the book focuses on the challenge of incorporating New Orleans into the United States. As Paul F. LaChance points out, the French immigrants who arrived after the Louisiana Purchase slowed the Americanization process by preserving the city’s creole culture. Joesph Tregle then presents a clear, concise account of the clash that occurred between white creoles and the many white Americans who during the 1800s migrated to the city. His analysis demonstrates how race finally brought an accommodation between the white creole and American leaders.

The third section centers on the evolution of the city’s race relations during the nineteenth and twentieth centuries. Joseph Logsdon and Caryn Cossé Bell begin by tracing the ethno-cultural fault line that divided black Americans and creole through Reconstruction and the emergence of Jim Crow. Arnold R. Hirsch pursues the themes discerned by Logsdon and Bell from the turn of the century to the 1980s, examining the transformation of the city’s racial politics.

Collectively, these essays fill a major void in Louisiana history while making a significant contribution to the history of urbanization, ethnicity, and race relations. The book will serve as a cornerstone for future study of the history of New Orleans.

Table of Contents

• Part I: The French and African Founders
  • Introduction
  • 1. Colonial New Orleans: A Fragment of the Eighteenth-Century French Ethos; Jerah Hohnson
  • 2. The Formation of Afro-Creole Culture; Gwendolyn Midlo Hall
• Part II: The American Challenge
  • Introduction
  • 3. The Foreign French; Paul F. Lachance
  • 4. Creoles and Americans; Joseph G. Tregle, Jr.
• Part III: Franco-Africans and African Americans
  • Introduction
  • 5. The Americanization of Black New Orleans, 1850-1900; Joseph Logsdon and Caryn Cossé Bell
  • 6. Simply a Matter of Black and White: The Transformation of Race and Politics in Twentieth-Century New Orleans; Arnold R. Hirsch
• Contributors
• Index

Revolution, Romanticism, and the Afro-Creole Protest Tradition in Louisiana

Lousiana State University Press
2004-10-30
344 pages
6.00 x 9.00 inches / 8 halftones, 3 maps
ISBN-10: 0807130265; ISBN-13: 978-0807130261

Caryn Cossé Bell, Professor of History
University of Massachusetts, Lowell

Jules and Frances Landry Award

With the Federal occupation of New Orleans in 1862, Afro-Creole leaders in that city, along with their white allies, seized upon the ideals of the American and French Revolutions and images of revolutionary events in the French Caribbean and demanded Liberté, Egalité, Fraternité. Their republican idealism produced the postwar South’s most progressive vision of the future. Caryn Cossé Bell, in her impressive, sweeping study, traces the eighteenth-century origins of this Afro-Creole political and intellectual heritage, its evolution in antebellum New Orleans, and its impact on the Civil War and Reconstruction.

Table of Contents

• Introduction
• 1. Revolution and the Origins of Dissent
• 2. The Republican Cause and the Afro-Creole Militia
• 3. The New American Racial Order
• 4. Romanticism, Social Protest, and Reform
• 5. French Freemasonry and the Republican Heritage
• 6. Spiritualism’s Dissident Visionaries
• 7. War, Reconstruction, and the Politics of Radicalism
• Conclusion
• Appendix: Membership in Two Masonic Lodges and Biographical Information
• Bibliography
• Index

Creole: The History and Legacy of Louisiana’s Free People of Color

Louisiana State University Press
August 2000
344 pages
Trim: 6 x 9 , Illustrations: 14 halftones
Paper ISBN-13: 978-0-8071-2601-1

Edited by:

Sybil Kein (born Consuela Marie Moore), Distinguished Professor of English Emerita
University of Michigan

The word Creole evokes a richness rivaled only by the term’s widespread misunderstanding. Now both aspects of this unique people and culture are given thorough, illuminating scrutiny in Creole, a comprehensive, multidisciplinary history of Louisiana’s Creole population. Written by scholars, many of Creole descent, the volume wrangles with the stuff of legend and conjecture while fostering an appreciation for the Creole contribution to the American mosaic.

The collection opens with a historically relevant perspective found in Alice Moore Dunbar-Nelson’s 1916 piece “People of Color of Louisiana” and continues with contemporary writings: Joan M. Martin on the history of quadroon balls; Michel Fabre and Creole expatriates in France; Barbara Rosendale Duggal with a debiased view of Marie Laveau; Fehintola Mosadomi and the downtrodden roots of Creole grammar; Anthony G. Barthelemy on skin color and racism as an American legacy; Caroline Senter on Reconstruction poets of political vision; and much more. Violet Harrington Bryan, Lester Sullivan, Jennifer DeVere Brody, Sybil Kein, Mary Gehman, Arthé A. Anthony, and Mary L. Morton offer excellent commentary on topics that range from the lifestyles of free women of color in the nineteenth century to the Afro-Caribbean links to Creole cooking.

By exploring the vibrant yet marginalized culture of the Creole people across time, Creole goes far in diminishing past and present stereotypes of this exuberant segment of our society. A study that necessarily embraces issues of gender, race and color, class, and nationalism, it speaks to the tensions of an increasingly ethnically mixed mainstream America.

Table of Contents

• Acknowledgments
• Introduction
• I HISTORY
  • 1 People of Color in Louisiana – Alice Moore Dunbar-Nelson
  • 2 Marcus Christian’s Treatment of Les Gens de Couloir Libre – Violet Harrington Bryan
  • 3 Plaçage and the Louisiana Gens de Couleur Libre: How Race and Sex Defined the Lifestyles of Free Women of Color – Joan M. Martin
  • 4 Composers of Color of Nineteenth-Century New Orleans: The History Behind the Music – Lester Sullivan
  • 5 The Yankee Hugging the Creole: Reading Dion Boucicault’s The Octoroon – Jennifer DeVere Brody
  • 6 The Use of Louisiana Creole in Southern Literature – Sybil Kein
• II LEGACY
  • 7 Marie Laveau: The Voodoo Queen Repossessed – Barbara Rosendale Duggal
  • 8 New Orleans Creole Expatriates in France: Romance and Reality – Michel Fabre
  • 9 Visible Means of Support: Businesses, Professions, and Trades of Free People of Color – Mary Gehman
  • 10 The Origin of Louisiana Creole – Fehintola Mosadomi
  • 11 Louisiana Creole Food Culture: Afro-Caribbean Links – Sybil Kein
  • 12 Light, Bright, Damn Near White: Race, the Politics of Genealogy, and the Strange Case of Susie Guillory – Anthony G. Barthelemy
  • 13 Creole Poets on the Verge of a Nation – Caroline Senter
  • 14 “Lost Boundaries”: Racial Passing and Poverty in Segregated New Orleans – Arthé Anthony
  • 15 Creole Culture in the Poetry of Sybil Kein – Mary L. Morton
• Contributors
• Index

The Lives of Jean Toomer: A Hunger for Wholeness

Louisiana State University Press
1987
448 pages
6×9
Paper ISBN-13: 978-0-8071-1548-0

Cynthia Earl Kerman, Emeritus Professor of English
Villa Julie College in Stevenson, Maryland

Richard Eldridge

Jean Toomer (1894–1967) arrived on the American literary scene in 1923 with the publication of Cane, a small, emotional book about southern blacks that is often seen as marking the beginning of the Harlem Renaissance. But Toomer was much more than a fiction writer and poet dedicated to the pursuit of art. He was also a disciple and teacher of Georges Gurdjieff’s spiritual-mental-physical system for achieving wholeness, and later a religious leader among Quakers. The many “lives” that Jean Toomer led are unfolded in this comprehensive and fascinating biography by Cynthia Earl Kerman and Richard Eldridge.

The authors describe Toomer’s childhood and youth, tracing the influence of his grandfather, P.B.S. Pinchback, his peculiar isolation as a child even amid family and friends, the shock of his mother’s death, his removal to the home of his grandparents, and his erratic ventures from there into formal and informal education. They tell the story of Toomer’s sudden entry into, and as sudden exit from, the active literary world of New York in the early 1920s, and they follow Toomer’s reluctant but eventual total commitment to the mystical Gurdjieffan movement. Kerman and Eldridge devote considerable attention to Toomer’s subsequent involvement with Quakers in and around Philadelphia. They also consider the final fifteen years of Toomer’s life, when failing health and a diminished sense of achievement marked his withdrawal into a state of isolated invalidism.

Kerman and Eldridge are careful to place Toomer’s varied accomplishments in perspective. They seek to correct misapprehensions about Toomer’s position on race and offer a thorough treatment of his concept of the “universal man” as one beyond racial demarcation. They also look closely at Toomer’s penchant for mysticism. The authors find that Toomer’s intense need to be perfect and whole gave focus to the many passions he embraced throughout his life.

The Lives of Jean Toomer is enhanced by the authors’ extensive use of primary and secondary materials, particularly the voluminous Toomer papers, formerly at Fisk University and now at Yale, and by their interviews with various persons who knew Toomer. In style, content, and organization, in its depth as well as balance, The Lives of Jean Toomer is a model biography, a fitting tribute to an important but often misunderstood individual.

Running a Thousand Miles for Freedom or The Escape of William and Ellen Craft from Slavery

Louisiana State University Press
Originally Published: 1860
Published by LSU Press: 1999
120 pages
Trim: 6 x 9
Illustrations: 5 halftones
ISBN-13: 978-0-8071-2320-1 Paper

William Craft

With a Foreword and Biographical Essay by

Richard J. M. Blackett,  Andrew Jackson Professor of History
Vanderbilt University

Husband and wife William and Ellen Craft’s [her mother was a slave and her father was her mother’s owner.] break from slavery in 1848 was perhaps the most extraordinary in American history. Numerous newspaper reports in the United States and abroad told of how the two—fair-skinned Ellen disguised as a white slave master and William posing as her servant—negotiated heart-pounding brushes with discovery while fleeing Macon, Georgia, for Philadelphia and eventually Boston. No account, though, conveyed the ingenuity, daring, good fortune, and love that characterized their flight for freedom better than the couple’s own version, published in 1860, a remarkable authorial accomplishment only twelve years beyond illiteracy. Now their stirring first-person narrative and Richard Blackett’s excellent interpretive pieces are brought together in one volume to tell the complete story of the Crafts.

Ellen Craft

Summary by Monique Pierce of Documenting The South:

Published in 1860, shortly before the start of the Civil War, Running a Thousand Miles for Freedom is the narrative of William and Ellen Craft‘s escape from slavery. Both were born and grew up in Georgia, and they lived in Macon prior to their escape. In December 1848 they devised a plan in which Ellen Craft, who was very light- skinned, would dress as a man and pretend to be a rheumatic seeking better treatment in Philadelphia. William was to accompany her and act as her slave. Relying exclusively on means of public transportation, including trains and steamers, they made their way to Savannah, then to Charleston, Wilmington, North Carolina, Washington, D.C., Baltimore, and Philadelphia, where they arrived on Christmas Day. They then relocated to Boston and sailed for England after the Fugitive Slave Law enabled slave hunters to pursue them even in free states. At the time this work was published, they were living in England with their sons. The narrative includes many anecdotes about slavery and freedom for Blacks and discusses how they were treated in both the South and the North.

Read the entire book in HTML format here.  You may also obtain it here.

Bleeding Borders: Race, Gender, and Violence in Pre-Civil War Kansas

Louisiana State University Press
April 2009
224 pages
Series: Conflicting Worlds: New Dimensions of the American Civil War
Illustrations: 5 halftones, 1 map
Cloth ISBN-13: 978-0-8071-3390-3

Kristen Tegtmeier Oertel, Associate Professor of History
Millsaps College

In Bleeding Borders, Kristen Tegtmeier Oertel offers a fresh, multifaceted interpretation of the quintessential sectional conflict in pre-Civil War Kansas. Instead of focusing on the white, male politicians and settlers who vied for control of the Kansas territorial legislature, Oertel explores the crucial roles Native Americans, African Americans, and white women played in the literal and rhetorical battle between proslavery and antislavery settlers in the region. She brings attention to the local debates and the diverse peoples who participated in them during that contentious period.

Oertel begins by detailing the settlement of eastern Kansas by emigrant Indian tribes and explores their interaction with the growing number of white settlers in the region. She analyzes the attempts by southerners to plant slavery in Kansas and the ultimately successful resistance of slaves and abolitionists. Oertel then considers how crude frontier living conditions, Indian conflict, political upheaval, and sectional violence reshaped traditional Victorian gender roles in Kansas and explores women’s participation in the political and physical conflicts between proslavery and antislavery settlers.

Oertel goes on to examine northern and southern definitions of “true manhood” and how competing ideas of masculinity infused political and sectional tensions. She concludes with an analysis of miscegenation–not only how racial mixing between Indians, slaves, and whites influenced events in territorial Kansas, but more importantly, how the fear of miscegenation fueled both proslavery and antislavery arguments about the need for civil war.

As Oertel demonstrates, the players in Bleeding Kansas used weapons other than their Sharpes rifles and Bowie knives to wage war over the extension of slavery: they attacked each other’s cultural values and struggled to assert their political wills. They jealously guarded ideals of manhood, womanhood, and whiteness even as the presence of Indians and blacks and the debate over slavery raised serious questions about the efficacy of these principles. Oertel argues that ultimately, many Native Americans, blacks, and women shaped the political and cultural terrain in ways that ensured the destruction of slavery, but they, along with their white male counterparts, failed to defeat the resilient power of white supremacy.

Moving beyond a conventional political history of Kansas, Bleeding Borders breaks new ground by revealing how the struggles of this highly-diverse region contributed to the national move toward disunion and how the ideologies that governed race and gender relations were challenged as North, South, and West converged on the border between slavery and freedom.