Mixed Race Studies

Journalist Quits Kenosha Paper in Protest of Its Jacob Blake Rally Coverage

The New York Times
2020-08-31

Marc Tracy

The journalist Daniel J. Thompson resigned in protest from his job at The Kenosha News after objecting to its coverage of a rally in support of Jacob Blake. Daniel J. Thompson

Daniel Thompson, an editor at The Kenosha News, resigned over a headline that highlighted a speaker who made a threat during a peaceful protest.

A journalist resigned on Saturday from his job at The Kenosha News after objecting to the headline of an article that chronicled a rally in support of Jacob Blake, a Black man who was shot seven times in the back by a white Kenosha police officer.

The journalist, Daniel J. Thompson, a digital editor who said he was the only full-time Black staff member at the paper, which covers southeastern Wisconsin, said the headline did not accurately sum up the article and gave a false impression of the rally itself, which he attended. The rally for Mr. Blake, who was left paralyzed by the shooting on Aug. 23, included calls for unity from his father, Jacob Blake Sr., and Wisconsin’s lieutenant governor, Mandela Barnes, the article said.

The headline, which appeared on the Kenosha News website on Saturday, highlighted a remark from one rally participant: “Kenosha speaker: ‘If you kill one of us, it’s time for us to kill one of yours.’” The online version of the article included a 59-second video showing the person who spoke those words, a Black man who was not identified by name.

Mr. Thompson, who joined the paper’s newsroom three years ago, said he found the headline off-base. “The story is about the entire reaction of all the speakers and people in attendance, and that quote is one outlier falling within a flood of positive ones,” he said in an interview…

Read the entire article here.

Large DNA Study Traces Violent History of American Slavery

The New York Times
2020-07-23

Christine Kenneally

An 1823 cross-section diagram of a ship used to carry enslaved people. incamerastock/Alamy

Scientists from the consumer genetics company 23andMe have published the largest DNA study to date of people with African ancestry in the Americas.

More than one and a half centuries after the trans-Atlantic slave trade ended, a new study shows how the brutal treatment of enslaved people has shaped the DNA of their descendants.

The report, which included more than 50,000 people, 30,000 of them with African ancestry, agrees with the historical record about where people were taken from in Africa, and where they were enslaved in the Americas. But it also found some surprises.

For example, the DNA of participants from the United States showed a significant amount of Nigerian ancestry — an unexpected finding, as the historical record does not show evidence of enslaved people taken directly to the United States from Nigeria.

At first, historians working with the researchers “couldn’t believe the amount of Nigerian ancestry in the U.S.,” said Steven Micheletti, a population geneticist at 23andMe who led the study…

…The 23andMe project found this general pattern, but also uncovered a startling difference in the experience of men and women between regions in the Americas.

The scientists calculated that enslaved women in the United States contributed 1.5 times more to the modern-day gene pool of people of African descent than enslaved men. In the Latin Caribbean, they contributed 13 times more. In Northern South America, they contributed 17 times more.

What’s more, in the United States, European men contributed three times more to the modern-day gene pool of people of African descent than European women did. In the British Caribbean, they contributed 25 times more…

Read the entire article here.

Today, one in four Latin Americans self-identify as having African ancestry, according to a recent World Bank report (approximately 645 million people live in Latin America and the Caribbean). But, as the report explains, Afro-descendants are “underrepresented in decision-making positions, both in the private and the public sector,” and they “are 2.5 times more likely to live in chronic poverty than whites or mestizos.”

Jorge Ramos, “A Hard Conversation for the Latino Community,” The New York Times, July 3, 2020. https://www.nytimes.com/2020/07/03/opinion/ramos-afro-latinos-racism.html.

A Hard Conversation for the Latino Community

The New York Times
2020-07-03

Jorge Ramos, Television Anchor
Univision

Ilia Calderón onstage during Univision’s Premio Lo Nuestro 2020 at Miami’s American Airlines Arena, in February. Jason Koerner/Getty Images

Racism is deeply rooted in America’s social system, putting Afro-Latinos at a constant disadvantage.

MIAMI — Every weeknight, I sit down next to my co-anchor Ilia Calderón to host the Spanish-language news program “Noticiero Univision.” Although our many viewers have come to know Ms. Calderón’s face, not many know how much she has had to overcome to sit in that chair. Her story, like that of many Latinos with African ancestry in the United States, is one of tremendous personal achievement, as well as astonishing perseverance in the face of deep-seated racism.

Ms. Calderón was born in the Chocó region of Colombia, a place she describes as “our little Black paradise.” When Ilia was 10, she left home to study in a Catholic school in Medellín, where one of the white students was so disgusted by the color of Ilia’s skin — and so proud of her own fair complexion — that she told Ilia, “You’re Black? Not even my horse is black!” That first encounter with racism in Latin America left a mark on Ilia — one she never forgot.

When she moved to Miami in 2001 to pursue a career in journalism, things weren’t much different. “I had to endure racism in Colombia,” she told me recently, “and it turns out that here I have to face the same thing. It’s how they look at you, how they behave when you are around. …It’s like you have to go through that experience twice: For being Hispanic and also for being Black.”

According to a 2014 survey by the Pew Research Center, 24 percent of the roughly 54 million Hispanics living in the United States at the time self-identified as Afro-Latino, Afro-Caribbean or as another, more specific Afro-Latino identity, such as Afro-Colombian. At the same time, 34 percent identified as “mestizo, mulatto or some other mixed race.”…

Read the entire article here.

Soledad O’Brien: A MeToo Moment for Journalists of Color

The New York Times
2020-07-04

Soledad O’Brien

Soledad O’Brien Roy Rochlin/Getty Images

We’re finally feeling empowered to speak openly about racism in the newsroom.

Every journalist of color has a story.

My first job as an on-air reporter was at KRON in San Francisco from 1993 to 1996. I saw my new colleagues having a lively conversation and wanted to jump in. I discovered that they were talking about the “affirmative-action hire,” who turned out to be me. That’s how they saw me — it didn’t matter that I’d been a researcher and producer at NBC News or that I had gone to Harvard.

At that same job, the managers half-joked that they had taken their lives into their own hands when their morning commute was rerouted through Oakland. I was the bureau chief for the East Bay, which includes Oakland, and they would be signing off on my reports hours later.

So, as other journalists of color in these recent weeks have spoken up about their lack of representation and influence in newsrooms, and how that warps coverage, I know exactly what they’re talking about: how treatment leads to unfair coverage. What’s most disturbing, though, is how much their stories, in 2020, sound like mine from several decades ago…

Read the entire article here.

You Want a Confederate Monument? My Body Is a Confederate Monument

The New York Times
2020-06-26

Caroline Randall Williams, poet

P.S. Spencer

The black people I come from were owned and raped by the white people I come from. Who dares to tell me to celebrate them?

NASHVILLE — I have rape-colored skin. My light-brown-blackness is a living testament to the rules, the practices, the causes of the Old South.

If there are those who want to remember the legacy of the Confederacy, if they want monuments, well, then, my body is a monument. My skin is a monument.

Dead Confederates are honored all over this country — with cartoonish private statues, solemn public monuments and even in the names of United States Army bases. It fortifies and heartens me to witness the protests against this practice and the growing clamor from serious, nonpartisan public servants to redress it. But there are still those — like President Trump and the Senate majority leader, Mitch McConnell — who cannot understand the difference between rewriting and reframing the past. I say it is not a matter of “airbrushing” history, but of adding a new perspective.

I am a black, Southern woman, and of my immediate white male ancestors, all of them were rapists. My very existence is a relic of slavery and Jim Crow…

Read the entire article here.

Brit Bennett’s New Novel Explores the Power and Performance of Race

The New York Times
2020-05-26

Parul Sehgal, Book Critic

Brit Bennett, The Vanishing Half, A Novel (New York: Riverhead Books, 2020)

No nation can lay lasting claim to a genre, save perhaps one. The story of racial passing is a uniquely and intensely American form. From its earliest avatars, the 19th-century novel “Clotel,” for example, to Langston Hughes’s short stories and Nella Larsen’s 1929 masterpiece, “Passing,” to the melodrama films of the 1950s, like “Pinky” and “Imitation of Life,” it is a story central to the American imagination, re-examined and retold so regularly it seems to enjoy a perpetual heyday.

In recent years, passing narratives have shed their sentimentality and turned surreal (Boots Riley’s film “Sorry to Bother You”), comic (Spike Lee’s “BlacKkKlansman”) and playful (Mat Johnson’s novel “Loving Day”). Others have flipped the formula so that it is black identity that is coveted by characters who are racially ambiguous (in the fiction of Danzy Senna, for example) or plainly white (as in Nell Zink’s novel “Mislaid”).

Through all the ways the genre has been rewritten, its potency has remained — its singular ability to enact the notion of race as arbitrary, as a performance, as something seen through, all the while inscribing its power as a source of kinship, pain and pride. Certainly few transgressions are punished so severely in literature. To pass is to court moral ruin; it is an elective orphanhood (in “Imitation of Life,” passing results in actual matricide), depicted as a kind of amputation or suicide.

In her new novel, “The Vanishing Half,” Brit Bennett brings to the form a new set of provocative questions: What if passing goes unpunished? What if the character is never truly found out? What if she doesn’t die or repent? What then?…

Read the entire book review here.

How Should I Think About Race When Considering a Sperm Donor?

The Ethicist
The New York Times Magazine
2020-06-16

Kwame Anthony Appiah, Professor of Philosophy, Law
New York University

Illustration by Tomi Um

I am an American woman, of Ashkenazi Jewish ancestry, and I strive to live my life as an active agent against racism and white supremacy. I am beginning to consider having children and am open to bearing a child as a single mother. It is possible to sort through sperm donors by race, eye color, education level and so on. If I choose a donor of color, am I condemning my child to be born into a system designed not to serve them? Or can I use my white privilege to help them fight that system? Would my future child of color feel separated from their heritage with me as their mother? If I choose a white donor, am I succumbing to racist ideas of what traits are “desirable,” or taking the “easy road” in knowing my child will look more like me? What do you think? Name Withheld

Women have been making choices about their children’s possible appearance and identity from the beginning of human history. Long before genetics, people knew that parental characteristics show up in their offspring. With modern technologies, the prospects for trying to fix your child’s heritable characteristics are expanding, raising plenty of ethical issues. Race, however, is not a biological fact but a social fact — a social fact that, for example, Americans who are known to have African ancestry are regarded as African-American. What’s more, having an African-American donor doesn’t tell you what your child’s skin or hair will look like. You can be socially black without looking black, like Walter White, the longtime head of the N.A.A.C.P.

I’m spelling all this out because your question about having a child with a sperm donor of color presupposes that it will produce a child who won’t look “white,” and that’s not necessarily the case. Suppose you have a white-looking son with an African-American sperm donor. Then you and your child will have a choice to make about whether he or she should identify as African-American. Some people think that failing to do so — “passing for white” — is somehow dishonest. Yet to hold that you must identify as black in those circumstances would be to accede to a longstanding American notion (“the one-drop rule”) that one black ancestor makes you black. You could reasonably reject that notion, which is rooted in the history of slavery and the nonsensical racial theories that grew up with it…

Read the entire article here.

The Confederate Flag Didn’t Bother Bubba Wallace. Until It Did.

The New York Times
2020-06-19

Juliet Macur

Barry Cantrell

The only black driver in NASCAR’s top tier, he has emerged as an impassioned activist who got the flag banned at races in the largely white sport after years of putting up with it.

Darrell “Bubba” Wallace Jr., the only black driver in NASCAR’s top racing series, has drawn widespread attention and acclaim for his principled stand that got the Confederate flag banned from races in a largely white sport.

Yet, after years of often quiet acceptance of the sport’s “racist label,” as he put it, nobody was more surprised than his mother that he had become a central figure in the sports world’s upheaval regarding race.

“I was shocked,” his mother, Desiree Wallace, said in a telephone interview. “I said, ‘Wait a minute, is this my son? The one who doesn’t really care about anything but getting in the car and driving?’ I’m tripping that he’s gone from being a racecar driver to becoming a daggone activist. Who does that? Not Bubba.”

Yet a series of events, particularly the killing of a black man, Ahmaud Arbery, while he was jogging in a predominantly white neighborhood in Georgia, flipped a switch in Wallace, he and those who know him said…

Read the entire article here.

Who Is Bubba Wallace?

The New York Times
2020-06-12

Victor Mather

Jared C. Tilton/Getty Images

He is the only African-American driver in NASCAR’s top-flight racing series, and this week got the organization to bar the Confederate flag at its events.

Bubba Wallace, who instigated NASCAR’s banning of the Confederate flag, is the racing series’ only black driver. That has put him in the spotlight in a sport whose owners, drivers, crews and fans have historically been predominantly white.

What is the history of black drivers in NASCAR?

Wendell Scott was the pioneer, driving on the circuit from 1961 to 1973. Despite regularly facing discrimination, he won a race in 1963 in Jacksonville, Fla., that remains the only one at NASCAR’s top level to be won by an African-American driver. Scott died in 1990.

Although a handful of African-American drivers got into a race or two over the years since, no other black driver had a full-time ride in NASCAR’s top series until Wallace…

Read the entire article here.