Mixed Race Studies

Portlander Damaris Webb explores racial gray areas in ‘The Box Marked Black’

The Oregonian
Portland, Oregon
2013-02-16

Marty Hughley

When it came time for Damaris Webb to apply for college, her father encouraged her to check the box on application forms indicating “black” as her racial origin. For long enough in his family’s history, being black had made life difficult. But maybe in this circumstance, by the 1980s, it would be an advantage instead.

But she thought differently.

“I argued that I should mark ‘other,’ because that’s what I was,” Webb says in her solo theater piece “The Box Marked Black,” which opened last weekend at Ethos/IFCC. “Not that I was ashamed to be black. But I thought if I got into college for being black, when I showed up they’d be disappointed.”

Depending on what you believe about race and classifications thereof, Webb is black. Or white. Or both. Or either. Or other…

Read the entire article here.

Pilot Episode

The Source Weekly
Bend, Oregon
2014-03-20

Brianna Brey

Jason Graham (The Source Weekly)

The Lot’s new open mic calls on Bend’s creative types

“Calling ALL local musicians, artist and hacks,” reads the event listing for Bend’s newest open mic night, an free-for-all gathering on Wednesday nights at The Lot. “Sing a tune, read a poem, do a dance, tell a story, present your art…be creative. Here is an opportunity to share your soul.”

Soul sharing is the M.O. for local poet, musician, painter and generally ubiquitous artist MOsley WOtta, a.k.a. Jason Graham, the host of the weekly event. Open mics have the stigma of a musician’s domain, but Graham emphasized the “openness” of this particular event, encouraging all types of creativity, not just the singer/songwriter.

“As much as I love the musical open mics and the poetry slams, I’m trying to see what all we can get,” explained Graham. “It’s sort of like a workout. We already have the massive pectoral muscles that are the singer/songwriters. We want to keep that part strong, but work the other parts of it, too.”

This Wednesday, March 19, will mark the third week of the open mic and already Graham said the event is attracting the diverse talents of Bend. Silly and serious, the event is a platform for the community to test its collective material…

Read the entire article here.

Mosley Wotta releases new album

The Bulletin
Bend, Oregon
2012-09-14

Ben Salmon

Bend hip-hop artist performs in Bend tonight

Anyone who knows local artist, musician and educator Jason Graham—aka MOsley WOtta, leader of the hip-hop band of the same name—knows that his relocation to Bend at age 9 from Chicago’s north side has had a profound and longstanding effect on his worldview, and thus, his art.

Get Graham, 29, talking (not a difficult task at all), and you’re likely to eventually hear about his experience as a mixed-race kid moving from an ultra-urban environment to the lily-white Bend of a decade ago. And he won’t hesitate to point out that his own stereotypes about “the country” were as deeply entrenched as those he encountered in others.

The collision of race and culture is a subject Graham has always touched on in his music, going back to his time in the local rap collective Person People, up through his first solo album, 2010’s “Wake.”

But tonight, Graham will celebrate the release of the second Mosley Wotta album, “KinKonK,” at the old PoetHouse Art space in Bend (see “If you go”), and at the same time, he’ll unveil a more direct, more forceful and more thoughtful set of songs on the subject than he ever has before. It’s also material that may surprise some of the folks who’ve come to love the Mosley Wotta band that, since winning Bend’s inaugural Last Band Standing competition two years ago, has dominated local festival stages with its upbeat funk-hop and positive message of unity through music…

Read the entire article here.

Telling His Story, Keeping His Promises: MOsley WOtta as performer and father

True North
Central Oregon Parenting
January/February 2012

Michelle Bazemore
photography by Kimberly Teichrow

Note from Steven F. Riley: I will be the co-host on the February 22, 2012 podcast of Mixed Chicks Chat with featured guest Jason Graham.

It’s difficult to spend time with Jason Graham without feeling like you’re in the presence of someone on the brink. Here is a person who has understood the art of performance since he was very small: a kid who could make his divorced parent laugh through her tears after a particularly nasty telephone conversation with her ex; an artist not content to kill it in his hometown; a man who empowers kids to find their voices by directing them to “tell your individual version. The theme has been done, but not your version.”

His version is a study in juxtaposition. He is a rapper, but doesn’t embody the mainstream definition of a hip hop star. He is modern, but inspired by ancient themes. He is physically graceful, yet enjoys playing a grotesque role to make his audience uncomfortable, and to relay a philosophy about superficiality. In his music he will break up a rapid-fire delivery of rap with a sudden drawn-out melodic phrase, often with a theatrical inflection a la Busta Rhymes.

To label Jason Graham a rapper is selling him rather short. Seemingly driven to express himself creatively with whatever medium he is given, Graham is rightly labeled a performance artist. A distinctive voice coupled with the ability to manipulate words into a rhythmic, thought-provoking stream of consciousness make him a natural spoken-word poet and emcee. But he also paints on anything that paint adheres to, from canvas to shovels to jackets, and uses his theater background to create masks, costumes, and props to evoke different characters on stage. Graham’s upbringing in a creative, multi-cultural family has influenced his artistry, adding depth to his performances.

Compared to many commercially successful rappers, Graham is unusually willing to express vulnerability and self-doubt. “I’m comfortable being uncomfortable,” he says without irony, “and that’s what makes me glorious.” As a mixed-race kid transplanted to Bend from Chicago when he was nine years old, he knows about being self-conscious, but says emphatically that he wasn’t “supposed to escape that one way or the other.” He has gradually become more comfortable with calling himself an artist. “It’s dangerous because you invest so much of your love into something you’ve been told time and time again may not work out,” he admits. “But just because you’re an investment banker doesn’t mean it’s going to work out either. Security’s very relative.” …

…The name MOsley WOtta refers to the water content of the human body. At most times during life, the human body is made up of more than 50% water, or “mostly water.” It’s an overt gesture to draw a line of internal commonality among people who are increasingly driven to express themselves as individuals externally through fashion, body art and other surface displays. “We’re always trying to find a balance between fitting in and being ourselves,” says Graham…

Read the entire article here.

‘MOsley WOtta’ Transcends Boundaries Of Music, Poetry And Art

OPB News
Oregon Public Broadcasting
2011-12-30

David Nogueras, Central Oregon Correspondent
Bend, Oregon

Note from Steven F. Riley: I will be the co-host on the February 22, 2012 podcast of Mixed Chicks Chat with featured guest Jason Graham.

It’s been a good year for Bend’s MOsley WOtta.  The hip-hop group played shows around the state, opening for acts such as Ice Cube and Tricky.  The band plans to close out this year with a New Year’s Eve show in Bend. That’s where the band will unveil its third official release, titled Amalgum X. Bend isn’t typically thought of for it’s hip hop scene. But MOsley WOtta isn’t your typical hip hop group.

“No matter where you come from, what era you come from, there is some kind of music inside of hip hop that will grab you,” says Bend artist MOsley WOtta.

“Light skin, blue blood, gentlemen and ladies, girls and boys, this is that love, pain, grow, if you are living and breathing right now.  You know exactly what I’m talking about.” MOsley WOtta is the alter ego of 28 year old Jason Graham.  It’s also the band that Graham fronts…

…“I think he’s a classic artist, a classic creative brain.  You might meet artists and creative people who are introverted or socially awkward.  This is not that case,” says Salmon. Up on stage, Jason Graham is in his comfort zone.   But growing up biracial in the 1980 he says he’s always kind of felt as if he lived between worlds.  He was born in what he describes as a somewhat rough neighborhood in Chicago and moved to Bend at age 9.  These days he’s tough to miss.  He’s tall, lanky and exudes energy.   Graham says sometimes people don’t quite know what to make of him.

“Maybe people come up and they’re like so are you Mexican?  Are you Filipino?  Indian right?  That is just like with the music, I do see a total correlation there.  Between it’s like well it’s not exactly one thing.  And it never will be one thing, cause I’m not one thing,” says Graham…

Read the entire article here.  Listen to the audio here (00:04:54).

Panel by Hapa and Critical Mixed Race Studies Scholars and Artists

Oregon Nikkei Legacy Center
Japanese American History Museum
2011-08-04

Emily Momohara, Assistant Professor of Art
Art Academy of Cincinnati

Laura Kina, Associate Professor of Art, Media and Design
DePaul University

Dmae Roberts

Moderated by

Tim DuRoche, Director of Programs
World Affairs Council of Oregon

This talk will showcase their work as the artists talk about how they address hapa identity through art. Emily Momohara is currently an Assistant Professor of Art at the Art Academy of Cincinnati where she heads the photography major. Dmae Roberts is a two-time Peabody award-winning independent radio artist and writer who has written and produced more than 400 audio art pieces and documentaries for NPR and PRI programs. Laura Kina is Associate Professor of Art, Media, and Design; Global Asian Studies affiliated faculty member; and a distinguished Vincent de Paul Professor at DePaul University in Chicago, where she has also been involved in the emerging field of critical mixed race studies. This panel will be moderated by Tim DuRoche, Director of Programs for the World Affairs Council of Oregon.

For more information, click here.

Through Eyes Like Mine

Createspace Publishing
2010-11-20
164 pages
5.2 x 0.4 x 8 inches
ISBN-13: 978-1450535786

Nori Nakada

Through Eyes Like Mine is the story of a childhood told through the present-tense voice of Nori Nakada. Born to a Japanese American father and German-Irish mother in rural Oregon, Nori’s family becomes increasingly diverse when they adopt a six-year-old boy from Korea. She struggles to find comfort within a family, a community and a world that is both simple and complex. By examining her family’s silences, she begins to understand life, death and her own identity. The joys and challenges of growing up invite the reader to recall the world through eyes like mine.

Half-Breed Citizenship Bill, 1857

Oregon State Archives
Echoes of Oregon History Learning Guide

A Bill
 
To enable certain Half Breeds to acquire the rights of citizenship within this Territory.Section1. Be it enacted by the Legislative Assembly of the Territory of Oregon. That any person, being the child of a white father and an Indian mother, and therefore disfranchised by existing laws, may be admitted to the privileges of citizenship, by the District Court, upon satisfactory proof that he is a permanent resident and land owner of the county or district, and can speak read and write the English language, and has in all respects the educatio habits and associations of a white person, and would, if he were a white person, be a citizen of the United States or entitled to admission as such, and is a person of good moral character and in all respects worthy to enjoy the said privileges. The District Court shall make a record of such admission and grant to the applicant a certificate thereof which shall entitle him to enjoy, during the pleasure of the Legislative Assembly, all the rights privileges and immunities of a citizen of the United States within this Territory as fully as it is competent for the Territory to grant the same.

Sec. 2. This act shall take affect from the time of its passage.

Background

American immigrants in Oregon Territory disliked people of mixed Indian-white parentage. In 1855, the territorial government passed a law which prevented mixed race men from becoming citizens. This bill is an attempt to gain these rights for the children of white fathers and Indian mothers, subject to the satisfaction of certain requirements. Many white citizens would have been unable to satisfy these requirements, which included proof of literacy and good moral character. This bill did not pass.

Census Bureau Reports Final 2010 Census Data for the United States

United States Census Bureau
Census 2010
2011-03-24

The U.S. Census Bureau announced today that 2010 Census population totals and demographic characteristics have been released for communities in all 50 states, the District of Columbia and Puerto Rico. These data have provided the first look at population counts for small areas and race, Hispanic origin, voting age and housing unit data released from the 2010 Census. With the release of data for all the states, national-level counts of these characteristics are now available.

For each state, the Census Bureau will provide summaries of population totals, as well as data on race, Hispanic origin and voting age for multiple geographies within the state, such as census blocks, tracts, voting districts, cities, counties and school districts.

According to Public Law 94-171, the Census Bureau must provide redistricting data to the 50 states no later than April 1 of the year following the census. As a result, the Census Bureau is delivering the data state-by-state on a flow basis. All states will receive their data by April 1, 2011.

Highlights by Steven F. Riley

• The United States population (for apportionment purposes)  is 308,745,538. This represents a 9.71% increase over 2000.
• The U.S. population including Puerto Rico is 312,471,327.  This represents a 9.55% increase over 2000.
• The number of repondents (excluding Puerto Rico) checking two or more races (TOMR) is 9,009,073 or 2.92% of the population. This represents a 31.98% increase over 2000.
• The number of repondents (including Puerto Rico) checking TOMR is 9,026,389 or 2.89% of the population.  This represents a 29.23% increase over 2000.
• Hawaii has the highest TOMR response rate at 23.57%, followed by Alaska (7.30%), Oklahoma (5.90%) and California (4.87%).
• California has the highest TOMR population at 1,815,384, followed by Texas (679,001), New York (585,849), and Florida (472,577).
• Mississppi has the lowest TOMR response rate at 1.15%, followed by West Virginia (1.46%),  Alabama (1.49%) and Maine (1.58%).
• Vermont has the lowest TOMR population at 10,753, followed by North Dakota (11,853), Wyoming (12,361) and South Dakota (17,283).
• South Carolina has the highest increase in the TOMR response rate at 100.09%, followed by North Carolina (99.69%), Delaware (83.03%) and Georgia (81.71%).
• New Jersey has the lowest increase in the TOMR response rate at 12.42%, followed by California (12.92%), New Mexico (16.11%), and Massachusetts (17.81%).
• Puerto Rico has a 22.83% decrease in the TOMR response rate and New York has a 0.73% decrease in the TOMR response race.  No other states or territories reported decreases.

Tables compiled by Steven F. Riley. Source: United States Census Bureau

Tables compiled by Steven F. Riley.  Source: United States Census Bureau