Mixed Race Studies

The Masters and the Slaves: Plantation Relations and Mestizaje in American Imaginaries

Palgrave Macmillan
January 2005
176 pages
Size 5 1/2 x 8 1/4
Paperback ISBN: 1-4039-6708-3
Hardcover ISBN: 1-4039-6563-3

Edited by:

Alexandra Isfahani-Hammond, Assistant Professor of Luso-Brazilian Literature
University of California, San Diego

The Masters and the Slaves theorizes the interface of plantation relations with nationalist projects throughout the Americas. In readings that cover a wide range of genres–from essays and scientific writing to poetry, memoirs and the visual arts–this work investigates the post-slavery discourses of Brazil, the United States, Cuba, Puerto Rico, Haiti and Martinique. Indebted to Orlando Patterson‘s Slavery and Social Death (1982) and Paul Gilroy‘s The Black Atlantic (1993), these essays fill a void in studies of plantation power relations for their comparative, interdisciplinary approach and their investment in reading slavery through the gaze of contemporary theory, with particularly strong ties to psychoanalytic and gender studies interrogations of desire and performativity.

Table of contents

• Introduction
• The Sugar Daddy: Gilberto Freyre and the White Man’s Love for Blacks—César Braga-Pinto
• Writing Brazilian Culture—Alexandra Isfahani-Hammond
• Authority’s Double Shadow: Thomas Jefferson and the Architecture of Illegitimacy—Helena Holgersson
• Fixing History: Race, Nation, and the Symbolics of Servitude in Haitian Noirisme —Valerie Kaussen
• Fanon as ‘Metrocolonial’ Flaneur in the Caribbean Post-Plantation/Algerian Colonial City—Nalini Natarajan
• From the Tropics: Cultural Subjectivity and Politics in Gilberto Freyre—Jossiana Arroyo
• Hybridity and Mestizaje: Syncretism or Subversive Complicity—Ramón Grosfoguel
• Giants of Three Colors: A Writer and an Artist Imagine Racial Mixture in 1940s Brazil—Luiza Franco Moreira
• Messianic Melancholic Imagination: Imagine Community with the Dead—Shreerekha Subramanian

“The New Kubla Khan: Mixed Race Multi-Nationalism”

Paper presented at the annual meeting of the American Studies Association
2009-05-24

Michele Elam, Martin Luther King, Jr. Centennial Professor of English, Professor, Director of African & African American Studies
Stanford University

This paper examines how, and to what ends, people of the “mixed race experience” are being discursively contextualized as posterchildren of the “post-race,” “post-nation” era. As early as 1996, Stanley Crouch was proclaiming that “race is over;” since then, others also have rung race’s death knell: Holland Cotter in a 2001 New York Times piece, for example, has claimed that the time for “ethno-racial identity” is past, that we are now witnessing the coming of “postblack or postethnic art” that represents what Anthony Appiah recently called a “New Cosmopolitanism.” This presentation argues that “mixed race” has emerged in the context of these “post-race” cultural discourses, discourses which suggest, as Belize in Tony Kushner’s Angels in America puts it, that “race, taste and history” are “finally overcome.” Hybridity for many represents “life after race”(Naomi Zack), a step “beyond race” (Dinesh D’Sousa), a gesture “against race”(Paul Gilroy), the “new racial order” (G. Reginald Daniel), a “new frontier”(Maria Root) advanced by a “new people” (Jon Michael Spencer) who are ushering in a new world beyond race, identity, and nation. My presentation examines this problematic representation of mixed race people as post-nation vanguards in both mainstream media and in the field of pop-culture, and the send-up of the idea that “mixed race” people constitute a new nation-beyond-nationalism in Danzy Senna’s novel, Symptomatic (2005).

Between Camps: Nations, Cultures and the Allure of Race (Also published in the United States by Harvard University Press as Against Race: Imagining Political Culture beyond the Color Line)

Routledge
2004-08-26
424 pages
Trim Size: 234X156
Paperback ISBN: 978-0-415-34365-7

Paul Gilroy, Anthony Giddens Professorship in Social Theory
The London School of Economics and Political Science

In this provocative book, now reissued with a new introduction, Paul Gilroy contends that race-thinking has distorted the finest promises of modern democracy.  He compels us to see that fascism was the principal political innovation of the twentieth century – and that its power to seduce did not die in a bunker in Berlin.

Between Camps addresses questions such as:

• Why do we still divide humanity into different identity groups based on skin colour?
• Did all the good done by the Civil Rights Movement and the decolonization of the Third World have such little lasting effect?

Gilroy examines the ways in which media and commodity culture have become pre-eminent in our lives in the years since the 1960s and especially in the 1980s with the rise of hip-hop and other militancies. With this trend, he contends, much that was valuable about black culture has been sacrificed in the service of corporate interests and new forms of cultural expression tied to visual technologies. He argues that the triumph of the image spells death to politics and reduces people to mere symbols.

At its heart, Between Camps is a Utopian project calling for the renunciation of race. Gilroy champions a new humanism, global and cosmopolitan, and he offers a new political language and a new moral vision for what was once called ‘anti-racism’.