Mixed Race Studies

Being Black: It’s not the skin color

Philadelphia Weekly
2013-11-13

Kennedy Allen et al.

Drexel prof Yaba Blay’s striking new photo book “One Drop” explores how a wide range of different skin tones affects Americans’ personal identities. In  this PW excerpt, eight Philadelphia-area residents of mixed heritage concur: However light they may be, they’re still most certainly Black. Our own Kennedy Allen agrees…

Growing up in Mt. Airy, an ethnic and economically diverse neighborhood, instilled within me a level of acceptance and tolerance regarding my fellow man that, confoundingly, many didn’t seem to share. I was one of seven Black kids in a class of 42. Because I spoke English properly and preferred rock to rap, I was deemed “White girl” by my racial peers—a label that haunted me for what felt like eons. I knew I wasn’t White, nor did I ever have the urge to be, outside of wishing my hair would blow in the wind like some of the girls in my class. Flash-forward to my final years of high school, in a black school where I was the “light-bright girl who talks White.” Dark-skinned people still sneer at me, somehow assuming that I believe myself to be “better” than they are because of my buttered-toffee skin tone.

When all is said and done, racial or ethnic identity rests upon the individual and their experiences. I identify myself as a black woman who happens to have Irish and Cherokee lineage. What of all the others who identify as black, but appear otherwise? Scholar and activist Arturo Schomburg, whose extensive collection of books and historical records of African people’s achievements eventually became the famed Schomburg Center for Research in Black Culture in Harlem, N.Y., identified as an Afro-Puerto Rican. (In fact, his passion for gathering all those documents was born after a grade-school teacher told him that black people had no history, heroes or accomplishments.) Would Schomburg’s experience be less valid because it fails to meet some homogenous notion of Blackness? Who has the right to determine these standards in the first place? And in an age of global interconnectedness and the instant, worldwide exchange of information and ideals, why does it still even matter?

Dr. Yaba Blay wondered some of the same things. A first-generation Ghanian-American and the co-director of Drexel’s Africana studies program, Blay has spent the past two years gathering vibrant portraits and intimate stories from nearly 60 individuals across the country in an attempt to shine some light upon questions of racial ambiguity and legitimacy. Those portraits now comprise a new book that she’s edited and published, (1)ne Drop: Shifting the Lens on Race—as well as an exhibit of the same name, currently on display at the Painted Bride Art Center…

Read the entire article and eight subject profiles from the book here.

CNN Contributing Producer Probes Lingering Pain of the ‘One Drop’ Rule

ColorLines: News for Action
2012-12-07

Akiba Solomon, Columnist, Gender Matters
New York, New York

Keep the concept of privilege-clinging in the back of your mind as you check out the work and words of Dr. Yaba Blay, the driving force behind “Who Is Black in America?” the fifth installment of CNN’s “Black in America” series. Using Blay’s Kickstarter-funded multimedia collaboration with photographer Noelle Theard as a starting point, the show focuses on how people of African descent practice colorism, enforce identities based on appearance and the challenges of self-definition for multiracial people who aren’t recognizably black. I caught up with Blay, an assistant professor of Africana Studies at Philadelphia’s Drexel University (and, full disclosure, a Facebook-buddy-turned-friend), a few days after she co-hosted a special screening of the program on campus. Here, an edited, condensed version of our discussion.

So what’s the origin of the (1)ne Drop Project?

Oftentimes we do research that’s reflective of our lived experiences. So I’ve been personally impacted by colorism growing up as a West African, dark-skinned girl in New Orleans where you’ve got [self-described] black, white and Creole [cultures] and skin color politics are at the forefront of our social relationships there. I’ve always been very aware that I’m dark-skinned, in fact very dark-skinned. … I looked at colorism from the standard direction as far as how we look at the disadvantages of having dark skin in a racialized society. But there was always a part of me that wanted to explore the other side of this. … And actually, the first iteration of this project was called “The Other Side of Blackness,” but “(1)ne Drop” just emerged [as a] more catchy name. I’ve always known that light-skinned people were having their own experiences with skin color politics, but I wasn’t necessarily sure how to approach the question. There are black people all over the world, but the imagery connected to [blackness] has been more nebulous. If I take my students on study abroad, say in Brazil, will they be able to recognize the black people? Or are they just living with the idea that the black people are the ones who look familiar?…

Read the entire interview here.

 (1)ne Year Later…

(1)ne Drop Project
2012-11-05

On November 5, 2011, the 39th day of our 45-day Kickstarter campaign, we reached our goal. One year later, it is with great pride and gratitude that I announce that the (1)ne Drop Onliine Exhibition is complete! The website now features 56 contributors representing 20 countries and countries of origin. In addition to the portraiture of Noelle Théard, Director of Photography, the project also features the work of well noted photographers, Rushay Booysen (South Africa), Janet E. Dandrige, Guma (Brasil), Akintola Hanif, Ayana V. Jackson (France), and Richard Terborg (The Netherlands).

From a Kickstarter campaign to the inspiration behind CNN’s Black in America 5, this project has blossomed in ways that I could have never imagined one year ago. I will forever be grateful for your continued support.

With love, THANK YOU! Again and again.

Yaba

The One Drop Rule: How Black Are You?

Crème Magazine
2012-02-29

Jessica Thorpe

“Say it loud, I’m Black and I’m proud!”  The James Brown classic shed light on the revolution of how descendants of the African Diaspora would begin to self-identify.  Replacing racial identification terms such as “negro” and “colored,” the use of the word “Black” was another step in the direction of breaking the chains of the oppression and injustice that plagued the African American for centuries.

Today, the term “Black” is commonly used to identify African descendants across America and other countries alike.

But what is it to be Black?  How do the descendents of Africa define “Blackness?”  How do we as African Americans visualize a Black person?…

…In recognition of such issues, Yaba Blay, PhD, visiting Assistant Professor of African Studies at Lafayette College, and renowned photographer, Noelle Théard, have collaborated on a multi-tiered media project (1)ne Drop, to open the discussion on the “other” faces of Blackness.  Using the “one drop rule” as a reference, however not affirming or confirming its historical implications, the project will challenge the narrow yet commonplace perceptions of Blackness through a series of essays, personal insights, one-on-one conversations and video interviews with individuals who are not typically embraced as Black within our society.

“This project opens the conversation about the ways in which skin color politics works for people with lighter complexion.  It’s not just about the complexion, but rather the interplay between complexion and physical appearance with racial identity,” explains Yaba Blay, PhD.

A New Orleans native, Blay’s impetus for starting such a venture spun from personal experience.  Growing up in a society with an undertone of racial consciousness, and a high population of Creoles and Mulattoes, Yaba had a heightened sense of racial politics within the Black community and the underlying sensitivities regarding skin color and racial identity…

…“As a professor, I teach my students about the concept of the Diaspora and that there are Black people of African descent all over the globe.  However, I guess there was some sort of separation for me between the theory and the practice.  As I was sitting on the panel, and Rosa [Clemente] was identifying as an African woman, I was thinking ‘but you’re Latina,’ and I was taken aback and fascinated by the concept that somebody who has the option to be something else, chose to identify as Black.”…

Read the entire article here.

(1)ne Drop: 2012 Tour

(1)ne Drop
National Campus Tour
Fall 2011

In an effort to provide audiences the opportunity to more deeply engage the issues raised by the project, the (1)ne Drop project is going on tour. The producers invite colleges and universities across the country to host a (1)ne Drop exhibit. Each exhibition will be accompanied by a multi-media lecture on skin color politics and Black racial identity by Dr. Yaba Blay, (1)ne Drop Author and Producer…

Topics include:

• “One-Drop: Fact? Fiction? or Fate?”
• “Not Black Enough: The “Other” African American Experience”
• “¿Black?: The Latin American and Caribbean Experience”
• “Light Skin + Long Hair: Challenges to Sistahood”

For more information, click here.

New Photo Essay: (1)ne Drop

(1)ne Drop
2011-09-26

Yaba Blay

Comments by Steven F. Riley: In keeping with the non-commercial aspect of this site, I have modified the fundraising press release to provide informational content about the book project. There is howerver, a short fundraising request at the end of the video.

PHILADELPHIA, PA – Africana Studies scholar Yaba Blay, Ph.D., and award-winning photographer Noelle Théard [photographs] are collaborating on an innovative new project: a photo essay book that explores the “other” faces of Blackness – those folks who may not be immediately recognized, accepted, or embraced as Black in our visually racialized society. Entitled (1)ne Drop, a reference to the historical “one-drop rule,” the project seeks to challenge narrow, yet popular perceptions of what “Blackness” is and what “Blackness” looks like by pairing candid personal narratives with beautifully captured portraits.

“With this project, I wanted to look at the other side, or at least another side. When we talk about skin color politics, for the most part, we only discuss the disadvantages associated with being dark-skinned. We know about the lived experience of being dark-skinned in a society where lighter skin and White skin are privileged,” says Blay, the author for the project.  “This is not to say that that discussion is over or resolved or that we need to stop discussing it. But we also need to start having more balanced and holistic conversations about skin color.”…

From the “About” page.

People of African descent reflect a multiplicity of skin tones and phenotypic characteristics. Often times, however, when met by people who self-identify as “Black,” but do not fit into a stereotypical model of Blackness, many of us not only question their identity, but challenge their Blackness, and thus our potential relationship to them. A creative presentation of historical documentation, personal memoirs, and portraiture, (1)ne Drop literally explores the “other” faces of Blackness—those who may not immediately be recognized, accepted, or embraced as “Black” in this visually racialized society. Through portrait documentaries (book and film), photography exhibitions, and public programming, the project intends to raise social awareness and spark community dialogue about the complexities of Blackness as both an identity and a lived reality.

(1)ne Drop seeks to challenge narrow, yet popular perceptions of what “Blackness” is and what “Blackness” looks like—if we can recalibrate our lenses to see Blackness as a broader category of identity and experience, perhaps we will be able to see ourselves as part of a larger global community. In the end, (1)ne Drop hopes to awaken a long-overdue and much needed dialogue about racial identity and skin color politics.

For more information, click here.